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>> Free Ebook No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

Free Ebook No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta



No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

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No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World, by Carlos Acosta

Carlos Acosta, the Cuban dancer considered to be one of the world's greatest performers, fearlessly depicts his journey from adolescent troublemaker to international superstar in his captivating memoir, No Way Home.

Carlos was just another kid from the slums of Havana; the youngest son of a truck driver and a housewife, he ditched school with his friends and dreamed of becoming Cuba's best soccer player. Exasperated by his son's delinquent behavior, Carlos's father enrolled him in ballet school, subjecting him to grueling days that started at five thirty in the morning and ended long after sunset.

The path from student to star was not an easy one. Even as he won dance competitions and wowed critics around the world, Carlos was homesick for Cuba, crippled by loneliness and self-doubt. As he traveled the world, Carlos struggled to overcome popular stereotypes and misconceptions; to maintain a relationship with his family; and, most of all, to find a place he could call home.

This impassioned memoir is about more than Carlos's rise to stardom. It is about a young man forced to leave his homeland and loved ones for a life of self-discipline, displacement, and physical hardship. It is also about how the heart and soul of a country can touch the heart and soul of one of its citizens. With candor and humor, Carlos vividly depicts daily life in communist Cuba, his feelings about ballet -- an art form he both lovesand hates -- and his complex relationship with his father. Carlos Acosta makes dance look effortless, but the grace, strength, and charisma we see onstage have come at a cost. Here, in his own words, is the story of the price he paid.

  • Sales Rank: #1328514 in Books
  • Published on: 2008-12-30
  • Released on: 2008-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .70" w x 5.50" l, .60 pounds
  • Binding: Paperback
  • 304 pages

From Publishers Weekly
A former principal dancer at American Ballet Theatre and now a guest artist and choreographer, 34-year-old Acosta renders a deeply moving account of his leap from deep poverty in a suburban Havana hovel to international dance stardom. He was the son of a white mother and a black father 30 years her senior with eight children from several previous marriages. Obsessed with soccer and break dancing, young Acosta wanted no part of ballet when his father enrolled him in an arts school at the age of nine to keep him away from street gangs. Although extremely gifted, Acosta was frequently truant because of a grueling commute, feelings of inferiority about his poverty and the chaos of his home life. But, as he relates, winning the prestigious Prix de Lausanne catapulted him onto the international ballet scene, with triumphal stints with the English National Ballet, the Houston Ballet and the Royal Ballet; the memoir ends in 2003 with the London debut of his own ballet based on his childhood. An eloquent portrait of an artist as well as a tribute to the flawed but committed parents who wanted a better life for him. 8 pages of b&w photos. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
If Christina Crawford’s Mommie Dearest (1978) left readers feeling scaly, here is the antidote to it. Rather than Christina’s carping, Chandler presents saccharine if apparently heartfelt mommie appreciations from Crawford’s two youngest children, twins Cindy and Cathy. Domestic heartache aside, Chandler’s focus is on one of the movies’ biggest careers during the major studios’ early-twentieth-century heyday. Crawford gained fame as the epitome of the flapper in such silent musicals (curiously, not an oxymoron) as Our Dancing Daughters, went on to high-glamor roles, then reached her acme (and an Oscar) playing strong, broad-shouldered women for big-time directors like George Cukor in films including The Women and Mildred Pierce. She re-created herself again in the 1960s in Robert Aldrich’s high-camp horror flick What Ever Happened to Baby Jane? and subsequent imitators. Though based largely on interviews with Crawford, Chandler’s reconstruction of long conversations strains credulity, but the former Lucille LaSueur’s story may never have been better told. --Mike Tribby

Review
"A debut memoir noteworthy for its candor, energy and colorful sketches of life in Cuba...A fresh, authentic account of art, adversity and family. -- Kirkus

"An eloquent portrait of an artist as well as a tribute to the flawed but committed parents who wanted a better life for him." -- Publishers Weekly

"Carlos Acosta's trajectory from street urchin to superstar is another astonishing example of the transcendent power of dance. In this brutally honest account of his struggle to reconcile two conflicting worlds, we discover the source of inner conflict that has alchemized into passionate intensity onstage and made him one of ballet's most thrillingly charismatic performers." -- Julie Kavanagh, author of Nureyev: The Life

"The smell and feel of Havana, the joys and dangers of the slums where Carlos Acosta grew up, are among the dominant tastes to be found in this tale. Love of family and love of country -- along with an adolescent loathing of ballet -- are the anthems running through Acosta's autobiography." -- Time Out London

"The dazzling Carlos Acosta is the Cuban Billy Elliot, a poor kid who triumphed over prejudice and humble origins.... his fascinating recollections suggest that [he] is a tormented genius." - Daily Mail, London

"Acosta is that rare breed: a superstar whose appeal reaches beyond the rarefied confines of the ballet world. It is not just for his talent that audiences love him, but for the inspiration of his personal history." -- The Observer, London

"Carlos Acosta is the best thing in ballet since Nureyev. What's clear from his candid and moving memoir is that the rich rhythms and climate of his birthplace in Cuba are behind every step he takes." -- Daily Express, London

"The life of ballet dancer Carlos Acosta has all the hallmarks of a bestseller: rags to riches, romance, family tragedy, and a unique insight into growing up poor in Cuba in the 1980s. In No Way Home, Acosta's voice is instantly likeable." - Financial Times, London

Most helpful customer reviews

12 of 12 people found the following review helpful.
A thoughtful meditation on ambition and family
By James Bach
I'm not interested in dancing or Cuba. To speak plainly, I didn't expect to enjoy this book. But enjoy it I did.

From the cover, the book appears to be about the life of a fabulously talented dancer who begins his life is dank poverty in Cuba, and fight his way out of all that. Sounds like a well worn idea, right?

But it's far more interesting than that. Carlos Acosta actually didn't want to be a ballet dancer, and tried to stop being a dancer several times. He almost succeeded.

The book isn't really about dancing. You don't need to know anything about dancing to appreciate the soul of this man. Acosta could have had the same life and travels and written the same basic book even had he been a swimming star, a soccer star, film star, baseball star, a great break dancer or singer. The core question of the book would still have been the same: What use is ambition and earthly success if you lose your family and your sense of belonging in the world? Does having talent give you a responsibility to fulfill your potential?

Acosta comes off as a very likeable guy, even as he describes himself doing rather unlikeable things, at times. He is poor but does not hate poverty. He has troubles in his family but still feels that he belongs with them. He has troubles with his country but wants to stay. He acknowledges that he's in the minority-- that lots of his countrymen want to escape. He paints no rosy picture of life in Cuba. He sees the problems, he just doesn't mind them.

His family, teachers, and friends relentlessly push him to fulfill a destiny that they insist is his. At times he also becomes ambitious to dance well, but his thoughts always return to his family and the beloved dirty, terrible, dangerous neighborhood of his childhood. He travels far, but always finds a way to go back home. Perhaps the title should have been No Way to Stay Home.

I like Acosta because he doesn't buy into the philosophy of ambition for ambition's sake. Yet to please the people he loves he must leave the people he loves and appear to love something else. How he comes to terms with this makes for a book I felt compelled to read in one sitting.

9 of 9 people found the following review helpful.
Even if you don't care about ballet...
By wolfgang731
...this book will fascinate you. This is ultimately a tale about finding one's place in the world; a place that seemingly evades and, at times, can appear as unattainable as a mirage. Carlos Acosta's descriptions of his familial and economic hardships are honest and direct without being either exploitive or self-deprecating. He states things as they are, but the lyrical quality of his writing lends his ultra humble origins an unmistakable air of dignity and pride. Even as he conquered the highbrow world of ballet, the boy who grew up in poverty in the Havana suburb of Los Pinos, never left his side. "Yuli" as his family called him, is ever present. The restless and truant boy who loathed ballet and dreamt of soccer and break-dancing is very much entrenched in the man who is considered the greatest classical male dancer of his generation. From playing "eating mud" to being the first ever black principal dancer of London's Royal Ballet, we come to know an individual who has struggled his entire life to stay close to people and places that his art necessarily pushed further away from him. Again, if you couldn't care less about ballet, you'll find a little bit of yourself within its pages, as this book will undoubtedly speak to everyone. At its core, it's a humanistic a tale as they come. Funny, moving, haunting and honest, No Way Home: A Dancer's Journey from the Streets of Havana to the Stages of the World is a deeply rewarding experience that reminds us of the price we must pay for the choices we make.

7 of 7 people found the following review helpful.
Fantastic!!
By Msg43
I am not a balletomane or even a big fan of memoirs, but I loved this book! The writing, the style, and the story pull the reader in to Acosta's world. This is a universal story, told brilliantly and with great attention to language and pace. A great story for all ages!

See all 20 customer reviews...

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