Free PDF Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer
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Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer
Free PDF Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer
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Incorporating dozens of hours of interviews into an illuminating narrative heightened by rigorous reporting and compelling analysis of Mitchell's craft, respected music journalist Michelle Mercer insightfully details the richness of the artist's accomplishment: Mitchell's innovative way of marrying lyrics to melody; how she plays with inventive, highly expressive chords to achieve her unusual blend of wonder and melancholy; and how she pioneered autobiographical songwriting and along with Bob Dylan brought a new literacy to the popular song. Will You Take Me As I Am offers a fascinating look into the personal life of a great artist and the culture she helped to shape.
- Sales Rank: #1044867 in Books
- Brand: Brand: Free Press
- Published on: 2009-04-07
- Original language: English
- Number of items: 1
- Dimensions: 1.20" h x 5.70" w x 8.50" l, .85 pounds
- Binding: Hardcover
- 256 pages
- Used Book in Good Condition
From Publishers Weekly
Mercer (Footprints: The Life and Work of Wayne Shorter) covers the iconic folk maiden Joni Mitchell during her Blue period (roughly 1971 to '76) in what is part music criticism. The book covers the origin and meaning of Blue's songs in Mitchell's own words, her childhood and how her relationships with Graham Nash, Leonard Cohen and James Taylor shaped her music. As her first husband, Chuck Mitchell, said, There are a couple Joans... the literal girl, the prairie tomboy... the historical person, the narrative writer, and the queen—and this book reveals a bit of each of them. Written from a fan's perspective, this book is partly Mercer's own diary, the way Blue was partly Mitchell's diary. This is Mercer's love song to Mitchell, which aims it sometimes to an audience already well-versed in Mitchell history and lore. Whether new or old fans of Joni Mitchell, readers can appreciate the extensive research, and much of the book is in Mitchell's own words, including an entire chapter on her favorite things. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
The emotional depth of Joni Mitchell’s 1971 album “Blue” established a new standard for personal songwriting, attaining an artistry that Mitchell refined in a handful of influential records, culminating with “Hejira,” in 1976. Mercer attempts to explore Mitchell’s formative experiences and her creative process during this period, abetted by the coöperation of the usually unforthcoming singer. There are juicy tidbits in tales of Mitchell’s youth in western Canada; travels in Greece and across America; romances with Leonard Cohen, Graham Nash, James Taylor, and Sam Shepard; and a bracing encounter with the Tibetan monk Chögyam Trungpa. But Mitchell’s ability to articulate the sublime frequently reduces Mercer to a kind of fan-girl gush, and Mitchell herself, open and vulnerable in her art, comes across as prickly and contentious, convinced that she’s underappreciated, no matter how much praise she gets.
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Review
"Mercer, an accomplished music journalist, wisely places her focus on Blue's almost perfect marriage of lyric, melody, mood, and explored experience at the center of the book, surrounded by a careful yet conversational look at how Mitchell got to that point in her life and where she went in the years that followed. Mercer was fortunate to spend extensive time talking directly with the media-shy Mitchell. The author's own thoughts and experiences play a subtle yet pivotal role as the enduring power of Blue is reflected in her personal narrative as one who was, and remains, inspired by this landmark recording."-- Library Journal
"What distinguishes this work from standard celebrity profiles is that it reads like a collection of cultural essays.... Mercer uses her subject's own words (she conducted a trove of interviews with Mitchell) to illustrate her thesis that Mitchell helped make the personal songwriters of the late '60s and early '70s the literary successors to the Beats.... She addresses nuances of Mitchell's art that have not been adequately recognized but does not lionize her. Rather, Mitchell is revealed as a complicated woman for whom being widely liked is both anathema and a great need."-- Los Angeles Times
Most helpful customer reviews
51 of 63 people found the following review helpful.
Read this if you want to know more about Michelle Mercer
By Diana K. Jackson
Michelle Mercer likes to write about herself nearly as much as the subject of her book. Though she claims to be uninterested in gossip..."Celebrity gossip is not very compelling to me...Basically, I'm more interested in how songwriters make thier work personal than in what they get personal about", she indeed dishes throughout the book and speculates on Mitchell's personal matters. Mercer tries very hard to describe the special relationship she claims to have with Mitchell, and brags about an incident during a dinner with Mitchell and others where Mitchell called one of Mercer's comments "ignorant." "Everyone at the table froze over their salads. The Great Goddess's ire had been raised. But I wasn't going to be cowed -..."
The final offense in this book supposedly about Mitchell is when Mercer lashes out in an unnaturally vicious way about Dan Fogleberg. After reading that part of the book two times, I am still unable to determine why she included her rant in the book. Shameless, really, and completely irrelevant.
Do yourself a favor and re-listen to Mitchell's music. No reason to learn more about a pompous, self-serving Mercer through this painful book.
30 of 39 people found the following review helpful.
Readable but exasperating
By Lilting Banshee
This turns out to be the author's ruminations on 60's and 70's songwriting and its place in the history of confessional and autobiographical expression, using Joni Mitchell's work to support her thesis. Yes, there are some insightful comments on Mitchell's "Blue period" and the quotes from Joni are worthwhile. But the focus on Joni comes and goes, too often going into the kind of analysis you might expect from a decent college paper for an introductory literature class or sometimes losing coherence altogether, e.g. "So landscape in the music of Young and Mitchell is at once more subtle and manifest, because their feelings for the land have a sound less distinguishable from their feeling of the land itself." (p. 56) Huh? At times the book reads like it was written as a series of independent essays, grappling with the same essential topic, making various unsuccessful attempts to define Mitchell's art. A line by line analysis of "Court and Spark" here, a comparison to Allen Ginsberg there. Throw enough comparisons and something will stick. Or not: even Joni Mitchell comes across as confused: "I looked to her [Laura Nyro] and took direction from her. On account of her, I started playing piano again. Laura Nyro you can lump me in with because Laura exerted an influence on me." (p. 84) Well, great! I love Laura Nyro, too! But on page 97, the author says this, "Cohen is also the only songwriter other than Dylan whom Mitchell admits as an influence." I managed to complete the book because the author did have access to Graham Nash, ex-husband Larry Klein, Joni Mitchell, herself, as well as other insiders and their commentary adds some flesh to the artist. But ultimately there are way too many digressions from an obviously intelligent writer just flashing from one idea or artistic comparison (". . .but to borrow from Blake. . ." or St. Augustine or Richard Wagner or Pablo Neruda. . .) to another. This didn't work for me, maybe it will for you.
4 of 4 people found the following review helpful.
Songwriting Doesn't Get Better
By Scotty
I loved Joni Mitchell since the seventies (when I was so much younger). Blue remains one of my favorite CDs. It stands the test of time. Songwriting doesn't get any better. This "biography" lets you glimpse into the younger Joni Mitchell, her songs, her lovers, her demons and her angels. If you can't get enough about Joni, I think you'll enjoy this book.
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