Jumat, 19 Desember 2014

* Get Free Ebook Lake News, by Barbara Delinsky

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Lake News, by Barbara Delinsky

Lake News, by Barbara Delinsky



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Lake News, by Barbara Delinsky

Barbara Delinsky's powerful New York Times bestseller of hope and redemption introduces the unforgettable Blake sisters: strong, spirited Lily, and the resilient Poppy, the heroine of Delinsky's acclaimed novel, An Accidental Woman.

After an unscrupulous reporter falsely accuses Boston lounge singer Lily Blake of having an affair with a newly appointed Cardinal, she's hounded by the press, fired from her job, and robbed of all public freedom. The humiliation and violation of privacy leaves her no choice but to retreat to her rural hometown of Lake Henry, New Hampshire. In search of refuge, Lily forms an uneasy alliance with John Kipling, a former Boston reporter with trust issues of his own. Now editing Lake Henry's local newspaper, John cannot ignore Lily's appeal or her plight -- even at the risk of taking on his former colleagues. Surprising and deeply satisfying, Lake News offers an intimate look at the complex relationship between an enigmatic man and a vulnerable woman, both struggling to find a new sense of community in a place they once called home.

  • Sales Rank: #1159549 in Books
  • Brand: Brand: Pocket Books
  • Model: 3796291
  • Published on: 2008-05-13
  • Released on: 2008-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.50" w x 5.31" l,
  • Binding: Paperback
  • 528 pages
Features
  • Used Book in Good Condition

Amazon.com Review
Both Lily Blake and John Kipling grew up in Lake Henry, New Hampshire, and both left after high school to pursue their dreams--singing for Lily and writing for John. Now the two have returned separately to seek shelter in the small lakeside town due to the disastrous results of paparazzi fever--Lily as a victim, John as a member of the press responsible for a tragedy.

Falsely accused and hounded by the press, her privacy violated and destroyed, Lily finds refuge in a cottage on the lake, while her sister and the other residents of Lake Henry close ranks, refusing to discuss her with the media hordes that soon come knocking. But Lily can't avoid John, who also lives on the lake and at first sees Lily's story as prime fodder for the novel that can break him into publishing. But soon the vulnerable, besieged woman elicits far different emotions from him, and John becomes fiercely committed to helping Lily find justice.

Layered with complicated family relationships and richly textured with the sights, sounds, and colorful characters of a small town, Barbara Delinsky's Lake News will satisfy longtime fans as well as those anxious to read a timely and thought-provoking tale from one of the genre's top authors. --Lois Faye Dyer

From Publishers Weekly
The deserved popularity of Delinsky's novels resides in her ability to create appealing, believable characters who don't need to drop names and fashion labels to earn the reader's attention. Cabaret singer, pianist and music appreciation teacher Lily Blake, 34, finds pleasure in singing, since it's the only time she's free of the stutter that's plagued her all her life. She also finds comfort in her friendship with Archbishop, now Cardinal, Francis Rossetti. Whether they're performing together at archdiocese events or the exclusive Essex Club in Boston, Lily knows she can depend on the priest for understanding and comfort. But when a malicious reporter fabricates a story that Lily and the Cardinal have an illicit sexual relationship, Lily sees her name dragged through the mud. Suspended by the school where she teaches and told by the Essex Club not to return to work, a besieged Lily retreats to her small New Hampshire hometown of Lake Henry. There she holes up in the cabin her grandmother left to her, and confronts her estranged relationship with her widowed mother, Maida. Lily finds an unexpected ally in 40ish John Kipling, once a ruthless big-city journalist himself but now editor of small-time Lake Henry's newspaper. He is equally outraged at the lies that invade Lily's privacy, and together they fight for justice. Delinsky (Coast Road) plots this satisfying, gentle romance with the sure hand of an expert, scattering shady pasts and dark secrets among some of her characters, while giving others destructive family patterns and difficult family dynamics to contend with. Nature, and how it colors small town living, is described in clean, unembellished prose that only occasionally lapses into an awkward attempt at rural New Hampshire dialect. Agent, Amy Berkower. Doubleday Book Club main selection; Literary Guild Super Release; Reader's Digest Condensed Books; Simon & Schuster Audio. (July)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
In the latest from the author of Three Wishes, a nasty reporter has falsely accused Lily Blake of an affair with a cardinal, forcing her to retreat to her home town in New Hampshire. There she links up with John Kipling, another renegade from big-time media who's now running the local paper.
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

6 of 6 people found the following review helpful.
The Power of the Media
By Ratmammy
Lake News by Barbara Delinsky
Lounge singer Lily Blake is falsely accused of having an affair with a high-ranking Catholic Church official in Barbara Delinsky's LAKE NEWS, a novel that shows how the news media can easily destroy someone's reputation and life forever.
Lily Blake was living the life she had always dreamed of, a simple life in the middle of Boston, away from a family that did not always respect the choices that she had made in her past. Her close friendship with the newly appointed Cardinal Rossetti is misconstrued as something more, and the front page news headlines drives Lily back to the hometown of her childhood, Lake Henry, New Hampshire.
Starting her life over again is not easy, but Lily has no other choice. Her life in Boston is over. Until this huge news story blows over, she could not return to Boston. She is asked to resign from her teaching job and is also told that she has been replaced at her lounge gig.
Upon her return to Lake Henry, Lily meets John Kipling, a newspaper editor of the local newspaper who also happened to work for the local Boston paper at one time in his life. Tired of the games large newspapers play, and having been badly burnt by the same man that betrayed Lily in the Boston papers, he returned home to Lake Henry to deal with a simpler type of news writing. The quiet life along the lake and the small-town news stories that he edits is a good change for John.
As Lily and John slowly get to know each other, the reader learns about their painful family histories and the loved ones that caused them such unhappiness. To everyone's surprise, Lily takes an interest in the family apple business and hides out amongst the apple presses as the media slowly loses interest in her story. And John tries to connect with his elderly father, and man that never seemed to approve of anything John did.
However, John is torn about his latest book project: he's writing a book based on Lily's experience with the press and he's falling in love with her. Will this compromise their relationship if he went ahead with the book?
LAKE NEWS was a very enjoyable book for me. It was far more complex that I had imagined it to be, with the story line of the news frenzy behind Lily Blake's relationship with the Cardinal, to the complex family dynamics that go on between her family. And the story line concerning John and his bitter father ended with a complete surprise for me. LAKE NEWS was my first Barbara Delinsky book and will definitely not be my last. Highly recommended.

0 of 0 people found the following review helpful.
Time off
By Hopefull Expectations
I really enjoyed this book. BD is a top writer.

0 of 0 people found the following review helpful.
Five Stars
By C. Preston
Love that book.

See all 131 customer reviews...

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Kamis, 18 Desember 2014

~ Free Ebook The October Horse: A Novel of Caesar and Cleopatra, by Colleen McCullough

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The October Horse: A Novel of Caesar and Cleopatra, by Colleen McCullough

With her renowned storytelling gifts in full force, Colleen McCullough delivers a breathtaking novel that proves once again that she is the top historical novelist of our time.

Grand in scope and vivid in detail, McCullough's gripping narrative thrusts readers headlong into the complex and fascinating world of Rome in the tumultuous last days of the Republic. At the height of his power, Gaius Julius Caesar becomes embroiled in a civil war in Egypt, where he finds himself enraptured by Cleopatra, the nation's golden-eyed queen. To do his duty as a Roman, however, he must forsake his love and return to the capital to rule.

Though Caesar's grip on power seems unshakable, the political landscape is treacherous -- the returning hero has no obvious successor, and his legacy seems to be the prize for any man with the courage and cunning to fell Rome's laurelled leader. Caesar's jealous enemies masquerade as friends and scheme to oust the autocrat from power and restore true republican government to Rome. But as the plot races to its dramatic conclusion, it becomes clear that with the stakes this high, no alliance is sacred and no motives are pure.

  • Sales Rank: #209685 in Books
  • Brand: Brand: Simon n Schuster
  • Published on: 2007-11-20
  • Released on: 2007-11-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.70" w x 6.12" l,
  • Binding: Paperback
  • 800 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Caesar may be the nominal protagonist of this last novel in a series of six chronicling the demise of the Roman Republic, but the presiding spirit is that of Octavian (later Augustus), Caesar's successor and Rome's first emperor. McCullough's Octavian is as complex and gifted as her Caesar, but far less moral, just or merciful-a fitting ruler for a Rome grown too unwieldy for republican government. Blessed with the same immediacy and breezy style that made the tumultuous first century B.C. come alive in previous volumes (The First Man of Rome; Caesar: Let the Dice Fly; etc.), McCullough's heady novel begins with Caesar as dictator of Rome. Brilliant, ruthless, ascetic in his habits and devoted to the welfare of Rome, he enacts a series of reforms while consolidating his power and fathering a son with Cleopatra. The Egyptian, here portrayed as spoiled and shortsighted but passionately in love with Caesar, is just one in a panoply of richly imagined characters: Cato, obdurate republican and traditionalist; Mark Antony, a crass brute with a streak of animal cunning; decent Brutus, batted between his mother, the poisonous Servilia, and Porcia, his vengeful wife. Caesar is a bit too perfect in McCullough's telling, and Antony too monstrous; the novel also suffers from a sameness of voice throughout. But the skillfulness of McCullough's portrait of Octavian will make readers wish more novels were in the offing. Introduced as a guarded, talented youth, he is transformed by Caesar's assassination into a merciless, retributive man-or perhaps he simply shows his true colors. The book ends in a dark blaze of vengeance with his pursuit and destruction of Caesar's assassins.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
"Men who are doers can also be thinkers, but the thinking is done on the move, in the midst of events." This line typifies McCullough's vision of Julius Caesar as a man more charismatic, more intelligent, more visionary, and more dynamic than any other in history. Scholars have both lauded Caesar for his military genius, which has often been emulated but never duplicated, and reviled him for single-handedly destroying the Roman Republic and subjugating far-flung lands, and the author stresses that dichotomy here. In this sixth and final entry of her Roman series, McCullough boldly depicts the demise of the empire that Caesar worked so hard to create, closing with his heir, Octavius. This work probably won't be as immediately popular as The Thorn Birds, but it can definitely hold its own with the vast array of novels and nonfiction books on ancient Rome. Though some readers may find the sheer wealth of detail occasionally tedious, the book will find a niche among those who can appreciate the scholarship and research that contributed to recreating Caesar's remarkable career as dictator of Rome. Recommended for larger public libraries that own the rest of the series.
--Jane Baird, Anchorage Municipal Libs., AK
Copyright 2002 Reed Business Information, Inc.

From Booklist
McCullough, author of the famous and filmed novel The Thornbirds (1996), is also the author of several large and popular fictional accounts of historical events. Her latest book is the sixth and final entry in a series that traces the last days of the Roman Republic, including the events leading up to the assassination of Julius Caesar and the aftermath of that famous murder. Here, that most renowned of Romans, at the height of his power, and Cleopatra, his illustrious mistress, are at center stage. Their legendary contemporaries, including Mark Antony, Brutus, Cato, and Octavian, are also featured prominently. The swiftly moving story is packed full of political intrigue, romance, drama, and war, all pulled together by McCullough's seemingly effortless evocation of the excitement and turmoil present at the end of the republic. The prodigious author has legions of fans who like nothing so much as sinking their teeth into one of her thick tomes, and they won't be disappointed with this one. Librarians should purchase multiple copies. Kathleen Hughes
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

75 of 78 people found the following review helpful.
The epic series concludes!
By mrliteral
In this, the final book of McCullogh's series on the last decades of the Roman Republic, the last days of Julius Caesar are chronicled along with the first days of his successor, Octavian. For fans of historical fiction, this is a must read, a six volume epic that is part history and part political soap opera.
For those unfamiliar with the series, the hero is definitely Julius Caesar. The first two books - The First Man In Rome and The Grass Crown - serve as an extended prologue, with Caesar born in the first book and in pre-adolesence in the second; nonetheless, the intrigues of Gaius Marius and Sulla keep those books quite interesting. Caesar's rise to power is described in the next three books, and at the beginning of the October Horse, he is at the peak of his power.
For those familiar at all with Roman history, how Caesar dies and even the exact date are well-known. McCullough describes the growing conspiracy and how the various figures are drawn in. The assassination is not the conclusion of the story, however. Instead, we see Caesar's adopted son take over and hunt down the conspirators, a good epilogue to this saga.
The fun part of this story is the intrigues among the various characters: the utopian Caesar, the brutish Antony, the deceptively ruthless Octavian, the weak but idealistic Brutus and many others. McCullough fills in the gaps in the historical record with great drama and makes this novel as great as her previous ones.
This book might be good on its own, but to do it justice, you must read the five predecessors; besides the two mentioned above, there is Fortune's Favorites, Caesar's Women and Caesar. That may seem like a lot of reading, but it's all good. In addition, if you enjoy this book, you can go on to read Robert Graves's books on the early days of the Empire: I, Claudius and Claudius the God. Reading all eight books in sequence would not only give you a great grasp of Roman history, it would also be a blast to read.

91 of 99 people found the following review helpful.
A Masterfully Woven Story
By Newt Gingrich
This is the culminating sixth volume of one of the most important historical novels of our generation. Beginning with "The First Man in Rome" and continuing through "The Grass Crown," "Fortune's Favorites," "Caesar's Women," "Caesar: Let The Dice Fly" and finally "The October Horse: A Novel of Caesar and Cleopatra", McCullough has carried us from just before Julius Caesar's birth on through the civil war following his death.

In this extraordinary series it is possible to see the crisis a hegemonic power faces whose political system is incapable of coping with the opportunities and threats which unparalleled power have brought to it.

The corruption and decay of the Roman Senate, the rise of outside interests seeking to bribe and corrupt Rome, the growing crisis for Italians as reactionary elements in Rome refuse to extend citizenship and the reversion of violence both in the street and with the Army all serve as sobering examples for modern citizens to contemplate as they watch the kaleidoscopic changes in our world and our times.

McCullough has the natural story teller's ability to surround big ideas with living, breathing, plotting, conniving, loving and hating people who remind us that politics and history are made by humans, not by anonymous trend lines.

In "The October Horse," Caesar is finishing the civil war against Pompey's forces (especially against Cato the Younger), developing a liaison and an alliance with Cleopatra in Egypt and returning to Rome to begin to reform the system until his enemies assassinate him in the Senate. The book ends with his nephew Octavius and Mark Antony taking on the assassins in a victorious second civil war followed by the initial murmurings of competition between Octavius (Caesar Augustus to be) and Antony.

This novel is a rich feast of people, scenes and maneuvering that is well worth reading in its own right.

While I like "The October Horse" very much, I strongly recommend that anyone interested in seeing our own time in the context of historic developments first go back and read "The First Man in Rome" (Caesar's uncle Marius) and work their way through all six volumes.

This is a work of genius and it deserves to be very, very widely read.

20 of 21 people found the following review helpful.
A Fitting End to the Series
By Suzanne Cross
Colleen McCullough has entertained and educated millions to the intricacies of politics in the late Roman Republic, and her touch hasn't failed in this last and perhaps most difficult of her books. Caesar has illumined the series from its first book, although Marius, Sulla, and the robust characters of the early books rightly took center stage. Caesar is McCullough's conduit character through whose eyes and actions much of the collapse of the Republic occurs. Now she must deal with his murder. How to do this and yet keep the flow of the book going?
We all know what will happen on the Ides of March, but it's how to do it that presents the challenge. I thoroughly enjoyed how McCullough deals with every aspect of Caesar's last years. She handles his achievements and disappointments fairly and, interestingly, comes up with arguable explanations for many of Caesar's last actions which argue that he never intended, indeed, to become king, and does wonderfully drawing the various sordid and idealistic motives (more of the former than latter) which motivated the assassins. As usual, the plot is action-packed, the characters vivid and varied, and based upon substantial research into original historical sources. Caesar's murder is so well done that you almost forget how the action will end.
McCullough takes risks in her portrayal of several characters, but has enough understanding of the sources to back herself up. Cleopatra's character and her love affair with Caesar - which, during the Egyptian war, essentially takes up the first third of the book - is the antithesis of conventional Hollywood casting, but the Queen is far more compelling than any mere sex kitten. Caesar's motivations are similarly not romanticized. Brutus, Cassius, Decimus Brutus, Antony . . . all but the latter follow patterns discernable in earlier books, but McCullough takes major risks with her reading of Antony's character and - while I don't quite agree - it makes a great deal of sense in terms of the known history. Finally, Cato - whom I've always loathed - becomes almost a sympathetic character in his final great days and much relatively obscure history is made fresh and vivid while doing so. And even clucking, insecure Cicero will find his finest hour in this book.
One by one we watch the beloved familiar characters exit the stage. One by one, McCullough sketches the new world that will soon control Rome now that Caesar is gone. Of these, her triumph is her portrayal of young Octavius Caesar, soon to become Octavian, later Augustus. She makes him as fascinating a character as the young Caesar, although very different. Her insights into his character, courage, and weaknesses strikes me as remarkably perceptive. You find yourself wishing she'd write another six books to carry us through the long Augustan age, and yet she finds a natural FINIS to her saga following the Battle of Phillippi, when Caesar's death is avenged and the obvious struggle between Antony and Octavian is prefigured.
Altogether a fine book, and a fitting farewell to her remarkable six-volume portrayal of the dying Republic.
Suzanne Cross
Web Author, Julius Caesar: The Last Dictator

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Rabu, 17 Desember 2014

@ Download Ebook Mark Bittman's Kitchen Express: 404 Inspired Seasonal Dishes You Can Make in 20 Minutes or Less, by Mark Bittman

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Mark Bittman's Kitchen Express: 404 Inspired Seasonal Dishes You Can Make in 20 Minutes or Less, by Mark Bittman

Award-winning cookbook author and popular New York Times columnist Mark Bittman offers 404 quick, easy seasonal recipes, now in paperback.

DO YOU HAVE 20 MINUTES TO MAKE A GREAT MEAL?

In Mark Bittman’s Kitchen Express, “America’s foremost home cook” (New York Observer) presents more than 400 incredibly fast and easy recipes tailored to each season and presented in a simple, straightforward style. Bittman’s recipe sketches are the ideal mix of inspiration and instruction: everything a home cook needs to prepare a delicious, healthful, and cost-conscious repertoire of meals for any season and any time of day. And since they’re written with an eye for speed and flexibility, you can be cooking on a moment’s notice—just check the pantry or fridge and away you go. With Bittman’s trusted voice leading you, you’ll be in and out of your kitchen in 20 minutes or less. Bittman also includes a guide to the foods you’ll want on hand to cook the Kitchen Express way as well as suggestions for seasonal menus and lists of recipes for specific uses, like brown-bag lunches or the best dishes for reheating. You may never order takeout again!

  • Sales Rank: #122262 in Books
  • Published on: 2011-06-21
  • Released on: 2011-06-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.13" h x .60" w x 7.37" l, 1.10 pounds
  • Binding: Paperback
  • 240 pages

From Publishers Weekly
Bittman here offers a sampling of 404 inspiring recipes. But don't expect another How to Cook Everything. This newest is of a different kind—simple and snappy, and rarely calls for measuring spoons. The no-sweat recipes are divided into four sections: summer, fall, winter and spring, capitalizing on the freshest ingredients of each season while whittling down the prep time of ordinarily elaborate dishes like coq au vin and ricotta cheesecake to 10 minutes or less. The book includes a drill-down of how best to stock your kitchen, and given the impromptu nature of the book, the substitution grid proves indispensable. While many dishes are sandwiches, dips or salads, Bittman offers a handful of innovative gems like figs in a blanket and pasta jambalaya, drawing from a diverse gastronomical panorama including Latin, Asian, Mediterranean and Creole flavors. And while quick, Bittman's recipes don't lack his signature creative punch. Lavender-thyme braised chicken, scallop and peach ceviche and a five-spice lobster sandwich will make most readers both salivate and appreciate the ease of his recipes. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“I’d buy any cookbook Bittman wrote.”
—The Miami Herald

“This is a man who loves food in the most unstuffy way possible.”
—The Chicago Tribune

About the Author
Mark Bittman is the author of Food Matters, How to Cook Everything and other cookbooks, and of the weekly New York Times column, The Minimalist. His work has appeared in countless newspapers and magazines, and he is a regular on the Today show. Mr. Bittman has hosted two public television series and has appeared in a third.

Most helpful customer reviews

110 of 113 people found the following review helpful.
Terrific "busy Mom" cookbook!
By Jill Anderson
I love this cookbook! WOW.

What I love about this book:
1) Recipes are sectioned by season
2) All recipes are written in paragraph form - with very little instruction (a pinch, a splash, drizzle, etc..)
3) At the beginning of the book, he gives you recommendations for a well-stocked pantry (I passed - woo hoo).
4) At the back of the book he provides tables for Kitchen Express Menus - Weeknight Dinner Party, Romantic Supper, Better-than-Chinese Takeout, Kids' night, Room-Temperature Buffet, Finger-food Cocktail Party, and Picnic/Road Trip, Holiday Blowout and Weekend Brunch. Each table is segmented by season - listing potentially an appetizer, main course, salad or vegetable, side dish, dessert.
5) The food tastes great! My very picky eater 4 yr old son loved the Korean Barbecued Beef that I paired with rice and sugar snap peas.

I highly recommend this cookbook.

58 of 62 people found the following review helpful.
Simple, fast recipes with few ingredients
By Gluten free mom
I really like the book. I have Mark Bittmans' book "How to Cook Everything" too, which I've always loved. This is smaller but still has a ton of great recipes. This is perfect if you really like quick-cooking dishes. "How to Cook Everything" also has a lot of quick dishes but you have to find them (which takes time - and that's what I'm trying to save). The format is different - just a paragraph for each recipe - but I like it. He always makes everything simple and his dishes are delicious. He's also very practical. He also has a section on what substitutes you can use if you don't have an ingredient. I also have celiac disease and have to eat gluten-free. Most of his recipes lend themselves naturally to a gluten-free diet. He doesn't use processed foods and he doesn't use flour to make a lot of sauces. He might use flour to dredge meats but I usually just skip this step or you can use cornstarch or another wheat flour substitute. His ingredients are just simple, fresh ingredients....and he doesn't use too many.

32 of 33 people found the following review helpful.
Fast, casual cooking at it's best - makes every dish better.
By John Dark
Executive Summary: Great book, get it. Maybe not as your first cookbook, and not as your only cookbook, but for everyday meals, nothing beats this.

I stood there in Costco in the books section. I had been looking at the Ad Hoc at Home on Amazon and was happy to see it in person. Oh, so tempting. Maybe, I too could cook like Thomas Keller might at home. However the recipes are still exacting, and there is a level of planning ahead that I know means I would rarely use that book.

On the other hand, right next to it, was this little gem: Kitchen Express. I've made some of Bittman's recipes in the past from the NY Times and the Minimalist podcast (Sauteed Brussel Sprouts with Bacon was a hit with the family.) I've had the book for a couple of weeks and have used it or been inspired by it almost every day.

Cookbook Elements
1. Recipes are organized into seasons, so it's easy to refer to it before a trip to the farmer's market for fresh foods.
2. Additionally, they are indexed by type - one-dish cooking, potluck dishes, picnic dishes, etc. There are also several suggested menus.
3. The kitchen pantry section gives a good overview of useful items to have on hand.
4. There's a generous substitution list that gives you full permission to substitute red onions for shallots, for example. This is great for my wife who is often substituting completely random things in recipes in ways that totally change the dish.

Things I like about this:
1. 20 minutes per dish, max. Meals really don't take long - under 30 total.
2. Generally very healthy dishes - he relies on butter and bacon as cooking aids, not as the main attraction. This is a good cookbook overall to go with the Abs Diet or P90X diet because it relies on fresh whole foods and lean proteins overall.
3. He uses lemon frequently (really, it's in a lot of dishes in the summer section, but it always adds a little life) and bacon/pancetta (but in very small quantities).
4. Because of the low-committment nature of the recipes, it's great if you're looking in your cupboard and just need to make something with the food on hand - it may inspire you to add an herb or spice you hadn't thought of to an unrelated dish.

Who is it not for?
1. Need shopping lists? Need exact quantities? Sorry, look elsewhere. It helps to have a little experience in cooking because it relies upon your own sense of doing things.
2. Want to bake? Sorry, no bread or cookies here (though the desserts look awesome, high in flavor, but low in sugar.)
3. Just want someone to tell you exactly what to do? Sorry, this is more like being in the kitchen with Mark telling you what to do.

See all 115 customer reviews...

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Rabu, 10 Desember 2014

** Free PDF Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer

Free PDF Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer

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Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer

Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer



Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer

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Will You Take Me As I Am: Joni Mitchell's Blue Period, by Michelle Mercer

Incorporating dozens of hours of interviews into an illuminating narrative heightened by rigorous reporting and compelling analysis of Mitchell's craft, respected music journalist Michelle Mercer insightfully details the richness of the artist's accomplishment: Mitchell's innovative way of marrying lyrics to melody; how she plays with inventive, highly expressive chords to achieve her unusual blend of wonder and melancholy; and how she pioneered autobiographical songwriting and along with Bob Dylan brought a new literacy to the popular song. Will You Take Me As I Am offers a fascinating look into the personal life of a great artist and the culture she helped to shape.

  • Sales Rank: #1044867 in Books
  • Brand: Brand: Free Press
  • Published on: 2009-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.20" h x 5.70" w x 8.50" l, .85 pounds
  • Binding: Hardcover
  • 256 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Mercer (Footprints: The Life and Work of Wayne Shorter) covers the iconic folk maiden Joni Mitchell during her Blue period (roughly 1971 to '76) in what is part music criticism. The book covers the origin and meaning of Blue's songs in Mitchell's own words, her childhood and how her relationships with Graham Nash, Leonard Cohen and James Taylor shaped her music. As her first husband, Chuck Mitchell, said, There are a couple Joans... the literal girl, the prairie tomboy... the historical person, the narrative writer, and the queen—and this book reveals a bit of each of them. Written from a fan's perspective, this book is partly Mercer's own diary, the way Blue was partly Mitchell's diary. This is Mercer's love song to Mitchell, which aims it sometimes to an audience already well-versed in Mitchell history and lore. Whether new or old fans of Joni Mitchell, readers can appreciate the extensive research, and much of the book is in Mitchell's own words, including an entire chapter on her favorite things. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
The emotional depth of Joni Mitchell’s 1971 album “Blue” established a new standard for personal songwriting, attaining an artistry that Mitchell refined in a handful of influential records, culminating with “Hejira,” in 1976. Mercer attempts to explore Mitchell’s formative experiences and her creative process during this period, abetted by the coöperation of the usually unforthcoming singer. There are juicy tidbits in tales of Mitchell’s youth in western Canada; travels in Greece and across America; romances with Leonard Cohen, Graham Nash, James Taylor, and Sam Shepard; and a bracing encounter with the Tibetan monk Chögyam Trungpa. But Mitchell’s ability to articulate the sublime frequently reduces Mercer to a kind of fan-girl gush, and Mitchell herself, open and vulnerable in her art, comes across as prickly and contentious, convinced that she’s underappreciated, no matter how much praise she gets.
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Review
"Mercer, an accomplished music journalist, wisely places her focus on Blue's almost perfect marriage of lyric, melody, mood, and explored experience at the center of the book, surrounded by a careful yet conversational look at how Mitchell got to that point in her life and where she went in the years that followed. Mercer was fortunate to spend extensive time talking directly with the media-shy Mitchell. The author's own thoughts and experiences play a subtle yet pivotal role as the enduring power of Blue is reflected in her personal narrative as one who was, and remains, inspired by this landmark recording."-- Library Journal

"What distinguishes this work from standard celebrity profiles is that it reads like a collection of cultural essays.... Mercer uses her subject's own words (she conducted a trove of interviews with Mitchell) to illustrate her thesis that Mitchell helped make the personal songwriters of the late '60s and early '70s the literary successors to the Beats.... She addresses nuances of Mitchell's art that have not been adequately recognized but does not lionize her. Rather, Mitchell is revealed as a complicated woman for whom being widely liked is both anathema and a great need."-- Los Angeles Times

Most helpful customer reviews

51 of 63 people found the following review helpful.
Read this if you want to know more about Michelle Mercer
By Diana K. Jackson
Michelle Mercer likes to write about herself nearly as much as the subject of her book. Though she claims to be uninterested in gossip..."Celebrity gossip is not very compelling to me...Basically, I'm more interested in how songwriters make thier work personal than in what they get personal about", she indeed dishes throughout the book and speculates on Mitchell's personal matters. Mercer tries very hard to describe the special relationship she claims to have with Mitchell, and brags about an incident during a dinner with Mitchell and others where Mitchell called one of Mercer's comments "ignorant." "Everyone at the table froze over their salads. The Great Goddess's ire had been raised. But I wasn't going to be cowed -..."

The final offense in this book supposedly about Mitchell is when Mercer lashes out in an unnaturally vicious way about Dan Fogleberg. After reading that part of the book two times, I am still unable to determine why she included her rant in the book. Shameless, really, and completely irrelevant.

Do yourself a favor and re-listen to Mitchell's music. No reason to learn more about a pompous, self-serving Mercer through this painful book.

30 of 39 people found the following review helpful.
Readable but exasperating
By Lilting Banshee
This turns out to be the author's ruminations on 60's and 70's songwriting and its place in the history of confessional and autobiographical expression, using Joni Mitchell's work to support her thesis. Yes, there are some insightful comments on Mitchell's "Blue period" and the quotes from Joni are worthwhile. But the focus on Joni comes and goes, too often going into the kind of analysis you might expect from a decent college paper for an introductory literature class or sometimes losing coherence altogether, e.g. "So landscape in the music of Young and Mitchell is at once more subtle and manifest, because their feelings for the land have a sound less distinguishable from their feeling of the land itself." (p. 56) Huh? At times the book reads like it was written as a series of independent essays, grappling with the same essential topic, making various unsuccessful attempts to define Mitchell's art. A line by line analysis of "Court and Spark" here, a comparison to Allen Ginsberg there. Throw enough comparisons and something will stick. Or not: even Joni Mitchell comes across as confused: "I looked to her [Laura Nyro] and took direction from her. On account of her, I started playing piano again. Laura Nyro you can lump me in with because Laura exerted an influence on me." (p. 84) Well, great! I love Laura Nyro, too! But on page 97, the author says this, "Cohen is also the only songwriter other than Dylan whom Mitchell admits as an influence." I managed to complete the book because the author did have access to Graham Nash, ex-husband Larry Klein, Joni Mitchell, herself, as well as other insiders and their commentary adds some flesh to the artist. But ultimately there are way too many digressions from an obviously intelligent writer just flashing from one idea or artistic comparison (". . .but to borrow from Blake. . ." or St. Augustine or Richard Wagner or Pablo Neruda. . .) to another. This didn't work for me, maybe it will for you.

4 of 4 people found the following review helpful.
Songwriting Doesn't Get Better
By Scotty
I loved Joni Mitchell since the seventies (when I was so much younger). Blue remains one of my favorite CDs. It stands the test of time. Songwriting doesn't get any better. This "biography" lets you glimpse into the younger Joni Mitchell, her songs, her lovers, her demons and her angels. If you can't get enough about Joni, I think you'll enjoy this book.

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Selasa, 09 Desember 2014

^ Download The Darkest Summer: Pusan and Inchon 1950: The Battles That Saved South Korea--and the Marines--from Extinction, by Bill Sloan

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The Darkest Summer: Pusan and Inchon 1950: The Battles That Saved South Korea--and the Marines--from Extinction, by Bill Sloan

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The Darkest Summer: Pusan and Inchon 1950: The Battles That Saved South Korea--and the Marines--from Extinction, by Bill Sloan

The Darkest Summer is the dramatic story of the first three months of the Korean War as it has never been told before. A narrative studded with gripping eyewitness accounts, it focuses on the fateful days when the Korean War’s most decisive battles were fought and the Americans who fought them went— however briefly—from the depths of despair to the exultation of total conquest. Drawing on exclusive interviews with dozens of surviving U.S. veterans, it reveals how one ninety-day period changed the course of modern history and opens a unique and revealing window on an all-but-forgotten war.

  • Sales Rank: #1059277 in Books
  • Brand: Brand: Simon n Schuster
  • Published on: 2010-11-23
  • Released on: 2010-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.20" w x 5.50" l, .80 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Used Book in Good Condition

Review
""The Darkest Summer" is not only exciting reading -- a cautionary tale about Korea in 1950 -- but it should also make every sensible reader ask why it's a good idea to fight in faraway foreign countries like Korea, or Afghanistan today, without a plan for victory or an exit strategy." -- Michael Korda, author of "Ike"

"How did we get enmeshed in this struggle halfway around the world? Was it worth it? Was it victory, defeat, or merely stalemate? In Bill Sloan's well-told tale, I found my answers." -- Joseph E. Persico, author of "Roosevelt's Secret War"

""The Darkest Summer" is a truly heroic book. In heart-pounding detail, Bill Sloan recounts the most momentous season in the history of the U.S. Marine Corps -- the fateful summer of 1950. Riveting from the first page to the last." -- Alex Kershaw, author of" Escape from the Deep" and "The Bedford Boys"

"There is no story quite like this in military history -- the epic tale of how the American Army, the mightiest war machine in the history of the world in 1945, was surprised and overrun a mere five years later by a nation that had been a subject-state of Japan in 1945. And then how America's pathetically ill-prepared armed forces regrouped with astonishing speed and launched one of the most audacious counteroffensives in military annals, one that saved South Korea from communism and changed the course of world history. The Darkest Summer is a stunningly good military history, crafted in the style of an accomplished novel, with characters that are almost too interesting to be believed." -- Donald L. Miller, author of "Masters of the Air"

""The Darkest Summer" is a harrowing and heroic tale of Korean War valor. By interviewing U.S. Marines who fought at Pusan and Inchon, Bill Sloan transports the reader to ground zero in Korea. A truly riveting read." -- Douglas Brinkley, author of "The Wilderness Warrior"

"In 1950, President Truman and others were in the process of a military reunifying and downsizing that would have essentially eliminated the U.S. Marine Corps. Then came Korea, and in the battles for Pusan and Inchon, the Marines did what had to be done. Bill Sloan, the premier chronicler of war at the ground level, tells the whole awful, bloody story in his superb "The Darkest Summer", a dead-on account that answers forever the question, 'What is war really like?'" -- Jim Lehrer, anchor of "The NewsHour" on PBS and author of "Oh, Johnny"

About the Author
Bill Sloan is a respected military historian and author of more than a dozen books, including Brotherhood of Heroes: The Ultimate Battle. He lives in Dallas, Texas.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 8

Nightmare on the Naktong

It was seventy -five miles from Hill 202 near Sachon to the town of Miryang, now threatened by an estimated 7,000 enemy troops, who had waded across the shallow Naktong River, towing crude rafts loaded with heavy weapons, vehicles, and supplies. By August 8, an entire reinforced North Korean regiment had established a bridgehead on the east bank of the river, which was the last natural barrier between the Communist army and Pusan.

Over the next few days, the NKPA had steadily broadened its foothold until most of its crack Fourth Division -- the same unit that had shared in the capture of Seoul, then routed Task Force Smith -- was on the American side of the stream, opening a yawning gap in U.S. lines. The gap was in a cluster of rugged hills, where a sharp bend in the river surrounded a thumbshaped strip of land on three sides to form a topographical oddity that the Americans called the Naktong Bulge. Unless the gap could be closed, the main supply route between Pusan and the inland city of Taegu, headquarters of General Walker's Eighth Army, was in danger, and Taegu itself might be overrun.

In his first attempt to dislodge the enemy troops, Walker ordered the recently arrived Second Infantry Division's Ninth Regiment, commanded by Colonel John G. Hill, to join elements of General John Church's 24th Division to create Task Force Hill. In addition to his own regiment, Hill was placed in control of all 24th Division units in Church's southern sector -- giving him a force equal to three full infantry regiments -- and ordered to assault the enemy bridgehead.

To Walker's distress, however, the attack by Task Force Hill on August 11 met a reception hauntingly similar to those encountered by previous Walker task forces. The attack lost its momentum and dissolved in confusion when the North Koreans attacked at the same time. Hill tried twice more, on August 14 and 15, but his troops ran into a stone wall of resistance, and bad weather deprived them of air support.

During this interval, the enemy had spirited more than 100 machine guns, considerable artillery (including a number of American 105s seized at Taejon), and even several tanks across the river. Entrenched in the high ground and with superior weaponry, the NKPA force was simply too strong, and Hill was forced to break off the attack and take up defensive positions east of the enemy stronghold.

By now, Walker's patience was frayed to the breaking point. He minced no words when he told Church, "I'm giving you the Marine brigade, and I want this situation cleaned up -- and quick!"

On their arrival at Miryang on the afternoon of August 15, General Craig and his men confronted stakes that could not have been higher. The consensus among high-echelon UN commanders was that if Miryang fell, neither Taegu nor Pusan could be held. Walker himself pledged to fight in the streets if the enemy got into Taegu.

"And you'd better be prepared to do likewise," he told one field commander, whose reticence and excuses brought Walker to the boiling point. "Now get back to your division and fight it! I don't want to see you back from the front again unless it's in your coffin."

Meanwhile, by August 15, more than 400,000 Korean refugees had crowded into Taegu, and the ROK government, fearing its security could no longer be guaranteed in the city, packed up and moved to Pusan.

In addition to the precarious situation at the Naktong Bulge, Walker faced serious problems all across the front. The First Cavalry Division, charged with anchoring a tremendously wide section of the front west of Taegu, had repulsed repeated NKPA incursions across the Naktong farther to the north but remained under heavy pressure from the enemy. In the far southwest, although the Marine attacks had left NKPA forces weakened and disorganized, Army lines continued to develop leaks after the Marines' hurried withdrawal from Sachon. On the east side of the peninsula, the ROK Third Division was forced out of the secondary port of Pohang-dong and evacuated under cover of American air and naval forces, then relanded farther south. With NKPA troops only a few hundred yards from its runways, the U.S. Fifth Air Force abandoned Yonil Airfield, its only base on the east coast, and moved its desperately needed F-51 squadrons back to Japan. The entire eastern front looked to be hovering on the verge of collapse.

If there was any small shred of hope remaining, it lay with the Marines. As a British military observer attached to the 24th Division observed in a wire dispatched on the morning of August 16, as Craig's brigade prepared for its new mission,

"The situation is critical, and Miryang may be lost. The enemy has driven a division-sized salient across the Naktong. More will cross the river tonight. If Miryang is lost...we will be faced with a withdrawal from Korea. I am heartened that the Marine brigade will move against the Naktong salient tomorrow. They are faced with impossible odds, and I have no valid reason to substantiate it, but I have the feeling they will halt the enemy....

"These Marines have the swagger, confidence, and hardness that must have been in Stonewall Jackson's Army of the Shenandoah. They remind me of the Coldstreams at Dunkirk. Upon this thin line of reasoning, I cling to the hope of victory."

When the Marines reached Miryang, however, they were dragging their heels rather than swaggering. To a man, they were drained, hungry, caked with dirt, and red-eyed from lack of sleep. Many of the troops had had to march most of the previous night after a promised convoy of trucks failed to show up, and the forced journey, after days of heavy fighting, had been an ordeal for everyone. "By that time," recalled PFC Ben Wray, a native Texan and a BAR man in the First Battalion's Second Platoon, "we looked and felt like an old horse that had been rode hard and put away wet."

During the withdrawal from near Sachon, the situation had been so hectic that Colonel Harold Roise, commanding the Second Battalion, received his only orders for the move scribbled on a scrap of paper. The terse message, written by Colonel Joe Stewart, Craig's operations officer, and left with a fleet of parked vehicles, read simply, "These are your trucks. Move to Naktong at once."

After all this, Miryang proved to be an unexpectedly pleasant surprise.

Compared to the sun-baked, unforgiving hills they'd just left, the picturesque village was the closest thing to paradise the Marines had seen since leaving the States. To Colonel Robert Taplett of 3/5, it looked like "a heavenly oasis" and "an ideal spot for a picnic," and Saturday Evening Post writer Harold H. Martin, embedded with the brigade, called it "the most beautiful bivouac in all Korea."

"Our bivouac area was in a cool grove of trees on the grassy banks of the Miryang River, which would soon be our bedroom, bathroom, and laundry," Taplett recalled. "Everyone looked forward to our first night of uninterrupted sleep, a dip in the river, a change of clothes, and our first hot meal since leaving the USS Pickaway."

After a dozen days of living and fighting in the same field dungarees, Taplett and his troops were, in his words, as dirty and smelly as "a herd of goats." They took to the river in droves while dozens of native women, recruited by unit supply officers and paid with wages of cigarettes, washed grimy Marine uniforms and laid them out on the riverbank to dry.

Medical officers tried to warn the Marines that the pristine-looking stream might harbor potentially dangerous contaminants, but the warnings were ignored. Even normally cautious Navy corpsman Herb Pearce joined in the splashfest. But, as he observed later, "My enjoyment of the swim was lessened somewhat when I got out of the stream and discovered that some Koreans were busily skinning a dog in the water just around the bend from us."

The Marines realized that their interlude of rest and rehabilitation would be brief and that another brutal ordeal loomed ahead. On August 16, barely twenty hours after their arrival at Miryang, they received orders to move west about twenty-four miles to the area of Yongsan, a village less than ten miles from the Naktong. This would be the jumping-off place for their attack.

Intelligence reports indicated that the enemy was almost ready to break out of his Naktong salient, seize Miryang, and split UN forces into northern and southern halves. Miryang lay astride the double-track railroad over which vital supplies flowed between Pusan and Taegu. If Communist forces gained control of the rail line or cut it, Taegu would be cut off from supply and reinforcement.

That night, Fifth Marines commander Colonel Ray Murray met with Colonel Harold Roise, whose Second Battalion had been chosen to lead a frontal assault the next morning on Obong-ni Ridge, part of a jumbled mass of high ground held in strength by the NKPA. Roise's battalion would be followed by Taplett's 3/5, with Colonel Newton's 1/5, which had been badly battered in the fight for Sachon, in brigade reserve.

"Obong-ni Ridge sprawled across the Marine front like some huge prehistoric reptile," wrote Marine historian Lynn Montross. "Its blunt head overlooked the main supply route...and the elongated body stretched to the southeast more than 2,000 yards before losing its identity in a complex of swamps and irregular hill formations."

The ridgeline included half a dozen dominating peaks (identified by number, from north to south, as Hills 102, 109, 117, 143, 147, and 153), several smaller hills, and a succession of steep spurs, separated by deep gullies that ran all the way down to a series of rice paddies on the plain below. It presented a vast, demonic puzzle for the men of the Second Battalion's D and E companies assigned as the first Marines to climb it.

"You must take that ground tomorrow," Murray told Roise. "You have to get on that ridge and hold it. Understood?"

"Understood," Roise assured him. "This battalion goes on...

Most helpful customer reviews

20 of 23 people found the following review helpful.
The Dark Days of 1950
By Dave Schranck
Bill Sloan has written another commendable story of combat. This time he covers the opening months of the Korean War when South Korea and especially the US were unprepared to repulse an invasion from the north. The signs were there but were ignored by MacArthur in Japan and by Washington. The author has chosen the first three months when the US was slowly coming up to speed, throwing in reinforcements piecemeal against the determined NKPA.

Before beginning his war coverage, the author describes how Truman and Johnson in the five years since WWII had gutted the Armed Services, especially the Marine Corps which was on life support. He goes on to depict the Army as poorly trained and equipped as well as low in morale. To make matters worse, the non confrontational ways of Acheson in regards to China and Soviet Union only encourage Stalin to help train and equip North Korea to invade the South.
Mr Sloan's battle coverage begins with the fall of Seoul and continues down the peninsula toward the important port of Pusan. In between Seoul and Pusan, you'll read about the battles for Suwon, Osan, Kum River, Taejon, Kumchon, Yongdong, Sanju, Sachon, Kosong, Obong-ni Ridge, Taegu and the Naktong River line, also called the Pusan Perimeter.
These were days when US Forces, both Gis and Marines, suffered heavy casualties and by August were almost pushed into the sea. In September there was a reversal when MacArthur landed at Inchon and within two weeks recaptured Seoul, saw the Pusan breakout and the full fledge retreat of the NKPA back to North Korea. MacArthur wasn't satisfied with regaining the 38th Parallel; he talked Truman into attacking the North with the objective of combining the two countries into one democratic one.

The battle coverage of the select engagements was good, descriptive. Using many sources including primary documents as well as interviewing 56 veterans, Mr Sloan was able to present many first hand experiences that added to the tactical details, giving greater depth to the book. The book closes with a brief summary of the rest of the war that includes UN forces invading the North, the Chinese counterattack, the dragged out negotiations as well as the present day circumstances. There is closing remarks on Truman and MacArthur as well as a discussion on whether the war had merit or if it is appreciated by the current generation.

Even though I really liked the book and eagerly recommend it, I couldn't give it five stars. The author provides too small of a window into the war, specializing too much which gives an incomplete view of the battle. I understand that was the author's intent but if this is the only book on the Korean War you read, you will have an incomplete picture of it. It can't compete with the full coverage books from Clay Blair, Bud Hannings and Roy Appleman. Secondly, there are only a few large scale maps of the peninsula. It would have been helpful to have a detailed map of each engagement covered; it certainly would have helped to follow the action. Also provided are photos and an extensive Notes section, Bibliography and Index.

8 of 9 people found the following review helpful.
Fast Paced Accurate Read
By Richard A. Jeffries
Bill Sloan again does an excellent job with his treatment of the first few months of the Korean War. There are many fine books out there that give the Army's view of the first disasterous months of the Forgotten War. Sloan justly gives them credit in his extensive notes(Blair's "The Forgotten War"; Fehrenbach's "This Kind of War"). Kudos to Mr Sloan for his written work on the First Marine Brigade's efforts to stem the tide and greatly backstop Walker's Eighth US Army. The action sequences and insertions of valorous deeds by young Marines do the Corps proud. This book is written in the same gritty factual fast paced style as Sloan's efforts describing the Okinawan campaign in "The Ultimate Battle."
As an Army veteran it always pains me greatly to read about the initial painful efforts of the US Army's attempts to halt the initial onrush of NKPA forces into South Korea. Sloan provides a succinct overview of those weak initial efforts and the causes that led to the post-war draft Army's weakened condition. The Marines as a fighting force have never been equaled and were much needed during this trying time. Sloan's book is an excellent example of the perils of unpreparedness by our nation for armed conflict, but also a shining example of the fighting spirit of volunteer forces who are aptly supplied and ably led.

5 of 5 people found the following review helpful.
Superb account fo the first three months of the Korean War
By Ironmike
Mr Sloan has done something unique, held my attention on a subject that I have read much on. His account of the three critical months that saved South Korea and the US Marines as an organiazed fighting unit. Interesting accounts of the brutal fights and the brave army and Marines that stemmed the tide of the North koreans. It is packed with facts, amazing characters that did the impposible and faced a ruthless foe bent on victory at any cost.
I would rank this among Mr Sloan's best works and I have read several of his other books. I recommend this title for anyone wanting to learn more about our brave military members then and now and to discover the horrific conditions they had to back in 1950 - the year I was born. Tough guys and glad we had men like these when we needed them. Real American heroes and Sloan does justice to the other UN forces that stepped up to the plate in dire times as these.

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! Ebook Download The Greater Journey: Americans in Paris, by David McCullough

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The Greater Journey: Americans in Paris, by David McCullough

The #1 bestseller that tells the remarkable story of the generations of American artists, writers, and doctors who traveled to Paris, the intellectual, scientific, and artistic capital of the western world, fell in love with the city and its people, and changed America through what they learned, told by America’s master historian, David McCullough.

Not all pioneers went west.

In The Greater Journey, David McCullough tells the enthralling, inspiring—and until now, untold—story of the adventurous American artists, writers, doctors, politicians, and others who set off for Paris in the years between 1830 and 1900, hungry to learn and to excel in their work. What they achieved would profoundly alter American history.

Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, whose encounters with black students at the Sorbonne inspired him to become the most powerful voice for abolition in the US Senate. Friends James Fenimore Cooper and Samuel F. B. Morse worked unrelentingly every day in Paris, Morse not only painting what would be his masterpiece, but also bringing home his momentous idea for the telegraph. Harriet Beecher Stowe traveled to Paris to escape the controversy generated by her book, Uncle Tom’s Cabin. Three of the greatest American artists ever—sculptor Augustus Saint-Gaudens, painters Mary Cassatt and John Singer Sargent—flourished in Paris, inspired by French masters.

Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris, and the nightmare of the Commune. His vivid diary account of the starvation and suffering endured by the people of Paris is published here for the first time.

Telling their stories with power and intimacy, McCullough brings us into the lives of remarkable men and women who, in Saint-Gaudens’ phrase, longed “to soar into the blue.”

  • Sales Rank: #17089 in Books
  • Brand: David McCullough
  • Published on: 2012-05-15
  • Released on: 2012-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.40" w x 6.00" l, 1.20 pounds
  • Binding: Paperback
  • 576 pages

Amazon.com Review
Amazon Best Books of the Month, June 2011: At first glance, The Greater Journey: Americans in Paris might seem to be foreign territory for David McCullough, whose other books have mostly remained in the Western Hemisphere. But The Greater Journey is still a quintessentially American history. Between 1830 and 1900, hundreds of Americans--many of them future household names like Oliver Wendell Holmes, Mark Twain, Samuel Morse, and Harriet Beecher Stowe--migrated to Paris. McCullough shows first how the City of Light affected each of them in turn, and how they helped shape American art, medicine, writing, science, and politics in profound ways when they came back to the United States. McCullough's histories have always managed to combine meticulous research with sheer enthusiasm for his subjects, and it's hard not to come away with a sense that you've learned something new and important about whatever he's tackled. The Greater Journey is, like each of McCullough's previous histories, a dazzling and kaleidoscopic foray into American history by one of its greatest living chroniclers. --Darryl Campbell

Review
"An ambitious, wide-ranging study of how being in Paris helped spark generations of American genius. . . . A gorgeously rich, sparkling patchwork, eliciting stories from diaries and memoirs to create the human drama McCullough depicts so well."

"--Kirkus Reviews" (starred review)

"A lively and entertaining panorama. . . . By the time he shows us the triumphant Exposition Universelle in 1889, witnessed through the eyes of such characters as painters John Singer Sargent and Robert Henri, we share McCullough's enthusiasm for the city and his affection for the many Americans who improved their lives, their talent and their nation by drinking at the fountain that was Paris."

--Michael Sims, "The Washington Post"

"An epic of ideas, as well as an exhilirating book of spells . . . This is history to be savored."

--Stacy Schiff, "The New York Times Book Review

"

"McCullough has hit the historical jackpot. . . . A colorful parade of educated, Victorian-era American travelers and their life-changing experiences in Paris."

"--Publishers Weekly" (starred review)

"For more than 40 years, David McCullough has brought the past to life in books distinguished by vigorous storytelling and vivid characterizations. . . . . McCullough again finds a slighted subject in "The Greater Journey", which chronicles the adventures of Americans in Paris. . . . Wonderfully atmospheric."

--Wendy Smith, "Los Angeles Times

"

"A highly readable and entertaining travelogue of a special sort, an interdisciplinary treat from a tremendously popular Pulitzer Prize-winning historian. . . . Highly recommended."

"--Library Journal" (starred review)

"There is not an uninteresting page here as one fascinating character after another is explored at a crucial stage of his development. . . . Wonderful, engaging writing full of delighting detail."

--John Barron, "Chicago Sun-Times

"

"McCullough's research is staggering to perceive, and the interpretation he lends to his material is impressive to behold. . . . Expect his latest book to ascend the best-seller lists and be given a place on the year-end best lists."

"--Booklist "(starred review)

"McCullough's skill as a storyteller is on full display. . . . The idea of telling the story of the French cultural contribution to America through the eyes of a generation of aspiring artists, writers and doctors is inspired. . . a compelling and largely untold story in American history."

--Kevin J. Hamilton, "The Seattle Times

"

"From a dazzling beginning that captures the thrill of arriving in Paris in 1830 to the dawn of the 20th century, McCullough chronicles the generations that came, saw and were conquered by Paris. . . . "The Greater Journey "will satisfy McCullough's legion of loyal fans . . . it will entice a whole new generation of Francophiles, armchair travelers and those Americans lucky enough to go to Paris before they die."

--Bruce Watson, "The San Francisco Chronicle

"

About the Author
David McCullough has twice received the Pulitzer Prize, for Truman and John Adams, and twice received the National Book Award, for The Path Between the Seas and Mornings on Horseback. His other acclaimed books include The Greater Journey, 1776, Brave Companions, The Johnstown Flood, The Great Bridge, and The Wright Brothers. He is the recipient of numerous honors and awards, including the Presidential Medal of Freedom, the nation’s highest civilian award. Visit DavidMcCullough.com.

Most helpful customer reviews

997 of 1026 people found the following review helpful.
Masterful Writer McCullough Makes 19th Century Paris Come ALIVE - FIVE STARS !!!!!
By Richard of Connecticut
Every time David McCullough puts his fingers to the typewriter that he uses to write with, he seems to transform our understanding of the topic he is studying. Whether it was President Harry Truman or for me Mornings on Horseback, I have walked away from his books with an enlightened feel for the topic that I have only been able to achieve with very few authors. James Michener is one who comes to mind immediately.

With this book, The Greater Journey, the author has now thoroughly engaged the reader with a topic seldom written about but very deserving of study. It is only natural that we as Americans feel we live in a self centered world; after all we have 2 vast oceans that have protected our shores from invasion for several centuries, and probably will for several more. It simply does not occur to us that since our beginnings, many Americans have chosen to spend considerable time abroad, and in some cases decades of their lives.

During the 1800's and specifically from 1830 until 1900, there was a wave of intellectual migration that headed not west to America, but east to Paris, France from America. Keep in mind that we now sit in a country that is preeminent in the world, financially, intellectually, and probably culturally as well. Back then, we were just forming as a nation. The Indian wars were still in process, and the Civil War would also take place, which became the second re-creation of the United States. McCullough is totally aware of this comparison and makes wise use of it throughout this 456 page book composed of 14 distinct chapters separated into 3 parts, followed by a wonderful epilogue, and a very useful bibliography. The author understands history, and is always mindful of the relative positions of different nations. During this period we were not yet the top dog that we were to become after World War I. Europe still controlled the world's greatest universities and they were already centuries old.

If you are going to read this book in a physical format as opposed to the Kindle digital version, you are in for a treat because the paper chosen is exquisite, and the font selection is superb. If you are an older reader as I am, you will appreciate the time that was taken to design the book appropriately for readers that still relish a physically well made book, and that's what we have here.

This is the story of a 70 year period in the history of Paris, and the scores of Americans who occupied it, lived there, and helped participate in the transformation of what is called the city of light. It is also the story of scores of for want of a better word can be called expatriate Americans, although many of them did return to their native United States at different times.

McCullough is one of the few authors who truly captures the essence of an environment and then proceeds to envelop it with a reality that absorbs and perhaps even demands our attention as readers. His description of the relationship between James Fennimore Cooper and Samuel F.B. Morse and their joy in living in this magnificent city and the effects it had on their work will remain in the reader's soul for many years after the book is put back on the shelf. When Morse painted his masterpiece, it was done in Paris, and perhaps after reading this book, one realizes it could only have been done in Paris.

The city of lights already had vast boulevards, and extraordinary parks decades before the United States designed them. Indeed, New York City's Central Park which would be created later in the century would take much from Paris, and other European cities. The Americans who would go to Paris and spend years there would recall later after returning to the United States the joy of the parks, the energy of the city itself and the sheer unequalled cultural delights that embodied Paris. Visually we can still see much of this in the work of the Impressionist School of painting.

I found the author's handling of Mary Cassatt, who was a Philadelphia born daughter of American socialites who went on to be an illustrious painter as a principal part of the Impressionist school, to be particularly well done. Her relationship to Edgar Degas the renowned painter of the ballet and horses, as well as landscaping is thoroughly chronicled in the book. McCullough's ability to weave life into life, with Paris as the focal point constantly holding the book together in such a way that the reader feels compelled to continue to read, not pausing to eat is what in the end keeps the author at the pinnacle of his profession today.

It is obvious that this book was a labor of love for the author. It comes shining through with the admiration that McCullough holds for both Oliver Wendell Homes the American medical student in Paris, and Ralph Waldo Emerson, a name we all recognize. He even takes the time to take us through the time that Mark Twain spent in this wonderful city.

Not only was Paris transformed by the Americans that occupied it during this century, but Paris itself went through extraordinary changes and development. Kings re-invented the city several times during this century. Vast numbers of poor were displaced and sent to the country. It was invaded during this period as well. Later vast tree lined streets and boulevards would be created that became the envy of Europe. The Louvre would be increased in size enormously in an attempt to make it the most important museum on the entire continent, and France would succeed in this effort.

McCullough intertwines the story of Paris, its growth, its impact on the Americans and what the Americans brought back to America as a result, into a book in such an imaginative way that the reader will find himself revisiting this book from time to time. In the end the book is riveting, and this is a phrase I find myself continuing to use every time I pick up a book written by this author.

Many lives are captured in this masterpiece. They include George Healy the portrait painter, Nathaniel Hawthorne whose writings still continue to occupy many a college freshman's late nights, and future American Senator Charles Sumner who would have his views on slavery refined while living in Paris. Indeed he became an abolitionist as a result of his Parisian experience.

CONCLUSION:

Prior to reading The Greater Journey, I believed I had a good understanding of 19th century Paris. Having studied the art of that period, going to the Louvre, and sitting in on lectures dealing with Paris in the 1800's, I looked forward to seeing what this author could add to the story. I did not expect what I got, which was to have him blow away my understanding and replace it with something that came alive and stood on many different legs of understanding, but isn't that what great writing can do. It can simply make things come alive again. You feel as though you are there, and McCullough puts us right there in the thick of the action.

Although it is not the whole story, if you have any interest at all in understanding the transformative art period that was the Impressionist movement it is vividly captured here in the lives of Augustus Saint-Gaudens with John Singer Sargent, and Mary Cassatt. David McCullough is already an acclaimed author with two Pulitzers and two national Book Awards, and it looks like with this book, he's got another Pulitzer coming down the pike. Thank you for reading this review.

Richard C. Stoyeck

197 of 199 people found the following review helpful.
McCullough Leaves The 18th Century Behind
By Dai-keag-ity
If you read only one sentence of this review, please know that I think The Greater Journey: Americans in Paris is downright excellent and I'd highly recommend it!

As much as I enjoyed the books John Adams and 1776, there is something refreshing in seeing living treasure David McCullough depart from the 1700s, an era he knows vividly, and take a tromp through fresh ground. The Greater Journey was so good, so flowing and fast-paced I read through it a little too quickly, in one day to be exact, and emerged with the feeling that I cheated myself of what more properly should have been a lingering experience. Therefore, I plan to read it again in smaller bits in the near future!

That aside, this was among the more interesting history books I've opened in a long while. McCullough's style has never seemed sharper, more conversational, more authoritative or more learned. Where else is the City of Lights examined in such minute detail and from quite this angle? The museums, the streets, the gardens, the parties and salons, and most of all the people, natives and American alike are examined under the microscopic gaze of this finest of living historians. What emerges is an explanation of why Paris was so alluring then as today, and how their time spent there, often brief visits, shaped some of America's leading personages into the figures they went on to be in life. So many famous names leap out from these pages that it proves a who's who of a time and place. The life stories here are as good as biographies anywhere, and there's something to be learned on just about every page as McCullough makes time for many asides and anecdotes about those who passed through the French capital before and during la Belle Époque

To read this book is to feel a part of Paris 150 years ago, and that is the highest praise I think it is possible to give any historian! Well done, David McCullough, well done!

248 of 257 people found the following review helpful.
The Greater Journey
By Eskypades
Ever since I picked up "John Adams", I have been an avid fan of David McCullough. His biography of Harry Truman is perhaps the best one I've ever read. McCullough has a knack for taking people or things that perhaps have escaped the popular limelight (such as the Panama Canal or the Brooklyn Bridge) and writes a completely captivating history of them. You do not simply read a McCullough book, you experience it.

When I first heard that McCullough was penning a new work focusing on the impact that Parisian life had on Americans of the 19th century, I was quite excited to say the least. And when I was offered the chance to do a pre-release review of "The Greater Journey," I was thrilled and jumped at the opportunity. McCullough did not disappoint.

"The Greater Journey" varies in focus from his other works. While the majority of his previous books have focused on political and engineering aspects of American history, "The Greater Journey" instead highlights many of the artistic influences of American history (Adams, Jefferson and Franklin get barely a mention). Although working with a large cast of characters such as Ralph Waldo Emerson, Mary Cassatt, Louis Moreau Gottschalk and Harriet Beecher Stowe, McCullough spotlights a few in more detail. Although Samuel F. B. Morse is more widely known for inventing the telegraph, McCullough spends more time discussing Morse's artistic work in the Louvre. Augustus Saint-Gaudens, sculptor of such memorials as the Farragut, Sherman and Robert Gould Shaw Memorials, was greatly influenced by his time in Paris. Of particular interest to me was the account of Elihu Washburne's efforts during the Franco-Prussian War to protect French, American and German citizens. With each of these and others, McCullough writes of how their time in Paris influenced their artistic abilities or, as was the case with Charles Sumner, their political/humanitarian views.

When I first heard of the subject matter of the book, I wasn't sure it would be as interesting as McCullough's other works that dealt with more sweeping changes such as "1776." But while watching an interview of McCullough about the book, he made a statement that convinced me otherwise. He said "History is much more than just politics and generals. History is about life. History is human. And music, art, literature, poetry, theatre, science, the whole realm of the human spirit is all part of history."

As captivating and readable as his other books, "The Greater Journey" offers a unique glimpse of the more cultural side of American history and the huge role Paris life played in shaping this culture. (5/5 stars)

(Thanks to Simon & Schuster for providing an electronic copy of this book for review.)

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