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I'm Off Then: Losing and Finding Myself on the Camino de Santiago, by Hape Kerkeling

I'm Off Then: Losing and Finding Myself on the Camino de Santiago, by Hape Kerkeling



I'm Off Then: Losing and Finding Myself on the Camino de Santiago, by Hape Kerkeling

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I'm Off Then: Losing and Finding Myself on the Camino de Santiago, by Hape Kerkeling

From one of Germany’s most beloved celebrities, a cross between Bill Bryson and Paulo Coelho.

It has sold over 3 million copies and been translated into eleven different languages. Pilgrims have increased along the Camino by 20 percent since the book was published. Hape Kerkeling’s spiritual epiphany has struck a nerve.

Overweight, overworked, and physically unfit, Kerkeling was an unlikely candidate to make the arduous pilgrimage across the French Alps to the Spanish Shrine of St. James, a 1,200-year-old journey undertaken by nearly 100,000 people every year. But that didn’t stop him from getting off the couch and walking. Along the way, lonely and searching for meaning, he began the journal that turned into this utterly frank, engaging book. Simply by struggling with his physical limitations and the rigors of long-distance walking, he discovered a deep sense of peace that transformed his life and allowed him to forgive himself, and others, more readily. He learned something every day, and he took to finishing each entry with his daily lessons.

Filled with quirky fellow pilgrims, historic landscapes, and Kerkeling’s self-deprecating sense of humor, I’m Off Then is an inspiring travelogue, a publishing phenomenon, and a spiritual journey unlike any other.

  • Sales Rank: #42445 in Books
  • Brand: Brand: Free Press
  • Published on: 2009-06-16
  • Released on: 2009-06-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .90" w x 5.50" l, .73 pounds
  • Binding: Paperback
  • 352 pages
Features
  • ISBN13: 9781416553878
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
The 500-mile route along the Camino Frances, from the base of the Pyrenees to the shrine of St. James at Santiago de Compostela in northwestern Spain, has afforded a sacred pilgrimage to Christians for centuries, and German comedian Kerkeling, somewhat whimsically, resolved to hike it. At 36, a self-described pudgy couch potato who suffered some health problems, Kerkeling, wanting to know who God is, set out along the route in the summer of 2001 with an overheavy knapsack only to nearly give up at the first pass. There are nearly 40 stops along the way (helpfully laid out on a map insert), and chapter by chapter, Kerkeling chronicles nearly every one. Pilgrims must get their credencial del peregrino (passport) stamped at official hostels, usually dreary bunk-packed dorms, as they go, but Kerkeling, a fastidious German craving privacy and hot baths, mostly chooses to stay in hotels. As well, he jumped into cars and trains whenever his feet were smarting. Encounters with other pilgrims enliven this travel account, especially the two English-speaking ladies who accompanied him toward the end; as they approached Santiago, they all felt emotionally uplifted. While the author is better known in Germany and his antics somewhat lost in translation, his emotionally probing narrative develops depth and a touching sincerity. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
Hape Kerkeling is a comedian and writer living in Berlin. This is his first book.

Excerpt. © Reprinted by permission. All rights reserved.
I’m Off Then

June 9, 2001 Saint-Jean-Pied-de-Port

I’m off then!” I didn’t tell my friends much more than that before I started out—just that I was going to hike through Spain. My friend Isabel had only this to say: “Have you lost your mind?”

I’d decided to go on a pilgrimage.

 

My grandma Bertha always knew something like this would happen: “If we don’t watch out, our Hans Peter is going to fly the coop someday!”

I guess that’s why she always fed me so well.

I could be lying on my favorite red couch right now, comfortably sipping a hot chocolate and savoring a luscious piece of cheesecake, but instead I’m shivering in some café at the foot of the Pyrenees in a tiny medieval town called Saint-Jean-Pied-de-Port. An enchanting postcard idyll, minus the sun.

Unable to make a complete break with civilization, I sit down right by the main road. Although I’ve never even heard of this place before, there seems to be an unbelievable amount of traffic whizzing down the road.

On the rickety bistro table lies my nearly blank diary, which seems to have as hearty an appetite as I. I’ve never felt the need to capture my life in words before—but since this morning I’ve had the urge to record every detail of my unfolding adventure in my little orange notebook.

So here begins my pilgrimage to Santiago de Compostela.

The journey will take me along the Camino Francés, one of the official European Cultural Routes. I’ll be trekking over the Pyrenees, across the Basque country, the Navarre and Rioja regions, Castile and León, and Galicia, and after about five hundred miles I will stand right in front of the Cathedral of Santiago de Compostela. According to legend, this is the location of the grave of Saint James, the great missionary for the Iberian people.

Just thinking about the long trek makes me want to take a long nap.

And here’s the amazing part: I’ll hike it! The entire length. I will hike. I have to read that again to believe it. I won’t be alone, of course: I’ll be toting my twenty-four-and-a-quarter-pound, fire-engine red backpack. That way, if I keel over along the route—and there is a real chance of that happening—at least they can see me from the sky.

At home I don’t even take the stairs to the second floor, yet sstarting tomorrow I’ll have to cover between 12 and 18 miles a day to reach my destination in about 35 days. The couch potato takes to the road! It’s a good thing none of my friends knows exactly what I’m up to. If I have to call the whole thing off by tomorrow afternoon it won’t be too embarrassing.

This morning I took my first wary peek at the start of the official Camino de Santiago. Uphill from the city gate, on the other side of the turrets and walls of Saint-Jean, is the entrance to the Spanish Pyrenees, and the first segment of the Camino Francés is marked by a steep cobblestone path.



My route begins in Saint-Jean-Pied-de-Port.

I see a gentleman of around seventy who has difficulty walking, yet is evidently quite determined to undertake this pilgrim’s marathon. I watch him in disbelief for a good five minutes until he slowly disappears into the morning fog.

My guidebook—I chose a wafer-thin one, since I’ll have to lug it with me over the snowcapped peaks of the Pyrenees—says that for centuries, people have undertaken the journey to Saint James when they have no other way of going on with their lives—figuratively or literally.

Since I have just dealt with sudden hearing loss and surgery to remove my gallbladder—two ailments that I think are perfectly suited to a comedian—it’s high time for me to readjust my own thinking. It’s time for a pilgrimage.

I paid the price for ignoring the inner voice that had been hollering “TAKE A BREAK!” for months. When I forged ahead with my work, my body took revenge and shut down my hearing. An eerie experience! I was so furious at my own folly that my gallbladder exploded, and the next thing I knew, I was back in the emergency room with the symptoms of a heart attack.

I finally paid attention and drifted into the travel section of a well-stocked bookstore in Düsseldorf, looking for a suitable destination with one thought in mind: I’ve got to get away! It was high time for a time-out.

The first book I happened upon was Bert Teklenborg’s The Joy of the Camino de Santiago.

What an outrageous title! Eating chocolate can be a joyful experience—or maybe drinking whiskey—but can a route bring you joy? Even so, I bought this presumptuously titled book. And devoured it in a single night.

The way to Santiago de Compostela is one of the three great Christian pilgrims’ trails—the others are the Via Francigena from Canterbury to Rome and the pilgrimage to Jerusalem from anywhere.

According to legend, the Santiago trail was used by the Celts in pre-Christian times as a path of initiation. Veins of electromagnetic power in the earth and lines of energy (called ley lines) are said to be aligned with the Milky Way along the entire trail, all the way to Santiago de Compostela (which may mean “field of stars”), and even beyond that to Finisterre at the Atlantic coast in Spain (then considered “the end of the world”). The Catholic Church kindheartedly forgives the sins of people who complete a pilgrimage to Santiago. But that’s not my primary incentive; I’m drawn to the idea that the pilgrimage will help me find my way to God and thus to myself. That’s certainly worth a try.

I spend the next few days in a near trance, scoping out my itinerary and buying a backpack, a sleeping bag, a sleeping pad, and a pilgrim’s passport, but once I’m on the flight to Bordeaux, I emerge from my daze and hear myself say out loud: “Am I nuts?”

 

It’s been two decades since I first visited Bordeaux. Perhaps I’ve been in a bad mood ever since? I arrived there for the second time, only to discover that it is just as ugly and gray as it was when I visited at sixteen. I decided to spend the night at the Atlantic Hotel, a stately neoclassical building across the street from the train station. This is meant to be a consolation for the coming five weeks of dilapidated dormitories filled with snoring Americans and belching Frenchmen and no decent sanitary facilities.

It turns out I would have been better off in a dormitory. I was greeted with a friendly smile, shown to a drab little hole-in-the-wall, and quoted an exorbitant price. Instead of a window, the room offered harsh blue fluorescent lighting. I didn’t complain, but I could feel my nonexistent gallbladder acting up!

If Bordeaux had been nicer, I might not have continued on.

But there is nothing to keep me in the room, since the last guy to sleep here had the good sense to empty out the minibar. So, out I go, back to the train station.

In the gigantic main hall, I marshal my high school French to issue this halfway decent sentence: “Mademoiselle, one ticket from Bordeaux to Saint-Jean-Pied-de-Port, one way, second class, please.” The charming lady behind the counter beams at me.

“À quelle heure, monsieur?”—Ah, yes; at what time do I want to travel? That’s a good question.

“At about seven A.M.” I decide on the spot, which is how I do things.

“What was the name of that place again?”

Great! None of the maps I studied listed a train connection to Saint-Jean-Pied-de-Port—so there must not be one! I mumble the name again while she pores over enormous timetables from past centuries with a quizzical look on her face, then announces, to my complete surprise, “Monsieur, there is no such place in France.”

I am as flummoxed as if she’d just claimed that God is dead.

“Waaait a minute,” I say, “the place does exist, but maybe the railroad doesn’t go there. Surely there’s an interstate bus or something of that sort.” The lady politely stands her ground: “No, no, the place does not exist. Believe me.” Naturally I don’t. There’s a principle at stake here!



Who could seriously doubt the existence of Saint-Jean-Pied-de-Port?

After an excruciating couple of minutes, she discovers that the place exists after all! And there’s even a convenient set of connections. I feel as if I’d wished this place into existence. Maybe I’ll have the same good luck with God?

I leave the train station with my ticket in hand, wondering what I’m actually doing here, whether any of this makes sense. I look up, only to see a huge billboard advertising the latest technological gadget with the catchphrase “Do you know who you really are?” My answer is quick and clear-cut: “Non, pas du tout!”

I decide to give that some thought once I’m back in my hotel room. I leaf listlessly through a tattered city guide to Bordeaux to find out what I missed last week, and come across another version of the same ad campaign. This one declares, “Welcome to Reality!” Touché!

My room hasn’t sprouted any windows since I left. My cell phone charger doesn’t fit into the French outlet, and as a matter of fact I would like to go back home already—or should I go on? I opt for going on. Then I fall asleep.

 

When I arrive this morning, Saint-Jean is already packed with pilgrims of all ages and nationalities. The city evidently reaps a handsome profit from pilgrim business. Rustic walking sticks and scallop-shell pendants—the pilgrims’ insignia—are sold on every corner. There are kitschy statues of saints, pilgrims’ lunch platters—think French fries with meat course—and hiking guides in every conceivable modern language. I opt for a simple walking stick, although it seems much too long, much too heavy, and much too unwieldy.

On the way to the local pilgrims’ hostel I turn over in my mind how to say stamp in French. In Spanish it’s sello—that’s written in the pilgrim’s passport, the credencial del peregrino. In the entryway the word finally occurs to me: Timbre! Naturellement. I’ve got my sentence formulated in my head: J’ai besoin d’un timbre. Then I hear the elderly gentleman at the table speaking Oxford English while stamping the passports of a young four-man band from Idaho and assigning them beds one through four. It turns out he’s British and spends his summer vacations here in this little office, endorsing pilgrims’ passports and assigning bed numbers. And he seems to be enjoying it. My own enjoyment drains away the moment I realize that I am about to be allotted bed number five in an ice-cold, twenty-man dormitory, right next to the high-spirited country quartet from Idaho. Sure enough, they have their dreadfully heavy instruments in tow: three guitars and some sort of flute.

When my turn comes, the nice man asks me: “What’s your profession, sir?” I mull over some possible responses, then loudly announce, “Artist!” The man looks at me dubiously. This question didn’t come up with the musicians. The billboard said, “Do you know who you really are?” Evidently I don’t. Though my little white sunhat does make me look like Elmer Fudd.

Before he gets around to assigning me bed number five, I flee with my first official stamp in hand, although I have yet to trek a single foot. To make up for the previous night in Bordeaux, I’m going to stay at the Hôtel des Pyrénées, the best address in town! The albergue (pilgrims’ hostel) here is a bit too—shall we say—chummy for my liking. Sometimes it’s pretty obvious that I’m from Düsseldorf, Germany’s premier status-conscious city.

So the Catholic Church has it on record that I began my pilgrimage here. At the end, in Santiago, there’ll be a fabulous gilt-edged certificate in Latin—the compostela—signed by Secretarius Capitularis. And all my sins, which, as the Catholic Church sees it, are many, will be forgiven. I feel as though I’ve stepped into a clergy sitcom.

The stamps are issued only in official albergues, churches, and monasteries along the route. If you travel by car or train, you can’t get your hands on a pilgrim’s certificate, because the places that issue stamps can be reached only by foot or bicycle. You can claim to be a true pilgrim only if you have completed at least the last 62 miles before you get to Santiago de Compostela on foot, or the last 124 miles by bicycle or horse. Most people choose to trek the entire Camino Francés, the traditional pilgrim’s route. You don’t have to be Catholic to get a pilgrim’s passport. Though I was raised Catholic, I would describe myself as a kind of Buddhist with a Christian veneer, though that sounds more complicated than it is. You just have to embark on a spiritual quest—and that is what I am doing.

While I sit in the bistro sipping away at my café au lait, I consider my expectations for the pilgrimage. I could set off with this question in my head: Is there a God? Or a Yahweh, Shiva, Ganesha, Brahma, Zeus, Ram, Vishnu, Wotan, Manitu, Buddha, Allah, Krishna, Jehovah, etc.?

Since my earliest childhood I have devoted a good deal of thought to this question. As an eight-year-old, I enjoyed going to communion instruction, and I recall to this day exactly what was taught there. I felt the same way later in confession training, religious instruction, and confirmation classes. I never had to be coaxed into going (no one would have pushed me anyway, since I’m not from a strict Catholic family). My interest in all things religious ran high throughout my high school years.

While other children had to be dragged to mass kicking and screaming, I really enjoyed it, though I kept these feelings to myself. Of course, our parish priest’s sermons didn’t bowl me over, but they couldn’t squelch my keen interest. There wasn’t a single spiritual course that left me cold; every type of worldview fascinated me. For a while I seriously toyed with the idea of becoming a theologian or converting so I could become a Lutheran minister. As a child I hadn’t the slightest doubt about the existence of God, but as a supposedly enlightened adult I have to consider the question again.

What will happen if at the end of the journey the answer comes back: No, sorry, He doesn’t exist. There is NOTHING. Believe me, monsieur!

Could I live with that? With Nothingness? Wouldn’t life on this funny little planet seem altogether pointless? I would imagine that everyone wants to find God…or at least know whether He does, or did, or will exist…or something.

Maybe the better question would be: Who is God?

Or where, or why?

This is how scientists go about it.

I’ll start with a hypothesis: There is a God!

Since it would be pointless to fritter away my limited time seeking something that ultimately might not even be there, I’ll go ahead and assert that it is! I just don’t know where. And should there turn out to be a creator, He will be pleased as punch that I never doubted His, or Her, or Its existence.

In the worst-case scenario, the answer would be: “There is a God and at the same time there isn’t one; you may not understand that, but once again, I’m sorry—those are the facts, monsieur!”

I could live with that, because it would be a kind of compromise. Some Hindus, by the way, subscribe to this seemingly illogical view.

So: Who is looking for God here, anyway?

I am! Hans Peter Wilhelm Kerkeling, thirty-six years old, Sagittarius, Taurus Ascendant, German, European, adoptive Rhinelander, Westphalian, artist, smoker, dragon (in the Chinese zodiac), swimmer, motorist, utilities customer, TV viewer, comedian, bicyclist, author, voter, fellow citizen, reader, listener, and monsieur.

Apparently I don’t have a very clear idea of who I am, so how am I supposed to figure out who God is? Maybe I should start with the smaller of these questions: Who am I?

At first I had no interest in confronting that issue, but since I am being called upon to do so by a constant stream of advertisements, I guess I have no other choice. The first step will be to discover myself; then I’ll take it from there. Maybe I’ll get lucky, and discover God here. Of course, it’s possible that he lives right around the corner from me in Germany, and I could have saved myself lots of trouble.

In my oxygen-deprived French cell last night, I got three hours of sleep, tops, which probably explains this muddled train of thought. Today I’ll get to bed early; tomorrow I want to be up and out by 6 A.M.

If there is a God, at least He has a sense of humor. Here I am, sitting with a café au lait on a potato-shaped planet racing at top speed through the universe. Not that I notice it, but it’s a fault.

Insight of the day: Start by figuring out who I am.

Most helpful customer reviews

58 of 60 people found the following review helpful.
I'm Off Then: Losing and Finding Myself on the Camino de Santiago
By S. Brown
I LOVED this book. As a Santiago pilgrim myself (2008, from St Jean), I've been awaiting the English translation of this famous German's camino book. Nearly every German I met on the Camino had read the book. For some, it was the reason they were walking the 800 km journey. I'd heard from some that they'd read it and were unimpressed, too.

So I was very pleasantly surprised when I couldn't put it down. It's a page turner - mostly due to the humble, self-effacing style of Hape Kerkeling, but also due to his unfailing ability to describe with truth and pathos what his eyes see.

A refreshing aspect of the book is that Kerkeling does include details about the camino itself. He clearly walked most of it (unlike our dear Paulo C) and endured the hardships (though he skipped all but a few albergues). His Camino starts in solitude, but as he walks he opens himself to the scenery and the people and you can feel his soul expand.

I've recommended the book to all my Camino friends and would recommend it to anyone who's considering walking the Way of St. James. A thanks to the translator (though I'm still not sure what she means by a "Spanish biscuit." Hopefully she's not referring to the omnipresent Spanish tortilla - hardly a biscuit).

For good measure I'm off to read this great book a second time. Thank you, Hape, and buen camino.

0 of 0 people found the following review helpful.
Five Stars
By jreeves
enjoyed it!

35 of 39 people found the following review helpful.
A Memorable Journey for Armchair Travelers
By Lynne Christen
I just returned from a most memorable 500+ mile long journey across the French Alps to Camino de Santiago and I never left my chair except to refill my wine glass. German comedian and author Hape Kerkeling took me along on his pilgrimage through the pages of I'm Off Then: Losing and Finding Myself on the Camino de Santiago. Right from the start Kerkeling confesses to being an unlikely pilgrim...more of a couch potato than an adventurer. I too must admit that when I began this literary trek with Hape, I had serious doubts about whether or not I would stick to the journey. For me, a walk means circling the mall three times or a sunset stroll on the beach. I do not relish the thoughts of "roughing it." I was not at all certain that this was "my kind of travel book."

I was wrong. As we traveled the pages across the snowcapped Pyrenees, through Basque country, Navarra, Rioja and all the way to Galicia, I discovered that this journey was really about self-reflection and self-discovery. The more I read, the more it reinforced my strong belief that when we travel with an open mind and an open heart, we quickly learn that different cultures, beliefs and traditions are not wrong...simply different...and we embrace the differences. We also discover that as human beings we are much more like our fellow pilgrims than we are different. And, as Hape point out: "Sometimes even the most annoying people mean well."

I particularly enjoyed Hape's self-deprecating humor, his keen perceptions about the people he met and traveled with along the way and his pithy insights (some profound, some playful) the end of each chapter. My personal favorite; "Open your heart and canoodle with the day." (Looking up the definition, I quickly figured out that canoodle is a hip way to say "Make love to the day.")

First released in German, I'm Off Then quickly became a best seller. No doubt, the English version will also reap awards and significantly increase Hape Kerkeling's fan club.

Review by Lynne R. Christen
Author: Travel Wisdom

See all 158 customer reviews...

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The Lovers: A Charlie Parker Thriller, by John Connolly

NEW YORK TIMES BESTSELLING AUTHOR JOHN CONNOLLY WRITES A LYRICAL, HAUNTING TALE THAT TURNS TO PRIVATE INVESTIGATOR CHARLIE PARKER’S HIDDEN PAST . . . AND A SEARCH THAT FORCES HIM TO INVESTIGATE ALL THAT HE HAS EVER BELIEVED TRUE ABOUT HIS BELOVED PARENTS—AND HIMSELF.

Stripped of his license, Charlie Parker takes a job in a Portland bar. Alone and directionless, he faces at last a shadow he has lived with since his childhood: what made his father, a respected police officer, apparently shoot dead two unarmed teens and then commit suicide. His quest leads him back to the little New York town where he grew up, to the mysterious history of the NYPD, and to the existence of secret friends and hidden enemies.

And waiting in the shadows, as they have been throughout Charlie’s life, are a man and a woman with only one purpose: to bring an end to his very existence. . . .

  • Sales Rank: #531936 in Books
  • Published on: 2011-03-29
  • Released on: 2011-03-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.10" w x 4.19" l, .51 pounds
  • Binding: Mass Market Paperback
  • 496 pages

From Publishers Weekly
Starred Review. Connolly's latest thriller sees a depressed, soul-searching Charlie Parker stripped of his private investigator's license, tending bar in Maine and still tormented by the dark secrets in his past: the murder of his wife and daughter and the mysterious suicide of his policeman father, Will. He returns to New York to investigate the circumstances of his father's death and is contacted by a woman who claims to be haunted by an unseen and deadly presence. Jay Sanders does full justice to Connolly's taut narrative, relying on an approach that is colorful yet restrained, edgy yet traditional in a perfect interpretation of this novel that combines elements of classic noir with the supernatural. An Atria hardcover (Reviews, May 4). (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author
John Connolly is the author of the Charlie Parker series of mystery novels, the supernatural collection Nocturnes, the Samuel Johnson Trilogy, and (with Jennifer Ridyard) the Chronicles of the Invaders series for younger readers. He lives in Dublin, Ireland. For more information, see his website at JohnConnollyBooks.com, or follow him on Twitter @JConnollyBooks.

Excerpt. © Reprinted by permission. All rights reserved.
The Lovers
CHAPTER ONE

THE FARADAY BOY HAD been missing for three days.

On the first day, nothing was done. After all, he was twenty-one, and young men of that age no longer had to abide by curfews and parental rules. Still, his behavior was out of character for him. Bobby Faraday was trustworthy. He was a graduate student, although he had taken a year off before deciding on the direction of his graduate studies in engineering, with talk of going abroad for a couple of months, or working for his uncle in San Diego. Instead, he had stayed in his hometown, saving money by living with his parents and banking as much of what he earned as he could, which was a little less than the previous year as he could now drink with impunity, and was maybe indulging that newfound liberty with more enthusiasm than might have been considered entirely wise. He’d had a couple of killer hangovers over New Year’s, that was for sure, and his old man had advised him to ease up before his liver started crying out for mercy, but Bobby was young, he was immortal, and he was in love, or had been until recently. Perhaps it would be truer to say that Bobby Faraday was still in love, but the object of his affection had moved on, leaving Bobby mired in his own emotions. The girl was why he had opted to remain in town instead of seeing a little more of the world, a decision that had been met with mixed feelings by his parents: gratitude on the part of his mother, disappointment on that of his father. There had been some arguments about it at the start, but now, as with two reluctant armies on the verge of an unwanted battle, a truce of kinds had been declared between father and son, although each side continued to watch the other warily to see which one might blink first. Meanwhile, Bobby drank, and his father fumed, but remained silent in the hope that the ending of the relationship might lead his son to broaden his horizons until grad school in the fall.

Despite his occasional overindulgences, Bobby was never late for work at the auto shop and gas station, and usually left a little later than he had to, because there was always something to be done, some task that he did not wish to abandon uncompleted, even if it could be finished quickly and easily in the morning. It was one of the reasons his father, whatever their disagreements, didn’t worry too much about his son’s future prospects: Bobby was too conscientious to leave the beaten track for long. He liked order, and always had. He’d never been one of those messy teenagers, either in appearance or in approach. It just wasn’t in his nature.

But he hadn’t come home the night before, and he hadn’t called to tell his parents where he might be, and that in itself was unusual. Then he didn’t make it to work the following morning, which was so out of character that Ron Nevill, who owned the gas station, called the Faraday house to check on the boy and make sure that he wasn’t ailing. His mother expressed surprise that her son wasn’t already at work. She’d simply assumed that he’d come home late and left early. She checked his bedroom, which lay just off the basement den. His bed had not been slept in, and there was no indication that he’d spent the night on the couch instead.

When there was no word by 3 P.M., she called her husband at work. Together they checked with Bobby’s friends, casual acquaintances, and his ex-girlfriend, Emily Kindler. That last call had been delicate, as she and Bobby had broken up only a couple of weeks before. His father suspected that this was the reason his son was drinking more than he should have, but he wouldn’t have been the first man who tried to drown love’s sorrows in a batch of alcohol. The trouble was that frustrated love was buoyant in booze: the more you tried to force it to the bottom, the more it insisted on bobbing right back up to the top.

Nobody had heard from Bobby, or had seen him, since the previous day. When 7 P.M. came and went, they called the police. The chief was skeptical. He was new in town, but familiar with the ways of young people. Nevertheless, he accepted that this was not typical behavior for Bobby Faraday, and that twenty-four hours had now gone by since he left the gas station, for Bobby had not hit any of the local bars after work, and Ron Nevill seemed to be the last person to have seen him. The chief put together a description of the boy at the Faraday house, borrowed a photograph that had been taken the previous summer, and informed local law enforcement and the state police of a possible missing person. None of the other agencies responded with any great urgency, for they were almost as cynical about the behavior of young males as the chief was, and in the case of one going missing, they tended to wait for seventy-two hours before assuming that there might be more to the disappearance than a simple case of booze, hormones, or domestic difficulties.

On the second day, his parents, and their friends, began an informal canvass of the town and its environs, with no result. When it began to grow dark, his mother and father returned home, but they did not sleep that night, just as they had not slept the night before. His mother lay in bed, her face turned toward the window, straining to hear the sound of approaching footsteps, the familiar tread of her only son returning to her at last. She stirred only slightly when she heard her husband rise and put on his robe.

“What is it?” she asked.

“Nothing,” he said. “I’m going to make some tea, sit up for a while.” He paused. “You want some?”

But she knew that he was asking only out of politeness, that he would prefer it if she stayed where she was. He did not want them to sit at the kitchen table in silence, together but apart, the fears of one feeding those of the other. He wanted to be alone. So she let him go, and when the bedroom door closed behind him, she began to cry.

On the third day, the formal search began.

•  •  •

The golden host moved as one, countless shapes bending obediently in unison at the gentle touch of the late-winter breeze, like a congregation at church bowing in accordance with the progress of the service, awaiting the moment of consecration that is to come.

They whispered to themselves, a soft, low susurrus that might have been the crashing of distant waves were such an alien noise not unknown in this landlocked place. The paleness of them was dappled in spots by small flowers of red and orange and blue, a scattering of petals upon an ocean of seed and stem.

The host had been spared the reaping, and had grown tall, too tall, even as the crop decayed. A season’s grain had gone to waste, for the old man upon whose land the host was gathered had died the previous summer, and his relatives were fighting over the sale of the property and how the proceeds would be divided. While they fought, the host had stretched skyward, a sea of dull gold in the depths of winter, speaking in hushed tones of what lay, rush hemmed and undiscovered, nearby.

And yet the host, it seemed, was at peace.

Suddenly, the breeze dropped for an instant and the host stood erect, as though troubled by the change, sensing that all was not as it had been, and then the wind rose again, more tempestuous now, transforming into smaller, dispersed gusts that divided the host with ripples and eddies, their caresses less delicate than what had gone before. Unity was replaced by confusion. Scattered fragments were caught in the sunlight before they fell to the ground. The whispering grew louder, drowning the calling of a solitary bird with rumors of approach.

A black shape appeared upon the horizon, like a great insect hovering over the stalks. It grew in stature, becoming the head, shoulders, and body of a man, passing between the rows of wheat while, ahead of him, a smaller form cleaved invisibly through the stalks, sniffing and yelping as it went, the first intruders upon the host’s territory since the old man had died.

A second figure came into view, heavier than the first. This one seemed to be struggling with the terrain and with the unaccustomed exercise that his participation in the search had forced upon him. In the distance, but farther to the east, the two men could see other searchers. Somehow, they had drifted away from the main pack, although that itself had diminished as the day wore on. Already the light was fading. Soon it would be time to call a halt, and there would be fewer of them to search in the days that followed.

They had begun that morning, immediately after Sunday services. The searchers had congregated at the Catholic church, St. Jude’s, since that had the largest yard and, curiously, the smallest congregation, a contradiction that Peyton Carmichael, the man with the dog, had never quite understood. Perhaps, he figured, they were expecting a mass conversion at some point in the future, which made him wonder if Catholics were just more optimistic than other folks.

The chief of police and his men had divided the township into grids, and the townspeople themselves into groups, and had assigned each group an area to search. Sandwiches, potato chips, and sodas in brown bags had been provided by the various churches, although most people had brought food and water of their own, just in case. In a break with Sunday tradition, none had dressed up in the usual finery. Instead, they wore loose shirts and old pants, and battered boots or comfortable sneakers. Some carried sticks, others garden rakes to search in the undergrowth. There was an air of subdued expectation, a kind of excitement despite the task before them. They shared rides, and drove out to their assigned areas. As each area was searched, and nothing found, another was suggested either by the cops who were coordinating the efforts on the ground, or by contacting the base of operations that had been set up in the hall behind the church.

It had been unseasonably warm when they began, a curious false thaw that would soon end, and the difficulty of coping with soft ground and melting snow had sapped the strength of many before they took a break for lunch at about one or one thirty. Some of the older people had returned home at that stage, content to have made some effort for the Faradays, but the rest continued with the search. After all, the next day was Monday. There would be work to do, obligations to be met. This day was the only one that they could spare to look for the boy, and the best would have to be made of it. But as the light had grown dim, so too the day had grown colder, and Peyton was grateful that he had not left his Timberland jacket in the car but had chosen to tie it around his waist until it was needed.

He whistled at his dog, a three-year-old spaniel named Molly, and waited, once again, for his companion to catch up. Artie Hoyt: of all the people with whom he had to end up. Relations between the two men had been cool for the last year or more, ever since Artie had caught Peyton eyeing his daughter’s ass at church. It didn’t matter to Artie that he hadn’t seen exactly what he thought he’d seen. Yes, Peyton had been looking at his daughter’s ass, but not out of any feelings of lust or attraction. Not that he was above such base impulses: at times, the pastor’s sermons were so dull that the only thing keeping Peyton awake was the sight of young, lithe female forms draped in their Sunday best. Peyton was long past the age when he might have been troubled by the potential implications for his immortal soul of such carnal thoughts in church. He figured that God had better things to worry about than whether Peyton Carmichael, sixty-four, widower, was paying more attention to objects of female beauty than he was to the old blowhard at the pulpit, a man who, in Peyton’s opinion, possessed less Christian charity than the average alligator. As Peyton’s doctor liked to tell him, live a life of wine, women, and song, all in moderation but always of the proper vintage. Peyton’s wife had died three years earlier, taken by breast cancer, and although there were plenty of women in town of the correct vintage who might have been prepared to offer Peyton some comfort on a winter’s evening, he just wasn’t interested. He had loved his wife. Occasionally he was still lonely, although less often than before, but those feelings of loneliness were specific, not general: he missed his wife, not female company, and he viewed the occasional pleasure that he took in the sight of a young, good-looking woman merely as a sign that he was not entirely dead below the waist. God, having taken his wife from him, could allow him that small indulgence. If God was going to make a big deal of it, then, well, Peyton would have a few words for Him too, when eventually they met.

The problem with Artie Hoyt’s daughter was that, although she was young, she was by no means good looking. Neither was she lithe. In fact, she was the opposite of lithe and, come to think of it, the opposite of light too. She’d never been what you might call svelte, but then she had left town and gone to live in Baltimore, and by the time she came back she’d piled on the pounds. Now, when she walked into church, Peyton was sure that he felt the floor tremble slightly beneath her feet. If she were any bigger, she’d have to enter sideways; that, or they’d be forced to widen the aisles.

And so, the first Sunday after she’d returned to the parental home, she had entered the chapel with her mom and dad and Peyton had found himself staring in appalled fascination at her ass, jiggling under a red-and-white floral dress like an earthquake in a rose garden. His jaw might even have been hanging open when he turned to find Artie Hoyt glaring at him, and after that, well, things had never been quite the same between them. They hadn’t been close before the incident, but at least they’d been civil when their paths had crossed. Now they rarely exchanged even a nod of greeting, and they hadn’t spoken to each other until fate, and the missing Faraday boy, had forced them together. They’d been part of a group of eight that had started out in the morning, quickly falling to six after old Blackwell and his wife seemed set to pass out and had, reluctantly, turned back for home, then five, four, three, until now it was just Artie and him.

Peyton didn’t understand at first why Artie didn’t just give up and go home himself. Even the modest pace that Peyton and Molly were setting seemed too much for him, and they had been forced to stop repeatedly to allow Artie to catch his breath and gulp water from the bottle that he was carrying in his rucksack. It had taken Peyton a while to figure out that Artie wasn’t going to give him the satisfaction of knowing that he’d kept searching while Artie had faded, even if the other man were to die in the attempt. With that in mind, Peyton had taken a malicious pleasure in forcing the pace for a time, until he acknowledged that his needless cruelty was rendering null and void his earlier efforts at worship and penitence, the occasional glance at young women notwithstanding.

They were nearing the boundary fence between this property and the next, a field of fallow, overgrown land with a small pond at its center sheltered by trees and rushes. Peyton had only a little water left, and Molly was thirsty. He figured he could water her at the pond, then call it a day. He couldn’t see Artie objecting, just as long as it was Peyton who suggested quitting, and not him.

“Let’s head into the field there and check it out,” said Peyton. “I need to get water for the dog anyway. After that, we can cut back onto the road and take an easy walk back to the cars. Okay with you?”

Artie nodded. He walked to the fence, rested his hands upon it, and tried to hoist himself up and over. He got one foot off the ground, but the other wouldn’t join it. He simply didn’t have the strength to continue. Peyton thought he looked like he wanted to lie down and die, but he didn’t. There was something admirable about his refusal to give up, even if it had less to do with any concerns about Bobby Faraday than his anger at Peyton Carmichael. Eventually, though, he was forced to admit defeat, and landed back down on the same side on which he’d started.

“Goddammit,” he said.

“Hold up,” said Peyton. “I’ll boost you over.”

“I can do it,” said Artie. “Just give me a minute to catch my breath.”

“Come on. Neither of us is as young as he was. I’ll help you over, and then you can give me a hand up from the other side. No sense in both of us killing ourselves just to prove a point.”

Artie considered the proposal and nodded his agreement. Peyton tied Molly’s leash to the fence, in case she caught a scent and decided to make a break for freedom, then leaned down and cupped his hands so that Artie could put one booted foot into his grip. When the boot was in place, and Artie’s hold on the fence seemed secure, Peyton pushed up. Either he was stronger than he thought, which was possible, or Artie was lighter than he looked, which seemed unlikely, but, either way, Peyton ended up almost catapulting Artie over the fence. Only the judicious hooking of his left leg and right arm on the slats saved Artie from an awkward landing on the other side.

“The hell was that?” asked Artie once he had climbed down and had both feet on firm ground once again.

“Sorry,” said Peyton. He was trying not to laugh, and only partially succeeding.

“Yeah, well, I don’t know what you’re eating, but I could sure do with some of it.”

Peyton began climbing the fence. He was in good condition for a man of his age, a fact that gave him no little pleasure. Artie reached a hand up to steady him and, although Peyton didn’t need it, he took it anyway.

“Funny,” said Peyton, as he stepped down from the fence, “but I don’t eat so much anymore. I used to have a hell of an appetite, but now some breakfast and a snack in the evening does me just fine. I even had to make an extra hole in my belt to stop my damn pants from falling down.”

There was an unreadable expression on Artie Hoyt’s face as he glanced down at his own belly and reddened slightly. Peyton winced.

“I didn’t mean anything by that, Artie,” he said quietly. “When Rina was alive, I weighed thirty pounds more than I do now. She fed me up like she was going to slaughter me for Christmas. Without her . . .”

He trailed off and looked away.

“Don’t talk to me about it,” said Artie after a moment had passed. He appeared anxious to keep the conversation going, now that the long silence between them had at last been broken. “My wife doesn’t believe it’s food unless it’s deep fried, or comes in a bun. I think she’d deep-fry candy if she could.”

“They do that in some places,” Peyton said.

“You don’t say?” Artie looked mildly disgusted. “Jesus, don’t tell her that. Chocolate’s the closest that she gets to health food as it is.”

They began walking toward the pond. Peyton let Molly off the leash. He knew that she had sensed the presence of water, and he didn’t want to torment her by forcing her to walk at their pace. The dog raced ahead, a streak of brown and white, and soon was lost from sight in the tall grass.

“Nice dog,” said Artie.

“Thank you,” said Peyton. “She’s a good girl. She’s like a child to me, I guess.”

“Yeah,” said Artie. He knew that Peyton and his wife had not been blessed with children.

“Look, Artie,” said Peyton, “there’s something I’ve been meaning to say for a while.”

He paused as he tried to find the right words, then took a deep breath and plowed right in.

“In church, that time, after Lydia had come home, I— Well, I wanted to apologize for staring at her, you know, her . . .”

“Ass,” finished Artie.

“Yeah, that. I’m sorry, is all I wanted to say. It wasn’t right. Especially in church. Wasn’t Christian. It wasn’t what you might think, though.”

Suddenly, Peyton realized that he had wandered onto marshy ground, conversationally speaking. He now faced the possibility of being forced to explain both what he believed Artie might have thought Peyton was thinking, and what, in fact, he, Peyton, had been thinking, which was that Artie Hoyt’s daughter looked like the Hindenburg just before it crashed.

“She’s a big girl,” said Artie sadly, saving Peyton from further embarrassment. “It’s not her fault. Her marriage broke up, and the doctors gave her pills for depression, and she suddenly started to put on all this weight. Doesn’t help that she eats enough for two, but that’s part of it, you know, the eating. She gets sad, she eats more, she gets sadder, she eats even more. It’s a vicious cycle. I don’t blame you for staring at her. Hell, she wasn’t my daughter, I’d stare at her that way too. In fact, sometimes, it shames me to say, I do stare at her that way.”

“Anyway, I’m sorry,” said Peyton. “It wasn’t . . . kind.”

“Apology accepted,” said Artie. “Buy me a drink next time we’re in Dean’s.”

He put his hand out, and the two men shook. Peyton patted Artie on the back. He felt his eyes water slightly, and blamed it on his exertions.

“How about I buy you a beer when we’re done here? I could do with something to toast the end of a long day.”

“Agreed. Let’s water your dog and get the—”

He stopped. They were within sight of the sheltered pond. It had been a popular trysting spot, once upon a time, when both Artie and Peyton were much younger men, until the land changed hands and the new owner, the God-fearing man whose estate was now being fought over by his godless relatives, had let it be known that he didn’t want any adolescent voyages of sexual discovery being embarked upon in the vicinity of his pond. A large beech tree overhung the water, its branches almost touching the surface. Molly was standing a small distance from it. She had not drunk the water. She had, in fact, stopped several feet from the bank. Now she was waiting, one paw raised, her tail wagging uncertainly. Through the rushes, something blue was visible to the approaching men.

Bobby Faraday was kneeling by the water’s edge, his upper body at a slight angle, as though he were trying to glimpse his reflection in the pool. There was a rope around his neck, attached to the trunk of the tree. He was swollen with gas, his face a reddish-purple, his features almost unrecognizable.

“Ah, hell,” said Peyton.

He wavered slightly, and Artie reached up and put his arm around his companion’s shoulder as the sun set behind them, and the wind blew, and the host bowed low in mourning.

Most helpful customer reviews

33 of 33 people found the following review helpful.
Trust Me--Do Not Pass On This One!!
By TMStyles
"The Lovers" is Connolly's latest installment of his Charlie Parker series. For those loyal readers who have wondered about Charlie's background and how it might relate and animate his life as a private investigator, paranormal sleuth, and magnet for supernatural enigmas, many answers and a few more questions appear and are examined in this very focused effort.

"The Lovers" is a very personal examination of Parker's background as he begins seeking the answers to festering questions about his past. It is different from past installments as most of Parker's recurring characters and support network are reduced to cameos (much as he was in "The Reapers") and it is left to Charlie to carry the storyline and action through his persistent and unrelenting investigation that seeks the truth to his father's suicide after apparently killing a young couple who were not armed.

Old wounds are reopened and new wounds are discovered--many of which ultimately explain some recurring elements in the Parker series and others which open new story lines. There may be very few signature characters in the thriller genre that are as complex, as powerful, yet as vulnerable as Charlie Parker. This reader is never disappointed in the complexity and the credibilty of Connolly's plotting, detailed storylines, and breathless pacing.

The author is a master of establishing mood and motivation through the psychological maneuverings of his characters and his readers. Connolly's work is at once atmospheric, moody, dark and disturbing--yet compelling and hard to put down. His prose is sometimes so lyrical and so defining that I find myself rereading a sentence or paragraph just to marvel at his styling. He can establish mood, a sense of disquiet, peril, or supernatural unease with a few well turned phrases. And his ability to build suspense and an impending sense of doom that is almost palpable to the reader is extraordinary. I highly recommend this series to those attracted to intense, pyschologically intricate, suspense thrillers.

9 of 9 people found the following review helpful.
Get That Cardiac Examination You've Been Putting Off and Jump On Now
By Bookreporter
It's hard to classify or pigeonhole John Connolly. You could say he writes mysteries, or thrillers, or horror novels, and you would be right on all counts. He has this magnificent series of books featuring a private investigator named Charlie Parker, who has been doing a deadly dance with some frighteningly evil people for over a decade now. THE LOVERS is the ninth of these works --- 10 if you want to count BAD MEN, on account of Parker's brief cameo --- and it shines new light on what has gone before while setting things up for future books in the series. It will also occasionally scare the heck out of you.

Parker writes in a more literary style than most of his contemporaries, so that one is put in the mind of Dickens, Poe, or Collins when reading his books. However, Parker is very much in the here and now. When a character walks into a coffee shop and a CD by The Pixies is playing, there is no question you are in the 21st century. Much of THE LOVERS, however, concerns Parker's past. He is at a low point as the novel opens, having lost his PI license, his concealed carry permit, and, as we will see, one of his best friends. Marking time by tending bar, he uses his involuntary retirement to begin an investigation into his own background.

Parker's father was a well-liked New York cop who murdered two teenagers in cold blood before taking his own life. Parker begins checking into the circumstances behind the killings, even as he initiates a query into his own parentage. What Parker finds is that everything he knows about himself is wrong, and that the people he knew as his parents, though flawed, were possessed in their separate ways with more strains of decency and charity than he ever could have guessed.

Of more significance for Parker, however, is that from the moment of his conception --- and before --- he and those whom he loves have been pursued by a shadowy, seemingly indestructible couple obsessed with eradicating him. Worse, it appears that they are on the verge of making another run at him, one that seems to have every chance of succeeding. As always, Parker has allies; his friends Angel and Louis are there to help, as well as others, including two of the most important people in or out of Parker's world.

Connolly's pacing throughout is exquisite, as Parker's past is slowly revealed to him, and his true friends and enemies reveal themselves. Connolly is not hesitant to continue detonating a bombshell or two even after things are apparently brought to a close, so that your ears will still be ringing and your eyes watering long after you read the final paragraph.

If you are new to Charlie Parker, THE LOVERS is a perfect place to jump on. You can spend the next year catching up on Connolly's backlist in anticipation of the next installment. I am almost positive that I know where he is going with this, which means I probably will be wrong. One thing for sure, however, is that, as brilliant as he has been to date, Connolly is just warming up. Get that cardiac examination you've been putting off and jump on now.

--- Reviewed by Joe Hartlaub

12 of 13 people found the following review helpful.
great urban Noir fantasy
By A Customer
With his private investigator's license revoked (see THE REAPERS), Charlie Parker leaves New York City to tend bar in Portland, Maine. The job gives him time think about the other tragedy in his life besides the murders of his wife and daughter that haunts him. When Charlie was fifteen, his father Will an NYPD cop shot dead two teens, who after he kills them learns they were unarmed. Unable cope, Will committed suicide.

As Charlie digs into the background of that traumatic incident, he finds some shocking evidence that makes him wonder if his beloved parents were his biological ones. He decides to return to Manhattan to investigate and avoid the police. At the same time a frightened disturbed woman is on the run from whatever killed her boyfriend. Writer Mickey Wallace investigates the stranger that haunt the Big Apple; as this pair converge on Charlie, two of the undying also come together wanting Parker dead.

Charlie's focus remains on his personal life, but spins to what happened to his father rather than himself. He is at his best as he begins to uncover shocker after shocker as if someone has connected his body to live electrical wires (see the Cheney torture handbook for more details). He makes the LOVERS a great urban Noir fantasy although the paranormal is kept to the minimal. Readers will relish his escapades as Charlie investigates his father's suicide while the undying want to give him an opportunity to question dad in whatever hell the dead old man resides in.

Harriet Klausner

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Sister Carrie (Enriched Classics), by Theodore Dreiser

Carrie Meeber leaves her home in rural Wisconsin for big-city life in Chicago, and faces a series of struggles -- professional, moral, and romantic -- before achieving success in the New York theater scene.

THIS ENRICHED CLASSIC EDITION INCLUDES:

  • A concise introduction that gives the reader important
  • background information
  • A chronology of the author's life and work
  • A timeline of significant events that provides the book's
  • historical context
  • An outline of key themes and plot points to guide the reader's
  • own interpretations
  • Detailed explanatory notes
  • Critical analysis, including contemporary and modern
  • perspectives on the work
  • Discussion questions to promote lively classroom and book
  • group interaction
  • A list of recommended related books and films to broaden
  • the reader's experience

  • Sales Rank: #1099155 in Books
  • Brand: Dreiser, Theodore/ Reed, Maureen (CON)
  • Model: 3806742
  • Published on: 2008-07-01
  • Released on: 2008-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.20" w x 4.19" l,
  • Binding: Mass Market Paperback
  • 560 pages

Amazon.com Review
Sister Carrie, Theodore Dreiser's revolutionary first novel, was published in 1900--sort of. The story of Carrie Meeber, an 18-year-old country girl who moves to Chicago and becomes a kept woman, was strong stuff at the turn of the century, and what Dreiser's wary publisher released was a highly expurgated version. Times change, and we now have a restored "author's cut" of Sister Carrie that shows how truly ahead of his time Dreiser was. First and foremost, he has written an astute, nonmoralizing account of a woman and her limited options in late-19th-century America. That's impressive in and of itself, but Dreiser doesn't stop there. Digging deeply into the psychological underpinnings of his characters, he gives us people who are often strangers to themselves, drifting numbly until fate pushes them on a path they can later neither defend nor even remember choosing.

Dreiser's story unfolds in the measured cadences of an earlier era. This sometimes works brilliantly as we follow the choices, small and large, that lead some characters to doom and others to glory. On the other hand, the middle chapters--of which there are many--do drag somewhat, even when one appreciates Dreiser's intentions. If you can make it through the sagging midsection, however, you'll be rewarded by Sister Carrie's last 150 pages, which depict the harrowing downward spiral of one of the book's central characters. Here Dreiser portrays with brutal power how the wrong decision--or lack of decision--can lay waste to a life. --Rebecca Gleason

Review
First novel by Theodore Dreiser, published in 1900, but suppressed until 1912. Sister Carrie tells the story of a rudderless but pretty small-town girl who comes to the big city filled with vague ambitions. She is used by men and uses them in turn to become a successful Broadway actress, while George Hurstwood, the married man who has run away with her, loses his grip on life and descends into beggary and suicide. Sister Carrie was the first masterpiece of the American naturalistic movement in its grittily factual presentation of the vagaries of urban life and in its ingenuous heroine, who goes unpunished for her transgressions against conventional sexual morality. The book's strengths include a brooding but compassionate view of humanity, a memorable cast of characters, and a compelling narrative line. The emotional disintegration of Hurstwood is a much-praised triumph of psychological analysis. Sister Carrie is a work of pivotal importance in American literature, and it became a model for subsequent American writers of realism. --The Merriam-Webster Encyclopedia of Literature

`Dreiser`s early novel is probably his greatest, and one of the greatest American novels`l Irish Times --Irish Times

From the Publisher
Theodore Dreiser had a hardscrabble youth and the years of newspaper work behind him when he began his first novel, Sister Carrie, the story of a beautiful Midwestern girl who makes it big in New York City. Published by Doubleday in 1900, it gained a reputation as a shocker, for Dreiser had dared to give the public a heroine whose "cosmopolitan standard of virtue" brings her from Wisconsin, with four dollars in her purse, to a suite at the Waldorf and glittering fame as an actress. With Sister Carrie, the original manuscript of which is in the New York Public Library collections, Dreiser told a tale not "sufficiently delicate" for many of its first readers and critics, but which is now universally recognized as one of the greatest and most influential American novels.

Most helpful customer reviews

85 of 90 people found the following review helpful.
The Heights of Naturalism
By Jeffrey Leach
It is no mystery why Frank Norris praised to high heaven Theodore Dreiser's 1900 novel "Sister Carrie." Norris, one of America's great naturalist writers, saw in Dreiser's tale about a young woman on the make a reflection of the same bleak vistas he wrote about in "Vandover and the Brute," "The Octopus," and "McTeague." When Dreiser submitted his book for publication, it was Norris who read the book and made a glowing recommendation to the publisher. There were immense problems with "Sister Carrie" from that point forward: the wife of the publisher hated the story and worked hard behind the scenes to prevent its release. With a contract already signed, Dreiser's book did become a reality but the publishing house refused to support it with any marketing. The story languished for years in a paper limbo before finally emerging to great success and acclaim. Thank goodness it did because this may be one of the most powerful books ever written about social climbing and the perils of bad morals. Dreiser went on to publish more novels (American Tragedy, The Financier) before dropping out of the literary scene and converting to communism before his death in 1945.
"Sister Carrie" doesn't promise much at the beginning. In fact, this is yet another story about a rural person arriving in the big city seeking fame and fortune. In this case, it is Carrie Meeber, a young woman moving to Chicago to live with her sister and her husband while she tries to find work. Carrie quickly discovers big city life is tough; her sister's home life bores her to death, the work she finds in a shoe factory is pure drudgery, and she doesn't have enough money to buy decent clothes because she has to pay her sister four dollars a week for rent. Carrie hates her base co-workers and spends most of her free time watching people pass on the street outside of her sister's apartment. When Carrie loses her job after an illness, it looks like she will have to return home to Columbia City and forget about her dreams in Chicago.
Enter George Drouet, a semi-successful salesman with a voracious appetite for the ladies. George finagled Carrie's address when he met her on the train into Chicago, and now the two meet again by chance. The results of this meeting shape the rest of the book. Carrie abandons her sister's lodgings and becomes "kept" by George. It is during this period that Carrie meets George Hurstwood, the wealthy manager of a fancy Chicago tavern and friend of Drouet. Through a series of misunderstandings about the marriage status of Carrie and Hurstwood, and serious lapses in moral judgments, Hurstwood and Carrie move on to bigger and better things in New York City.
It is at this point that Norris must have began enthusing, for Dreiser embarks on a harrowing tour through the destruction of a human being's body and soul. Just when you think a person could sink no lower, Dreiser yanks you back to reality and illustrates for you just how bad things can get before the inevitable occurs. When the author contrasts the utter humiliation of one character with the elevation in status of another, the tension becomes too much to bear. This novel is painful to read, but at the same time it is so riveting it is nearly impossible to put it down. We've all seen or known people who suffered the fates revealed in this story, or at least I have, and that makes it even more chillingly realistic. How Dreiser managed to capture the feel of his characters' lives is a mystery, but that is what makes this book great literature; it is timeless in its examination of the inner workings of the human soul.
"Sister Carrie" is classic literature, but that does not mean there are not problems with the story. Dreiser's prose takes some getting used to before it starts to flow. In fact, this may be the best book I have ever read where the prose is often mediocre. I told one person that the author's style reminded me of an intoxicated welder, and I still believe that to be the case for most of the book. Dreiser has a tendency to jam his sentences together into an unwieldy mix of clauses and commas. After a few hundred pages this hardly seems to matter but it could provide a reason for someone just starting the book to quit reading it. Do not quit, however, because the story ends up being so good that the stylistic problems quickly fade into insignificance.
Another difficulty involves the middle portion of the story, when Carrie, Drouet, and Hurstwood vie for position with each other. These chapters appreciably drag while providing no clues about the goldmine that soon follows. Looking at the story as a whole, I understand now why these chapters were necessary but I didn't while I was reading them. Again, do not give up too soon lest you miss out on the extraordinary buildup to the soul shattering conclusion.
Ultimately, the messages conveyed by Dreiser outweigh the dual problems of prose and a few plodding chapters. The scandalous behavior the author wrote about angered many during his time because people believed that divorce, infidelity, loose morals, and social positioning were things better talked about privately than brought out in the open. The fact that Dreiser wrote such things without delivering a blistering rebuke about such behaviors also stunned society. Perhaps it is not too far off to say that Theodore Dreiser was the Jerry Springer of his generation, merely revealing things that everyone knew happened behind closed doors. Whatever the case may be, "Sister Carrie" is sheer brilliance. I was so fired up after reading this book that I went right out and got "American Tragedy." I now understand why Frank Norris went into paroxysms of delight about Dreiser's book.

1 of 1 people found the following review helpful.
while Carrie lives on to enjoy the success of a big-time theatre Star
By francis beggan
To me Sister Carrie is a cautionary tale. George Hurstwood has it made: the house on the hill, the job, family, money, prestige, you name it. Then young, innocent (sexy) Carrie comes along to spoil the whole thing; in the end, Hurstwood, left with the rags on his sick body, kills himself; while Carrie lives on to enjoy the success of a big-time theatre Star; albeit, alone. The moral of the tale: be satisfied with your position in life and don't use people as pleasure toys.

13 of 14 people found the following review helpful.
NOTE: This digital version is flawed--AVOID
By pc0rMA
"Sister Carrie" is an absolute must-read, but this digital version "prepared by Adeniyi Aderibigbe" is flawed. Thankfully, I'm familiar with the novel and Dreiser as a writer, so I noticed that the language--and punctuation--didn't flow as it should. It reads more like a flawed translation than a digital version of the original. Words and punctuation are missing.

For 99 cents for Kindle on Amazon, I highly recommend you buy this very complete anthology instead: "The Essential Anthology of American Realism (20+ Works) by Horatio Alger, Henry James, Upton Sinclair, Frank Norris, Mark Twain, William Dean Howells, Theodore Dreiser, Stephen Crane" http://www.amazon.com/dp/B0032UY45M.

In the anthology, you'll not only get a great version of "Sister Carrie," but the rest of Dreiser's gilded-age trilogy, plus works by other important American realists like Upton Sinclair, Frank Norris, and Henry James.

See all 317 customer reviews...

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Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and O

Meet the ladies: a flock of smart, affectionate, highly individualistic chickens who visit their favorite neighbors, devise different ways to hide from foxes, and mob the author like she’s a rock star. In these pages you’ll also meet Maya and Zuni, two orphaned baby hummingbirds who hatched from eggs the size of navy beans, and who are little more than air bubbles fringed with feathers. Their lives hang precariously in the balance—but with human help, they may one day conquer the sky.

Snowball is a cockatoo whose dance video went viral on YouTube and who’s now teaching schoolchildren how to dance. You’ll meet Harris’s hawks named Fire and Smoke. And you’ll come to know and love a host of other avian characters who will change your mind forever about who birds really are.

Each of these birds shows a different and utterly surprising aspect of what makes a bird a bird—and these are the lessons of Birdology: that birds are far stranger, more wondrous, and at the same time more like us than we might have dared to imagine. In Birdology, beloved author of The Good Good Pig Sy Montgomery explores the essence of the otherworldly creatures we see every day. By way of her adventures with seven birds—wild, tame, exotic, and common—she weaves new scientific insights and narrative to reveal seven kernels of bird wisdom.

The first lesson of Birdology is that, no matter how common they are, Birds Are Individuals, as each of Montgomery’s distinctive Ladies clearly shows. In the leech-infested rain forest of Queensland, you’ll come face to face with a cassowary—a 150-pound, man-tall, flightless bird with a helmet of bone on its head and a slashing razor-like toenail with which it (occasionally) eviscerates people—proof that Birds Are Dinosaurs. You’ll learn from hawks that Birds Are Fierce; from pigeons, how Birds Find Their Way Home; from parrots, what it means that Birds Can Talk; and from 50,000 crows who moved into a small city’s downtown, that Birds Are Everywhere. They are the winged aliens who surround us.


Birdology explains just how very "other" birds are: Their hearts look like those of crocodiles. They are covered with modified scales, which are called feathers. Their bones are hollow. Their bodies are permeated with extensive air sacs. They have no hands. They give birth to eggs. Yet despite birds’ and humans’ disparate evolutionary paths, we share emotional and intellectual abilities that allow us to communicate and even form deep bonds. When we begin to comprehend who birds really are, we deepen our capacity to approach, understand, and love these otherworldly creatures. And this, ultimately, is the priceless lesson of Birdology: it communicates a heartfelt fascination and awe for birds and restores our connection to these complex, mysterious fellow creatures.

  • Sales Rank: #226562 in Books
  • Published on: 2010-04-06
  • Released on: 2010-04-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .94 pounds
  • Binding: Hardcover
  • 272 pages
Features
  • ISBN13: 9781416569848
  • Condition: Used - Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Booklist
Montgomery gives herself over so wholeheartedly to animals, and other humans who share her passion for creatures both rare and ubiquitous, that her nature chronicles are uniquely radiant. Mammals, from tigers to dolphins, bears, and one very special pig, have been her specialty, but birds have always fascinated her, hence this gathering of stirring avian encounters. Montgomery assists a hummingbird rehabilitator in the delicate raising of two tiny orphans, and meets the “most dangerous bird on earth,” the enormous, razor-clawed cassowary in Australia, one bird whose dinosaur ancestry is blazingly apparent. She also writes from unexpected perspectives about falcons, crows, pigeons, chickens, and parrots, each intriguing tale illustrating one of the “seven essential truths about birds,” and all revealing fresh insights about birds, interspecies communications, and environmental concerns. Inspired equally by all that we share with birds—similarities in intelligence, emotion, language, and music—and all that is mysterious (birds “remain fundamentally wild”), Montgomery expresses profound appreciation for the living web of life in a book that both bird lovers and readers new to bird lore will find evocative, enlightening, and uplifting. --Donna Seaman

Review
"Sy Montgomery does for birds what Jane Goodall did for apes. With an infectious sense of adventure, and a sense of awe and mystery, her stories change the way we look at even the most 'common' birds and instill in us a deep sense of gratitude that we are privileged to share this planet with such delightful creatures. Birdology is bound to become a classic." -- Stacey O'Brien, author of Wesley the Owl

"Spell-binding, absolutely compelling, and so beautifully expressed, Birdology tells stories that everyone should know. Nobody has ever gone so far into the minds of birds as Montgomery has. She completely conveys the life, the obsession, the fascination with birds in an intimate, personal, and engaging style. A magnificent achievement." -- Jeffrey Moussaieff Masson, author of When Elephants Weep and Dogs Never Lie about Love

"Sy Montgomery may be the best interpreter of animals of all time. With impeccable science and profound respect, Birdology describes the miracle of these apparently familiar beings. We take them for granted and that is our mistake. In fact, they are dinosaurs, still living on earth after two hundred and thirty five million years, with minds and abilities that often far surpass our own. One seldom finds a real page-turner as a source of important information, yet Birdology is all of that and more." -- Elizabeth Marshall Thomas, author of The Hidden Life of Dogs and The Social Life of Dogs

"From the first greeting of her charming hens to her celebration of crows in all their smarts and wit, Sy Montgomery has me hooked. One cannot read this book without imagining birds as special people, with emotions and personalities and sometimes an intellect not all that different from our own." -- Dr. Don Kroodsma, author of The Singing Life of Birds

"Sy Montgomery has once again taken animal writing to another level of consciousness, compassion and understanding. Birdology is a brilliant, strikingly original, and beautifully written look into the fragile, rich story of birds, whose lives as more varied, endangered, individualistic, and powerful than dogs and cats. I've never read anything like this about birds. These stories will haunt and enrich you, and they remind us how important birds are to our history and ecosystem. And how much they need our attention." -- Jon Katz, author of A Dog Year and Katz on Dogs

"Sy Montgomery has the mind of a scientist and the fierceness of a raptor as she dives beneath the skin and deep into the bones of the avian world in Birdology. Brimming with insights about hidden bird abilities and the secrets of their behavior, the book is at its heart about the emotional bond between birds and people. Whether describing the gentle art of keeping hens or the bloodcurdling perils of falconry, Sy's writing dazzles like hummingbird feathers drenched in blazing sunshine." -- Bob Tarte, author of Enslaved by Ducks and Fowl Weather

"One of America's pre-eminent writers on animals, the immensely talented Sy Montgomery leads us on a compelling journey of exploration into the very depths of what makes a bird a bird. With wit, compassion, and a cornucopia of fascinating facts, she delves into the lives and sensibilities of seven types of birds, tracing our relationship to them throughout evolution and human history. From hawks to hummingbirds and crows to cassowaries, Sy highlights bird language, individuality, homing and hunting abilities, and relationship to dinosaurs in a manner that not only reveals her deep love for birds, but also her inner quest to understand all living things. With this book, birders, animal-lovers, or anyone with a with a mild curiosity about birds, will gain a new-found respect and appreciation for the essence of these avian marvels." -- Don and Lillian Stokes, authors of Stokes Field Guide to Birds

"There could be no better guide to the wonder of birds than Sy Montgomery. Her empathy with wild things is as real as it is rare; yet she seems to like the people who study, care for, and work with birds just as much. This is a book about intense connections between people and birds. Montgomery unlocks some of the secret of how and what birds may be thinking. Read it, and you will never look at a parrot, chicken, hawk or pigeon in quite the same way again." -- Julie Zickefoose, NPR commentator; author of Letters from Eden

"Montgomery weaves a delightful, insightful story of the unusual lives of familiar birds to show us that they are personable, fun, annoying, lovable, and awesome and do indeed, strike into our very souls. Her tales are an astonishing, wide-ranging blend of science, art, humor, understanding, and love, and a must read for all animal lovers. Montgomery captures not only the incredible and astonishing variety of bird behavior and intelligence, but the essence of the very soul of birds." -- Joanna Burger, Distinguished Professor of Biology, and author of The Parrot Who Owns Me

"This is my favorite kind of book: charming, witty, and wise, idiosyncratic and inspiring. And Birdology is Sy Montgomery at her very best. Not a catalog, list, or inventory, Birdology is more like a novel, a confession, or an engaging memoir of life lived with soul and wings. I love this book." -- Dale Peterson, author of Jane Goodall: The Woman Who Redefined Man and Elephant Reflections

About the Author
Sy Montgomery is a naturalist, documentary scriptwriter, and author of twenty acclaimed books of nonfiction for adults and children, including the memoir The Good Good Pig, a New York Times bestseller. The recipient of numerous honors, including lifetime achievement awards from the Humane Society and the New England Booksellers Association, she lives in New Hampshire with her husband, border collie, and flock of chickens.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Read this for a very positive life experience.
By Jan R. Schulman
I absolutely LOVE this book! Sy Montgomery is a wonderful writer with a great sense of humor and a huge heart. As I am also a vegetarian (but not a vegan), I love her sensibility about animals and respect for all living things. this book is in chapters, each chapter about a different species of bird (hawk, chicken, crow, pigeon, etc.) and they are all fascinating. I learn so much from her books in terms of language and understanding. I especially loved her book "The Soul of an Octopus" -- that one was so very special to me. it even made "Finding Dory" more fun since I now knew and understood more about that intelligent and wonderful creature. But I did learn to appreciate and let into my hear, crows. before, I really disliked them and even feared them, but when you realize how intelligent they are, it changes one's perception of them. I pick and choose my way through this book, chapter by chapter. I started with "hummingbirds" which is somewhere in the middle of the book. and I am finishing with 'chickens" which is the first chapter of the book.

0 of 0 people found the following review helpful.
Meet The Ladies
By M. A. Pinto
I would love to have a little family of hens clucking away in my back yard. My home is situated in an area of heavy traffic on US1, so no hens in my life. This is a wonderful book, so much information on avian species well told with compassion and concern. I have not finished the book but wanted to recommend it as educational but written in a way that will engage the reader from the get go.

0 of 0 people found the following review helpful.
It's overall a great collection of information about our fine feathered friends
By Frank A. Stephenson
I have few disappointments with this book which is not a criticism in any way whatsoever. It's overall a great collection of information about our fine feathered friends. There is, however, no such coverage in this book regarding ducks or eagles. But a person can't have everything, and we all lucky to have this book.

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Birdology: Adventures with a Pack of Hens, a Peck of Pigeons, Cantankerous Crows, Fierce Falcons, Hip Hop Parrots, Baby Hummingbirds, and O PDF
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