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Now available in paperback, this timely book challenges the cult of the free market that has dominated all political and economic discussion since the Reagan revolution.

Even many liberals have felt the need to genuflect before the altar of free markets, but in The Predator State, progressive economist James K. Galbraith suggests that, under the Bush administration, conservatives have clearly abandoned the Reagan dogma and replaced it with crony capitalism. Tax cuts for the wealthy, deregulation, and such schemes as privatizing Social Security would divert the national treasury into private hands and give rise to "The Predator State." The real economy, Galbraith argues, has never been entirely free of government support. Indeed, he says, much of our prosperity over the decades has been the result of a mix of private enterprise and public institutions, dating back to the New Deal. While conservatives have paid lip service to free markets as the solution to everything from health care to global warming, it is clear from the current banking and Wall Street upheavals that a lack of federal regulation has led to disaster.

With witty insight, Galbraith makes it clear that we live in the age of predation. He sounds the warning bell, but also points the way to a more prosperous and progressive future.

• Sales Rank: #885279 in Books
• Brand: Brand: Free Press
• Published on: 2009-05-12
• Released on: 2009-05-12
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .80" w x 5.50" l, .45 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

From Booklist
Galbraith, noted economist and son of the late economist John Kenneth Galbraith, offers his views on the gap between conservative ideology and its use and abuse to cover up the George W. Bush administration’s Predator State, which takes advantage of the public sector and undermines public institutions for private profit. Galbraith reports that although most academics have abandoned conservative principles such as free trade, deregulation, and tax cuts for the wealthy, politicians from both parties continue to advance policies that, in reality, have turned regulatory agencies over to business lobbies, allowed the subprime mortgage foreclosures and banking crisis, and created Medicare’s drug plan, which legislates monopoly pricing for drug companies. Galbraith’s solutions include planning (contending that the U.S. does not plan); standards for wages, product and occupational safety, and the environment; and stabilizing financial and security policy. Not everyone will agree with Galbraith’s progressive beliefs, but he offers an important perspective in this thought-provoking book written in plain English. Excellent resource for library patrons. --Mary Whaley

Review
"Shows how to break the spell that conservatives have cast over the minds of liberals (and everyone else) for many years." -- Joseph E. Stiglitz, Nobel Laureate in Economic Sciences (2001)

"James Galbraith elegantly and effectively counters the economic fundamentalism that has captured public discourse in recent years, and offers a cogent guide to the real political economy. Myth-busting, far-ranging, and eye-opening." -- Robert B. Reich, Professor of Public Policy, University of California at Berkeley

"With a combination of erudition, insight, and wit worthy of John Kenneth Galbraith, Thorstein Veblen, and John Maynard Keynes, James K. Galbraith offers a critique of the conventional unwisdom about the economy that is as compelling as it is provocative." -- Michael Lind, Whitehead Senior Fellow at The New America Foundation and author of The American Way of Strategy

"James Galbraith has written an extremely challenging book. Although its principal target is conservative economics, it is no less critical of conventional liberalism. Galbraith correctly recognizes that today both approaches are intellectually bankrupt and incapable of addressing the nation's pressing economic problems. I hope The Predator State stimulates needed debate among both liberals and conservatives on the mistakes both sides have made that have gotten us to where we are now." -- Bruce Bartlett, author of Impostor: How George W. Bush Bankrupted America and Betrayed the Reagan Legacy

Review
"Shows how to break the spell that conservatives have cast over the minds of liberals (and everyone else) for many years." -- Joseph E. Stiglitz, Nobel Laureate in Economic Sciences (2001)

"James Galbraith elegantly and effectively counters the economic fundamentalism that has captured public discourse in recent years, and offers a cogent guide to the real political economy. Myth-busting, far-ranging, and eye-opening." -- Robert B. Reich, Professor of Public Policy, University of California at Berkeley

"With a combination of erudition, insight, and wit worthy of John Kenneth Galbraith, Thorstein Veblen, and John Maynard Keynes, James K. Galbraith offers a critique of the conventional unwisdom about the economy that is as compelling as it is provocative." -- Michael Lind, Whitehead Senior Fellow at The New America Foundation and author of The American Way of Strategy

"James Galbraith has written an extremely challenging book. Although its principal target is conservative economics, it is no less critical of conventional liberalism. Galbraith correctly recognizes that today both approaches are intellectually bankrupt and incapable of addressing the nation's pressing economic problems. I hope The Predator State stimulates needed debate among both liberals and conservatives on the mistakes both sides have made that have gotten us to where we are now."-- Bruce Bartlett, author of Impostor: How George W. Bush Bankrupted America and Betrayed the Reagan Legacy

Most helpful customer reviews

144 of 166 people found the following review helpful.
All men are created equal
By Bethyself
I must say that this book turned what I believe about the economy on its head, but it also enlightened me about how the economy is connected to fairness and equality. I used to think that our biggest problem was deficit spending, but now I see the biggest problem is fairness. Galbraith, who is the son of the famous John K. Galbraith who wrote The Modern Industrial State, which I read 40 years ago and gave me my first insights into how the economy works, describes how inequity in wages has distorted the market and created an environment not unlike Alice in Wonderland where people disenfranchise themselves by believing that free markets are somehow all-seeing and lead to the greatest possible good. Galbraith makes a case against this hands-off approach to markets and argues that unregulated markets will lurch from one bubble to the next. Crises like global warming will never be dealth with because there is no financial incentive to do so. Planning is the only thing that can save us and will have to involve a serious political battle because the corporations have saturated the media with the belief that the markets work best when left alone, which prescription leaves most of us on the bottom level of the next pyramid scheme while the corporate executives accumulate vast fortunes for themselves at our expense. The writing isn't bad, but it can be a bit hard to see what he's driving at at times. The resolutions he offers at the end make the read worth while. This book came out in Spring of 2008. Given the financial meltdown here in the Fall, the warnings in this book are eerily prescient.

105 of 128 people found the following review helpful.
Interesting thesis, although not totally convincing
By Steven Peterson
James Galbraith, this book's author, is the son of famous economist John Kenneth Galbraith. His father was an important figure in economics, with books such as "The New Industrial State" on his resume. I mention this since this volume mentions Galbraith pere approvingly on a number of occasions.

Galbraith begins by noting that our economic discussion is based on a fallacy--that free markets and competition govern our economic sphere. This idea is now the dominant view of how an economic system ought to function in the United States. He goes on to say that (Page xi): ". . .the doctrine serves as a kind of legitimation myth--something to be repeated to schoolchildren but hardly taken seriously by those on the inside." The guiding metaphor for this book, a predatory state, is outlined early on by Galbraith. He says that this refers to (Page xiii): "the systematic abuse of public institutions for private profit or, equivalently, the systematic undermining of public protections for the benefit of private clients."

He develops this thesis, beginning with a first chapter entitled "Whatever happened to the conservatives?" He begins by noting the elements of the Reagan revolution (or Reaganomics as it was then termed)--(1) tax reduction to trigger investment and economic growth; (2) tight money to halt the inflation that had sapped the energy of the economy; (3) deregulation and assaults on unions, to, once more, let market forces rule. He goes on to argue that, first, this perspective did NOT achieve what its supporters allege, and, second, that contemporary conservatives have in essence abandoned these principles to "take over" the government and use that power to enhance the interests of the moneyed and powerful class. As a result, Regan's vision has been replaced by "the predator state," which he defines as (Page 131) ". . .a coalition of relentless opponents of the regulatory framework on which public purpose depends, with enterprises whose major lines of business compete with or encroach on the principle public functions of the enduring New Deal."

If that is the problem, what would the solution be? Galbraith suggests three components of addressing the predator state. One is to institute a system of planning, to think ahead and not depend on short term profit making motives of business enterprises. Another is for government to become more involved in setting wages and ensuring a more equal distribution of pay and income (his argument is that there is no evidence that letting wealthy people get wealthier has positive economic benefits). Three, the United States is part of a world economy, and that should help to discipline and inform our policy.

His policy proposal? If you want higher wages, raise them? If you want better jobs--create them. If you want safer foods and cleaner air, mandate it. Don't depend on the market. Just do it. That won't sit well, of course, with those who advocate markets as the answer. But, then, by the terms of his argument, the market will not do that since it does not describe how things work. The final chapter examines how one might pay for his policy choices.

Plenty of examples are mentioned. This is a book that is not always clear in what it argues, although that is not a major problem. It does provoke reflection on how things work, and that is to the good. I must confess that I am not convinced by what are, generically, referred to as conspiracy theories, and this book has a flavor of a conspiracy at work. Nonetheless, in the aftermath of the economic troubles that have beset the United States and other countries, it is useful to examine alternate perspectives and see if they add anything of value to discourse.

3 1/2 stars. . . .

36 of 44 people found the following review helpful.
An Insightful Economist Helps Us Understand the 2008 Economic Meltdown
By Daryl Kulak
When I first picked up this book, I did so because the title and sub-title was threatening and abusive to my own thinking. I had to find out what an accomplished economist knew that I didn't know about my deeply held beliefs about capitalism and economics.

What an interesting book. The American Economy was in a much different state when I began reading this book (early Sep 2008) than when I finished it (late Oct 2008). I think what I learned from this book has helped me think about possible solutions for our economic meltdown.

Here are some points from Galbraith's (yes, Kenneth's son) book. I'll give indication of my opinions on his ideas as well.

I have a full review on my blog (do a Google Blog Search for Predator State).

Galbraith says that liberals who are for the following things should reverse their thinking: balanced budgets, free trade, open markets / monetary policy, tax cuts and the importance of savings. (Hey, that's me!!)

He attacks each idea with an obvious depth of economic prowess and an even more obvious bias towards true-blue liberal thinking.

His argument against balanced federal government budgets is perhaps his most compelling. He provides a simple equation that shows that the U.S. federal government (unlike all other countries) is positively incapable of balancing its budget and should not even try. To do so results in pain for consumers and business in the U.S. Galbraith actually won me over on this point.

The equation is that the U.S. must run a budget deficit each and every year or else private industry and consumer will have to run deficits themselves. The deficits we run collectively (government plus industry plus consumer) MUST equal our countries total trade deficit. And the U.S. will always have a trade deficit as long as the U.S. Dollar is the currency of choice for emerging market countries to hold as their reserve currency (which is it).

On free trade, Galbraith isn't exactly against free trade itself, but against the unfettered access we seem to have as a goal where environmental and labor regulations aren't part of our agreements. He seems to have a fairly typical liberal view on this point, and I agree as well. He aggressively debunks the notion that the free trade agreements are even remotely linked to job loss in the U.S. Instead, he blames deregulation and union-busting for the job losses.

Galbraith deftly points out the failures of the "open market" and, in many ways, foreshadows what happened in the weeks and months after his book was published in August 2008. He was right on almost every account on this point. Just this past week we saw Alan Greenspan admitting to the "flaw" in his own thinking about markets and monetary policy. Galbraith must have had a giggle about that. He points out that the countries where open markets were most vigorously applied were dramatic failures (Argentina, Brazil, Chile). He says that Milton Friedman's motto of "freedom to choose" is actually just "freedom to shop." He shows how the big industrial companies lost their brain trusts in finance and technology to Wall Street and Silicon Valley respectively, and he details the damage this has caused. He shows how extravagant CEO pay has been a destructive force in the economy.

He says that government "planning" is needed because "markets cannot think ahead." I like this point very much.

Galbraith saw the George W. Bush tax cuts as irresponsible and, in general, the trickle-down economics as a joke. I think most people would agree these days, including me. On financial inequality in general, he says that we must use government controls to close the gap between the rich and the poor, and if we do so, we will experience a better and better economy. He uses Denmark as an example of high equality and low unemployment.

With the importance of savings, I think Galbraith is of two minds. It seems that he is opposed to supply-side economics, which emphasizes the importance of savings, but he also, later in the book, says that he is in favor of the government having some control or influence over how/when people save money, so I ended up a little confused on this point. I, personally, am a crazy saver and I think Americans need to have more of a saving/investment mindset than we currently do.

I learned a lot. Perhaps only a handful of books I've read in my life have forced a bigger shift in my thinking than this book. I cannot say that I am a far-left liberal like Galbraith himself, even after reading this book. However, I can say that I've shifted left-ward knowing what I know now, and I'm sure my opinions have also been drastically impacted by the lurchings of the American economy this fall of 2008.

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^^ PDF Download Everything Is Going to Be Okay: A Book for You or Someone Like You, by Bruce Eric Kaplan

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Everything Is Going to Be Okay: A Book for You or Someone Like You, by Bruce Eric Kaplan

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EVERYTHING IS GOING TO BE OKAY
It's a terrible world out there and we all know it. But now that we have this delightful picture book for adults by famed "New Yorker "cartoonist Bruce Eric Kaplan, it's just a little bit better. In these pages you will discover a unique story of two people, one graduation speech, and many things you mayor may not need to know. This wise and wonderful book is the perfect gift for any graduate. In fact, we promise that anyone who reads it will be enthralled, inspired, moved, amused, and most important, will learn the secret to having a deeply fulfilling life. Results are 100 percent guaranteed but completely beside the point.

• Sales Rank: #3324314 in Books
• Published on: 2014-04-19
• Released on: 2014-04-19
• Original language: English
• Number of items: 1
• Dimensions: 7.50" h x .40" w x 6.00" l, .0 pounds
• Binding: Paperback
• 128 pages

Review
"Brilliant." --"The Washington Post"

"A cartoonist whose work comes from the painfully familiar." --"Esquire"

"Mordantly funny." --"Vanity Fair"

"Hilarious." --"Star-Tribune" (Minneapolis)

"Wittily dry." --"Los Angeles Times"

"Brilliant." "The Washington Post"

"Mordantly funny." "Vanity Fair"

A cartoonist whose work comes from the painfully familiar. "Esquire"

"Hilarious." "Star-Tribune" (Minneapolis)

"Wittily dry." "Los Angeles Times"

About the Author
Bruce Eric Kaplan, known for his distinctive, off-beat single-panel cartoons, has been a New Yorker cartoonist for more than ten years. He is also a television writer and was an executive producer for the acclaimed HBO series Six Feet Under, as well as a writer on Seinfeld (funnily enough, one of his most well-known episodes is one where Elaine becomes increasingly frustrated over what she takes to be an utterly nonsensical New Yorker cartoon).

He has authored and illustrated seven adult titles for Simon & Schuster: the cult classic The Cat That Changed My Life; the collections I Love You, I Hate You, I'm Hungry; No One You Know; and This Is a Bad Time; and three titles featuring the wonderfully neurotic Brooklyn couple Edmund and Rosemary: Every Person on the Planet, Edmund and Rosemary Go to Hell, and Everything Is Going to Be Okay. Bruce is also the author and illustrator of three picture books: Monsters Eat Whiny Children, Cousin Irv from Mars, and Meaniehead. He lives in Los Angeles with his wife and two children.

Most helpful customer reviews

3 of 3 people found the following review helpful.
"We're always changing even if we don't know how."
By E. Bukowsky
Graduation season is upon us. Speakers everywhere are imparting words of wisdom to eager youngsters who have completed their studies and are preparing to tackle the future. Bruce Eric Kaplan, a cartoonist for the New Yorker, has created a whimsical picture book, "Everything is Going to Be Okay," in which the head of a small college asks an odd-looking nonentity named Edmund to deliver a commencement address. Edmund and his wife Rosemary are stunned that any academic institution would call upon him, since he has done nothing noteworthy. "I guess everyone else was busy," says Rosemary helpfully.

Kaplan, with his stark black and white drawings and satirical captions, makes fun of the platitudes that we hear at so many commencements. Edmund, who has a gigantic case of writer's block, has difficulty coming up with a speech. Time flies by and he finds himself standing at the podium, scared out of his mind. He starts jabbering without coming up for air. It doesn't matter, since no one is listening to him anyway. He finally wraps everything up by saying, "Everything is going to be okay." Then he adds, "Even if it isn't."

Still, Edmund and Kaplan manage to convey some uninspiring ideas: You cannot possibly do everything that you set out to do; although love is pleasant, it can also be dull; and living a long life does not necessarily make you smart or worthy. Just getting up in the morning and getting through your day is a triumph of sorts.

What is the point of this slender book? Kaplan seems to be saying that life is tough, unpredictable, unfair, and often challenging. There's no point in worrying ourselves sick. In fact, if we were to sit down and think about everything that could possibly go wrong, we would be paralyzed with fear. Therefore, we might as give living our best shot, and hope that things turn out reasonably well. This message will not knock anyone's socks off, but "Everything is Going to Be Okay" is a wry and amusing little book for the quirky and unconventional graduate with an off-beat sense of humor.

0 of 0 people found the following review helpful.
Relaxing Read or Gift
By Shai
I was hesitant when purchasing this book, but I was captivated by the cartoonist feel it had. This book is dedicated toward any graduate, and I must say it is fitting. Most graduates are typically busy, and this book can be read in five minutes or less. I gave this book and a gift card to someone for their graduation.

Before gifting it, I naturally had to read it. The messages I absorbed from this short artistic book were: overcoming the fear of change, overdoing a good thing can become negative, procrastination is normal do not beat yourself up over it, giving someone negative advice will not help them, be there for someone through their roughest patch in life, and great things can come from negative moments in life.

Bottom line, it is a cute little book for anyone, not just someone who is graduating. Maybe someone that is making a career change, or anyone who is going through a questionable time in their life. It allows your mind to rest, without having to 'think'...

0 of 0 people found the following review helpful.
Some Late Light Reading
By ThirstyBrooks
Kaplan provides Dr. Seuss-style quotable inspiration, sometimes amusing, sometimes silly, sometimes practical, and sometimes baffling. It's light, easy reading with simple line drawings to bring home key points.

I've read it more than once, a few months apart, so I'll agree that many readers will find quotable quotes in multiple readings. That said, the cuteness of "Everything Is Going to Be OK" does not mean you need to buy an extra bookshelf to display it. It's easy reading even if you're at the point of exhaustion, so if you need a worthwhile grownup bedtime story this fits the bill nicely.

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Fractured history. Broken lives. Splintered souls. Since the alternate universe was first glimpsed in the classic episode "Mirror, Mirror," something about Star Trek's dark side has beckoned us, called to us, tempted us -- like forbidden fruit on the Tree of Knowledge. To taste it is to lose oneself in a world of startling familiarity and terrifying contradictions, where everything and everyone we knew is somehow disturbingly different, and where shocking secrets await their revelation.

What began in 2007 with Glass Empires and Obsidian Alliances -- the first truly in-depth foray into the turbulent history of this other continuum -- now continues in twelve new short tales that revisit and expand upon that so-called "Mirror Universe," spanning all five of the core incarnations of Star Trek, as well as their literary offshoots, across more than two hundred years of divergent history, as chronicled by...

Christopher L. Bennett - Margaret Wander Bonanno - Peter David - Keith R.A. DeCandido - Michael Jan Friedman - Jim Johnson - Rudy Josephs - David Mack - Dave Stern - James Swallow - Dayton Ward & Kevin Dilmore - Susan Wright

• Sales Rank: #897894 in Books
• Brand: Brand: Pocket Books/Star Trek
• Published on: 2009-01-06
• Released on: 2009-01-06
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.20" w x 5.31" l, .80 pounds
• Binding: Paperback
• 432 pages

Features

• Used Book in Good Condition

About the Author
Marco Palmieri is a popular editor, writer, and walking encyclopedia of Star Trek lore. He lives with his family in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

Nobunaga

Dave Stern

HISTORIAN'S NOTE: "Nobunaga" takes place in early 2156 (ACE). The Terran Empire has possession of a powerful weapon, the twenty-third-century Federation Starship Defiant ("In a Mirror Darkly," Star Trek: Enterprise; "Mirror, Mirror," Star Trek). The Empress Sato, having mercilessly destroyed the usurpers to her rule (Star Trek Mirror Universe: Glass Empires -- Age of the Empress), now seeks to eradicate any rebellion.

He dreamed of T'Pol.

Not the Regent she had become but the woman she had been. The woman he had loved, out of duty at first and then with all his heart. He pictured her as she had looked ten years ago, at the time of the Empress's ascension, wearing the uniform she had taken from the Defiant's stores, a blue skirt that let her long legs show, that left the curve of her neck bare.

He pictured himself kissing that skin, felt her long hair brush against his face, felt his hands moving over her body, her yielding to him. He luxuriated in the moment, stayed with T'Pol as she had been for as long as he could stand the memory.

And then the memory faded, and for a second, he saw T'Pol as she was now, T'Pol the Regent, hard, harsh, close-cropped hair. He pictured her standing over him, her face blank, expressionless, emotionless. Alien. Vulcan. As if they had shared nothing. As if he were nothing more to her than another cog in the Empress's machine.

He saw her hands reaching for him. Her fi ngertips on his forehead. Her mind invading his. Her strength forcing him to yield.

He shot up in bed, suddenly awake. Drenched in sweat.

Completely disoriented.

He wasn't aboard Defiant. He was -- where?

Wearing a hospital gown. A hospital bed. Dim lighting in the room, a small room, no windows, a door at the foot of his bed, ventilators humming...

The door cracked open. Lights -- dimmed, thank God for that -- came on.

Dr. Phlox walked in.

"You." Tucker hated the Denubolan with a passion. "Where am I?"

"I'd take it easy if I were you, Commander. Your body needs time to recover from the -- "

"Answer the damn question."

Phlox smiled.

"You're in a private medical facility. On Earth."

"Earth? How did I get here?"

Tucker shook his head. Images fl ashed through his mind. He was out on Defiant, near the Neutral Zone, hunting the rebels. Hunting Archer.

"I want that man caught!" Robinson yelled, slamming his fist into the padded armrest of the captain's chair. "I want more speed!"

He turned and glared at Tucker.

"I want my ship!" he screamed, and his face morphed into Hoshi's. The Empress's.

Tucker blinked, returning to the here and now.

"There was an accident," Phlox said. "In engineering."

"I don't remember that at all."

"Not surprising. It was rather a large explosion. You've been unconscious for some time."

"Some time."

"Three weeks."

"Three weeks? What about the ship?" Tucker asked.

"The ship is functional."

"Functional. What does that mean?"

"There is time to worry about the ship later," Phlox said. "For now, I need to examine you."

The doctor moved closer to the bed. Tucker flinched.

"I'd rather have another doctor."

"You don't get a choice. The Empress has personally charged me with your care."

Ah. Tucker could guess how that conversation had gone.

Heal him, or else.

He gritted his teeth, and endured the doctor's none-too-gentle probing. His machines and his tests. At the end, Phlox stepped back.

"So?" Tucker asked. "How am I?"

The doctor shook his head. "Dying," Phlox said.

Something to do with delta rays and radiation. The Defiant's warp engines and the explosion that had occurred. Impending CCB -- catastrophic cellular breakdown.

A more extreme version of the energies that had scarred his face at Bozeman, at the warp training facility, twenty years ago.

"Fix me," Tucker said. "The Empress charged you with my care, right?"

"Believe me, I am well aware of that fact. There is nothing I can do, however."

Tucker sat up. Frowned. "I don't feel any pain."

"It will be minimal at first," Phlox said. "As the nerve endings deteriorate, however, you will begin to -- "

"Spare me the gory details." Tucker glared, rubbed the small of his back. "I hope this isn't another one of your sick jokes."

"Hardly."

"Maybe I should get a second opinion."

"A second opinion." Phlox burst out laughing and, just as suddenly, stopped. "Get all the opinions you want, Commander. The Empress would certainly love to have you with us for as long as possible. But the data are irrefutable. Machines do not lie."

There was a rolling cart next to the bed; on it, a case lay open. A machine lay within the case, the last machine the doctor had used. He popped a data chip out of the machine and put it into Tucker's hand.

"So, what kind of time frame we talking about?" Tucker asked.

"A few weeks. Perhaps longer. Depending."

"On what?"

"On the speed of the breakdown. How fast the effect travels through your system." The doctor retracted cable, folded sensors, snapped the case shut. "If I were you, I would get my affairs in order. Sooner rather than later."

He picked the case up by a handle, nodded, and left.

Tucker got out of bed. A mirror, three feet square, occupied one wall of the room. He went and looked at himself in it.

His body was scarred all over, burned. New scars to go with the old ones, the ones running down the side of his face. Souvenirs from Bozeman and the years he'd spent slaving next to the reactor chambers of various starships. Enterprise. Defiant. And --

Pain stabbed into his head. Sudden, sharp, debilitating. He groaned, lowered his head, waited for it to pass. Eventually, it did.

He stood up, and the room stopped spinning after a moment.

He'd never felt pain like that before. Not even after Bozeman.

Dying. Maybe Phlox was right.

He went to a terminal on the other side of the room. He popped in the data module Phlox had given him and reviewed what was on it. Started to, anyway. He was no doctor. He couldn't make heads or tails out of what he was seeing; it was highly unlikely, though, that Phlox had been lying. The Empress would have his head. Tucker was important to her -- or, rather, the knowledge in his head was important.

His stomach growled. He walked out the door and into the hall.

There was a guard there, of course. There were guards everywhere.

This one was a good half-meter taller than he, built like a walking mountain.

"You don't leave the room." He drew his weapon and motioned Tucker back inside.

"Food," Tucker said, and went back into the room. Ten minutes later, a tray showed up. Hospital crap. He ate it anyway.

He lay back on his bed, hands behind his head, and closed his eyes.

Dying.

When he'd never really had a chance to live.

He slept, and dreamed again. Of T'Pol at fi rst, not the T'Pol he had loved but the Regent, standing over his bed. Her fingers probing. Her mind probing.

The Empress stood next to her. Watching. Glaring. Fury written all over her face.

The pain in his head returned, stronger than ever.

The dream shifted.

He was back on Defiant. Back in his quarters. Staring at a red light fl ashing on his console: message waiting.

Message? Who would be sending him a message?

No way to know without opening it, of course.

His fingers danced above the input screen. Curiosity and fear warred within him.

Curiosity won.

He tapped the screen; it came to life.

The past came to life with it.

"Trip."

The message was from Jonathan Archer.

"I won't waste words," Archer said. "You can't do it. You can't let her -- "

Tucker stabbed at the screen.

"Delete!" he shouted. "Delete, delete, delete!"

If the Empress found out...

He awoke, his heart thudding in his chest. His head ached. His body stank. He needed a shower. He needed to get back to Defiant. Whatever life he had was back on that ship. Correction: whatever life he had was that ship. He had no friends; his family had long ago abandoned him. His work was his legacy.

He took care of the washing up fi rst, then went to the terminal. He opened a comlink, and after almost an hour of waiting, got through to his ship. To the captain.

"You're awake." Robinson looked neither pleased nor displeased. "What can I do for you?"

"How's the ship?"

"The ship is fine. How are you?"

"Ready to get back to work."

Traces of a smile flitted across the captain's face. "I heard you were dying."

"So they tell me. But I'm not dead yet." He leaned forward. "And I'm sick of this place already."

"I can understand that. I hate hospitals myself. But..." Robinson shrugged. "I can't help you."

"What?"

"Orders."

From whom? Tucker was about to ask, and then realized that, of course, there was only one person Robinson took orders from these days.

Right at that second, he heard footsteps in the hall. He turned in time to see the door open.

A woman stepped in.

The Empress.

She wore a black robe styled like a uniform and boots that added half a foot to her height. Bodyguards crowded the doorway behind her.

Tucker went to one knee, gritting his teeth the whole way down. "Empress."

"Commander. Rise -- please. There's no need for such formality between old friends."

Which was an out-and-out lie, of course, Tucker thought as he got back on his feet, a lie that Travis Mayweather's component atoms -- wherever they were -- would happily attest to.

Hoshi entered the room. Two of the bodyguards followed her in -- hulking monsters, bigger even than the man-mountain who'd shooed Tucker out of the hall before. Augments, though if what Tucker had heard about the Empress was true, she hardly needed them these days. The word was, she'd augmented herself as well, her strength, her recuperative powers...other things. Image-projection fi elds, allowing her to disguise herself. Telepathic abilities. The rumors were legion. Three-quarters of them were false, no doubt, but they all added to her mystique.

The Empress. Some said she would live f...

Most helpful customer reviews

8 of 10 people found the following review helpful.
Decent but uninspired
By R. Spottiswood
For twelve stories over such a range of time and Trek series, they end up being remarkably similar. They showcase the violence and treachery of the Mirror Universe, all right, but not much more, and the stories themselves are uninspired. Also, a heck of a lot of established characters get killed off. I realise that part of the appeal of the Mirror Universe is that writers can raise drama with the genuine possibility of character death. By halfway through the book, known character deaths becomes routine. Drama is not found in routine.

The first four stories are sent in the Terran Empire. The first story is told in flashback, but you can't tell which point is the present for 'Trip' Tucker. The second story is an intricate story of betrayal. The third is James Kirk becoming captain of the I.S.S. Enterprise. It is good, but told in a creepily light-hearted manner. After these three good stories, the Vanguard story is basically an action set-piece. It is the kind of story that works better on a screen than in print.

After that, the stories are set in the post-Empire period, with a mix of Alliance and Terran Rebellion stories, with the Memory Omega conspiracy as a frequent sub-plot. Three stories feature the Stargazer crew, some of the Next Generation cast, and some of the Voyager crew, and all are basically about the groups treacherously decimating each other. Keith R.A. DeCandido's story is the mirror for the Battle of Marcan V. Part of the interest in the story is that you don't know who is treacherous or who they intend to betray. The other main part is that the writing is very good and, it has to be said, noticeably above the quality of the rest of the stories.

Peter David's story is what Star Trek: Nemesis would be if mirrored, using the Excalibur setting ... and a comedy. Or at least, I found it impossible to take the story seriously. That is especially a shame as it features one of the largest-scale events in the Mirror Universe.

Jim Johnson's A Terrible Beauty is about Keiko Ishikawa. It is an intricate story of decepetion and treachery and a very subtle style of establishing control over people and events, and one of the better stories. There is a story with the Titan crew that is basically the usual slaughter, plus since it's Chris Bennett, some heavy-handed moralising. The last story is a David Mack special ops story. It's not up to his usual standard.

Overall, these stories are decent, but nothing special.

5 of 6 people found the following review helpful.
A Slight Stumble
By Ryan Peterson
I have much enjoyed the Myriad Universes and Mirror Universes collections and have eagerly awaited this installment since it was announced for last year. However, this entry did not strike me fondly as its predecessors. Some of the offers were quite good (ie Homecoming, The Black Flag, Nobunaga), but others didn't strike me quite well (Sacred Chalice, the format of Family Matters.) Overall, it's a good read, but I would recommend reading the rest of the Mirror Universe books before delving into this one.

2 of 2 people found the following review helpful.
Mirror Universe - Part Three
By P. McCoy
Shards and Shadows continues on from Part One. I noticed, however, that some of the stories referenced other stories in Obsidian Alliances. Fortunately, I had the other book and was able to access the previously-referenced stories to get a better handle of the "thread" contained within Shards and Shadows.

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## Free Ebook The Tenderness of Wolves: A Novel, by Stef Penney

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A brilliant and breathtaking debut that captivated readers and garnered critical acclaim in the United Kingdom, The Tenderness of Wolves was long-listed for the Orange Prize in fiction and won the Costa Award (formerly the Whitbread) Book of the Year.

The year is 1867. Winter has just tightened its grip on Dove River, a tiny isolated settlement in the Northern Territory, when a man is brutally murdered. Laurent Jammett had been a voyageur for the Hudson Bay Company before an accident lamed him four years earlier. The same accident afforded him the little parcel of land in Dove River, land that the locals called unlucky due to the untimely death of the previous owner.

A local woman, Mrs. Ross, stumbles upon the crime scene and sees the tracks leading from the dead man's cabin north toward the forest and the tundra beyond. It is Mrs. Ross's knock on the door of the largest house in Caulfield that launches the investigation. Within hours she will regret that knock with a mother's love -- for soon she makes another discovery: her seventeen-year-old son Francis has disappeared and is now considered a prime suspect.

In the wake of such violence, people are drawn to the crime and to the township -- Andrew Knox, Dove River's elder statesman; Thomas Sturrock, a wily American itinerant trader; Donald Moody, the clumsy young Company representative; William Parker, a half-breed Native American and trapper who was briefly detained for Jammett's murder before becoming Mrs. Ross's guide. But the question remains: do these men want to solve the crime or exploit it?

One by one, the searchers set out from Dove River following the tracks across a desolate landscape -- home to only wild animals, madmen, and fugitives -- variously seeking a murderer, a son, two sisters missing for seventeen years, and a forgotten Native American culture before the snows settle and cover the tracks of the past for good.

In an astonishingly assured debut, Stef Penney deftly weaves adventure, suspense, revelation, and humor into an exhilarating thriller; a panoramic historical romance; a gripping murder mystery; and, ultimately, with the sheer scope and quality of her storytelling, an epic for the ages.

• Sales Rank: #73919 in Books
• Brand: Penney, Stef
• Model: 3796284
• Published on: 2008-03-04
• Released on: 2008-03-04
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.00" w x 5.50" l, .79 pounds
• Binding: Paperback
• 371 pages

Features

• 371 pages

From Publishers Weekly
Starred Review. The frigid isolation of European immigrants living on the 19th-century Canadian frontier is the setting for British author Penney's haunting debut. Seventeen-year-old Francis Ross disappears the same day his mother discovers the scalped body of his friend, fur trader Laurent Jammet, in a neighboring cabin. The murder brings newcomers to the small settlement, from inexperienced Hudson Bay Company representative Donald Moody to elderly eccentric Thomas Sturrock, who arrives searching for a mysterious archeological fragment once in Jammet's possession. Other than Francis, no real suspects emerge until half-Indian trapper William Parker is caught searching the dead man's house. Parker escapes and joins with Francis's mother to track Francis north, a journey that produces a deep if unlikely bond between them. Only when the pair reaches a distant Scandinavian settlement do both characters and reader begin to understand Francis, who arrived there days before them. Penney's absorbing, quietly convincing narrative illuminates the characters, each a kind of outcast, through whose complex viewpoints this dense, many-layered story is told. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Long-listed for the Orange Prize and winner of the Costa Award (formerly Britain's Whitbread Award), Tenderness of Wolves, Stef Penney's first novel, has garnered acclaim in Europe and the United States. A screenwriter, Penney casts the harsh Canadian landscape in vivid, cinematic hues while portraying a small society born of isolation, corporate greed, and an unforgiving environment. Although a murder mystery with many plot twists, the novel most successfully reveals complex human desires, motivations, and relationships. Some critics faulted Penney's "noble savage" stereotypes, clichŽd dialogue, and unremarkable ending. However, as the Minneapolis Star Tribune notes, "Sometimes the journey is just more interesting than the destination."

Copyright © 2004 Phillips & Nelson Media, Inc.

Review
"The Tenderness of Wolves stood out from a very strong shortlist. We felt enveloped by the snowy landscape and gripped by the beautiful writing and effortless story-telling. It is a story of love, suspense and beauty. We couldn't put it down." -- Costa Award Committee

"An original and readable mixture of mystery and history, with a good dollop of old-fashioned adventure." -- The Times (London)

"In suitable Jack London style for a setting in Canada's snowy wastes, wolves wander in and out of this suspenseful 19th-century epic, offering a leitmotif of constant unease. So begins what masquerades as a traditional murder quiz but quickly broadens out to encompass other lines of inquiry -- the mystery of two long-missing young sisters, the quest for a forgotten native American culture, the twists and turns of an unusual love story. Stef Penney is from Edinburgh and claims never to have visited Canada -- impressive, then, that the land of her imagination convinces." -- The Guardian

"A fascinating, suspense-filled adventure, a refreshing contrast to the conventional murder mystery." -- The Sunday Telegraph (London)

"The novel has a large canvas and . . . the story twists and turns. The Tenderness of Wolves is an entertaining and well-written adventure thriller." -- The Spectator

"Stef Penney, who in an even more unusual coup, won the first novel prize with a murder saga, The Tenderness of Wolves. The (Costa) judges said it made them feel "enveloped in the snowy wastes" of Canada in 1867. Penney, agoraphobic at the time, did all her research in the British Library." -- The Guardian (Manchester)

"An entertaining, well-constructed mystery . . . sexy, suspenseful, densely plotted storytelling . . . a novel with far greater ambitions than your average thriller, combining as it does the themes of Conrad's Heart of Darkness with Atwood's Survival, and lashing them to a story that morphs Ian Rankin with The Mad Trapper of Rat River." -- The Globe and Mail (Canada)

"A quite remarkable debut novel set in the snowy backwoods of Canada in 1867 . . . atmospheric and delicately written mystery." -- Birmingham Post

"Confident and complex portrait of 1860s Ontario. . . . Between twists and turns of plot, Penney evokes the land -- its shades of light and changes of weather, its marshes and treacherous waters. Rarely has winter seemed so febrile. . . . This one is a powerhouse." -- Books of Canada

"Penney's descriptions of the harsh landscape and the deprivation of living there are vivid and excellent." -- The Daily Telegraph (Australia)

Most helpful customer reviews

73 of 75 people found the following review helpful.
Not a Beach Book...
By Steven James
While I thoroughly enjoyed this book once I got into it, it was a challenge to figure out what was going on. The story itself is really interesting and the setting is fabulously well-drawn, but there are so many names to remember that it is kind of tough going, at times. The first 50 pages or so are completely hard to follow, but stick with it and it will begin to gel later on. Each chapter is told from a different character's point of view, and while interesting, it makes for a lot of head scratching. The names of many of the characters are similar, and we often go through 100 pages or more before a character is mentioned again. I would recommend this to the more sophisticated reader. This is not a book to be casually leafed through while sitting on the beach at Waikiki. One other thing, I can't imagine why the publishers decided to make this book a "summer release". The setting is so dark, cold, and snowy that it's difficult to even imagine what these people are feeling as we are suffocating of heat here in the Pacific Northwest in August. Overall, after a slow start, this book got under my skin and is now one of my all-time favorites. But it's not for everyone.

3 of 3 people found the following review helpful.
It's cold up there!
By Scott Baker
The Tenderness of Wolves: A Novel
Stef Penney creates a frozen rural setting in which the characters struggle to unfreeze even their feelings. Set in the cold north of the 1860s, "The Tenderness of Wolves" is a slow-paced thriller dealing with a murder in the time way before CSI, or even formal police departments. A number of parties are interested in tracking down the killer of a reclusive trapper, and all of them have ulterior motives. The story started out a little slowly at first, and I almost put it down, until I remembered that my own story, "Neitherworld" starts out slowly as well, and like Wolves, then heats up. An interesting twist to the narrative form is the way Penney tells the story in first person in some chapters and then, when the main character could not know certain things because she is not present, switches to third person. Be prepared to develop sympathy for the characters only over time. This is NOT a lapel-grabber - it is a thoughtful journey with sorrow, deep tragedies, and redemptions. It is, in other words, in the old tradition of great literature.

0 of 0 people found the following review helpful.
Not a bad read
By Mrs. V. K. Groenendijk
Enjoyed the book but found it a bit drawn out

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? Download PDF 1 Dead in Attic: After Katrina, by Chris Rose

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Originally a self-published sensation by a Pulitzer Prize-winning author, 1 Dead in Attic captures the heart and soul of New Orleans in the immediate aftermath of Hurricane Katrina.

1 Dead in Attic is a collection of stories by Times-Picayune columnist Chris Rose, recounting the first harrowing year and a half of life in New Orleans after Hurricane Katrina. Celebrated as a local treasure and heaped with national praise, Rose provides a rollercoaster ride of observation, commentary, emotion, tragedy, and even humor—in a way that only he could find in a devastated wasteland.

They are stories of the dead and the living, stories of survivors and believers, stories of hope and despair. And stories about refrigerators.

1 Dead in Attic freeze-frames New Orleans, caught between an old era and a new, during its most desperate time, as it struggles out of the floodwaters and wills itself back to life.

• Sales Rank: #57814 in Books
• Published on: 2007-08-21
• Released on: 2007-08-21
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x 1.00" w x 5.50" l, .74 pounds
• Binding: Paperback
• 364 pages

From Publishers Weekly
Starred Review. The physical and psychic dislocation wrought by Hurricane Katrina is painstakingly recollected in this brilliant collection of columns by award-winning New Orleans Times-Picayune columnist Rose (who has already hand-sold 60,000 self-published copies). After evacuating his family first to Mississippi and then to his native Maryland, Rose returned almost immediately to chronicle his adopted hometown's journey to "hell and back." Rose deftly sketches portraits of the living, from the cat lady who survives the storm only to die from injuries sustained during a post-hurricane mugging, to the California National Guard troops who gratefully chow down on steaks Rose managed to turn up in an unscathed French Quarter freezer. He's equally adept at evoking the spirit of the dead and missing, summed up by the title, quoting the entirety of an epitaph spray-painted on one home. Although the usual suspects (FEMA and Mayor Ray Nagin, among others) receive their fair share of barbs, Rose's rancor toward the powers that be is surprisingly muted. In contrast, he chronicles his own descent into mental illness (and subsequent recovery) with unsparing detail; though his maniacal dedication to witnessing the innumerable tragedies wrought by "The Thing" took him down a dark, dangerous path ("three friends of mine have, in fact, killed themselves in the past year"), it also produced one of the finest first-person accounts yet in the growing Katrina canon.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Hurricane Katrina boosted Rose's career and damn near destroyed his life. A columnist for the Times-Picayune, Rose wrote disarmingly direct, funny, and fully loaded essays about the horrific aftermath of the storm, the terror and loss, injustice and irony. An intrepid explorer of the wreckage, Rose chronicles the decimated city's horrible smell, daunting debris, and Twilight Zone atmosphere. Rose jokes about how Survivor should have been set in New Orleans and tells jaw-dropping and heartwarming stories about chance and stoicism, brutality and heroism. Readers love and rely on his column, which earns him a Pulitzer, and when he self-publishes a collection of his essays, it promptly sells 65,000 copies. But as a conduit for all the sorrows of the lost city, Rose experiences a catastrophic inner storm and candidly reports on his plunge into depression. This frank and compelling collection combines Rose's original book with later dispatches from hell covering all of 2006 and adding up to vivid and invaluable testimony to the true repercussions, public and personal, of the devastation of a city. Seaman, Donna

Review
"The Crescent City's bard"
-- Harry Shearer, The Huffington Post

"These are impressionistic cries of pain and mordant humor...they so aptly mirrored the sense of surreal dislocation experienced by New Orleanians that they turned Rose into a voice of the tortured city."
-- Ken Ringle, The Washington Post Book World

"The most engaging of the Katrina books...packed with more heart, honesty, and wit...Rose was more interested in telling the searing stories of his shattered city than assigning the blame for its demise..."
-- Michael Grunwald, The New Republic

Most helpful customer reviews

33 of 34 people found the following review helpful.
Essential for anyone's "Katrina" shelf
By K. G. Schneider
Chris Rose was a Pulitzer nominee for his post-Katrina writing. I was glad to see the Times-Picayune snag some well-deserved Pulitzers, but sad that Nicholas Kristof (however much I like his columns) edged out Rose.

In any event, this is a stand-out collection of columns--really, in most cases, very brief essays.

When I first read the book, in a small-press edition, it stayed with me for days. No matter what else I was reading or doing, I saw the people Rose writes about, sitting on door stoops, calling him "baby" in grocery stores, struggling to rebuild after the unthinkable, taping up their stinking refrigerators. In his stories about trying to raise children, battling depression, and yes, refrigerators, Rose makes it clear that the hurricane was an event, but Katrina is a condition New Orleans struggles with every day.

A year later, this book is now available in a new, expanded edition. One or two essays are a little over-sentimental, but never mind. This is an amazing book. (Read it alongside, or after, "Breach of Faith.") Rose's direct prose and grim, funny, heart-ful imagery make this book essential reading for any caring person, and a must for library collections.

4 of 4 people found the following review helpful.
Through the Eyes of A Survivor......
By Chasing Creighton
We visited New Orleans for the first time since Pre Katrina, for the Sugar Bowl last week.

I was amazed, first, that the city was so, well, alive. That allayed some of my fears, if not all. Going into several shops to find an item for a friend of mine who was a NO resident, I saw copy after copy of this book, and kept being drawn to it.

Finally, on my last day there, I said 'What the heck, I've got a little extra that I didn't spend' and paid the $15. I started reading it immediately, and haven't put it down. It's a longer read than what I usually read (Fiction), and so it's taking me longer, but this book portrays the people of New Orleans in a way that I have yet to see, and probably will not see again.

It tells of the heartbreak, laughter, tears, joy, reunions, coming home for the first time, it tells of all the things that went through anyone's soul affected by Katrina.

It's not a sad book, not all the time. There are chapters that I read with tears of laughter rolling down my face {Running the Barbershop with power from a car battery) and there are chapters that made me think it was I who survived, I could see it, the 9th Ward, the houses, the 'Blue', it was all there in my mind's eye, and I cried inside for those that made it out, and those who didn't. I cried for the couple, the husband who died of a heart attack while the wife held on, trying to stay alive.

I cried for the animals, the thousands that were washed away with the waters.

I cried for Chris Rose, who without him, and his words, I would have never known what it was really like that day, those weeks, those months. He brought me a little closer to the truth, and for that I will always be grateful. I will always have images burned into my mind, but Chris made some of those images come alive with color, and not seem so gray.

Being the wife of a writer/Editor, I know that experiences are the best subject matter. I also know that you have to be a GREAT writer to make it work, and Chris Rose is that.

Although N'awlins isn't 'home' for us, it has, and will always be a second home. We both grew up vacationing there, living there, even for a time. We both have life long friends who live there. We found out last week that we lost one of those friends, Charles Ramsey, to ALS. We both mourned the loss of everything and everyone in that great city in August of 05.

But yet, we will always return. Going back just made it 'ok' in my heart, I guess, for I'm ready to make it again. The city has come back, yes, there are places that will never be the same, there are things that cannot be replaced, lives lost, families displaced, but, for the most part, NO is still the NO I remember.

I cannot, however, say the same for Biloxi. That, in itself, was a whole other grieving process. So many memories, memories that I will not be able to re-create with my own, washed away that day, only to be held in my mind.

Thank you, Chris Rose, for allowing me to see that it wasn't all horrible, that life will go on, and that New Orleans, as a whole, is a survivor.

0 of 0 people found the following review helpful.
Required reading for anyone who loves New Orleans and the people who live there.
By SHEILA
Wonderful book with great insights. Has you laughing one minute and crying the next. No one can understand what happened to the people of New Orleans and the surrounding areas post-Katrina without reading this book.

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^^ PDF Download Ratio: The Simple Codes Behind the Craft of Everyday Cooking, by Michael Ruhlman

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Ratio: The Simple Codes Behind The Craft Of Everyday Cooking, By Michael Ruhlman How a simple idea by reading can improve you to be an effective person? Reviewing Ratio: The Simple Codes Behind The Craft Of Everyday Cooking, By Michael Ruhlman is a really simple task. But, exactly how can many individuals be so lazy to review? They will prefer to invest their free time to talking or socializing. When in fact, checking out Ratio: The Simple Codes Behind The Craft Of Everyday Cooking, By Michael Ruhlman will certainly provide you more possibilities to be successful finished with the hard works.

Ratio: The Simple Codes Behind the Craft of Everyday Cooking, by Michael Ruhlman

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Michael Ruhlman’s groundbreaking New York Times bestseller takes us to the very “truth” of cooking: it is not about recipes but rather about basic ratios and fundamental techniques that makes all food come together, simply.

When you know a culinary ratio, it’s not like knowing a single recipe, it’s instantly knowing a thousand.

Why spend time sorting through the millions of cookie recipes available in books, magazines, and on the Internet? Isn’t it easier just to remember 1-2-3? That’s the ratio of ingredients that always make a basic, delicious cookie dough: 1 part sugar, 2 parts fat, and 3 parts flour. From there, add anything you want—chocolate, lemon and orange zest, nuts, poppy seeds, cinnamon, cloves, nutmeg, almond extract, or peanut butter, to name a few favorite additions. Replace white sugar with brown for a darker, chewier cookie. Add baking powder and/or eggs for a lighter, airier texture.

Ratios are the starting point from which a thousand variations begin.

Ratios are the simple proportions of one ingredient to another. Biscuit dough is 3:1:2—or 3 parts flour, 1 part fat, and 2 parts liquid. This ratio is the beginning of many variations, and because the biscuit takes sweet and savory flavors with equal grace, you can top it with whipped cream and strawberries or sausage gravy. Vinaigrette is 3:1, or 3 parts oil to 1 part vinegar, and is one of the most useful sauces imaginable, giving everything from grilled meats and fish to steamed vegetables or lettuces intense flavor.

Cooking with ratios will unchain you from recipes and set you free. With thirty-three ratios and suggestions for enticing variations, Ratio is the truth of cooking: basic preparations that teach us how the fundamental ingredients of the kitchen—water, flour, butter and oils, milk and cream, and eggs—work. Change the ratio and bread dough becomes pasta dough, cakes become muffins become popovers become crepes.

As the culinary world fills up with overly complicated recipes and never-ending ingredient lists, Michael Ruhlman blasts through the surplus of information and delivers this innovative, straightforward book that cuts to the core of cooking. Ratio provides one of the greatest kitchen lessons there is—and it makes the cooking easier and more satisfying than ever.

• Sales Rank: #51432 in Books
• Brand: Ruhlman, Michael
• Published on: 2009-04-07
• Released on: 2009-04-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, .95 pounds
• Binding: Hardcover
• 272 pages

Features

• ISBN13: 9781416566113
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Most helpful customer reviews

218 of 224 people found the following review helpful.
Changes the way you think about food and cooking
By C. Nielsen
I've been cooking without recipes for 20 years now, pretty much since I could reach the counter, and I thought I had a pretty good grasp of the fundamentals of home cooking.

Still, there are certain things that remained mystical. For some reason, we think of dough as something only a baker can make. It's not. It's 5 parts flour and 3 parts water. Home-made pies are too much trouble, right? Wrong. I can make a pie dough in less time than a typical TV commercial break (and now I know where the term 'easy as pie' came from). Homemade mayo is great, everyone knows that, but emulsions are hard to make and easy to break, right? Wrong. Just make sure you have the proper ratio of water to oil and you'll be fine (and you can easily re-emulsify if it does break).

If you're a novice in the kitchen, this book is going to really do a lot for you. You'll walk past the cake mixes and straight to the bags of flour. You'll find yourself never throwing leftovers away because leftovers+stock=fantastic soup. You'll transcend simple bread baking (which is still quite enjoyable) and discover the splendor of choux paste.

More importantly however, if you're very comfortable in the kitchen as I was, but still see a division between home cooking and fine cuisine, this is even more so the book for you. It will help bring things to your plate that you thought were reserved for the outer world. The best bread is the bread you bake. The best sauce is the sauce you dream up. The best soup is the one you made from scraps.

Of special note is the very important fact that everything in this book is not just possible, but it's easy as well. I am a big Alton Brown fan, and his endorsement of this book played a big part in my purchasing it, but ironically it was Alton himself that gave rise to much of my fear of trying to make certain types of food. As much as I love him, sometimes Alton makes things sound more complicated and delicate than they are. Ruhlman does the exact opposite and makes you realize just how simple most things are (or the foundations of those things at least). I've made some pretty bad stuff in my experiments so far, but the important thing is I know what made them bad and how to correct next time. I also understand how to manipulate ingredients to vary the results of the finished food (even when baking), which is priceless.

The bottom line is this: whether you're an experienced home cook or a slave to box mixes, you will learn a lot from Ratio and will be rewarded constantly. There hasn't been a Sunday morning since this book hit my door that hasn't been spent enjoying fresh, hot biscuits (3 parts flour, 1 part fat, 2 parts liquid; 5 minutes from brain to oven).

Enjoy.

267 of 278 people found the following review helpful.
Ratios, period.
By Amazon Customer
After reading through the book, I was left feeling that it should have offered me a lot more. Perhaps Mr. Ruhlman should have given the basic ratio, and then gone on to explain what the results would be. After that, he could have discussed how changing each ingredient in the ratio would change the results.

For example, a cook will get some decent bread by using the 5:3 ratio in the book and a standard breadmaking technique. However, if she reduces the water, the bread will be better for bagels and pretzels. If she increases the water, it will tend toward a ciabatta or pugliese. Changing the salt and yeast will affect the rise time and flavor. That's how knowing a ratio becomes useful. The cook knows altering it little in one direction will change the results in a predictable way. Some of this information was haphazardly indicated in the chapter introductions, but it would have been much more effective if it were thoroughly explained and organized in the context of the recipe ratio.

To me, this was the information missing that would have made this book an invaluable resource. It's not just knowing the ratios - it's knowing how to tweak them to get the results I want in each particular instance. I think any mid-level cook knows that adding a few herbs and spices to their homemade biscuits won't break the recipe. But if she wants to be able to tweak her basic biscuit recipe so that just a little more moist and tender to go with fried chicken, or a little more sturdy to stand up to a lot of sausage gravy, this book doesn't offer anything. Many problems with recipes can be solved by altering the ratio slightly: cookies spreading too much, cakes collapsing, biscuits not rising, bread too dense, pie dough overbrowning, etc. (Of course, these problems can also sometimes be solved by technique, but because technique is not the theme of the book, I'm not going to fault Mr. Ruhlman for hardly mentioning it.) If the book explained how slightly altering the standard ratio affects the result, not only could I have improvised the perfect biscuit for each situation, but I could have better used the book to fix unsatisfactory (but promising) recipes.

Since the entire book could probably be summed up in a chart (with baking times and temperatures when required), I think the price is way out of line with its value. Since most passionate home cooks probably already have a decent set of recipes that duplicate what the book offers, I can't say it's even worth the recipes. Two stars for a good idea.

248 of 261 people found the following review helpful.
essential home-cook revelations
By Kal Cobalt
Ever since Ruhlman first started pondering this book on his blog years ago, I've been eagerly anticipating its arrival, and it has not disappointed. The theory of ratio and its present and historical value are engagingly presented, and the book quickly ushers openminded readers to the kitchen to see these things at work themselves. So far I have baked two "experiments" I would never have had the bravery to tackle without this knowledge, and both have been educational and delicious accomplishments!

This is not a cookbook -- indeed, it is an anti-cookbook. Those expecting complex recipes, or the "best" way to make something, will be dissatisfied. This is a manual for real cooks who want to understand the fundamental underpinnings of what makes food FOOD in order to play, tweak, recontextualize, and personalize their methods in infinite variations. It's a book for culinary explorers who don't wish to be, pardon the pun, spoon-fed.

As always, Ruhlman's fresh, engaging, personal writing style leaves this an entertaining read even if you're not stopping every few pages to try your hand at the techniques. (If telling you it was a real page-turner while I was awaiting jury duty doesn't convince you, I don't know what will!)

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