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Félix Ventura trades in an unusual commodity; he is a dealer in memories, clandestinely selling new pasts to people whose futures are secure and who lack only a good lineage to complete their lives. In this completely original murder mystery, where people are not who they seem and the briefest of connections leads to the forging of entirely new histories, a bookish albino, a beautiful woman, a mysterious foreigner, and a witty talking lizard come together to discover the truth of their lives. Set in Angola, Agualusa's tale darts from tormented past to dream-filled present with a lightness that belies the savage history of a country in which many have something to forget -- and to hide.
A brilliant American debut by one of the most lauded writers in the Portuguese-speaking world, this is a beautifully written and always surprising tale of race, truth, and the transformative power of creativity.
- Sales Rank: #652776 in Books
- Published on: 2008-06-17
- Released on: 2008-06-17
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .60" w x 5.50" l, .82 pounds
- Binding: Paperback
- 180 pages
From Publishers Weekly
Lovers of stylish literary fiction will rejoice at this charming tale by Angolan writer Agualusa. The elegantly translated story is narrated by a house gecko named Eulálio, who in brief, vignette-like chapters, reminisces on his life (and past life) and observes the home of Félix Ventura, an albino Angolan who makes his living selling fabricated aristocratic pasts to newly successful citizens of the war-torn former Portuguese colony. Photojournalist José Buchmann pushes Félix's occupation into harsh reality when José looks into the past Félix has created for him, and the story shudders to a climax when Félix's allegedly fictitious history collides with reality. Eulálio is a lovable narrator, alternately sardonic and wistful; his dreams are filled with regret and powerlessness. Félix is an equally sympathetic subject, complicated by his loneliness, his fondness for prostitutes, his insistence on the honor of his trade despite its scalawag nature, and a late-blooming sweet love story. The novel's themes of identity, truth and happiness are nicely handled and span both the political and the personal. It's very touching, in a refined way. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"A subtle beguiling story of shifting identities." -- Kirkus
"A work of fierce originality." -- The Independent
"Without doubt one of the most important Portuguese-language writers of his generation." -- Antonio Lobo Antunes
"A book as brisk as a thriller and as hot and alarming as the most powerful kind of dream." -- Michael Pye, author of The Pieces from Berlin
"Cross J. M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize." -- Alan Kaufman, author of Matches
Review
"A subtle beguiling story of shifting identities."-- Kirkus
"A work of fierce originality."-- The Independent
"Without doubt one of the most important Portuguese-language writers of his generation."-- Antonio Lobo Antunes
"A book as brisk as a thriller and as hot and alarming as the most powerful kind of dream." -- Michael Pye, author of The Pieces from Berlin
"Cross J. M. Coetzee with Gabriel García Márquez and you've got José Eduardo Agualusa, Portugal's next candidate for the Nobel Prize."-- Alan Kaufman, author of Matches
Most helpful customer reviews
0 of 1 people found the following review helpful.
The best book by Agualusa in my opinion
By Milda
My fav book for many years now. It's neat, tight and highly imaginative. I plan to teach it to my creative writing students. Made me interested in Portuguese--Lusophone Lit
3 of 3 people found the following review helpful.
Changing pasts
By Priya Ramachandran
How are personal histories made? What exactly are memories made of? The Book of Chameleons (original Portuguese title O vendedor de passados) by Portuguese author Jose Eduardo Agualusa explores these fundamental questions. The protagonist of this book, an Angolan albino called Felix Ventura, is a vendor of pasts. For a fee, he will concoct a history for you, as complicated and detailed as you want it to be, provide you with adequate documentation such as birth certificates, family tree, even photographs and similar. In his home resides the narrator of this tale - a gecko named Eulalio, so christened by Ventura because his words are so pleasant to the ear.
Ventura's client Jose Buchmann brings things to a head when he takes his fake past a little too seriously. A photojournalist, he traces the history of his fake parents, and sets out to visit and photograph his so-called birthplace. At Ventura's home, he runs into Angela Lucia, a fellow photojournalist and professional nomad who roams the world photographing light. The connections between the characters become clear through a surprise twist in the end.
The book is enlivened by gecko's perspective. He and Ventura dream individually but the stuff of their dreams is the same in content, and thus the two main characters communicate with one another. The gecko's knowledge transcends this life into his past incarnation as a mama's boy. In this book of fake and creatable pasts, Eulalio's is the memory that is deepest.
The book is not without its flaws. The gecko/first person narrative leads to a few stilted sentences, since the writer has to explain how a gecko comes across this knowledge, but these are few and far between. The prose reads like poetry and the free flow of the writer's style causes the pacing to suffer at times.
However the book also works on several levels - as a mystery/thriller, as a meditation on spirituality, as a satirical commentary on how money can buy anything -including a past. An interview with Agualusa at the end of the book reveals several interesting tidbits. The book is set at a point in Angolan history soon after the country gained its independence from its Portuguese rulers. A new class of nouveau riche came into power, and with this new wealth came a craving for new histories as well. The author mentions that he has based the gecko character on Jose Luis Borges.
We live in times of relentless and Google-able documentation, and hence poor memory may no longer be an acceptable excuse. As I write this, China's doctoring of a gymnast's date of birth is being unearthed via Googling, and a Bigfoot hoax was revealed after several incriminating videos were found on Youtube. But this tale shows us how imprecise histories can be and why it might sometimes even be necessary to have a certain fluidity to memories, histories and life in general.
[...]
1 of 1 people found the following review helpful.
A Fable of Identity
By An admirer of Saul
Narrated by a Lizard who lives in the home of Felix Ventura,an albino who creates pasts for his clients who want to either forget or upgrade their real ones. One day he creates Jose Buchmann....
'The Book of Chameleons' is told in a simply way but is still able to convey its weighty theme :'What is real/reality' very well. It makes you consider the proposition that for most of our lives we are in denial of our past or at least reinventing it so it appears more glamourous or in touch with impact events.(If everyone who claims to have been at Woodstock was believed, the attendence was more like 25 million strong!)
That Agualusa writes and sets his novels in Angola with a slave trading past and a brutal civil war in its recent past gives depth to the idea of reinventing oneself;reinventing history; to make the present seem more amicably arrived at and complete.
An unusual book that is easy to read, makes you think,never bogs you down with its weighty themes and is well plotted and keeps you reading.
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