Rabu, 16 Desember 2015

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Book of Dreams: A Novel, by Davis Bunn

Book of Dreams: A Novel, by Davis Bunn



Book of Dreams: A Novel, by Davis Bunn

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Book of Dreams: A Novel, by Davis Bunn

For Dr. Elena Burroughs, life is divided into two chapters—before and after the death of her husband. Today marks the point that her span of being a wife is equal to her span of being a widow. Even her success as a psychologist and her worldwide acclaim for a book on the interpretation of dreams is dimmed by an unspoken If only. Then a new patient arrives, one so private only her first name is given. Impeccably dressed and escorted by two bodyguards, Sandra recounts a frightening series of recurrent nightmares. Elena agrees to consider her case more carefully, convinced that something ominous may be at work here. Elena's interpretation of her dreams confirms that, indeed, the new patient and her family confront a powerful global network of dangerous forces. As the story unfolds, they face a key question of the Christian life: How do you understand and fulfill the will of God?

  • Sales Rank: #1030367 in Books
  • Brand: Simon & Schuster
  • Published on: 2011-10-04
  • Released on: 2011-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.00" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 352 pages

Review
"Book of Dreams is a fascinating read. A totally new concept, which makes it a rare achievement. The story really makes you think. The theme is both very challenging and mesmerizing. A first-rate effort." —Hy Smith, executive vice president (ret.), United International Pictures (Hy Smith, executive vice president (ret.), United International Pictures)

"Book of Dreams is an exceptional story. The concept itself is remarkably fresh, with a genuinely unique design. There are very few inspirational-style concepts that have the potential to cross over and become major mainstream hits. In my opinion, Book of Dreams is at the top of this list. Exciting, relevant, and accessible. A remarkable story, one that will linger long after the book is put down." —Norman Stone, producer / director, Shadowlands (Norman Stone, producer / director, Shadowlands)

"Inventive and incisive, Bunn's fiction never disappoints. And he’s scored again with Book of Dreams. Don’t miss this one." —Jerry B. Jenkins, New York Times bestselling author, the Left Behind series (Jerry B. Jenkins, New York Times bestselling author, the Left Behind series)

"The Book of Dreams is wonderful. Davis Bunn has created a literary delight that underscores the power of God’s word. A page-turner with an inspiring supernatural element. I could not put this down." —Anne Graham Lotz, bestselling author, Just Give Me Jesus (Anne Graham Lotz, bestselling author, Just Give Me Jesus)

About the Author
Davis Bunn is the author of numerous national bestsellers in genres spanning historical sagas, contemporary thrillers, and inspirational gift books. He has received widespread critical acclaim, including three Christy Awards for excellence in fiction, and his books have sold more than six million copies in sixteen languages. He and his wife, Isabella, are affiliated with Oxford University, where Davis serves as writer in residence at Regent’s Park College. He lectures internationally on the craft of writing.

Excerpt. © Reprinted by permission. All rights reserved.
Book of Dreams 1


Teddy Wainwright was a very happy man. Not many people had the chance to reinvent themselves at the ripe old age of sixty-three. He finished typing his resignation, hit the Send button, and gave a satisfied sigh. Shirley would be so proud of him.

His young aide set the photographs of Teddy’s wife and daughters into the last crate. “That’s the lot, sir.”

“Thank you again for your help.” Teddy slipped his aide a letter. He had been up until almost dawn, working and reworking the words. There was so much to pack into a few paragraphs. The envelope bore his wife’s name. Nothing more. “Here, put this on top.”

“No problem, sir.” His aide set the envelope in the box and fitted on the lid. “I’d just like to say again how sorry I am you’re going.”

“That makes two of us.” His secretary of nineteen years walked through his open door and waved the multiple copies of his formal resignation. “This is so hot it must be radioactive.”

Teddy Wainwright signed each letter in turn. “This is also a long time coming.”

“Your daughter’s on the phone.”

“Put her through.” He reached over his desk and shook his aide’s hand. “I wish you every success in your new position.”

“I could come with you, sir. Matter of fact, I’d like to.”

“You’re better off here.” Teddy had rewarded the young man’s loyalty by promoting him to a junior vice presidency. “The legislation required to formally start the financial oversight commission is months off. Until then, I’ll be cooling my heels in Washington. Which is why I haven’t even invited my secretary to join me. Yet.”

“I’m a patient guy. You should know that by now.”

“If or when things get going, I’ll give you a call, see if you’re still interested.” Teddy lifted the receiver, waved his former aide through the door, and said to his elder child, “Perfect timing.”

“You really did it?”

“The letters are winging their way to the board and the papers as we speak.”

“Mom must be so thrilled.”

Teddy Wainwright turned and stared at the spot where his wife’s photograph had sat since he had become president of the Centurion Bank seven years earlier. His throat was so tight he found himself unable to respond.

His daughter asked, “When are you giving the speech?”

Teddy checked his watch, though there was no need. He had been counting the minutes for a month. Longer. “Five hours.”

“I called because I wanted you to know Sis and I are here together and we’ll be praying for you.”

He had to clear his throat twice before he could say, “Thank you, honey. That means the world.”

“Go out there and knock ’em dead.”

“I intend to.”

“They’ve had this coming for a long time.”

“Too long.”

She hesitated a long moment, then said softly, “I’m so proud of you, Daddy.”

Teddy Wainwright told his daughter good-bye, then pressed the phone to his heart. He held it there long enough for the receiver to emit the beeping alarm, telling him to cut the connection. His secretary reentered his office and saw him sitting there, staring out the window. “Everything all right?”

“Everything is fine.” He set the receiver down in the cradle and wiped his eyes. “Everything is just great.”

“The garage just called to say your car is waiting downstairs. I checked with the airport and your plane is inbound. And your wife is on line three.”

Teddy Wainwright rose from his chair, plucked his suit jacket from the back of his door, and slipped it on. “Tell Shirley I’ll call her from the car.”

His secretary handed him a plastic file. “Your speech.”

“Thank you.”

“I hope you know what you’re doing.”

“I do.”

“The banks won’t like this. It’s one thing for some politician or journalist to take aim. But when one of their own turns on them, it’s war.”

Teddy Wainwright heard both her years of experience and her very real fear. But all he felt was the same sensation as the previous evening, kneeling on the floor of his home office. The strength he had known at that point, the conviction, the certainty. He slipped the speech into his briefcase. “I should have done this years ago.”

She did not say anything more, just stepped away from his office door. They had said all the farewells that were necessary, shared the meals and the hugs and the tears. His departure was anticlimactic.

Teddy crossed the foyer shared by the bank’s five senior executives and the boardroom. All the doors were shut. His so-called friends had turned their collective back on him. The other two secretaries refused to meet his gaze. When Teddy reached the elevators, his secretary was still standing in the doorway to his former office, a strong, intelligent woman who had watched his back for years. Worried for him.

Like everyone else on Wall Street, the bank’s executives used so many limos that they had their own parking area just beyond the handicapped zone in the basement garage’s first level. Teddy did not recognize the driver, but this was nothing new. The man was pale-skinned and lean, with clean hands and a well-pressed suit. He held Teddy’s door, then slipped behind the wheel and said, “We’re headed to Teterboro Airport, Mr. Wainwright?”

“That’s correct.”

“You want me to call ahead, make sure your plane’s ready?”

“That won’t be necessary. Would you mind rolling up the divider? I need to make a call.”

“No problem, sir. There’s coffee in the thermos.”

“Thank you.” Teddy pulled his phone from his jacket, but before he could punch in his home number, the phone rang. Teddy checked the readout and recognized the senator’s office. “Wainwright.”

“Good morning, Mr. Wainwright, this is Allison, in Senator Richard’s office?”

“Yes, Allison.” Teddy recalled a pert young woman who managed to turn every sentence into a question. “What can I do for you?”

“The press has been showing a huge interest in your talk, so the senator was wondering, could we shift your testimony forward an hour so your comments can make the evening news?”

“Let me check my schedule.” He opened his briefcase and scanned the typed page his secretary had slipped into the folder with his speech. “I’m due to arrive at Reagan National at two thirty.”

“The senator will be so pleased. Can I ask, do you prefer to be addressed as Theodore?”

“Teddy is fine.”

“Thank you. One more thing, Mr. Wainwright, could we please make sure you’ll hold your opening remarks to fifteen minutes? This is so important, since the committee members will want their responses to make the newscast—”

“Fifteen minutes will be more than adequate.”

Terry cut the connection and cradled the phone between his hands. He had spoken several times before the US Senate’s Banking Committee. But on previous occasions he had always been part of a team. His last time seated before the curved dais had been the worst, when the Wall Street banks had come hat in hand to the federal government, begging for a bailout. One they did not deserve. Everything Teddy had spoken into the microphone had fallen from his mouth like dead weight. A ton of lies strung together with desperation and urgency.

Well, not this time.

He phoned his wife. When Shirley answered, he said, “I had the sweetest call from our daughter.”

“She and her sister have their entire prayer group coming over. They’re going to watch you on C-SPAN.”

Sunlight played between the New York high-rises, dappling his side window. He and his older daughter had fought a series of increasingly bitter disputes throughout her teenage years. Then the year she graduated from university, Shirley had brought their daughter to faith. And everything had changed. At least for her.

Teddy had held out for a good deal longer.

Until nine months and three days ago, to be exact.

His wife went on, “I’m supposed to already be over there. But I wanted to speak with you first.” Shirley had been living in a state of perpetual joy ever since he had agreed to pray with her. But Shirley did not sound happy now. She sounded frightened. “Are you sure this is what you want to do?”

The previous nine months should have been the happiest of his own life as well, at least on the surface. Teddy did not merely believe that his burdens had been lifted, he knew this. He was convicted by the reality of his freedom.

And that was where the problem lay.

Teddy Wainwright was a victim of his own success. He had lived a life of unbounded ambition and greed. He was a skilled manipulator and a man accustomed to wielding almost unlimited financial power.

Now he had been saved from himself and his misdeeds. But this freedom came at a price. The eyes of his soul had been opened. Coming face-to-face with his true nature, in the one mirror he could not ignore, was a dreadful experience.

Teddy realized Shirley was still waiting for his response. “This is not only what I want. It’s what God wants too.”

Shirley was a solid woman. Strong and beautiful, both inside and out. “The years I’ve prayed, hoping someday you might speak those words.”

Teddy pressed a fist to his chest, trying to push the emotions back inside. “I’m sorry it took me so long.”

They shared a moment’s silence, then Shirley said, “What about all the things you used to describe the opposition? ‘Vindictive, murderous, determined to crush anyone who stands in their path.’ Those were your words, not mine.”

Teddy knew she was hoping for a soothing word, a promise of assurance. But he was not going to lie. Not today. “I had a remarkable experience last night.”

“You certainly were late coming to bed.”

“I like the quiet hours when the world is asleep. God seems a lot closer then.”

“Hold on just a moment, please.” Shirley set down the phone. Teddy thought he heard her sob. He bit down hard on his own emotions. If he started now he might not be able to stop. Besides, the limo driver kept glancing at him in the rearview mirror. Shirley picked up the phone, sniffed loudly, and said, “All right, darling. I’m back.”

“I finished my speech and was sitting there with the Bible open in my lap. And it felt like God entered the room.”

Her voice was unsteady as she replied, “Maybe he did.”

“I’ve had some amazing moments recently. But nothing like this.”

“God spoke to you?”

Teddy stared out the window, and recalled the overwhelming sense of presence. The unquestionable sense of eternity. “Not in words, no. But the message was very clear just the same.”

“What did he tell you?”

Teddy took a long breath. “I have to do this, Shirley.”

She wanted to argue. Teddy felt her tension and fear radiate over the phone. But all she said was, “Will you be coming back tonight?”

The need for total honesty restricted his response. “As soon as I am able.”

“I love you, darling.”

Once again Teddy cradled the phone tight to his chest, and ended the conversation with a prayer of thanks.

The limo gained speed as it pulled onto the freeway. Teddy fanned the speech across his lap. Six pages in all. Double-spaced, printed in an oversize font so he could look up at the senators and then find his place easily. Each page took just over two minutes to read. He had a great deal more that he intended to say. But the specific details would come out during questioning. Teddy knew his remarks would have much more impact if it appeared that the senators’ questioning drew him out. He intended to use the questions, however they were phrased, to make sure these revelations emerged.

One passage in particular caught his eye:

It is not enough that the banks’ misadventures brought the world’s economies to the brink of disaster. Wall Street is not satisfied with all the distress they have created for our economy and political system. The leaders of our nation’s largest banks are intent upon repeating the same dire mistakes all over again.

Teddy had been redrafting that paragraph the previous evening when the divine force had filled the room. Now the limo’s tires zinged and rumbled as it accelerated through traffic. Rushing him toward a new destiny. Teddy felt the same undeniable presence return.

He had faced a series of choices that he now saw stretched back to that first night when he had gotten down on his knees. Each one had carried a genuine threat to the way he had previously viewed his life, stripping away one lie after another. And at the same time, each choice had drawn him a bit closer to yesterday’s experience. He had not realized that at the time, of course. All he had known was a sense of divine rightness, of reknitting the nation’s financial fabric and restoring some of what he had himself helped destroy. Teddy read:

I have accepted the position of chairman of the new financial oversight commission precisely because this insanity must be stopped. The banks intend to neuter this commission before it is fully formed. I know this for a fact. Their aim is to render the commission powerless. The American people demand new financial oversight. The banks have resigned themselves to this. So now they have shifted tactics. Their Washington lackeys are peddling influence and spending money, pressuring Congress to transform the commission into mere window dressing. This cannot be allowed to happen.

The sound of honking horns drew Teddy’s gaze from the page. He realized the limo was slowing and maneuvering out of the fast lane. He tapped the intercom button and asked, “What’s the matter?”

“The engine just cut out, sir.” As the driver spoke, it happened again. This time Teddy felt as much as heard it. The motor went silent, coughed, then picked up again. The limo was so heavy that its forward momentum softened the jerks. “It was going fine until … There it goes again.”

The motor fluttered, surged, then died a third time. The driver turned on the flasher and steered toward the curb. He tucked the car into a bus stop. He rolled down the glass divider and said, “I’ll ring central and have them send you another car …” The driver studied his cell phone’s readout. Then he turned around and said, “Mr., ah …”

“Wainwright.”

“Sure. Could you check and see if your phone has a signal?”

Teddy opened his phone. “Apparently not.”

“We must be sitting in a dead zone.” The driver turned the key. The engine clicked but did not fire. He shook his head and opened the car door. Instantly the limo was filled with the roar of midday traffic. “I’ll just walk around the corner to where I can phone this in, Mr. Wainwright. Shouldn’t be long.”

Teddy did not speak. There was nothing to be said. The car door shut, leaving him isolated. But not alone.

The sensation was far stronger now. Although it was unlike anything Teddy had ever experienced, he had no question what was happening. There was simply no room for doubt.

A young woman appeared by the same corner the driver had just rounded. She was very attractive though quite small, and carried herself with an air of fresh innocence. Teddy sat and watched her open the rear door and slide into the seat beside him. She had a pixie’s face and round, gray eyes, clear and seemingly without guile. “A limo. Wow. I guess you must be someone really important.”

Her hand emerged from the pocket of her raincoat, holding something that might have been a silver pen. When the image had come to him the previous evening, Teddy had faced a dark wraith, little more than a twisting shadow.

Teddy stared at the woman, and for a fleeting instant found himself seeing her true form. He realized the image had been absolutely true.

His mind locked on to the verse from Second Corinthians that he’d been reading the previous evening when the room filled with that undeniable force. Just like now. “So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.”

As the young woman reached toward him, Teddy said, “I’ve been expecting you.”

Most helpful customer reviews

17 of 17 people found the following review helpful.
Book of Dreams: A Novel by Davis Bunn
By Sidney W. Frost
This is the story of Dr. Elena Burroughs, a clinical psychologist practicing at the University of Oxford in England. She is known worldwide as an expert in the field of dreams because of her bestseller, Book of Dreams, a book her friend and fellow psychologist, Miriam, urged her to write. The publication of the book provides Elena money as well as status. However, it does not afford her happiness.

Grieving the loss of her husband who died five years earlier, Elena's work and daily routines have become mechanical and she hates herself even more for having to act as if she is okay.

When a special client, referred by her friend Miriam, appears on the scene everything changes. This client is the wife of the American Ambassador to England and what Elena sees in her dream is something that affects the patient, and possibly many other people around the world.

Eighty-one year old Miriam gives Elena possession to an ancient book given to her by her great-grandmother. The book contains the Lord's Prayer in Aramaic with one phrase per plate. Miriam had been told to study one plate until it spoke to her before going on to the next. Unfortunately, she never got past the first plate. It is different for Elena.

This is much more than a book about an ancient document and the interpretation of dreams, however. As usual, the author mixes riveting characters with important news events. In this case, he uses the economic disaster brought on by the subprime mortgages. And, to make things more challenging for our heroes, the opposition is quite willing to resort to murder to achieve their goals.

I found this book difficult to put down and I loved the ways the characters developed. I also found it interesting the way the author used real places in Oxford, making me want to visit the area again to experience the settings. There was also an exciting scene in Rome which was probably based on real places as well.

The inclusion of the ancient document and the interpretation of dreams could make some readers wonder if the book takes on a supernatural nature. It didn't for me. The way it is handled makes it all totally believable.

In reviewing a book there is always that tradeoff between telling enough about the book so that you can decide to read it or not and telling too much and ruining it for you. That's why I'm stopping here.

8 of 8 people found the following review helpful.
Another Intriging book by Davis Bunn
By ibjoy1953
My Thoughts on "Book of Dreams"

While Elena is helping her patient Sandra deal with her dreams, she finds the help she needs to deal with her husband's death. An old friend gives her a copy of an old ancient book that no one has deciphered down through the years. But it just so happens that when Elena starts reading and checking out this ancient book, interesting things start to happen in her life. And this book is so detailed, so much stuff here there is no way to explain it all. So to find out about these things, you really need to read the book.

Well, Davis Bunn has done it again! I will have to say this is one of the most fascinating and intriguing books I have every read. The first pages captured my heart and I was hooked until the very last page. These characters were just real! Well they seemed real to me, that is. After getting to know these characters through this story, I felt like I had a new set of friends!

What can I say except that this is just an awesome, professionally written book by one of Christian fictions greatest authors. I am always in awe of the detailed and complex stories written by Davis Bunn. I appreciate the way he teaches readers in Book of Dreams how we can trust God and have the confidence that He will direct our paths, even when He calls us to do those things beyond our confidence level. And he helps us understand the question, `How can we understand and fulfill the will of God?'

This book is mixed with a little of everything, romance, thriller, historical things of the Bible, and an exciting mystery with a little lesson on the international front as well.

I think this book could be for just about anyone. So grab a copy, read and enjoy it. You just can't go wrong reading Davis Bunn!

This book was provided by Howard Books, a Division of Simon & Schuster for me to read and review. I was not required or expected to write a positive review. The opinions in this review are mine only.

8 of 9 people found the following review helpful.
Well worth a careful reading!
By Carolyn S. Johnson
The Book of Dreams is, primarily, the story of a psychologist's journey from a comfortable and relatively secluded personal life, after the death of her spouse, to a wholehearted embrace of the will of God and a life serving others. This author has done it again--he has provided a rich spiritual experience for his readers mainly through a variety of characters who really grab and hold our attention. One doesn't have to understand clinical psychology, international banking, the place of dreams, or even the effect of antiquities on modern-day individuals to appreciate and benefit from this book. What comes through loud and clear is the certainty of the Holy Spirit's leading--individually and corporately--to any believer open to Him and His will. This book is just filled with memorable persons, and is certainly a commentary on the difficult times in which we live.

See all 57 customer reviews...

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Senin, 14 Desember 2015

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Gray, by Pete Wentz, James Montgomery

A fascinating and stunning novel from Pete Wentz, the founder and bassist of punk sensation Fall Out Boy—that reveals the dark side of rock-and-roll.

Sometimes, late at night in the hotel room, after the lights have gone out and the mistakes have already been made, when it is heavy and silent and still, I lie awake and listen to my pulse on the pillow…

Imagine you are on a tour bus, the miles whistling away beneath you as you sleep. Tomorrow you will wake up in downtown Somewhere. It doesn’t matter. All the skylines look the same. Time is only marked by events. The world is on a first-name basis with you.

But you…you barely even know yourself. There are those who give in completely to the idea of what it means to be famous. And those who can’t ever seem to leave the past behind. Life is a deep and contemplative story stuck on repeat—love, loss, self-destruction, self-discovery.

If you could go back to the way things were before you made it…would everything still be gray?

  • Sales Rank: #107188 in Books
  • Brand: Wentz, Pete/ Montgomery, James
  • Published on: 2013-02-19
  • Released on: 2013-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .90" w x 5.50" l, .72 pounds
  • Binding: Hardcover
  • 240 pages

From Booklist
Perfectly named, Gray explores the difficult transition into adulthood and the indelible mark a first love can leave. Drawing heavily from author Wentz’s own life, the novel tells the story of Pete, a musician in Chicago who leaves college early to pursue his passion for music. As his band begins to find acclaim, Pete struggles with his difficult relationship with his girlfriend, a woman he knows he loves. Gray does not provide easy answers. Pete openly struggles with depression, anxiety, and substance abuse. He falls into negative behavior patterns, gets out, and then falls back into them again, ultimately attempting to take his own life. In raw and emotional prose, the first-person narrative puts the reader directly inside Pete’s mind and in the middle of his struggles to make sense of his relationship with his girlfriend, his blossoming stardom, and his feelings of loss and isolation. Fans of Wentz’s band, Fall Out Boy, as well as those who enjoyed Nick Hornby’s High Fidelity (1995), will respond to this affecting read. --Eve Gaus

Review
"Wentz brings you inside into the head of a rock star [in Gray]...Whether or not you’re a fan of Fall Out Boy or just Pete Wentz, the book will bean interesting read for all." (The Beat Magazine)

About the Author
Pete Wentz is the bassist, back-up vocalist, and primary lyricist of Chicago-based band Fall Out Boy.

Most helpful customer reviews

19 of 19 people found the following review helpful.
I think I need a drink, or five, after that one.
By Aubrey Reads
It took me a couple of days of reflection to bring myself to write a review. When Gray ended, I just wasn't sure how I felt. The rawness and honesty stuck with me. There are few books I continue thinking about long after I've finished.

Grey is the story of a musician and his progression through the industry. When I went into the read I was expecting a lot about the music, with a little romance on the side (sex sells, remember?). In fact, that's why I thought Amazon suggested it to me. Yes, this book has those things, but the book is about the character's relationships with the girl, his band, family, the world and, most importantly, himself.

And that was the real tragedy of the story; the character's relationship with himself.

There was one line that stood out to me, "I love the way you have with words." All I could think was EXACTLY. The way this man bends, molds, and rearranges simple words to create something so profound is nothing short of raw talent. I don't think I have ever highlighted that many passages in my entire life. Mostly because they were funny, but some because of the pure emotion he could provoke with a few words. All of them made me actually stop and think. Often, a laugh would follow.

`Freud suggests that in order to love someone else, one must love themselves. ... Unfortunately, no one really loves themselves. And, if they do, they need to get to know themselves better."

How true is that?

Don't get me wrong, I'm not stepping on the Gray train and screaming this was the best book ever. I'm not saying the plot, grammar, etc, was epic. I'm saying that Wentz's brilliant use and manipulation of words is magical. That's what kept me going, because a story is just a story until the right person tells it.

This book is meant to be fictional, but something about it felt so personal. At times I was almost uncomfortable because it felt like Wentz himself was naked and vulnerable. I don't know how true any of the stories are, but they felt real. No matter how much you say you want to know somebody, there were times I just wanted out of this character's head. I wanted him to have some privacy, because everybody deserves a little bit of it.

I enjoyed how Wentz didn't put gloss on anything. It was honest, and unpretty at times (most of the time). But that was the point, I think. You have this character who wanted, and believed in, the fairy tale. He wanted the happily ever after. Instead, he got real life.

Even the details about the lifestyle, the expectations, the pressure -- it was certainly not glamorized. What is most frightening is that Wentz likely did fluff them a bit, and leave out some of the worst things. It's an entirely different world, and chances of survival seemed minimal.

The relationship the character had with Her is nothing shy of turbulent. It's such a love/hate thing that I was brought back to my late teens. Who hasn't had one of those relationships? Sometimes, they're the best. But other times, they can ruin you. It felt that these two kept swinging back and forth on what the damage was. She brought out the best and worst of him.

"The air in Her bedroom is heavy with smoke, but the fireworks are over."

He's in a band, and they're on the road to success, all while he is fighting his inner demons and the outside world. It's a reminder that these artists, the ones we "love" so much, are people. They have problems, and emotions. Just because his dreams are solidifying, it doesn't mean he's truly happy, and that's okay. That's life.

The symbolism is all over this story. I'm not great with spotting those things, but I have friends that are and strongly encouraged them to read this. I think it takes a creative mind to see and understand those things, which I don't have. I can definitely appreciate it, and I enjoyed what parts I did actually catch.

My only hang-up with the book was the ending. I had read the major spoiler beforehand (I don't like emotional blows; surprises are not my thing), but the actual ending was so unsettled. I think that was also symbolic, and many will appreciate that. I, personally, like more finality. But that's not life, and this book was definitely about the honesty of life.

I did find my new motto in this plethora of brilliant lines, because it completely describes me.

"Sometimes I am willing to believe in anything if it means ignoring the reality of the situation."

Overall, I can't help but recommend it. It's different from most books I review, but it's definitely earned its spot as a favorite. Just don't expect some happy ending, nicely boxed up with a bow - you won't find that here.

Unfortunately, something tells me I won't be able to just email this author to purchase a signed copy like I normally do. Oh well. And, yes, my review is lacking its normal inappropriate humor. I blame the sad book. No laughs for sad books.

28 of 33 people found the following review helpful.
I liked it for what it was.
By ameliajp
As a huge Fall Out Boy fan, I have been waiting for this book for a long time. Pete has been writing this book (under a different name) for a while, and FOB fans never knew if it would ever surface. When I heard it was to be released, I was excited. I always knew that Pete's writing style would be flowery and metaphorical (and sometimes a little ridiculous) because that's what his lyrics are like. If you expected anything less, you're silly.

I mostly enjoy the way Pete writes. I like how he can suck you into a mindset and describe feelings in such a raw way. That's what makes FOB songs so compelling, too. But this alone isn't enough to carry the book. Whilst the story is simple, it's also very repetitive. He hashes over the same "problems" time and time again - which I think is the point, but you start to lose sympathy for the protagonist (which is obviously Pete). In some senses, I think this is intentional. I don't think Pete wants us to feel sympathy for him. Despite how depressing and apathetic the book is, I think he's just being honest. There are plenty of times in the book where the protagonist acknowledges that he isn't a pleasant person and I actually really liked the brutal honesty. As for "Her" (which is the ambiguous way he refers to his on/off girlfriend), I find her character tiring. Pete doesn't build her character well enough for us to care about her pain. One of the very first "problems" then have isn't explained well enough for us to care. He jumps from them being relatively OK, to briefly mentioning they argue, to him saying he wants to punish her for all the awful things she's done. To feel the anger alongside him, we need a little more insight than that. I found that difficult to shake. As the book progressed, you did feel more involved in their relationship but you're still very much just a spectator.

As for the other characters, as a FOB fan I found it weird to read about people with different names. There's no denying who "The Disaster", "The Animal" and "Martin". I appreciate that he doesn't use their real names because they're just "based" on these real people, but the story is not ambiguous enough for me to see them as separate characters simply inspired by. Pete insists it isn't a memoir-style book but it's so directly related that it's almost awkward. If he wanted to write just inspired by those he knows, he shouldn't have kept his protagonist (i.e him) in a successful rock band and could have transferred his experiences into different situations. So for me, this is very much a story about Pete's life, only most likely exaggerated.

Despite this, I DID read the book in one sitting. What does that say? That whatever was in there was worth it. I can't decide if it was because i'm fascinated by this being written by Pete, or if I secretly loved the craziness of this whole thing. I was like an explosion in my face of a crazy mans thoughts, and in that sense it was awesome. No, it won't be winning any awards. No, it isn't excellently written and it isn't executed all that great. But does that matter? Probably not. As a FOB fan, this is exactly what you expect. I'm not sure I would have wanted a glossy book with a moral message from Pete. It's imperfect, but it's honest and for that, i thoroughly enjoyed it.

7 of 8 people found the following review helpful.
I liked it, but you may not
By Jasmine Heyward
I came into this with pretty low expectations because or read a lot of bad or "meh" reviews, but I really enjoyed this! A couple do's and do nots:

DO read if you're interested in psychology, especially abnormal psychology (mental illness) and psychopharmacology (how drugs affect the brain)

DO NOT read just because you are a Pete Wentz/Fall Out Boy fan and you want to know more about his/their story. That will not be enough for you to enjoy this, especially since parts of this "novel" are word for word from real life and parts are very different.

DO read if you enjoy vivid imagery that really paints a scene and makes you *feel* the characters

DO NOT read if you want a book that is extremely plot driven: so much so that you could draw it out on one of those little diagrams that you used in school. It's just not. 

Basically, try to separate it from Pete/FOB (I know, it's hard) and enjoy the writing in the moment, not for the entire literary structure, and you will enjoy it. I did at least. 

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Sabtu, 12 Desember 2015

? Free PDF The Ballad of the Sad Cafe: Carson McCullers' Novella Adapted for the Stage, by Edward Albee, Carson McCullers

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The Ballad of the Sad Cafe: Carson McCullers' Novella Adapted for the Stage, by Edward Albee, Carson McCullers

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The Ballad of the Sad Cafe: Carson McCullers' Novella Adapted for the Stage, by Edward Albee, Carson McCullers

A classic work that has charmed generations of readers, this collection assembles Carson McCullers's best stories, including her beloved novella The Ballad of the Sad Cafe. A haunting tale of a human triangle that culminates in an astonishing brawl, the novella introduces readers to Miss Amelia, a formidable southern woman whose cafe serves as the town's gathering place. Among other fine works, the collection also includes Wunderkind, McCullers's first published story written when she was only seventeen about a musical prodigy who suddenly realizes she will not go on to become a great pianist. Newly reset and available for the first time in a handsome trade paperback edition, The Ballad of the Sad Cafe is a brilliant study of love and longing from one of the South's finest writers.

  • Sales Rank: #5170351 in Books
  • Brand: Brand: Scribner
  • Published on: 2007-09-01
  • Released on: 2007-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .40" w x 5.50" l, .47 pounds
  • Binding: Paperback
  • 160 pages
Features
  • ISBN13: 9781416577492
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Edward Albee is one of the greatest living American dramatists, best known for his works Who's Afraid of Virginia Woolf?, The Zoo Story, The Sandbox, and The American Dream. His plays have been performed on stages around the globe. He has received many awards, including three Pulitzer Prizes for drama and a Special Tony Award for Lifetime Achievement (2005).

Most helpful customer reviews

48 of 51 people found the following review helpful.
In the Company of Greatness
By Anonymous
This is a limpid, beautiful story, wonderfully told. The whole setting exemplifies Southern Gothic from the word go: "The town itself is dreary; not much is there except the cotton-mill, the two-room houses where the workers live, a few peach trees, a church with two coloured windows, and a miserable main street only a hundred yards long."
I was hooked by the beginning, evoking dilapidation, isolation, heat, distress and latent fear/weirdness. Much has been written on McCullough's "lover and beloved" theme, well explored here. The characters are an unforgettable collection of weirdos, still, somehow, typically American; the descriptions are poetic. In general the writing rings true, is economic yet lyrical - nothing is wasted.
Great as "The Great Gatsby", in its way. Much better than "The Heart is a Lonely Hunter". It lives up to its title, truly a "ballad" - a songlike story. And the ballad of the mixed-race chain gang that ends it ties the story to the South.
I was sorry to finish it! Utterly compelling.

41 of 48 people found the following review helpful.
Unrequited Love, McCullers' Theme of Life
By Patrick Bernardy
In The Ballad of the Sad Café, McCullers displays her most vivid example of unrequited love with the triangle created by the story's three main characters. The American Heritage Dictionary defines a ballad as "a narrative poem, often of folk origin and intended to be sung, consisting of simple stanzas and usually having a recurrent refrain." Miss Amelia's love for Cousin Lymon, Cousin Lymon's love for Marvin Macy, and Marvin Macy's love for Miss Amelia can be seen as this refrain. It is with this love triangle that McCullers delineates her brilliant observation of the relationship between the lover and the beloved. She describes love "as a joint experience between two persons," but explains that the experience is often very different for those involved. The lover has a store of love that needs to be projected; the object of this love is incidental. It is the love itself that must be spent, and "the value and quantity of any love is determined solely by the lover himself."

She writes: "It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare the beloved."

The lover is the Enthusiastic Taker, while the beloved is expected to be the Reluctant Giver. The three characters in the story are doubly tragic, because they inhabit, at one time or another, both roles. Miss Amelia is the most sympathetic "point" of the triangle. Because her harsh treatment of Marvin Macy is in the past, she is unable to undo it. Her role as beloved came about without the lesson she learns as the lover of Cousin Lymon. Following this logic, it would seem that Marvin Macy, then, is the least sympathetic "point." One considers his spiteful treatment of Cousin Lymon abhorrent, especially since he was treated the same way by Miss Amelia. But the reason he is not the least sympathetic is because he can be somewhat forgiven for forgetting his experience as the lover, considering the gap in time and his stay in the penitentiary. What one is left with, then, is Cousin Lymon, who becomes the least sympathetic of them all. His experiences as lover and beloved are happening concurrently. His behavior is not redeemable; one gets the feeling that he should know better. The symmetry McCullers displays with this triangle creates a memorable and educational structure, indeed.

So, the question begs to be asked: Can anything be done, in McCullers' view, to attain mutual love, or are we perpetual slaves to immutable biology and the fundamentals of human relationships? McCullers gives one hope with her short story "A Tree, A Rock, A Cloud." In this story a man in a bar stops a young boy by telling him he loves him. He then proceeds to explain that "`With me [love] is a science.'" He believes that the reason love fails is because men "`start at the wrong end of love.'" Without guidance of any kind, men "undertake the most dangerous and sacred experience in God's earth. They fall in love with a woman.'" He states that men should learn to love step-by-step, by first learning to love these objects of nature, before moving on to the treacherous endeavor of loving a woman. Love should be practiced, reflected upon, spread around. The lover must learn how to love one step at a time; and then, perhaps, it becomes possible to attain beneficial love that feeds the soul rather than love that eats it away. This is the last hope, it seems, for McCullers in her search for mutual love. One gets the impression of a cautious optimist, protecting herself diligently from the pains of unrequited love, but nonetheless unwilling - or perhaps incapable - of giving up the endeavor altogether.

18 of 20 people found the following review helpful.
Masterful storyteller of the human condition
By A Customer
McCullers' captures the essence and delicacies of love in "The Ballad of the Sad Cafe." Three highly unusual lovers attempt to understand their feelings and desires. Each lover becomes a beloved and nothing seems to work positively. But look more closely: The real lover is the unidentified narrator, who painfully (as experienced by a lover) tells the story. The other stories included in the book magnify and enhance McCullers' universal concept of love and the loneliness and isolation of every lover. This is truly a book to read and enjoy. Then, think about it!

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Kamis, 10 Desember 2015

>> Free Ebook No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

Carlos Acosta, the Cuban dancer considered to be one of the world's greatest performers, fearlessly depicts his journey from adolescent troublemaker to international superstar in his captivating memoir, No Way Home.

Carlos was just another kid from the slums of Havana; the youngest son of a truck driver and a housewife, he ditched school with his friends and dreamed of becoming Cuba's best soccer player. Exasperated by his son's delinquent behavior, Carlos's father enrolled him in ballet school, subjecting him to grueling days that started at five thirty in the morning and ended long after sunset.

The path from student to star was not an easy one. Even as he won dance competitions and wowed critics around the world, Carlos was homesick for Cuba, crippled by loneliness and self-doubt. As he traveled the world, Carlos struggled to overcome popular stereotypes and misconceptions; to maintain a relationship with his family; and, most of all, to find a place he could call home.

This impassioned memoir is about more than Carlos's rise to stardom. It is about a young man forced to leave his homeland and loved ones for a life of self-discipline, displacement, and physical hardship. It is also about how the heart and soul of a country can touch the heart and soul of one of its citizens. With candor and humor, Carlos vividly depicts daily life in communist Cuba, his feelings about ballet -- an art form he both lovesand hates -- and his complex relationship with his father. Carlos Acosta makes dance look effortless, but the grace, strength, and charisma we see onstage have come at a cost. Here, in his own words, is the story of the price he paid.

  • Sales Rank: #1328514 in Books
  • Published on: 2008-12-30
  • Released on: 2008-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .70" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 304 pages

From Publishers Weekly
A former principal dancer at American Ballet Theatre and now a guest artist and choreographer, 34-year-old Acosta renders a deeply moving account of his leap from deep poverty in a suburban Havana hovel to international dance stardom. He was the son of a white mother and a black father 30 years her senior with eight children from several previous marriages. Obsessed with soccer and break dancing, young Acosta wanted no part of ballet when his father enrolled him in an arts school at the age of nine to keep him away from street gangs. Although extremely gifted, Acosta was frequently truant because of a grueling commute, feelings of inferiority about his poverty and the chaos of his home life. But, as he relates, winning the prestigious Prix de Lausanne catapulted him onto the international ballet scene, with triumphal stints with the English National Ballet, the Houston Ballet and the Royal Ballet; the memoir ends in 2003 with the London debut of his own ballet based on his childhood. An eloquent portrait of an artist as well as a tribute to the flawed but committed parents who wanted a better life for him. 8 pages of b&w photos. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
If Christina Crawford’s Mommie Dearest (1978) left readers feeling scaly, here is the antidote to it. Rather than Christina’s carping, Chandler presents saccharine if apparently heartfelt mommie appreciations from Crawford’s two youngest children, twins Cindy and Cathy. Domestic heartache aside, Chandler’s focus is on one of the movies’ biggest careers during the major studios’ early-twentieth-century heyday. Crawford gained fame as the epitome of the flapper in such silent musicals (curiously, not an oxymoron) as Our Dancing Daughters, went on to high-glamor roles, then reached her acme (and an Oscar) playing strong, broad-shouldered women for big-time directors like George Cukor in films including The Women and Mildred Pierce. She re-created herself again in the 1960s in Robert Aldrich’s high-camp horror flick What Ever Happened to Baby Jane? and subsequent imitators. Though based largely on interviews with Crawford, Chandler’s reconstruction of long conversations strains credulity, but the former Lucille LaSueur’s story may never have been better told. --Mike Tribby

Review
"A debut memoir noteworthy for its candor, energy and colorful sketches of life in Cuba...A fresh, authentic account of art, adversity and family. -- Kirkus

"An eloquent portrait of an artist as well as a tribute to the flawed but committed parents who wanted a better life for him." -- Publishers Weekly

"Carlos Acosta's trajectory from street urchin to superstar is another astonishing example of the transcendent power of dance. In this brutally honest account of his struggle to reconcile two conflicting worlds, we discover the source of inner conflict that has alchemized into passionate intensity onstage and made him one of ballet's most thrillingly charismatic performers." -- Julie Kavanagh, author of Nureyev: The Life

"The smell and feel of Havana, the joys and dangers of the slums where Carlos Acosta grew up, are among the dominant tastes to be found in this tale. Love of family and love of country -- along with an adolescent loathing of ballet -- are the anthems running through Acosta's autobiography." -- Time Out London

"The dazzling Carlos Acosta is the Cuban Billy Elliot, a poor kid who triumphed over prejudice and humble origins.... his fascinating recollections suggest that [he] is a tormented genius." - Daily Mail, London

"Acosta is that rare breed: a superstar whose appeal reaches beyond the rarefied confines of the ballet world. It is not just for his talent that audiences love him, but for the inspiration of his personal history." -- The Observer, London

"Carlos Acosta is the best thing in ballet since Nureyev. What's clear from his candid and moving memoir is that the rich rhythms and climate of his birthplace in Cuba are behind every step he takes." -- Daily Express, London

"The life of ballet dancer Carlos Acosta has all the hallmarks of a bestseller: rags to riches, romance, family tragedy, and a unique insight into growing up poor in Cuba in the 1980s. In No Way Home, Acosta's voice is instantly likeable." - Financial Times, London

Most helpful customer reviews

12 of 12 people found the following review helpful.
A thoughtful meditation on ambition and family
By James Bach
I'm not interested in dancing or Cuba. To speak plainly, I didn't expect to enjoy this book. But enjoy it I did.

From the cover, the book appears to be about the life of a fabulously talented dancer who begins his life is dank poverty in Cuba, and fight his way out of all that. Sounds like a well worn idea, right?

But it's far more interesting than that. Carlos Acosta actually didn't want to be a ballet dancer, and tried to stop being a dancer several times. He almost succeeded.

The book isn't really about dancing. You don't need to know anything about dancing to appreciate the soul of this man. Acosta could have had the same life and travels and written the same basic book even had he been a swimming star, a soccer star, film star, baseball star, a great break dancer or singer. The core question of the book would still have been the same: What use is ambition and earthly success if you lose your family and your sense of belonging in the world? Does having talent give you a responsibility to fulfill your potential?

Acosta comes off as a very likeable guy, even as he describes himself doing rather unlikeable things, at times. He is poor but does not hate poverty. He has troubles in his family but still feels that he belongs with them. He has troubles with his country but wants to stay. He acknowledges that he's in the minority-- that lots of his countrymen want to escape. He paints no rosy picture of life in Cuba. He sees the problems, he just doesn't mind them.

His family, teachers, and friends relentlessly push him to fulfill a destiny that they insist is his. At times he also becomes ambitious to dance well, but his thoughts always return to his family and the beloved dirty, terrible, dangerous neighborhood of his childhood. He travels far, but always finds a way to go back home. Perhaps the title should have been No Way to Stay Home.

I like Acosta because he doesn't buy into the philosophy of ambition for ambition's sake. Yet to please the people he loves he must leave the people he loves and appear to love something else. How he comes to terms with this makes for a book I felt compelled to read in one sitting.

9 of 9 people found the following review helpful.
Even if you don't care about ballet...
By wolfgang731
...this book will fascinate you. This is ultimately a tale about finding one's place in the world; a place that seemingly evades and, at times, can appear as unattainable as a mirage. Carlos Acosta's descriptions of his familial and economic hardships are honest and direct without being either exploitive or self-deprecating. He states things as they are, but the lyrical quality of his writing lends his ultra humble origins an unmistakable air of dignity and pride. Even as he conquered the highbrow world of ballet, the boy who grew up in poverty in the Havana suburb of Los Pinos, never left his side. "Yuli" as his family called him, is ever present. The restless and truant boy who loathed ballet and dreamt of soccer and break-dancing is very much entrenched in the man who is considered the greatest classical male dancer of his generation. From playing "eating mud" to being the first ever black principal dancer of London's Royal Ballet, we come to know an individual who has struggled his entire life to stay close to people and places that his art necessarily pushed further away from him. Again, if you couldn't care less about ballet, you'll find a little bit of yourself within its pages, as this book will undoubtedly speak to everyone. At its core, it's a humanistic a tale as they come. Funny, moving, haunting and honest, No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World is a deeply rewarding experience that reminds us of the price we must pay for the choices we make.

7 of 7 people found the following review helpful.
Fantastic!!
By Msg43
I am not a balletomane or even a big fan of memoirs, but I loved this book! The writing, the style, and the story pull the reader in to Acosta's world. This is a universal story, told brilliantly and with great attention to language and pace. A great story for all ages!

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Selasa, 08 Desember 2015

~ Download PDF Scriptures at Your Fingertips for Teens: Over 250 Topics and 2000 Verses, by Merry Graham, Tiffany Michelle Graham

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Scriptures at Your Fingertips for Teens: Over 250 Topics and 2000 Verses, by Merry Graham, Tiffany Michelle Graham

This handy, alphabetically organized, quick-find Bible reference gives teens immediate access to what Scripture says on topics such as angels, addiction, goals, gangs, work, and weapons.

The ancient wisdom of the Bible is as relevant to today's life issues as the day it was written. Scriptures at Your Fingertips for Teens is an extensive, easy-to-use reference for busy teens who want quick answers from God's Word for the problems and moral complexities they face on a daily basis. Concerned parents and grandparents can take heart knowing this book is a trusted resource for their teens.

In seconds, teens can know what the Bible says about peer pressure, suicide, confidence, and even magic. Containing more than 2,000 verses, this book makes a great gift for any gift-giving occasion: graduation, birthdays, Christmas, Easter, or just to say "I'm thinking of you."

Compiled by a mother and daughter team, every word of this book comes straight from the Bible, with no added commentary. This reference will enrich the lives of teen readers and provide godly guidance and wisdom for any issues they face in these trying, formative years.

  • Sales Rank: #1415074 in Books
  • Brand: Simon & Schuster
  • Published on: 2008-09-02
  • Released on: 2008-09-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .70" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 288 pages

Most helpful customer reviews

3 of 4 people found the following review helpful.
One of a kind, great book for teens!
By McKinneyMomma
This book is the only one of it's kind that I've seen, which allows teens to look up what the bible says about many real-life topics they struggle with. I have been a social worker for 10 years, currently specializing in adolescents. Since I work with teenagers daily, my fingers are on the pulse of topics they face and issues they struggle with. From a professional standpoint, I highly recommend this book for teens that have questions about how the bible relates to topics they face daily, during this very challenging phase of their lives.

1 of 1 people found the following review helpful.
you can't judge a book by its cover
By hard worker
I think this is a good book for teenagers. The information is provided in a manner that is short and to the point. I believe that the way the material is presented will hold the attention of teenagers reading the material.

0 of 0 people found the following review helpful.
Great gifts!
By Shan Nic Hutch
This book is fantastic! I have teenagers that often borrow my copy and I don't get it back and have to go buy another one. If one teen sees another get it for a birthday present they are often jealous. This book is very good for teens. My husband is a youth minister and we have many very new Christians (have been a Christian for a day or two) that have trouble looking up what they need from the Bible and many who are just learning how to read scripture. This book allows them to think of something that is troubling them and go right to that subject and see what the Bible says about it. It is also great for stronger older Christians because as we all know when we get overwhelmed it is often difficult to find what we need and this allows us to minister and disciple effectively and efficiently!!

See all 8 customer reviews...

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Minggu, 06 Desember 2015

! Free Ebook Best Intentions: A Novel, by Emily Listfield

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Best Intentions: A Novel, by Emily Listfield


What happens when you think you know the person you love—and you’re dead wrong?

Thirty-nine-year-old Lisa Barkley looks over at her sleeping husband, Sam, and can’t help but feel that their fifteen-year marriage is in a funk that she isn’t able to place. She tells herself that the strain must be due to their mounting financial pressures. With two daughters about to start another year at an elite Upper East Side private school and her own career hitting a wall, the effort of trying to stay afloat in their privileged world is increasingly difficult. But when she listens to Sam’s voicemail and hears a whispered phone call from a woman he is to meet that night, she begins to suspect he is having an affair.

Lisa’s best friend, Deirdre, claims it can’t be true. But how can Lisa fully trust her opinion when Deirdre is mired in her own obsessive affair? When Deirdre’s former college flame, Jack, comes to town and the two couples meet to celebrate his fortieth birthday, the stage is set for an explosive series of discoveries with devastating results.

Filled with suspense and provocative questions about the relationships we value most, Best Intentions is a tightly woven drama of love, friendship and betrayal.

  • Sales Rank: #2437149 in Books
  • Published on: 2010-04-20
  • Released on: 2010-04-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .80" w x 5.31" l,
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
Not Your Average Murder Mystery -- Good Focus on Characters
By Jennifer
Story Overview
On the surface, Lisa Barkley seems to have it all -- a husband who was her college sweetheart, two lovely daughters, a high-powered PR job, a residence in Manhattan, and a best friend she's had since college. But Lisa's life isn't as perfect as it may seem on the outside.

* She is beginning to suspect her husband Sam might be having an affair -- and the distance that has been growing between them seems insurmountable. In addition, she is startled to find herself feeling attracted to another man.

* Her daughters are pulling away from her -- seemingly embarrassed to be seen with her.

* Her job hangs in the balance when her company is sold to another PR firm -- and the new vice president seems hell bent on making Lisa's life miserable.

* The financial pressures of living in Manhattan and sending her daughters to an expensive private school are taking a toll on the Barkley finances -- but neither Sam or Lisa can talk together about the financial pressures they face.

* Her best friend Deirdre is in a volatile relationship with Ben -- a dashing photographer who won't commit to her and sometimes leaves her with bruises.

When Jack -- an old college friend of Lisa, Sam and Deirdre -- comes to town for a reunion dinner, it seems like things in Lisa's life start to unravel all at the same time -- Sam's distance, job pressures, financial pressures, pressures to fit in at her daughters' school, and Deirdre's toying with both Jack and Ben. Just when it seems like things can't get any worse, it does -- Deirdre is found murdered in her apartment and no one (including Lisa) has an alibi. Driven to find out what happened to her best friend and put her life back together, Lisa must face the truth about herself, her husband, her friends and best friend -- no matter how painful it might be.

My Thoughts
When I was contacted about reading and reviewing this book, I was expecting a run-of-the-mill murder mystery. Now there is nothing wrong with murder mysteries. I certainly enjoy them from time to time. But I often find them to be a bit formulaic. But this one sounded a bit different from the norm, and the setting of Manhattan was intriguing so I said "Yes...please send me a copy."

I was thrilled to find out that this book WAS NOT your standard murder mystery. Lisa's character and the stresses of her life are very well-developed. In fact, the murder doesn't happen until about two-thirds of the way through the book -- giving you plenty of time to get to know all the characters and the stresses of Lisa's life. For me, this made for a better-than-average mystery. I always like when an author takes the time to develop the characters rather than just focusing on the "who done it" or procedural aspects. In fact, I think the author could have skipped the whole murder part of it and still had a wonderful book about marriage, friendship, and the pressures of being a working mom. I really don't think the book would have suffered at all had Deirdre lived.

I also like the little details the author works into the book that give it a ring of authenticity. For example, here is a passage from when Lisa's husband is looking for some mittens for one of their daughters:

It occurs to me that he is not really asking for their likeliest location but prompting me to find them for him. I consider telling him to look for them himself but I don't. The first attempt at ferreting out last winter's accessories from the jumble of mismatched gloves, hats and scarves is an iffy proposition at best, especially for one with little experience in this type of archaeological dig.

I don't know about you, but I very much related to this passage -- finding gloves for the first time in a winter is a task best left up to Mom!

The other aspect of the book I liked was the setting of Manhattan. My family likes to visit New York City, and it was kind of fun to read about the Barkley's life in the city and recognize some of the places where we had been on visits. Also, the sections where Lisa feels outclassed and intimidated by the mothers at her daughters' elite private school were fascinating to me. It felt like getting a glimpse at secret society from an outsider's perspective -- kind of like falling into The Nanny Diaries but from a working mom's point-of-view.

My Final Recommendation
This was a good read, and I would recommend it. If you are looking for a "by the books" procedural-type murder mystery, this might not be a good fit for you. To me, this was really more of a character-driven novel that just happens to have a murder in it.

7 of 7 people found the following review helpful.
Really interesting book...
By M. D. Mulhern
I picked out this book based solely on the product description. I was not really sure what to expect but "Best Intentions" definitely far exceeded my expectations. It was a fun book, in the sense that I enjoyed the gossipy look into the private school, New York lifestyle of privilege but it was also a subtle mystery. It was not a true thriller in the sense that the "heroine" was never in danger, but there were definitely mysteries surrounding her husband, work and best friend. I liked how the book did not fit into any one category. I also enjoyed the ending; satisfying without being too pat. It was realistic I think. I'm looking forward to reading more of this author's books.

8 of 9 people found the following review helpful.
Well-written, quality chick-lit
By S. McGee
Lisa Barkley and her husband have what they need to stay afloat in the ultra-competitive Manhattan world they inhabit. They may not have a cash cushion, but they can pay the tuition for their daughters to attend an exclusive Upper East Side private school (even though the other mothers make Lisa feel like she doesn't belong in their world of casual chic; she muses that they seem to have been born wearing ballerina flats.) But approaching their 40th birthdays, a lingering unease or discontent is beginning to weigh on both of them in different ways. Sam is struggling to break stories, competing with younger (and cheaper) journalists; Lisa must deal with obstreperous PR clients and the sale of the agency that she works for to a much bigger firm.

It turns out, however, that these concerns take a back seat to more dramatic events that flow out of a reunion dinner between Lisa, Sam, her oldest friend,Deirdre, and Deirdre's college boyfriend Jack. Jack, it seems, has never recovered from his early love for Deirdre; she, meanwhile, is grappling with her reluctance to have what she views as a temporary state of singledom become a permanent, irrevocable condition of being single, which she fears will happen after she turns 40. The hopes and fears of all four of the college friends will collide and long-buried secrets are disinterred, with horrifying consequences.

Emily Listfield has a real knack for portraying the fast-paced world of New York from the perspective of someone who isn't a part of the smart set. From social-climbing mothers on the charity gala circuit to hedge fund managers worried about her reputation, she nails the characters she portrays. And her writing is downright elegant, with marvelous turns of phrase that are so pithy they make you smile. This is a great novel for anyone who enjoys a good yarn revolving around relationships -- family, work and friends -- with a much more serious bent and higher quality writing than any chick lit I've read. But... in common with most chick lit, too many of Listfield's plot elements appear and disappear too rapidly and conveniently to be any more than plot devices, disappointing the reader. It seems as if a major thread will revolve around the sinister figure of the new overseer at Lisa's PR agency; but her fate at the agency and what happens to the agency are dealt with in (count 'em) six sentences scattered throughout the final 20% of the book. The reasons Lisa suspects her husband of having an affair are spelled out in detail; the truth is delivered in an almost perfunctory manner. Similarly, the odd plot twist involving the hedge fund manager's real motivation in being Lisa's "rabbi" is so out of the blue and out of context that I found myself going "hunh"?

If you approach this book with modest expectations, you'll likely enjoy the writing, the characters and the major plot twists without worrying about these more minor deficiencies. I've rated it 3.5 stars, rounded up to 4.

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Jumat, 04 Desember 2015

^^ Download Ebook False Mermaid, by Erin Hart

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False Mermaid, by Erin Hart

AWARD-WINNING AUTHOR ERIN HART DELIVERS A SEARING NEW NOVEL OF SUSPENSE, BRILLIANTLY MELDING MODERN FORENSICS AND IRISH MYTH AND MYSTERY IN THIS CHARGED THRILLER.

American pathologist Nora Gavin fled to Ireland three years ago, hoping that distance from home would bring her peace. Though she threw herself into the study of bog bodies and the mysteries of their circumstances, she was ultimately led back to the one mystery she was unable to solve: the murder of her sister, Tríona. Nora can’t move forward until she goes back—back to her home, to the scene of the crime, to the source of her nightmares and her deepest regrets.

Determined to put her sister’s case to rest and anxious about her eleven-year-old niece, Elizabeth, Nora returns to Saint Paul, Minnesota, to find that her brother-in-law, Peter Hallett, is about to remarry and has plans to leave the country with his new bride. Nora has long suspected Hallett in Tríona’s murder, though there has never been any proof of his involvement, and now she believes that his new wife and Elizabeth may both be in danger. Time is short, and as Nora begins reinvestigating her sister’s death, missed clues and ever-more disturbing details come to light. What is the significance of the "false mermaid" seeds found on Tríona’s body? Why was her behavior so erratic in the days before her murder?

Is there a link between Tríona’s death and that of another young woman?

Nora’s search for answers takes her from the banks of the Mississippi to the cliffs of Ireland, where the eerie story of a fisherman’s wife who vanished more than a century ago offers up uncanny parallels. As painful secrets come to light, Nora is drawn deeper into a past that still threatens to engulf her and must determine how much she is prepared to sacrifice to put one tragedy to rest . . . and to make sure that history doesn’t repeat itself.

  • Sales Rank: #588502 in Books
  • Brand: Hart, Erin
  • Published on: 2011-03-01
  • Released on: 2011-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.25" l, .61 pounds
  • Binding: Paperback
  • 352 pages

From Booklist
*Starred Review* It’s been a long wait since Hart’s Lake of Sorrows (2004), the follow-up to her outstanding debut, Haunted Ground (2003), which introduced Nora Gavin, the American forensic pathologist who works in Ireland with archaeologist Cormac Maguire. The novel begins with Nora returning to Minneapolis, hoping to solve at long last the murder of her sister, Triona. Convinced that Triona was killed by her husband, Peter, but unable to prove it, Nora retreated to Ireland and began a new life. But now Peter is returning to Minneapolis, and Nora feels she must tackle the unsolved crime before he has a chance to wreak more havoc on her family, especially Triona’s daughter, 11-year-old Elizabeth. Meanwhile, back in Ireland, Cormac becomes ensnared in another long-standing mystery, this one concerning the century-old disappearance of a woman believed to be a selkie a (mermaid who becomes human when she loses her sealskin). The two plot elements are skillfully combined through the feminist view of the selkie’s plight: a woman torn between loyalty to her human family and the lingering need for a return to the independence of the sea. Series writers attempting to send their protagonists on road trips often invite missteps, but Hart lands firmly on her feet by intermingling the Minneapolis scenes with the Ireland subplot and by bringing both together for the finale. And, as always, the novel is rich in human drama, complex relationships, and vivid local color. Few writers combine as seamlessly as Hart does the subtlety, lyrical language, and melancholy of literary fiction with the pulse-pounding suspense of the best thrillers. --Bill Ott

Review
“Rich with atmosphere and Irish legend, this exceptionally crafted story of murder, family secrets, and redemption is a welcome addition to Hart's suspenseful series.” --Library Journal, starred

“Evocative descriptions …captivating characters… [and] lush romanticism. The story races to a breathless confrontation.” –Minneapolis Star-Tribune

“Few writers combine as seamlessly as Hart does the subtlety, lyrical language, and melancholy of literary fiction with the pulse-pounding suspense of the best thrillers.” --Booklist, starred

“A haunting, eerie page-turner that combines a wealth of Irish mythology...with archeology and the compelling forensic details of several linked murders, all set against gorgeously rendered settings.”

--Irish America

About the Author
Erin Hart is a theater critic and former administrator at the Minnesota State Arts Board. A lifelong interest in Irish traditional music led her to cofound Minnesota’s Irish Music and Dance Association. She and her husband, musician Paddy O’Brien, live in St. Paul, Minnesota, and frequently visit Ireland. Erin Hart was nominated for the Agatha and Anthony Awards for her debut novel, Haunted Ground, and won the Friends of American Writers Award in 2004. Visit her website at ErinHart.com.

Most helpful customer reviews

30 of 30 people found the following review helpful.
Atmospheric mystery
By Z Hayes
I became a fan of Erin Hart's writing after reading Haunted Ground: A Novel which had as its central character American forensic pathologist Nora Gavin, and the story in Haunted Ground was set in Ireland, centering around the mystery of a decapitated head belonging to a flame-haired lass nicknamed the Cailin Rua found in a peat bog. Together with Irish archaeologist Cormac Macguire, the pair attempt to solve the mystery, whilst finding themselves involved in another mystery of a missing mother and son. Then in Lake of Sorrows: A Novel, Nora and Cormac are back, once again investigating bodies found in the Irish peat bogs.

In "False Mermaid", Nora returns to the United States, having come to the realization that she can only find peace of mind once she resolves what actually happened to her younger sister, Triona, who was found murdered in St. Paul a couple of years back. Nora is convinced that it was Triona's husband, Peter Hallett, who is responsible, though she needs to find compelling evidence. Peter has since moved on and remarried Miranda Staunton, the sister of Nora's ex-fiance. Nora is particularly concerned about the welfare of her young niece, 11-year-old Elizabeth. Some people from Nora's past are also featured here such as police detective Frank Cordova who still has a thing for Nora.

Back in Ireland, Cormac hopes to be together with Nora, but his father's illness proves a strong deterrent, and then he gets intrigued by studies of Irish folklore conducted by a female acquaintance, Roz. The focus of the study is on the selkie, a mythical creature, part-human and part-seal. Interestingly, there's a local story about a woman who was reputed to be a selkie who disappeared sometime in 1896, believed to have been murdered by her husband. This parallels Nora's own beliefs about her brother-in-law's guilt in her sister's murder.

Just as in her previous novels, this book is rich in atmosphere as well as in-depth characterizations. Though the story itself may seem rather complex, Ms. Hart credibly weaves the various story arcs together. The two main settings, St. Paul and Ireland are vividly portrayed, which further enhance the story. However, despite all these strengths, there is one complaint on my part - the fact that Nora's investigation seems to be helped along mainly by coincidences. This gets to the point where it seems almost incredulous (if she is able to find all these helpful bits of info, how is it that they were not as easily found five years ago?). It also seemed rather remiss on the part of the detectives investigating the case to have missed all these clues in the first place. I also found myself missing the lush descriptions of the Irish landscape which were bountiful in the previous two novels (which were set entirely in Ireland).This particular installment favors the American setting more, and Ireland itself is not covered much. Yet, on the whole, I enjoyed this novel as I did the previous two mainly because I love atmospheric mysteries, especially those with a supernatural/otherworldly element as this one is. The rich elements of folklore, i.e. of the mythical selkie make this an engaging read. The author's strength lies in weaving such a tale in a compelling manner rendering the story quite plausible. I would suggest that readers new to Ms. Hart's works begin with Haunted Ground followed by Lake of Sorrows and then this, in order to gain a deeper understanding of the main characters. I hope Erin Hart continues this series with Nora and Cormac, preferably another intriguing story set mainly in Ireland.

6 of 6 people found the following review helpful.
Interesting setting, formulaic writing, I'd say it was just ok.
By GrandmaBlondie
This book is not brilliantly written. The prose isn't lovely or compelling, the characters seem 2-dimensional much of the time. However, I was camping when I read it, and it was good entertainment while lying in a hammock in the woods. I hadn't read the first novel with this character...gosh, it's been two weeks and I can't remember her name...and didn't feel like I needed to. I also didn't feel like I was all that interested in reading the next one. I got it free from Vine, so I wasn't too picky. Had I paid full price for a hard cover novel I would have felt ripped off.

There is one pretty ugly sex scene, the rest is PG-13, thriller, murder, lady investigator with lots of emotional baggage, a messed-up relationship, tension between her and her parents, a guy she doesn't like who is hitting on her, the usual stuff. As for the Ireland part of the story, it would have been good except that the author creates a character whose sole purpose in the book is to recount selkie legends to the main character (and us). Old murder, recent murder, it ha SUCH GREAT POTENTIAL, but was "just ok"

12 of 14 people found the following review helpful.
Solid story-telling
By N. Arens
I enjoyed the two books, Haunted Ground and Lake of Sorrows, prior to False Mermaid, and was glad to see more from Erin Hart. False Mermaid is another good example of solid mystery story-telling. The ending felt a little too tidy and some elements seemed contrived or sensational, but a worthwhile read for the return of complex characters and an enjoyable portrayal of Irish folklore and culture. The characters did not develop much further in this story, but I enjoyed the book. The resolution of the 'selkie' folklore subplot was unnecessary and unbelievable. Unfortunately this left me with a sour final impression of an otherwise entertaining read.

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