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In 2004 on Palm Island, an Aboriginal settlement in the "Deep North" of Australia, a thirty-six-year-old man named Cameron Doomadgee was arrested for swearing at a white police officer. Forty minutes later he was dead in the jailhouse. The police claimed he'd tripped on a step, but his liver was ruptured. The main suspect was Senior Sergeant Christopher Hurley, a charismatic cop with long experience in Aboriginal communities and decorations for his work.
Chloe Hooper was asked to write about the case by the pro bono lawyer who represented Cameron Doomadgee's family. He told her it would take a couple of weeks. She spent three years following Hurley's trail to some of the wildest and most remote parts of Australia, exploring Aboriginal myths and history and the roots of brutal chaos in the Palm Island community. Her stunning account goes to the heart of a struggle for power, revenge, and justice. Told in luminous detail, Tall Man is as urgent as Bury My Heart at Wounded Knee and The Executioner's Song. It is the story of two worlds clashing—and a haunting moral puzzle that no reader will forget.
- Sales Rank: #1443718 in Books
- Published on: 2014-04-19
- Released on: 2014-04-19
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x .80" w x 5.50" l, .0 pounds
- Binding: Paperback
- 272 pages
From The New Yorker
In 2004, in a remote Aboriginal community in northern Australia, Cameron Doomadgee, a drunk young indigenous man, was arrested and, a few hours later, died in his prison cell. A witness claimed that the six-foot-seven-inch arresting officer beat Doomadgee to death. The officer claimed that Doomadgee fell accidentally and that the extent of his injuries (which included broken ribs and a ruptured liver) wasn’t apparent. Through the story of the manslaughter trial, Hooper lays bare Australia’s institutional racism and the grim conditions of Aboriginal life there. A novelist, she finds a muscular music even when confronting sordid truths. Describing a desolate indigenous settlement, she recalls Aboriginal myth: “beer cans lay by the river’s edge, their red-and-green aluminum shimmering in the sun; a nightmare incarnation of the Rainbow Serpent.”
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From Bookmarks Magazine
Critics agree that Tall Man is true-crime journalism at its finest. While Hooper, who admittedly knew little about Aboriginal life before researching the topic, focuses much of the book on the manslaughter trial, she tells a much wider story about centuries of Aboriginal life, government policies, and historic injustices. Thoughtful and compassionate, the book is also fast paced as Hooper becomes immersed in the community on Palm Island, especially in the Doomadgee clan. While she didn’t have access to Hurley, she talked to his colleagues in order to try to understand all perspectives of the story. In the end, Hooper concludes, “I had wanted to know more about my country, and now I did—now I knew more than I wanted to.”
Copyright 2009 Bookmarks Publishing LLC
Review
"Chloe Hooper's masterful book of reportage is a kind of moral thriller about power, wretchedness, and violence." -- PHILIP ROTH
"It is impossible to overestimate the importance of this book." -- PETER CAREY, AUTHOR OF HIS ILLEGAL SELF AND THEFT: A LOVE STORY
"Chloe Hooper illuminates the brutal and tragic legacy of racism in northern Australia with first-rate reporting and incandescent prose. Tall Man should become a classic of literary nonfiction." -- MARYANNE VOLLERS, AUTHOR OF GHOSTS OF MISSISSIPPI
"Follows in the tradition of classic nonfiction novels like Truman Capote's In Cold Blood as Hooper brings lyrical power to actual events. The result is a real-life Heart of Darkness in the Australian badlands." -- TIME OUT SYDNEY
"Every sentence is weighed, considered, even, restrained. Every character is explored for their contradictions, every situation observed for its nuances, every easy judgment suspended. Hooper has a feeling for the intimacy of violence, the fragility of the flesh, the tawdry inevitability of corruption, the fathomless depth of loss." -- THE SYDNEY MORNING HERALD
Most helpful customer reviews
9 of 10 people found the following review helpful.
Outstanding Work, But Not Easy Going
By Stephanie De Pue
"Tall Man," by Chloe Hooper, is a rare bird, indeed, a non-fiction work of passion and power. It is set in Palm Island; an aboriginal settlement in the "Deep North" of Australia, and concerns the death in police custody of the 36-year old Aboriginal Cameron Doomadgee, who was arrested by a white police officer, Senior Sergeant Christopher Hurley, for swearing in his direction; was taken to the police lockup, and was dead 40 minutes later. Doomadgee, who was drunk at the time, had apparently been beaten to death. Hurley, a charismatic and popular cop who had chosen to spend most of his career in the aboriginal precincts that his coworkers wouldn't voluntarily go near, was always the chief suspect. But Hurley was fiercely protected by his own; apparently the thin blue line is universal. He was never convicted of the Aboriginal's death.
Author Hooper is the author of a highly praised 2002 novel, ("A Child's Book of True Crime") that was named a "New York Times" Notable Book of the Year, and was shortlisted for the Orange Broadband Prize. Excerpts from her award-winning investigation of the Doomadgee case have appeared in "The Observer," and "The Guardian Weekly." She lives in Melbourne, Australia, and was asked to write about the Doomadgee case by the pro bono lawyer who represented his family; she spent three years on it, researching the brutal history of Australia's whites, and its native population. Generations of white policymakers did their best to break up Aboriginal families, deprive them of work, and isolate them. The results can be seen only too clearly in Palm Island, colonized by children taken from their families and thrown into dormitories. Hopelessness, anger, violence, drunkenness, drug use, and sadism seem to characterize the community; not very pretty, and she brings it all to the table. This book brings to mind a grim New Zealand movie of some years back, Once Were Warriors, in its depiction of that island's aboriginal community (known as Maori), and its seething rage, drunkenness and violence.
"Tall Man" is an outstanding piece of work, but is surely depressing reading. In addition,it's not easy keeping all those aboriginal family names straight; I wished for a chart that helped identify them. Furthermore, most Americans don't know much about Australia; the few pictures given in the book that might help us, are printed on the same paper stock as the text, and are therefore of very poor quality. Then you've got to wander to the last page of the Acknowledgments in back to find their captions. Moreover, while I'm discussing pictures, the author frequently describes the Aborigines' "dream paintings" to us, several times to do with "the tall man." But these dream pictures have been gathered for exhibits in museums and art galleries all over the world, and their catalogs are surely available. And a cousin of mine, Osa Brown, put together a collection of these pictures in book form for a New York museum. So, pictures of these dream paintings can be found, and I believe they should have been included in the book, to allow readers to see what the writer was describing to us. I know I seem to be asking for more/better pictures a lot recently, but this is one book that really cries out for a photo gallery.
4 of 5 people found the following review helpful.
Frontier Justice
By Kevin L. Nenstiel
Chloe Hooper combines gripping narrative with harrowing reportage to convey an act of violence in a land of stunning brutality. When an Aboriginal man dies in custody on an island off Australia's Queensland coast, the event becomes national news after a pathologist renders a flippant report and the white police want to write off the event, so the locals riot. It has been a long time since a book has moved me as deeply as this book does.
On Friday, November 19, 2004, Senior Sergeant Chris Hurley, at the end of his second year in the Aboriginal settlement at Palm Island, arrested Cameron Doomadgee for cursing at him and another officer. Doomadgee was drunk at ten in the morning. Forty minutes later, Doomadgee was dead, with injuries consistent with a massive car crash. Hooper tries to reconstruct those forty minutes, and the legal wrangling that lasts for nearly three years afterward.
In Hooper's heartrending language, Palm Island mixes the worst aspects of an Indian reservation, a penal colony, and Hell. Though Hooper conducts her reportage with the help of Doomadgee's family, her frankness creates a world of moral compromise, stunning melding of honorable and shameful traits, and a people wracked with generations of pain and abjection. There is enough in this book to stun and appall anybody of any social or political point of view.
Sergeant Hurley comes across one moment as a sterling lawman who builds bridges between white government and poor black Aborigines, then as an evasive, angry bigot. Cameron Doomadgee is a loving father and leader, and at the same time a chronic drunk with a brutal temper. The trial to see who was responsible for what drags out an entire province's buried racism as well as its higher ideals. Australian frontier justice is swift, sure, and unforgiving.
The story unfolds in a way comprehensible to world audiences. Comparisons to the Wild West and the American Civil War make the story of a crime on the far side of the planet feel as close as my own history. But this very clarity is also what makes this book such an impactful read. I can imagine having a beer with Chris Hurley, or a friendly dust-up with Cameron Doomadgee; and I can imagine having to choose sides when one dies in the other's custody.
Hooper unflinchingly depicts the story's participants as they are, with the glory and pain intact. In reading this, I was struck by one question: how different is this from America? Looking at suffering urban blacks or reservation Indians, and the way people who look like me deny that anguish while crushing those who dare rise up, I have to confess, maybe not much. But does that make the present culpable for the crimes of the past? I can't say.
This is a very important book. People of good conscience and confident values should read it, regardless of their politics or background. It is packed with harrowing truths and hard-eyed views of the highs and lows of human nature, a story that is as moving as it is terrifying, as uplifting as it is appalling. I couldn't put it down. I don't ordinarily advocate in reviews, but I will make an exception here: drop everything else and read this book, right away.
1 of 1 people found the following review helpful.
A Story of Humanity, Diminished
By Teahouse Fox
It's impossible to read this book as an American and not be drawn to the sense of parallel worlds. You can't help but recall similar issues here and the impact of well-meaning missionaries on the American Indian population, the injustice, suppression and the inhumane treatment of black slaves and their struggle for civil rights.
The world of the Aborigine people of Australia unfolds in the author's tale. She came to Palm Island to document the trial surrounding the 2004 death of Cameron Doomadgee, but she found herself looking at the world of the indigenous people of the continent with new eyes.
Their plight becomes a character in Hooper's book, as real and detailed as the people she is surrounded by. The pervasive alcoholism, physical abuse of women, violence, distrust of the white authorities, mysticism and racism are palpable and place the death of Doomadgee squarely in the context of the world he lived in.
Like her assignment that should only have taken weeks, the actual murder was more than just about a white cop and a dead 'blackfella'. It was a symptom of a much bigger problem. One officer she interviews comments that the environment he lives in, among the indigenous people he is supposed to protect, has left him with the knowledge that he is a racist - and he knows enough to understand that his humanity has been diminished for it.
The horrifying thing is that the events in Tall Man didn't occur last century, or the one before. It was five years ago. Several times while reading this book I had to remind myself that these events were shockingly recent. Several things I read with a sense of disbelief that such things were still possible in a developed country.
Hooper's narrative isn't preachy, or dramatic, but understated and observant - it simply is what it is, and often it offends our sense of justice and humanity. But it seems that is exactly the target she was aiming for.
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