Jumat, 22 Agustus 2014

^ Ebook The Reapers: A Charlie Parker Thriller, by John Connolly

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The Reapers: A Charlie Parker Thriller, by John Connolly

The Reapers: A Charlie Parker Thriller, by John Connolly



The Reapers: A Charlie Parker Thriller, by John Connolly

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The Reapers: A Charlie Parker Thriller, by John Connolly

A brilliantly chilling novel by New York Times bestselling author John Connolly about a chain of killings, linked obscurely by great distances and the passage of years, and the settling of their blood-debts -- past, present, and future.

As a small boy, Louis witnesses an unspeakable crime that takes the life of a member of his small, southern community. He grows up and moves on, but he is forever changed by the cruel and brutal nature of the act. It lights a fire deep within him that burns white and cold, a quiet flame just waiting to ignite. Now, years later, the sins of his life are reaching into his present, bringing with them the buried secrets and half-forgotten acts of his past.

Someone is hunting him, targeting his home, his businesses, and his partner, Angel. The instrument of revenge is Bliss, a killer of killers, the most feared of assassins. Bliss is a Reaper, a lethal tool to be applied toward the ultimate end, but he is also a man with a personal vendetta.

Hardened by their pasts, Louis and Angel decide to strike back. While they form a camaraderie that brings them solace, it offers them no shelter from the fate that stalks them. When they mysteriously disappear, their friends are forced to band together to find them. They are led by private detective Charlie Parker, a killer himself, a Reaper in waiting.

Connolly's triumphant prose and unerring rendering of his tortured characters mesmerize and chill. He creates a world where everyone is corrupt, murderers go unpunished, but betrayals are always avenged. Yet another masterpiece from a proven talent, The Reapers will terrify and transfix.

  • Sales Rank: #599259 in Books
  • Published on: 2008-05-27
  • Released on: 2008-05-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.20" w x 6.00" l, 1.18 pounds
  • Binding: Hardcover
  • 368 pages

Review
"Connolly has crafted one of the most darkly intriguing books this reviewer has encountered in more than three decades of reading crime fiction.... To call this a page-turner is to damn it with faint praise. Veteran crime fans will want to savor every note-perfect word. " -- Booklist (Starred review)

About the Author
John Connolly is the author of the Charlie Parker series of mystery novels, the supernatural collection Nocturnes, the Samuel Johnson Trilogy, and (with Jennifer Ridyard) the Chronicles of the Invaders series for younger readers. He lives in Dublin, Ireland. For more information, see his website at JohnConnollyBooks.com, or follow him on Twitter @JConnollyBooks.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

There are so many killings, so many victims, so many lives lost and ruined every day, that it can be hard to keep track of them all, hard to make the connections that might bring cases to a close. Some are obvious: the man who kills his girlfriend, then takes his own life, either out of remorse or because of his own inability to face the consequences of his actions; or the tit-for-tat murders of hoodlums, gangsters, drug dealers, each killing leading inexorably to another as the violence escalates. One death invites the next, extending a pale hand in greeting, grinning as the ax falls, the blade cuts. There is a chain of events that can easily be reconstructed, a clear trail for the law to follow.

But there are other killings that are harder to connect, the links between them obscured by great distances, by the passage of years, by the layering of this honeycomb world as time folds softly upon itself.

The honeycomb world does not hide secrets: it stores them. It is a repository of buried memories, of half-forgotten acts.

In the honeycomb world, everything is connected.

* * *

The St. Daniil sat on Brightwater Court, not far from the cavernous dinner clubs on Brighton Beach Avenue and Coney Island Avenue where couples of all ages danced to music in Russian, Spanish, and English, ate Russian food, shared vodka and wine, and watched stage shows that would not have been out of place in some of the more modest Reno hotels, or on a cruise ship, yet the St. Daniil was far enough away from them to render itself distinct in any number of ways. The building that it occupied overlooked the ocean, and the boardwalk with its principal trio of restaurants, the Volna, the Tatiana, and the Winter Garden, now screened to protect their patrons from the cool sea breeze and the stinging sands. Nearby was the Brighton playground, where, during the day, old men sat at stone tables playing cards while children cavorted nearby, the young and the not-so-young united together in the same space. New condos had sprung up to the east and west, part of the transformation that Brighton Beach had undergone in recent years.

But the St. Daniil belonged to an older dispensation, a different Brighton Beach, one occupied by the kind of businesses that made their money from those who were on nodding terms with poverty: check-cashing services that took 25 percent of every check cashed, then offered loans at a similar monthly rate to cover the shortfall; discount stores that sold cheap crockery with cracked glaze, and firetrap Christmas decorations all year round; former mom-and-pop grocery stores that were now run by the kind of men who looked like they might have the remains of mom and pop rotting in their cellars; laundromats frequented by men who smelt of the streets and who would routinely strip down to filthy shorts and sit, nearly naked, waiting for their clothes to wash before giving them a single desultory spin in the dryer (for every quarter counted) and then dress in the still-damp clothes, folding the rest into plastic garbage bags and venturing back onto the streets, their garments steaming slightly in the air; pawnshops that did a steady trade in redeemed and unredeemed items, for there was always someone willing to benefit from the misfortune of another; and storefronts with no name above the window and only a battered counter inside, the shadowy business conducted within of no interest to those who needed to be told its nature. Most of those places were gone now, relegated to side streets, to less desirable neighborhoods, pushed farther and farther back from the avenue and the sea, although those who needed their services would always know where to find them.

The St. Daniil remained, though. It endured. The St. Daniil was a club, although it was strictly private and had little in common with its glitzier counterparts on the avenue. Accessed through a steel-caged door, it occupied the basement of an old brownstone building surrounded by other brownstones of similar vintage although, while its neighbors had been cleaned up, the edifice occupied by the St. Daniil had not. It had once formed the main entrance to a larger complex, but changes to the internal structure of the buildings had isolated the St. Daniil between two significantly more attractive apartment blocks. The club's home now squatted in the middle of them like some poor relation that had muscled in on a family photo, unashamed of its ignominy.

Above the St. Daniil was a warren of small apartments, some big enough to be occupied by entire families, others small enough to accommodate only an individual, and one, at that, for whom space mattered less than privacy and anonymity. Nobody lived in those apartments now, not willingly. Some were used for storage: booze, cigarettes, electrical goods, assorted contraband. The rest acted as temporary quarters for young -- sometimes very young -- prostitutes and, when required, their clients. One or two of the rooms were marginally better furnished and maintained than others, and contained video cameras and recording equipment for the making of pornographic films.

Although it was known as the St. Daniil, the club did not have an official name. A plate beside the door read "Private Members Social Club" in English and Cyrillic, but it was not the kind of place where anyone went to be sociable. There was a bar there, but few lingered at it, and those who did stuck mostly to coff ee and killed time while waiting for errands to run, vig to collect, bones to break. A TV above the bar showed pirated DVDs, old hockey games, sometimes porn or, late at night, when all business had been conducted, film of Russian troops in Chechnya engaging in reprisals against their enemies, real or perceived. Worn hemispherical vinyl booths lined the walls, with scuff ed tables at their center, relics of a time when this really was a social club, a place where men could talk of the old country and share the newspapers that had arrived in the mail or in the suitcases of visitors and immigrants. The decor consisted mainly of framed copies of Soviet posters from the 1940s, bought for five bucks at RBC Video on Brighton Beach Avenue.

For a time, the police had kept watch on the club, but they had been unable to access it in order to plant a bug, and a wiretap on the phones had expired without anything useful being learned. Any business of consequence was, they suspected, now conducted on throwaway cellphones, the phones replaced religiously at the end of every week. Two raids by vice on the building through the doorway above the club had scored only a couple of johns and a handful of weary whores, few of whom had English and fewer of whom had papers. No pimps were ever apprehended, and the women, the cops knew, were easily replaced.

On those nights, the door to the St. Daniil had remained firmly closed, and when the cops finally gained entry to it they had found only a bored bartender and a pair of ancient, toothless Russians playing poker for matchsticks.

It was a mid-October evening. The light outside had long faded and only a single booth in the club was occupied. The man seated there was a Ukrainian known as the Priest. He had studied in an Orthodox seminary for three years before discovering his true vocation, which lay primarily in providing the kinds of services for which priests were usually required to off er forgiveness. The club's unofficial name was a testament to the Priest's brief flirtation with the religious life. The St. Daniil monastery was Moscow's oldest cloister, a stronghold of the Orthodox faith even during the worst excesses of the Communist era, when many of its priests had become martyrs and the remains of St. Daniil himself had been smuggled to America in order to save them from harm.

Unlike many of those who worked for him, the Priest spoke English with hardly a trace of an accent. He had been part of the first influx of immigrants from the Soviet Union, working hard to learn the ways of this new world, and he could still recall a time when Brighton Beach had been nothing but old people living in rent-controlled apartments surrounded by little vacant houses falling into decay, a far cry from the days when this area was a beacon for immigrants and New Yorkers alike anxious to leave the crowded neighborhoods of Brownsville, East New York, and Manhattan's Lower East Side for space in which to live and the feel of sea air in their lungs. He prided himself on his sophistication. He read the Times, not the Post. He went to the theater. When he was in his realm, there was no porn on the TV, no poorly copied DVDs. Instead, it was tuned to BBC World, or sometimes CNN. He did not like Fox News. It looked inward, and he was a man who was always looking at the greater world outside. He drank tea during the day, and only compote, a fruit punch that tasted of plums, at night. He was an ambitious man, a prince who wished to become a king. He paid obeisance to the old men, the ones who had been imprisoned under Stalin, the ones whose fathers had created the criminal enterprise that had now reached its zenith in a land far from their own. But even as he bowed before them, the Priest looked for ways in which they might be undermined. He calculated the strength of potential rivals among his own generation and prepared his people for the inevitable bloodshed, sanctioned or unsanctioned, that would come. Recently, there had been some reversals. The mistakes might have been avoided, but he was not entirely to blame for them. Unfortunately, there were others who did not see it that way. Perhaps, he thought, the bloodshed would have to begin sooner than expected.

Today had been a bad day, another in a succession of bad days. There had been a problem with the restrooms that morning and the place still stank, even though the diffi culty had apparently been solved once the drain people, from a fi rm trusted by the organization, got on the case. On another day, the Priest might well have left the club and gone elsewhere, but there was business to be conducted and loose ends to be tied...

Most helpful customer reviews

64 of 71 people found the following review helpful.
Reapers Creepers
By Tom H
I would begin by saying that I've read as much of John Connolly's published work as found available. That includes: all of the Charlie Parker novels, The Book of Lost Things, and Nocturnes (Mister Connolly's outstanding anthology of short stories, of which the tale The New Daughter, from the short story of the same name, receives a retelling in the form of a soon to be released motion picture starring Kevin Costner and Ivana Banquero, the beguiling daughter in Pan's Labyrinth).

This stand alone novel is every bit as engrossing as the other tales involving Charlie Parker, erstwhile NYPD Detective and guilt ridden (while otherwise occupied) survivor of the butchery that claimed his wife and daughter. Thing is... this latest volume does not focus on the character of Charlie Parker so much as it concentrates on his friends, and sometime accomplices and cohorts, Louis and Angel.

Both of these characters figure large in novels concerning PI Charlie Parker. But not much has been issued by way of explaining their genesis (and especially Louis). All of that territory is covered in this distinct volume (and with barely so much as an utterance, and even less of a presence, of Charlie Parker).

To mention much of the story would be to mention a lot. Let's just say that it is a tale of menace and authority, and of retribution and reaction, and of hunters being hunted. There is much room here for betrayal and false starts turning into dead ends turning into blind corners, the likes of which you should be ever mindful of turning.

Bottom line is the fact that, as always, Mr. Connolly does not disappoint. He has a certain knack for providing lyricism midst chaos and with ever the ear for crisply delivered dialogue delivered as if it were being spoken directly. There is also the proper amount of hyperbole, injected whenever needed, while providing pause within the context of whatever background information is being provided. That said, Mr. Connolly is a master at pacing his stories and at always providing the proper mix of `telling and showing'.

If you enjoyed the previous Charlie Parker novels, and hunger for more of the same, you can't go wrong. And if you are new to the `crime' scene and seeking something other than hammered phrasing and rat-a-tat-prose, you are in for a treat.

0 of 0 people found the following review helpful.
Another Homer He Hits!
By Amazon Customer
I like the series, period. All his books are good; they form the part of a whole. What differentiates "The Reapers" is that the spotlight gets trained on the supporting cast and that's good since CP's buddies and sidekicks, along with some pretty exotic baddies, hold one's attention. Still the Detective did show up for the grand finale. With John Connolly, you just can't read one. Stephen King, watch out. Is there room in Maine for both of you--or in the most forlorn spots of grim and grimy New England?

35 of 37 people found the following review helpful.
not the usual Parker thriller, but. . .
By Gabriela Perez
Before I say anything else, I will tell you that I am a great fan of Mr. Connolly's Charlie Parker series. In fact, I'm a huge fan of all of Mr. Connolly's writing. My fondness for his books stems from the simple fact that I have found them all incredibly satisfying reads. Not a one has ever disappointed me, and lest you think I'm a blindly enthusiastic fan, I'll tell you that I fully expected NOT to like this one as much as the others, or at least to like it for a whole slew of different reasons.

I'd read that this book was focused on Louis and Angel (Charlie Parker's homicidal, hilarious, homosexual "sidekicks"); I'd read that Parker played only a peripheral role here. So, being the huge Parker fan that I am, I wondered if I'd find this read as satisfying or as well-written when it focused on two people whose dark natures were, at least to me, so much more developed and hard to deny.

I needn't have worried. I finished it in record time and was well-pleased with the book as a whole.

Parker does indeed play a peripheral role. He probably appears in less than 1/6 of the book, and only in a reversal of his usual place in things. He's the Angel/Louis here. He's the one who comes in when trouble hits, but whose character is basically secondary throughout except as it affects other characters (in fact, he is referred to as "the Detective" throughout most of the pages upon which he appears, the result of being seen primarily through the eyes of Willie Brew).

The result of Parker's relative absence is a lighter book, even when it covers the darkest of topics. Parker, you see, might have his funny moments, but his is a tortured spirit. He does terrible things, usually for all the right reasons, but the terrible nature of what he feels compelled to do is never far from him. As a result, spending time with him is often exhausting, sometimes depressing, always thought-provoking. I have loved every Parker book, but I'm not blind to the spiritual challenge reading about him puts before me.

One of the reasons I believe Angel and Louis are so popular is that they can do terrible things as well, but the moral toughness doesn't swallow them whole, doesn't cling to them the way it does to Parker. Their humor, their banter, their cool loyalty--these are all appealing to so many of us.

In this book, we get a lot of background that I, for one, have long wanted. How did Louis become a hired killer? How clearly does Angel see his partner and the violence he holds within him? And, just as important in a National Enquirer kind of way: what kind of life do Louis and Angel live when they're not backing Parker up in some guns-a-blazing way? Do they have any other friends, for crying out loud? Why on earth does Angel wear such incredibly awful clothes? How do he and Angel reconcile their vastly different musical tastes? Does Louis really have such contempt for his partner's humor and clothing?

As Louis tries to deal with a threat on his and his loved ones' lives (and yes, believe it or not, there is more than one loved one in his life, although you won't ever hear him admitting it), we learn about his relationship to his "handler," Gabriel. We learn a bit more about the love Louis and Angel hold for each other (although there's nothing explicit here, folks; I don't imagine we'll ever get taken into that territory by Mr. Connolly, and that's a good thing, in my opinion; the story of these two men isn't, I don't think, one that would show up in the gay equivalent of a Harlequin romance).

More than anything, I really enjoyed the fact that Parker gets to explain a bit about himself without. . .well, without all that angst. His is a (deceptively) simple life here (when this novel begins, Parker has lost his PI license and is tending bar, his personal life still in a kind of limbo), the ultimate role reversal, as I said before.

The novel includes some really tough scenes and some hard-to-stomach history (that's one of Mr. Connolly's strongest skills--his research, and the way he weaves history into his stories--wow) about sundown towns, but this book is far less bleak than the other seven in this series. Usually, the history we get is tied to something that will affect Parker directly, that will in some way add to his moral burden or flesh out (no pun intended) some part of the mystery he's trying to solve in that given book. The result of this is often an oppressive weight, and I can honestly say that I rarely find myself happy at the end of a Parker book; there's just been so much weighing on my spirit as well throughout. Not so here. I do feel the weight of the history that defined who Louis is (both as a black man and as a killer), but it's just. . .different.

Overall--I really enjoyed this. Pick it up, especially if you're a Louis and Angel fan. If you're more a Charlie Parker fan, pick it up so that you can see him through different eyes.

Enjoy!

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Senin, 18 Agustus 2014

>> Free PDF Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

Free PDF Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

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Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland



Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

Free PDF Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

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Declaration: The Nine Tumultuous Weeks When America Became Independent, May 1-July 4, 1776, by William Hogeland

This is the rambunctious story of how America came to declare independence in Philadelphia in 1776. As late as that May, the Continental Congress had no plans to break away from England. Troops under General George Washington had been fighting the British for nearly a year—yet in Philadelphia a mighty bloc known as "reconciliationists," led by the influential Pennsylvanian John Dickinson, strove to keep America part of the British Empire.

But a cadre of activists—led by the mysterious Samuel Adams of Massachusetts and assisted by his nervous cousin John—plotted to bring about American independence. Their audacious secret plan proposed overturning the reconciliationist government of Pennsylvania and replacing it with pro-independence leaders. Remarkably, the adventure succeeded. The Adams coalition set in motion a startling chain of events in the Philadelphia streets, in the Continental Congress, and throughout the country that culminated in the Declaration of Independence on July 4.

In Declaration William Hogeland brings to vibrant life both the day-to-day excitement and the profound importance of those nine fast-paced weeks essential to the American founding yet little known today. He depicts the strange-bedfellow alliance the Adamses formed with scruffy Philadelphia outsiders and elegant Virginia planters to demand liberty. He paints intimate portraits of key figures: John Dickinson, a patriot who found himself outmaneuvered on the losing side of history; Benjamin Franklin, the most famous man in America, engaged in and perplexed by his city’s upheavals; Samuel Adams, implacable in changing the direction of Congress; his cousin John, anxious about the democratic aspirations of their rabble-rousing Philadelphia allies; and those democratic radical organizers themselves, essential to bringing about independence, all but forgotten until now.

As the patriots’ adventure gathers toward the world-changing climax of the Declaration, conflicts and ironies arise, with trenchant relevance for the most important issues confronting Americans today. Declaration offers a fresh, gripping, and vivid portrait of the passionate men and thrilling events that gave our country birth.

  • Sales Rank: #1461024 in Books
  • Published on: 2010-06-01
  • Released on: 2010-06-01
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.10" w x 6.25" l, 1.09 pounds
  • Binding: Hardcover
  • 288 pages

From Publishers Weekly
Hogeland (The Whiskey Rebellion) pre-sents the array of plots, counterplots, resolutions, and declarations out of which came the new American nation. The Declaration of Independence we know today is different from Jefferson's original version, which did not mention God, an idea inserted in the final days before passage by self-described rhetoricians who also eliminated his denunciation of the slave trade. Heroic men met in Philadelphia, and Hogeland concentrates on John and Samuel Adams, the cousins whose labors were decisive. British troops landed on Staten Island on July 3, and a British fleet was in New York Bay, but independence had in fact been declared by July 2 (though it would become unanimous only on July 19 with New York State's vote). Thomas Paine's celebratory words end the book. John Adams despised Paine, for Adams believed in property as the bulwark of democracy, Paine in untrammeled democracy. Their difference informs the dynamic tension attendant upon our country's birth. This brief, fair study provides a sound analysis of events and a revelatory portrayal of the men who made America free. 16 pages of b&w illus. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although the story of the Declaration of Independence has been told many times, imprecise historical sources encourage its retelling. Hogeland expounds upon one gray area, the furtive activity of Samuel Adams, John Adams, and radical cohorts to overturn the Pennsylvania government. Its lack of enthusiasm for independence was their motive; its leader, John Dickinson, was their target; and exploitation of class animosities was their means. Hogeland opens his history with one of their planning meetings, then dispatches them to various precincts of revolutionary Philadelphia on their missions to influence events. Thwarted by a May 1776 election won by the Dickinson forces, the Adams cousins adopted a dual-track strategy: to get the Continental Congress to advise the colonies to form new state governments and to engineer one for Pennsylvania. Congress, of which both Adams were members, enacted their desired resolution, and extralegal popular committees of artisans and mechanics brought about a new state constitution and the eclipse of Dickinson. Readers of Hogeland’s The Whiskey Rebellion (2006) will be ready for the author’s independent, bottom-up narrative of July 4, 1776. --Gilbert Taylor

Review
“William Hogeland, a talented historian with a strong narrative gift . . . brings to life not only the usual heroic figures from this period but also a supporting cast of scoundrels, idealists and cranks.”

--Aram Bakshian, Jr., The Wall Street Journal



"A well-told, page-turning play-by-play. . . . Even though we know the end of the story, Declaration creates quite a bit of suspense. This is testament to Hogeland's impressive narrative skill. And despite the dramatic nature of Declaration, Hogeland manages to simultaneously offer an even-handed history and an implicit critique of contemporary politics."

—Michael Washburn, The Boston Globe

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1 of 1 people found the following review helpful.
It's a great read anytime
By Christopher G Voytek
I first read Declaration when it came out and just downloaded it for a re-read this weekend. It's a great read anytime, but the reminder of how much bare-knuckle politicking and work went into this experiment of ours is even more important now.

15 of 17 people found the following review helpful.
The conspiracy to declare independence.
By FCEtier
Pennsylvania said "No" to independence. On May 1, 1776, voters turned out and in the nearest thing to a referendum on independence, voted it down. In reality, they voted for a form of state government that in and of itself precluded support of the colony's representatives to the continental congress for independence. It had been a long and difficult battle for John Dickerson. It marked the beginning of a series of behind-the-scenes meetings and actions by Samuel Adams that could be considered nothing short of a conspiracy to declare independence.

Two hundred thirty-four years later, we're still struggling with some of the same issues that delayed the union of the colonies right up until the final vote on July 2, 1776. Yeah, it was July 2, not the 4th that we declared independence. Voting rights, racism, slavery, dramatic differences in economic levels, roots of labor unions, back-room deals, and petty bickering amongst the elite, rich ruling class made me check today's calendar against the setting of the absorbing and eye-opening Declaration by William Hogeland. Before Hogeland's educational romp through the last nine weeks before July 2, 1776, I thought that Huey P. Long, Louisiana, and New Jersey politics took the cake. True to the old adage about newness under the sun and FDR's comment on conspiracies, our forefathers set the pace for interesting politics in the years to come for the new republic.

Read the entire review at: [...]

13 of 15 people found the following review helpful.
An Incredible Story!
By Greenwich Village Conservative
Have to admit, having read a fair number of books about revolutionary era heroes, this tale, focusing on Sameul Adams and a coalitin of radicals pushing for an aggressive pro-independence stance, in opposition to the very strong rival group who supported defensive war against Britain, but was also willing to reconcile, is just an amazing part of our history. Author did a great job in bringing this story out of the attic of history.

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Jumat, 15 Agustus 2014

~ Download Ebook Fine Just the Way It Is: Wyoming Stories 3, by Annie Proulx

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Fine Just the Way It Is: Wyoming Stories 3, by Annie Proulx

Now in trade paperback from National Book award- and Pulitzer Prize-winning author Annie Proulx—an "unforgettable" (Miami Herald) and "vivid" (O, The Oprah Magazine) collection of stories set in Wyoming.

Winner of two O. Henry Prizes, Annie Proulx has been anthologized in nearly every major collection of great American stories. Her bold, inimitable language, her exhilarating eye for detail, her dark sense of humor, and her compassion inform this profoundly compelling collection of stories.

Proulx creates a fierce, visceral panorama of American folly and fate in these nine dazzling stories about multiple generations of Americans struggling through life in the West. Each character is a pioneer of a sort—some are billionaires, some are escapists, and some just think the rest of the country has it wrong. Deeply sympathetic to the men and women fighting to survive in this harsh place, Proulx turns their lives into fiction with the power of myth, leaving the reader in awe.

 

 

  • Sales Rank: #502831 in Books
  • Brand: Brand: Scribner
  • Published on: 2009-09-08
  • Released on: 2009-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .60" w x 5.50" l,
  • Binding: Paperback
  • 221 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Will Patten is a fine actor who fits voice and pace to the tone of each story in this collection. He is often a quiet, dreamy narrator, but when stories slowly navigate toward a terrible, heart-in-mouth tension—as Proulxs so often do—he assumes a breathiness that significantly heightens the drama. As tale-teller, Patten has a slight Western accent; this sounds right, but also enables him to use a range of dialects as appropriate for each character. In a more straightforward manner, he narrates Proulxs amusing (though less successful) tales of the Devil redesigning Hell. Proulx, best known for Shipping News and Brokeback Mountain, turns out prose as exquisite as ever in her wrenching tales of Wyoming, past and present. A Scribner hardcover (Reviews, May 26). (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* The third volume of the author’s celebrated and eagerly anticipated Wyoming stories (the first volume contained the now-famous novella Brokeback Mountain, upon which the honored movie was based) takes giant steps in advocating Proulx as simply one of the most inventive yet, at the same time, traditional story writers working today. Borne on smooth, effortless prose, which glides easily into glorious metaphor, her fiction can as easily transport the agreeable reader to the Wyoming of 1885 as to, in two curious, amusing stories, the Devil’s lair in Hell, where he attempts to keep up with modern times (in “I’ve Always Loved This Place,” he is redecorating the underworld; in “Swamp Mischief,” he is fiddling with people’s e-mail). But, of course, it is the American West of past and present that we most desire Proulx to bring us honest tales of—gritty characters, the harsh environment, and domestic dramas set against the hard labor and small earnings of the Wyoming cowboy. This new collection will not disappoint on that front. For instance, “Them Old Cowboy Songs,” about the fateful homesteading ventures of young couple Archie and Rose, goes beyond poignancy to be a sheerly devastating story. “The Great Divide” chronicles another young couple’s struggles with the declining economy between 1920 and 1940. It’s difficult to label these stories as historical fiction, for they breathe such contemporary air. They are timeless in their depicted tragedies. --Brad Hooper

Review
"[Fine Just the Way It Is] bears Proulx's brand of hard drama, hard irony, hard weather and hard and soft characters blown about and many times destroyed by the powerful mix..... She writes like a demon." -- Ron Carlson, The New York Times Book Review

"Vivid.... In the tour de force finale ... we see the method in Proulx's genius, where he enchanting description, unparalleled sentence structure, and unwavering insight combine to reveal both the coldest and most resilient recesses of the human heart." -- Pam Houston, O, the Oprah Magazine

"Astonishing.... 'Tits-up in a Ditch' breaks new literary ground with the gut-wrenching tale of an Iraq veteran who returns to her family raw with grief... unforgettable characters." -- Publishers Weekly, starred review

"[Fine Just the Way It Is] takes gigantic steps toward securing Proulx's position as one of the most inventive yet, at the same time, traditional story writers working today." -- Booklist, starred review

"Deliciously macabre stories....A must for fans." -- People, 3 1/2 stars

"[Proulx] shows without mincing words that the present-day West is every bit as inhumane and vengeful as it was way back when... Excellent and original...." -- Kate Christensen, Elle

"Nine unforgettable stories.... [An] assured and unnerving collection." -- Connie Ogle, Miami Herald

"'Tits-Up in a Ditch' ... rivals Proulx's famous 'Brokeback Mountain' in the tender-tough emotional trajectory it explores." -- Michael Upchurch, Seattle Times

"Proulx writes with clear-eyed, ironic affection about life in the real West, not the sentimental version.... Breathtaking." -- Colette Bancroft, St. Petersburg Times

"Brilliant." -- Associated Press

Most helpful customer reviews

24 of 25 people found the following review helpful.
"Who needs Hell when you've got Wyoming?"
By Michael Murphy
Annie Proulx's trilogy of Wyoming short stories "Close Range", "Bad Dirt" and now "Fine Just The Way It Is" is about a landscape and its people. In the latest collection, three strong Proulx 'Wyoming specials' - drawing on early pioneering struggles (Them Old Cowboy Songs), hardship spanning the Great Depression years (The Great Divide) and life in present-day Wyoming (Tits Up In A Ditch) - open a window into the lives of Wyoming people, past and present. To these three stories of hardscrabble lives lived out in the American West add two other modern well-told stories, "Testimony of the Donkey" and "Family Man", plus the entertaining "The Sagebrush Kid", a story of mysterious vanishings Bermuda Triangle style, transplanted to the Wyoming plains : six stories in all firmly stamped with the Proulx 'Wyoming' trademark. Two further stories are set in Hell - more on that later!

Some of Annie Proulx's best Wyoming short stories, "Brokeback Mountain" for instance, from the collection "Close Range", flow out of the landscape. Proulx's power of conveying landscape is exemplary, with Wyoming's bleak, forbidding landscape of vast windswept plains or rugged mountains often as powerful a player as any character in a story - clearly exemplified here by "Testimony of the Donkey", a contemporary story set against the stark, scenic grandeur of Wyoming's mountainous terrain where the landscape all but becomes a character.

"Them Old Cowboy Songs", a sad story stepping out of the vast Wyoming prairie landscape of the 1880's, records the devastating pioneering experience of two young newly-weds in their remote homestead, confronted by poverty, isolation and a cruel landscape. Annie Proulx doesn't do 'sentimental' : what she does do in her distinctive unsparing prose is stark reality treatment of the West, uncompromising portraits of Wyoming folk hard-pressed to scrape to-gether a living faced with the grinding challenges of a hardscrabble prairie existence. Some homesteaders toughed it out through the hard times but others, desperate, defeated and disappointed, struggled on in vain, had "short runs" - and lost, their hopes of living the frontier dream swept away.

When I pick up a Proulx short story, I expect Wyoming, not Hell - unless it's the special brand of Wyoming hell reserved for Dakotah Lister in the memorable contemporary story, "Tits Up In A Ditch". Joining the Army promises respite for the young recruit from a life at home full of setbacks where it seemed everything that could go wrong, did go wrong. Discharged from military service in Iraq, Dakotah returns home to Wyoming to the realisation that her past sufferings - at home and in Iraq - may pale in comparison with what her future holds in store..... Another modern story, "Family Man", recounts the recollections of old, 80+ ranch-hand Ray Forkenbrock, seeing out his days in a nursing home. But something weighing heavily on his mind rankles Ray : dirty laundry - an ugly family secret of an "old betrayal" he's kept bottled up inside himself for years.....

As well as the strange, inexplicable disappearances of man and beast recounted in "The Sagebrush Kid", the different time-frames present in the story give a strong sense of the wheels of history turning as the winds of change swept through Wyoming - the stagecoach business consigned to history by the Union Pacific Railroad pushing through, old stage roads swallowed up in time by interstate highway, huge chunks of prairie vanishing under the drills of oil and gas exploration. A tall tale that gives pause for thought about how the west has changed.

What a helluva shock to discover two stories, comic interludes really, are set in Hell - yes HELL! Outwith the bounds of Wyoming altogether! OUTSIDERS! Trespassers from Hell wandering like stray mavericks into country where they don't rightfully belong - and looking oddly out of place among prime stock. Range wars have broken out for less! Long-time followers of Annie Proulx's topnotch Wyoming stories, past and present, may view the stories from Hell as being out of kilter - interlopers into 'settled territory' that was fine just the way it was. After all, "who needs Hell when you've got Wyoming?"

8 of 8 people found the following review helpful.
Every Bit As Exquisitely Written And Enjoyable As Past Works - But Different
By Scott William Foley
Annie Proulx continues her mastery of the short story.

In Fine Just the Way It Is: Wyoming Stories 3, Proulx once again gives us stories primarily taking place in or associated with Wyoming. Her characters are terribly human--warts and all--and her stories are typically blunt, to the point, and full of (sometimes brief) life.

But, as straightforward as her stories are with their plainspoken characters, Proulx also delivers stunningly beautiful narrative language when detailing landscapes, flora, and animal life. Some of her imagery literally astounded me it was so well crafted and provocative.

However, unlike previous Wyoming volumes, this addition to the series is far more brutal to its characters. Now Proulx has never occurred to me as a woman who gets overly sentimental about her creations, but I was surprised at the tragedies she forced her men and women to endure. That being said, she certainly did not cross the line into sensationalism; everything she threw at her characters was well within reality's parameters.

Well, for the most part.

I was especially happy that in three stories in particular, Proulx exits her normally grounded repertoire and gives us something bordering fantasy. Now, because it's Proulx, we're not talking Tolkien here, but two of her stories hilariously focus on the devil and the other, well, I don't want to spoil anything, but it features a sagebrush where mysterious disappearances persist. I think that with her particular style and sensibilities, calling them tall tales may be more appropriate than fantasy.

Consequently, I sensed a real sense of dark humor in these stories, and I loved it! While most of the stories were very serious in terms of subject matter, they all utilized a morose fun that--unless happening to us--demanded a chuckle or two.

All in all, this collection was a bit of a break from Proulx in terms of style, especially when read between the lines, but every bit as exquisitely written and enjoyable as past works.

Proulx's talent is unrelenting with each new work she releases.

~Scott William Foley, author of The Imagination's Provocation: Volume II

8 of 9 people found the following review helpful.
Tales from the American West
By Rob Jacques
If you read all of Annie Proulx's Wyoming stories ("Close Range," "Bad Dirt," and "Fine Just the Way It Is"), you'll understand a lot about Dick Cheney. Yes, yes, I know Cheney was born in Nebraska, but he was raised in Wyoming and is a living, breathing character right out of Proulx's gut-wrenching, gut-spilling, gut-shot tales of that proud and brutally beautiful state.

Proulx has a gift for the memorable image, for turning description and setting into action and plot. Her clear, sparse prose crackles with isolation, mistrust, and treachery of a once-civilized people gone feral, and her Wyoming is both magnificent and malevolent. She makes you wish you'd been raised in the midst of her characters just for the sheer blood and joy of it, and then just as glad you weren't.

"Fine Just the Way It Is" (a line one of her characters uses to describe Wyoming) even has two stories about the Devil and his vast plans for redecorating Hell, and you'll get the feeling the Devil would do well as a Wyoming rancher or small-town businessman. Even as the Devil raises his eyes lovingly to take in Hell's colossal landscape, you see Wyoming's rugged, isolating, gorgeous terrain of sharp peaks, red cliffs, and vast, haunting prairie. Bottom line on "Fine Just the Way It Is": only O. E. Rolvaag's brilliant "Giants in the Earth" captures a people and a place so exactly, so palpably. And Proulx saves her best story for last: "Tits-Up in a Ditch," a no-nonsense tale of the soul-abrading, body-maiming life of a young woman in Wyoming. It ought to be anthologized in every high-school literature collection.

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Selasa, 12 Agustus 2014

@ Free Ebook Wild Horse Annie and the Last of the Mustangs: The Life of Velma Johnston, by David Cruise, Alison Griffiths

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Wild Horse Annie and the Last of the Mustangs: The Life of Velma Johnston, by David Cruise, Alison Griffiths

In 1950, Velma Johnston was a thirty-eight-year-old secretary enroute to work near Reno, Nevada, when she came upon a truck of battered wild horses that had been rounded up and were to be slaughtered for pet food. Shocked and angered by this gruesome discovery, she vowed to find a way to stop the cruel round-ups, a resolution that led to a life-long battle that would pit her against ranchers and powerful politicians but eventually win her support and admiration around the world. This is the first biography to tell her courageous true story . . . Like Dian Fossey, Jane Goodall, or Temple Grandin, Velma Johnston dedicated her life to public awareness and protection of animals. Wild Horse Annie and the Last of the Mustangs follows Velma from her childhood, in which she was disfigured by polio, to her dangerous vigilante-style missions to free captured horses and document round-ups, through the innovative and exhaustive grassroots campaign which earned her the nickname "Wild Horse Annie" and led to Congress passing the "Wild Horse Annie Bill" to her friendship with renowned children's author and horse-lover Marguerite Henry . . . A powerful combination of adventure, history, and biography, Wild Horse Annie and the Last of the Mustangs beautifully captures the romance and magic of wild horses and the character of the strong-willed woman who made their survival her legacy . . .

  • Sales Rank: #973372 in Books
  • Brand: Brand: Scribner
  • Published on: 2013-02-23
  • Released on: 2013-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .90" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Velma Johnston (1912-1977), the daughter of a Nevada horse wrangler, was stricken by polio as a child, but she fulfilled her youthful aspirations of owning a ranch and marrying the man of her dreams; her tenacity is the emotional core of this moving-and first-biography of the animal advocate. Cruise and Griffiths (coauthors of Fleecing the Lamb) weave a story of western grit and guts, showing how Velma's indignation and early efforts-rescuing wild mustangs from pet food poachers and angry ranchers-blossomed into the passage of landmark legislation that prevented the capture or killing of herds of horses and burros. Velma's intelligence, candor, and charm are eloquently conveyed by the authors, and their rich and detailed portrait of Velma and her beloved "wild ones" becomes a paean to the American West-of cherished wildness and spirited individualism. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
If it weren’t for the efforts of one woman from Nevada, the wild mustangs of the West would have been eradicated. Velma Johnston, who later became known as “Wild Horse Annie” for her efforts, had been partially crippled by polio as a young girl. Having grown up on a ranch, she loved horses, so the sight of a livestock truck dripping with blood, in which injured and mutilated mustangs were crammed bound for a slaughterhouse, galvanized her into action. At first she and her husband resorted to releasing captured mustangs from the waterless corrals where they’d been herded, often with aircraft, after a long chase. But when they took on the Bureau of Land Management, asking the agency to refuse a permit for private mustangers to remove horses from public land, “Wild Horse Annie” was born. The story of how Velma organized support for the survival of the mustangs, and how she and her supporters pushed legislation through Congress to protect the free-ranging wild horses, is an example of how entrenched special interests can exploit publicly held resources and a testament to how much change a determined individual can foster. --Nancy Bent

Review
"Anyone who cares about the plight of America's Mustangs has heard the name Velma Johnston, but too few know the extraordinary and heroic lengths to which she went to save these horses. In "Wild Horse Annie and the Last of the Mustangs, "authors David Cruise and Alison Griffiths have given us a remarkable gift; a provocative, in-depth look into this amazing woman's life in a story brimming with adventure and inspiration. Not only is this a fascinating and powerful book, it is also a tremendously important one. I couldn't put it down, and when I finished reading it my faith in the power one person has to make a difference was renewed."

--Melanie Sue Bowles, author of "The Horses of Proud Spirit "and "Hoof Prints: Stories from Proud Spirit"

""

"Velma Johnson was a strong willed individual who made a difference. As a child she suffered from polio and in her era, careers for women were limited. She overcame these obstacles and stopped the atrocious abuse of wild horses."

--Temple Grandin, author, "Animals in Translation" and" Animals Make us Human"

"Velma Johnston (Wild Horse Annie) is one of the most important people in our American history. She single-handedly saved our mustangs and with that our western heritage. This is an important book and Cruise and Griffiths have done a spectacular job of bringing home her story."

--Madeleine Pickens, National Wild Horse Foundation

"This book captures the essence of the extraordinary life of Velma Johnston and what she was able to accomplish for the American Mustang. All of us who love and admire mustangs and horses in general owe this courageous woman a great debt of gratitude for exposing the plight and possible extinction of this breed. Through her tireless efforts she was the difference in helping make the world a better place for these wonderful animals that are part of our Western heritage."

--Monty Roberts, "New York Times" best-selling author of "The Man Who Listens to Horses"

"It doesn't get more American than the mustang, and without Wild Horse Annie, we would not have any. Now, as wild horses are making their last stand, it's important to honor her legacy and continue the battle. Thanks to this well-researched and timely book, we can."

--Deanne Stillman, author of "Mustang: The Saga of the Wild Horse in the American West"

"For 25 years, one extraordinary woman waged a lonely war against the cruel and greedy forces that were systematically removing the wild American mustangs from even the most inhospitable of federal lands. This book is a thoroughly researched and riveting tribute to the life and achievements of Velma Johnston and her struggles - against massive odds - to protect her beloved mustangs."

--Martin Harbury, author of "The Last of the Wild Horses"

Most helpful customer reviews

11 of 11 people found the following review helpful.
MAGNIFICENT!
By Elaine Campbell
If anyone goes through life and doesn't read this book, he/she is really missing something!

It is one of the best biographies I have ever read, and deeply, deeply moving.

We have here in Velma Johnston such a courageous woman who, in the face of all odds, both personal, social, regional and national, trudged on and on, year after year, almost all of her adult life, to save the Mustangs, and other wild horses, from extinction. That any exist today is due to her efforts.

As the authors state, we are reminded in this book that one individual person can make a difference.

I was a little dubious about its having two authors, as I couldn't fathom how a consistent tone and voice could be accomplished by two different individuals. Yet consistency there is, and the book does read as if written by one person, honestly, eruditely (the amount of research that has gone into it is stupendous), and compassionately. The painstaking writing of it took many years.

The authors do not shirk from painting a well-rounded picture of Velma Johnston (aka Wild Horse Annie) who, like the rest of us, was far from perfect. But the thought of her brings tears to my eyes, she was just so brave!

This is not an easy book to read because of the graphic descriptions of the torture of these beautiful animals by the callous, the insensitive, the greedy and the inhumane. Unfortunately, it is still going on to this day, and the authors point out the rescue efforts of Madeleine Pickens, wife of the billionaire, as being one of our greatest hopes at this time (her National Wild Horse Foundation website contains further information as to the present status of the wild horse, which is still in grave danger).

Many thanks to the authors of this book for their very successful efforts.

CODA: Despite pleas and even a lawsuit from Laura Leigh, Project Manager of Herd Watch, trying to prevent the scheduled Tuscarora Roundup in Elko County, Nevada, the BLM conducted a "gather" on July 10th that was scheduled to remove over 1,100 wild horses from the Elko County area. The gather started at 6:30 a.m. and by 9 a.m., the BLM contractor had gathered 228 wild horses. Subsequently, seven horses died due to dehydration and complications related to water intoxication during the removal process and/or at the holding facilities. In last winter's "gather" in the Calico Hills, 100 horses, as well as dozens of pregnant mares, died in one of the bloodiest mustang operations to date. On July 12th the BLM announced that it is temporarily suspending the Tuscarora wild horse gather. The work of Wild Horse Annie and her successor, Madeleine Pickens, goes on.

7 of 7 people found the following review helpful.
The REAL Wild Horse Annie - Velma Johnston
By R S Cobblestone
In 1966, well-known author Marguerite Henry wrote Mustang: Wild Spirit Of The West. With this book, millions of people became aware of the tale of Wild Horse Annie, who saved the wild horses of the West from slaughter.

Except, Henry took liberties with the history of Velma Johnston, eventually even claiming that she "owned the rights" to Velma's life (p. 261). The fictionalization of Wild Horse Annie was seemingly approved by Velma Johnston herself, writing "This clean, noble public image of Girl of the Golden West that I have become [via the book] is surely having a reforming influence on me" (p. 176).

So what WAS the history, and story, of Mrs. Charles C. Johnston, aka Velma Johnston, aka Wild Horse Annie? Authors David Cruise and Alison Griffiths painstakingly researched the voluminous archives, including the correspondence written by Velma Johnston herself. The evolution of Wild Horse Annie into a free-roaming horse activist, then into a national celebrity, is a most interesting tale. And it is a tale best understood in this book, Wild Horse Annie and the Last of the Mustangs: The Life of Velma Johnston, and not Marguerite Henry's version.

Velma Bronn was born in 1912, and in 1923 she contracted polio. The disease and the initial treatment (a full body cast) left her disfigured and in pain for most of her life. However, she persevered with her studies (and her love of wild horses), eventually getting her dream job - to be an executive secretary.

Cruise and Griffiths write, "One spring morning in 1950 the trip [to her job in Reno] passed uneventfully until she caught up with a livestock truck" (p. 42). To say that the next few hours were eventful for Velma would be an understatement. What she experienced changed her life in profound ways. The livestock truck was full of bleeding, injured, and dying wild mustangs, bound for slaughter into pet food.

One result of this experience eventually became the passage by the US Congress of the Wild Free-Roaming Horses and Burros Act of 1971. What happened between Velma's original experience with a mustang roundup, and the Wild Free-Roaming Horses and Burros Act, is the the main substance of this book.

Here are a few of the tidbits I found interesting:

In an editorial for the "Reese River Reveille" newspaper, editor Jack Taylor wrote in 1959 that, "The true picture of a wild horse is a runty, moth-eaten, mangy little scrub critter of no value anywhere outside a can. He is a curse to the stockman, a nuisance to the big game hunter and a pain in the neck to the Bureau of Land Management whose job it is to see that the open range is properly apportioned to feed all living animals dependent on it. Getting him out of the picture as far as possible can be likened to a housewife's zeal in getting rid of cockroaches in the kitchen and moths in the clothes closet" (p. 127).

Over 50 years later, there are still those who would agree with Taylor. However, there seem to be more that agreed with Velma Johnston, that there is room for wild horses, and that they have a right to be present, and unmolested, on public land. "My commitment to the wild ones is total," she wrote (p. 255).

After her retirement as an executive secretary, her employer, Gordon Harris, wrote to Velma, "The world is made of of three kinds of people - those who make things happen; those who watch things happen; and those who don't know what's happening. Go, girl, go! And remember this is the first day of the rest of your life. You belong to the first group so keep on making things happen" (p. 255).

There are many heroes and villains in this story of Wild Horse Annie. There are people and organizations who were very supportive of Velma's work (Christine Stevens and the Society for Animal Protective Legislation, for one), and those that chose to exploit her efforts for their own agendas and purposes. And authors Cruise and Griffiths go beyond the development of Velma, the animal activist. This is also a tender love story, of Velma and Charlie, of Velma and her friends, and of Velma and Hobo, her horse.

This is truly an extraordinary, well-researched and written biography of a unique individual. And the true story is really more amazing than the fictionalized one written by Henry.

5 of 5 people found the following review helpful.
Wild Horse Annie - an extraordinary person
By Karen SussmanISPMB
Alison Griffiths and David Cruise have done an extensive review of Velma Johnston's life. She is one of the most extraordinary and brave new women of the 20th century. Known as Wild Horse Annie and president of our organization, International Society for the Protection of Mustangs and Burros, she saved millions of wild horses from extermination and changed the West! You can read all about it in this book which keeps you reading into the wee hours of the morning!

Karen A. Sussman
President, ISPMB

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## Ebook Download No Place Like Home: A Novel, by Mary Higgins Clark

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No Place Like Home: A Novel, by Mary Higgins Clark

In a riveting new thriller from America's Queen of Suspense, a young woman is ensnared into returning to a place she had wanted to leave behind forever -- her childhood home. There, at the age of ten, Liza Barton had shot her mother, trying desperately to protect her from her estranged step-father, Ted Cartwright. Despite his claim that the shooting was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Cartwright, and the tabloids compared her to the infamous murderess Lizzie Borden, pointing even to the similarity of their names.

To erase Liza's past, her adoptive parents change her name to Celia. At age twenty-eight, a successful interior designer in Manhattan, she marries a childless sixty-year-old widower, Laurence Foster, and they have a son. Before their marriage, she reveals to him her true identity. Two years later, on his deathbed, he makes her swear never to tell anyone so that their son, Jack, will not carry the stigma of her past.
Two years later, Celia is happily remarried. Her peace of mind is shattered when her new husband, Alex Nolan, surprises her with a gift -- the house in Mendham, New Jersey, where she killed her mother. On the day they move in, they find the words little lizzie's place -- beware painted on the lawn, splotches of red paint all over the house, and a skull and crossbones carved into the door.

More and more, there are signs that someone in the community knows Celia's true identity. When Georgette Grove, the real estate agent who sold the house to Alex, is brutally murdered and Celia is the first on the crime scene, she becomes a suspect.
As Celia fights to prove her innocence, she is not aware that she and her son, Jack, are now the targets of a killer.

  • Sales Rank: #482562 in Books
  • Brand: Pocket Books
  • Published on: 2008-03-25
  • Released on: 2008-03-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.10" w x 4.19" l,
  • Binding: Mass Market Paperback
  • 496 pages
Features
  • Great product!

From Publishers Weekly
Clark's clever use of a bit of New Jersey real estate code fits perfectly into her usual formula for minting bestsellers in a novel about past deadly secrets coming to haunt the present. At One Old Mill Lane, in Mendham, N.J., 10-year-old Liza Barton wakes to find her stepfather, Ted Cartwright, attacking her mother, Audrey. Liza grabs a gun in defense, but in the ensuing melee Audrey is killed and Ted is wounded. Dubbed "Little Lizzie Borden," Liza is taken away and almost convicted of murdering her mother and attempting to kill the lying, scheming Ted. Twenty-four years later, Liza, now known as Celia Foster Nolan, has just been presented with a surprise birthday present from her new husband, Alex: the house at One Old Mill Lane. Alex doesn't know Celia is really Liza, and he doesn't know the house's grim past—but thanks to a real estate code obligating agents to notify prospective buyers if a house could be considered "stigmatized property," he's about to find out about the latter at least. As Celia fights to keep her dark secret hidden, their real estate agent turns up dead. More folks are killed and Celia comes under suspicion. But in typical Clark style, most of the characters look a little guilty. Some readers will get annoyed by Celia's tendency to do things that reinforce the cops' suspicions, but Clark's steadfast fans will suspend all necessary disbelief and play along. Agent, Sam Pinkus. One million first printing; main selection of the Literary Guild, Doubleday Book Club, Doubleday Large Print, Mystery Guild and BOMC. (Apr.)

Review
'Trust Mary Higgins Clark to know what frightens us to death'

NEW YORK TIMES

'Clark plays out her story like the pro that she is ... flawless'

DAILY MIRROR

About the Author
Mary Higgins Clark, #1 international and New York Times bestselling author, has written thirty-four suspense novels; three collections of short stories; a historical novel; two children’s books; and a memoir, Kitchen Privileges. With her daughter Carol Higgins Clark, she has coauthored five more suspense novels. Her books have sold more than 100 million copies in the United States alone.

Most helpful customer reviews

32 of 35 people found the following review helpful.
An excellent mystery with many twists and turns
By N. Larrabee
Alex Nolan saw the house in Mendham, New Jersey and bought it as a surprise for his wife Celia as a birthday present. Celia is shocked and speechless because it is the same home where she grew up in until she was 10 years old. Her mother, Audrey Barton was accidentally shot by Celia, known back then as Liza Barton, and her stepfather, Ted Cartwright was seriously wounded. There was a trial, but Liza was acquitted. She was adopted by distant relatives and relocated to California. Liza returned years later as "Celia Kellog" to New York to attend the Fashion Institute and fell in love with her first husband Larry Foster. When he died, Larry left his estate to his wife and son, holding her to the promise that she would never reveal her true identity. She met Alex Nolan and a romance very quickly blossomed. Living in Mendham was a chance for them to start fresh. Alex was a successful attorney and was going to head his firm's New Jersey office. Alex seemingly did not pay attention when his realtor Georgette Grove tried to disclose the story of Liza Barton to him. Their house over the years had become known as Little Liza's place and had been recently vandalized. As police try to follow up on the vandalism, two murders take place. Celia is suspected in both, especially as her former identity is disclosed. As she is haunted by her own memories, Celia becomes more determined to reveal the truth of what happened 24 years ago. Well-done, nicely tied together, with great twist at the end.

35 of 40 people found the following review helpful.
Nothing to rave about, but an enjoyable read!
By Syrielle
I love Mary Higgins Clark books. I have read every single one. With that said, I can't say this is her best, or even in her top 15. But I did read it all the way through, and it was entertaining, though somewhat unbelievable.

Positive points: admirable protagonist, beautiful and smart (typical, of course!) Many characters to draw suspects from, several twists and turns that keep you reading. Also, family-friendly writing; you can always lend MHC books to your teenager and your grandma without worrying about the content.

Not so great points: The "coincidences" that were pretty hard to believe. Also, the circumstances that the storyline takes place within are also questionable. You may question the main character's judgment at times and wonder what she was/is thinking. As long as you don't think about it too hard, you'll be able to look past these things.

Bottom line- if you like a quick mystery/thriller and aren't bothered by glitches in the storytelling or circumstances, then you'll enjoy this book.

13 of 15 people found the following review helpful.
Too Bad I Can't Give This Zero Stars
By Bookfan
The only reason I gave this one star is because Amazon won't let me give it zero stars. The writing in this book is so amateurish that if it had been sent to a publisher by an unknown writer it would have been immediately rejected.

I thought Clark couldn't get any worse than her last book "Nightime Is My Time", but with her latest "No Place Like Home", she surpassed "Nightime".

There isn't room to list everything that's wrong with this book. The lowlights are: Chapters alternate between first and third person, which makes a very jarring, disruptive and irritating read. No character development; all so one dimensional it's impossible to care what happens to any of them.

A weak, dimwitted heroine who holds to a unrealistic deathbed promise to her first husband, agonizes over what to wear today, and seems naturally inclined to make dumb decisions. When she finally decides to tell her second husband she is really Lizzie (afterall, the NY Post is going to front page it the next day!), she leaves a phone message for him to call her, turns off her phone, takes a sleeping pill and goes to bed!

Possibly the most grating, infuriating aspect is the repeated unrealistic police procedures and actions. A reporter thinks another murder may occur so the prosecutor gives her a key piece of evidence because he "owes her". Good grief!

I can't believe this book and "Nightime" were written by the Mary Higgins Clark I have read for years. This latest effort seems geared to a young teenage mentality and could, in fact, have been written by a teenager, given the very, very amateurish writing.

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Minggu, 10 Agustus 2014

^ PDF Download The Fiber35 Diet: Nature's Weight Loss Secret, by Brenda Watson C.N.C.

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The Fiber35 Diet: Nature's Weight Loss Secret, by Brenda Watson C.N.C.

The New York Times bestselling diet guide that will help you safely lose weight, look your best, feel more energetic, and stay healthy for life!

If you are

• fed up with short-term fad diets that offer no lasting solution

• craving a healthy alternative to high-fat processed foods and refined sugars

• searching for a way to take control of your health and feel vibrant every day

the Fiber35 Diet is for you!

It's time to revolutionize the way you think about dieting! New York Times bestselling author Brenda Watson has an incredible secret that helped her transform her body and vastly improve the quality of her life—the Fiber35 Diet. This incredible program will show you how to lose those unwanted pounds and maintain optimal health by taking advantage of the extraordinary power of fiber. Fiber is one of the most useful and beneficial ingredients on the planet. In addition to helping prevent many of the major diseases of our time—including diabetes, heart disease, and cancer—fiber helps to curb appetite, increase satisfaction, and actually flush calories out of the body. Brenda Watson will show you how to incorporate it into your diet easily, sharing how to turn this little-known secret to ideal weight and longevity into a lifetime eating system. Loaded with delicious recipes, meal plans, and even a comprehensive workout program, The Fiber35 Diet makes adopting a healthy lifestyle effortless.

  • Sales Rank: #469342 in Books
  • Brand: Watson, Brenda/ Smith, Leonard
  • Published on: 2008-02-12
  • Released on: 2008-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .80" w x 7.37" l, 1.38 pounds
  • Binding: Paperback
  • 320 pages

About the Author
Brenda Watson, C.N.C., is a bestselling author and one of the foremost dietary authorities in America today. She has gained national recognition with her televised PBS special, Brenda Watson's H.O.P.E. Formula: The Ultimate Health Secret. Ms. Watson has two grown children and currently lives in Florida with her husband, Stan, and their dogs.

Leonard Smith, M.D., is a renowned general gastrointestinal and vascular surgeon as well as an expert in nutrition and natural supplementation. Dr. Smith is a board-certified general surgeon and is currently a member of the volunteer faculty at the University of Miami Department of Surgery. Dr. Smith has been a surgeon in Florida for twenty-five years and currently resides there with his wife and two grown daughters.

From AudioFile
Reading her well-researched weight-loss lesson, Brenda Watson sounds charmingly Southern, earnest, and committed to making every word and every idea come out right. Shes a well-rounded healthcare expert, so in addition to the principal recommendation that we eat 35 grams of fiber with other high-bulk, low-calorie foods, she offers numerous additional lessons on such things as toxic cleansing, exercise, rest and stress, vitamins and supplements, and blood-sugar management. She sounds comfortable with the details and is persuasive without sounding pedantic or overzealous. With so much information, some readable and printable lists would have been helpful for people attempting such an important lifestyle change. T.W. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Most helpful customer reviews

330 of 340 people found the following review helpful.
Yes to fiber...no to fake!
By Lee Mellott
I think Brenda Watson is correct in her assessment that eating a high fiber diet can help an individual lose weight. Doughnuts, chips, and candy which are all fiberless and nutritionless tend to pack the pounds on. Eating high fiber foods like whole grains, beans, and broccoli make you feel fuller, so you eat less. Many of us know the feeling of eating junk food and feeling bloated and then hungry pretty soon after.

Brenda goes into depth in her book as to how fiber can be beneficial. She also recommends some interesting ideas such as using a sauna to speed up the metabolism and burn more calories.

The disappointment with the book is that the actual diet and the plan for life relies not on real food but on the use of bars and shakes. I don't see anything wrong with drinking a shake or eating a bar, but I would prefer to eat real food and sadly, that is not in this plan.

I noticed after reading other reviews that Brenda sells bars and shakes, so it does seem like she may have an agenda with the meal plan she proposes. Brenda does offer some great information on fiber, if she had offered a plan with bars/shakes and another plan with "real" food, this could have been a great book. But since she didn't I personally feel there are better fiber plan books on the market.

200 of 215 people found the following review helpful.
It just fits.
By xoxo
I got this book because I have tried and tried with The Sonoma and South Beach Diets and finally decided that what I was doing could be defined as insanity; "doing the same thing over and over expecting a different result". Those diets, along with other higher protein and lower carb diets, never fit me or my lifestyle. I kept telling myself that I needed to make a change and kept trying to force myself to make changes. The problem was (is) that it never felt like anything I could do for a lifetime.

Years ago I did a low-fat diet and I lost weight easily and kept it off easily for about 5 years. I exercised a lot and was in the best shape of my life. I began to gain a little weight and instead of looking at my program and tweaking it I let myself gain 15 or more pounds before decided to stop and take a look at my diet. At about that time there was a lot of buzz about how low fat diets don't work . . . ironically, I believed it even though it had worked for me and for 5 years!

For the next 6 years I bounced back and forth between The Zone, Atkins, South Beach Diet, and The Sonoma Diet. I gained the same 10-15 pounds over and over with a net result of being heavier than when I started 6 years ago. Making a lifestyle change is hard and nearly impossible if the diet doesn't "gel" or fit naturally.

One day I was frustrated with spinning my wheels and stated looking at Amazon for a low-fat diet book. There aren't many lower fat diet books because most of the buzz is about the type of diets that I have been doing and haven't worked for me. I ran into Fiber35 and I thought it sounded great. I noticed right away that the type of foods that I "can" eat are the kind of foods I "want" to eat. It fit!

Fiber35 is working for me. This just fits for me and my family. I taped the Fiber35 program on IPTV. Eating more fiber works by helping aid in weight loss, blood stabilazation, and improve our immunity. I prefer getting my fiber from real food so that I can get a lot of healthy phytonutrients that fight disease but may use a supplement.

There are other healthy diets out there but this one just fits. When I prepare my menu I am happy about the choices and look forward to eating and serving my family what I have prepared. Before I sat down with my cookbook to make my menu and I honestly thought "maybe it wont be that bad". I would sigh and tell myself that it was "good for me" so it was what I had to make to be healthy. I hoped that after doing the diet for a while that I would learn to love the food I was eating. The authors say that we will stop craving "junk" food so I thought maybe I would start craving slabs of meat and boring or odd side dishes. I never did and therefore would sway from being on a diet to being off a diet. My weight was like a yo-yo.

This week I have lost 4 pounds (6 days). I already have more energy which is huge for this time of year. Normally, I am dog tired from the thaw and coming of spring (seasonal allergies). Not this year.

I have tweaked the diet a little. I really believe in low-fat diets so I am watching my fat grams. My goal is to have 20-40 fat grams and 35-55 grams of fiber each day. I do keep an eye on my calories but I don't worry too much about it.

I journal every meal and am trying to work on my goal of journaling it before I eat it instead of eating and then journaling.

I have always exercised. I still do and will continue.

I will update my progress as I go along with Fiber35. It is very healthy and so easy . . . it fits me.

71 of 74 people found the following review helpful.
Great Diet and A Must Read For Everyone
By Megan Terry
I found out about the book on PBS. I've been eating my 35 grams of fiber ever since and using some of the tips to boost my metabolism. It works. Brenda Watson really explains what "good nutrition" looks like and offers plenty of recipes for great tasting high fiber meals. The Fiber35 Diet is very easy to follow. It has great research that proves what she says but doesn't get bogged down in heavy medical jargon. Everyone should eat this way, even if you don't need to lose weight.

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