Kamis, 22 Januari 2015

~ Ebook ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber

Ebook ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber

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ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber

ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber



ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber

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ART/WORK: Everything You Need to Know (and Do) As You Pursue Your Art Career, by Heather Darcy Bhandari, Jonathan Melber

Find Out What They Didn't Teach You in Art School

The most comprehensive guide of its kind, Art/Work gives artists of every level the tools they need to make it in an art world so competitive one dealer likens it to "The Sopranos, except nobody gets killed." Whether you're an art school grad looking for a gallery, a mid-career artist managing a busy studio, or someone just thinking about becoming a professional artist, this indispensable resource will help you build your career and protect yourself along the way.

Unlike other creative professionals, visual artists don't have agents or managers. You have to do it all yourself, at least until you find gallery representation -- and even then, there are important business and legal issues you need to understand to stay in control of your career and ensure you're being treated fairly. Heather Darcy Bhandari, a gallery director, and Jonathan Melber, an arts lawyer, walk you through these issues so that you can essentially act as your own manager and agent. They show you, for example, how to tackle business basics such as tracking inventory and preparing invoices; how to take legal precautions like registering a copyright and drafting consignment forms; how to use promotional tools like websites and business cards; and how to approach career decisions such as choosing the right venue to show your work.

In addition to drawing on their own experiences, Bhandari and Melber interviewed nearly one hundred curators, dealers, and other arts professionals, in cities across the country, about what they expect from and look for in artists. The authors also talked to a host of artists about their careers and the lessons they've learned navigating the art world. The book is full of their entertaining anecdotes and candid advice.

No matter what kind of artist you are -- or want to be -- this book will help you. Art/Work covers everything you need to know to succeed, saving you from having to learn it all the hard way -- and letting you spend more time making art.

  • Sales Rank: #15251 in Books
  • Brand: Free Press
  • Published on: 2009-03-24
  • Released on: 2009-03-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .70" w x 7.37" l, 1.14 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Great product!

Review
"This book is a godsend...it should be required reading in fine arts curricula." -- Santa Fe New Mexican

"I'll bet this powerful little paperback finds a permanent home on the list of best business books for artists.... The contract, invoice and inventory templates alone are worth the cover price." -- The Artist's Magazine

"Together [the authors] make for a powerful combo, offering both extensive knowledge of the gallery system and the ins and outs of art law, for some well-founded tips on how to succeed in the art world...it's the perfect gift for anyone working in a creative field." -- CoolHunting.com

"This book is filled with the kind of nuts-and-bolts business advice every artist needs to read." -- ArtBistro.com

"Bhandari and Melber, both Brown University graduates, have drawn on their own experiences and interviews with 100 curators, dealers, and other arts professionals to offer advice on everything from preparing artwork for shipping to coping with rejection." -- Boston Globe

"Emerging curators, along with established curators who work with living artists, would do well to read it, as would art dealers and workers at nonprofit spaces or organizations.... One unique aspect of the book is the quotes in the margin -- from high-profile artists and well-known professionals who've been around the block. Shamim Momin from the Whitney Museum and Peter Eleey of the Walker Art Center talk about how they meet new artists and visit their studios, and Seattle gallerist James Harris underscores the importance artists' websites have when he looks for new work to show." -- College Art Association News

"...even those who have no interest in the art world may find Art/Work of use. Their instructions on how to pack objects for example, are so thorough, only the most dexterously challenged will find difficulty executing them. What's more, should this book reach the majority of working artists today, the quality of gallery staff life would improve by a level of magnitude..." -- Paddy Johnson for The L Magazine

About the Author
Heather Darcy Bhandari is a director of Mixed Greens Gallery in New York City. She has curated over 40 exhibitions at Mixed Greens while managing and advising a roster of nearly two-dozen artists. She also regularly curates independent shows. Heather lectures at career-development programs at The School of the Art Institute of Chicago, Rhode Island School of Design, Georgia State University and Hunter College. Jonathan Melber is a litigator at a prominent arts-and-entertainment law firm. He represents artists, galleries and collectors, as well as a host of creative individuals and companies in the entertainment world.

Excerpt. © Reprinted by permission. All rights reserved.
Art/Work CHAPTER 1 ———— The Big Picture

Most helpful customer reviews

87 of 90 people found the following review helpful.
Definitive Resource for Artists and Art Professionals!
By Shaun Irving
I'm an emerging artist who's been shooting for the past couple of years. I've done some shows in the non-profit realm, but only in the past few months have I been actively trying to figure out the ins and outs of the gallery scene.

For months now, I've been scrounging for the most basic information: How do for-profit galleries operate? What kind of contractual/financial obligations are required? How do you properly document your work? I've gone to workshops, interviewed artists, and dug through a lot of junk on the internet...

Only to find that everything I needed (and lots more) was in this book.

This is the definitive how-to book on running a fine art business (from the artist's side), specifically in regards to working with galleries. They don't offer any secret formulas for success, but instead dish out best practices for presenting yourself as professionally as possible.

What amazed me most was the depth of subject matter this book covers. It offers everything from sample legal forms to explicit instructions on how to pack your work for shipment. They use a very open and honest writing style throughout. Instead of coming across as preachy or snobbish, the authors sound more like a good friend letting you in on the secrets of the industry.

An interesting device they use throughout is to include relevant quotes from art professionals on almost every spread. These tie in directly with the subject matter of each section and represent the perspectives of artists, curators and gallery owners. It's one thing for the author to say what he or she thinks, but another thing when you get other voices add to the mix.

My only complaint about the book is a very minor one. While the book is striking in its design, I question the use of a bold sans serif for the body text throughout the book. There's enough white space and leading to make it work, but it seems a choice of aesthetics over practicality.

I don't often get this jazzed about books (especially not over a how-to manual). But I've seen firsthand what a lack of comprehensive resources there are for artists trying to figure out the how's and what's of the art world. This book does a magnificent job of filling that void and I'd recommend it to any artist who's trying to get established.

55 of 57 people found the following review helpful.
Useful but don't make this your only resource
By Heather Leigh
This book is a useful resource because of its simplicity. It's easy to flip back and forth to find templates for things like consignment agreements and the like. I would agree with another reviewer, however, that the book is biased having been written by young gallerists working in New York for only the past decade or so.

It offers a picture of the way galleries on the East Coast function at the moment. This is evident in the many quotes along the margins by few artists but more often gallery owners. I found some of these comments to reveal a disparaging - even snotty - tone about working with artists, despite the fact that artists are the people who create the work keeping them in business. It is helpful to know that these attitudes exist because you may have to face them in your career.

Look for other more encouraging resources in addition to this book. I recently picked up "How to Survive and Prosper as an Artist: Selling Yourself Without Selling Out." In tone, this is a much more empowering book and it has a great many more resources contained within its pages and appendices. The author, Caroll Michels has been working with artists throughout the country (not just in the distorted East Coast art scene) since the 1970s. The book has been through several editions and has clearly been updated and expanded to reflect the changes to the art world. In that sense, a greater depth and breadth of experience is brought to bear on the topic.
How to Survive and Prosper as an Artist: Selling Yourself Without Selling Your Soul

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Awesome book! I can't wait to read more of it :)

See all 95 customer reviews...

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Selasa, 20 Januari 2015

** Download Ebook Smash Cut: A Novel, by Sandra Brown

Download Ebook Smash Cut: A Novel, by Sandra Brown

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Smash Cut: A Novel, by Sandra Brown

Smash Cut: A Novel, by Sandra Brown



Smash Cut: A Novel, by Sandra Brown

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Smash Cut: A Novel, by Sandra Brown

From #1 New York Times bestselling author Sandra Brown comes this thrilling novel full of jarring, cinematic twists and breathless suspense that will have you on the edge of your seat.

When millionaire Paul Wheeler is murdered, his family retains renowned lawyer Derek Mitchell to defend the victim’s nephew Creighton—although the police have not charged the young man with the crime. Wheeler’s mistress Julie Rutledge, who is also a suspect, believes that Creighton is the killer despite his rock-solid alibi, and she’ll do almost anything in her quest to prove his guilt—even ruin Derek’s career. But as Derek learns of Creighton’s darker side, especially his bizarre fascination with movie murders, the more he agrees with Julie’s suspicion. The clock ticks down to a shocking ending as Derek and Julie join forces to find the truth. Has Creighton begun re-enacting cinema’s goriest scenes and, if so, who will be his unwilling co-stars? They won’t know until the final Smash Cut.

  • Sales Rank: #307617 in Books
  • Brand: Pocket Books
  • Published on: 2010-07-20
  • Released on: 2010-07-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.10" w x 4.13" l, .67 pounds
  • Binding: Mass Market Paperback
  • 512 pages
Features
  • Great book!

From Publishers Weekly
Starred Review. This superlative romantic thriller from bestseller Brown (Smoke Screen) features a particularly memorable villain, sociopath Creighton Wheeler, who's obsessed with re-enacting scenes from films like Strangers on a Train and Frenzy. When Creighton's wealthy uncle, Paul Wheeler, is shot dead in an apparent robbery at an Atlanta hotel, Paul's close friend, gallery owner Julie Rutledge, attempts to persuade the police that Creighton ordered the hit. Creighton's father asks Derek Mitchell, a criminal lawyer, to represent the accused Creighton, but Derek declines because he had a plane tryst en route to Paris with Julie after Paul's murder. Angered by Derek's refusal, Creighton stalks Julie; targets Derek's dog, Maggie; and plots to kill the ex-girlfriend of his henchman, Billy Duke, after Billy has second thoughts about helping Creighton. Brown skillfully charts Julie and Derek's quest to catch the slippery fiend. Multiple smash cuts (abrupt scene shifts) lead to a wonderfully frenzied finish. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Most crime thrillers come from male authors. But with "Smash Cut", Sandra Brown shows that she's right up with the best of the boys.... [Brown's] dialogue snaps, crackles and pops, and her characters rise above cliche. "Smash Cut" deserves to be this summer's blockbuster thriller." -- "St. Louis Post-Dispatch"

"Packed with surprises and the kind of propulsive plot for which Brown ("Smoke Screen", 2008, etc.) is justly famous, this effort will not disappoint her readers." -- "Kirkus"

"Brown delivers more than a few thrills and surprises in this taut, satisfying page-turner." -- "Booklist"

"This superlative romantic thriller from bestseller Brown ("Smoke Screen") features a particularly memorable villain, sociopath Creighton Wheeler, who's obsessed with re-enacting scenes from films like "Strangers on a Train" and "Frenzy".... Multiple smash cuts (abrupt scene shifts) lead to a wonderfully frenzied finish." -- "Publishers Weekly" (starred review)

About the Author
Sandra Brown is the author of sixty-seven New York Times bestsellers, including Mean Streak, Deadline, Low Pressure, and Smoke Screen. Brown began her writing career in 1981 and since then has published over seventy novels, most of which remain in print. Sandra and her husband, Michael Brown, live in Arlington, Texas.

Most helpful customer reviews

79 of 90 people found the following review helpful.
Lost in a world of sordid lust and carnal desires
By Lace Merlinds
Sandra Brown is among the best writers that adds suspense-filled overtones to an underlining romantic plotline. Her newest book, Smash Cut, is just another example of her brilliant pen work. The book begins with the murder of a highly successful, well-recognizable CEO, Paul Wheeler. What at first seems like a simple robbery, however, is proving to be anything but.

The Atlanta businessman had romantic entanglements with one of the most successful art dealers in the Southern US, Julie Rutledge, may be the only viable witness alive.

As this case dominates the headlines, the world renown defense lawyer, Derek Mitchell, is hired by the family to defend, Creighton Wheeler, the nephew of Paul, whom has yet to be charged with the crime.

This is a bold move from the family and it raises all sorts of red flags. But laying in wait is Julie, who is committed to bringing justice to Paul, and is willing to do all she can to see that it happens -- and her first task is to prevent the incredibly handsome, Derek Mitchell, from defending the case.

This latest book by Ms. Brown moves along at a blinding pace. The book starts fast and only gains momentum. The twist and turns are so unpredictable, that you cannot see them coming. For instance: Creighton Wheeler is the primary suspect, yet has an alibi for the night of the crime. But if he is not guilty, then why did the family rush and hire the best defense lawyer in the business? And what role did, Julie Rutledge, truly play in all this? Remember, she is the viable witness?

The characters are brilliantly constructed and mesmerize the reader by inviting them into this world of sordid lust and carnal desires. I highly recommend it. Another book I would highly recommend is GE0 TIN'S masterful novel SIRENS: Sirens (Enchanted Song) it is another incredibly crafted novel the features the dual genre.

19 of 20 people found the following review helpful.
Put this one on your must-read list
By Bookreporter
Sandra Brown is one of the few authors who is able to guarantee an enviable level of book sales with the presence of her name on the cover. And with SMASH CUT, her latest novel, Brown gives her readers their money's worth by delivering what may be her best work to date, blending characters, plot and memorable vignettes into a rapidly readable mix.

SMASH CUT begins with a murder. A daring robbery carried out on an elevator at the Moultrie Hotel in Atlanta by a ski-masked bandit ends with the murder of Paul Wheeler, the CEO of Wheeler Enterprises. A widower who is a well-regarded pillar of Atlanta society, Paul was also a highly successful businessman. And it had been his practice to meet weekly at the Moultrie with Julie Rutledge, who, despite the disparity in age between herself and Paul, had been his companion for almost two years. Julie, the owner of Atlanta's most successful art gallery, had just concluded her weekly meeting with Paul when he was murdered. The police initially have no significant leads as to the identity of the killer, although Creighton Wheeler, a thoroughly unsympathetic character, has the most to gain from his death, given that he is Paul's nephew and testamentary heir.

Despite the best efforts of Creighton's father, Doug, the 28-year-old waste of skin has absolutely no interest in the family business other than the extent to which it can be a cash cow to feed the maw of his own interests: call girls, fast cars, designer clothes, and --- most of all --- films, which he watches obsessively. When the police investigating Paul's murder begin paying close attention to Creighton's affairs, Doug looks to Derek Mitchell, Atlanta's pre-eminent defense attorney, for representation.

Derek is unaware of what has taken place when he is initially contacted by Doug as he had just returned from a vacation in Paris. And although Derek is intrigued by the case, he ultimately turns it down, telling Doug that Creighton, who has an airtight alibi, is not a viable suspect in the case. But the reader soon learns that the truth goes deeper than that. Although Derek has an extreme distaste for Creighton, the real reason he denies the case is because he is attracted to Julie, which would produce a conflict of interest. When Creighton, who has always harbored a deep dislike of Julie, becomes aware of the attraction, it puts Julie and Derek --- as well as the real killer --- in his crosshairs as Julie slowly and inexorably becomes the primary focus of the police investigation.

This state of affairs occurs as the result of Creighton's machinations. As unlikable as he may be, Creighton is a diabolical genius as well as an uncontrollable narcissist who will do anything to get what he wants. Using scenes from the classic films with which he is obsessed, Creighton blazes a trail of mayhem across Atlanta, with his ultimate target being an innocent who unwittingly holds the key to Paul's murder. As Julie and Derek race to bring down Creighton, even as they themselves are pursued by the police, they get closer and closer to a climax where they must try to stop a seemingly untouchable foe.

Sandra Brown's pacing and characterization make SMASH CUT a one-sit read. She saves her biggest surprises for the final pages of the story but sprinkles nuggets throughout with generous doses of sex and violence along the way. Put this one on your must-read list.

--- Reviewed by Joe Hartlaub

68 of 81 people found the following review helpful.
Uninteresting
By Jill Marie
Lately it seems a few of my favorite authors are not writing as well as they used to. I guess after so many novels you either run out of ideas or just get lazy.

This book was OK. I skimmed a lot of it. The dialogue was sort of dumb. Just in the first chapter alone the word "culprit" was used half dozen times to describe the bad guy. In Chapter 18, Sharon Wheeler was referred to as Susan more than once. Where's the editing? The movie references with the nephew were pointless. And if Uncle Paul disliked him so much why would he (Creighton) have been the heir to the fortune?

I really had to force myself to finish this book. I would go into more detail but I don't want to spoil the story. I'm just glad I bought it at Wal-Mart for cheaper price. I should've gone to the library instead.

See all 343 customer reviews...

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Senin, 19 Januari 2015

~~ Download PDF Speaks the Nightbird, by Robert McCammon

Download PDF Speaks the Nightbird, by Robert McCammon

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Speaks the Nightbird, by Robert McCammon

Speaks the Nightbird, by Robert McCammon



Speaks the Nightbird, by Robert McCammon

Download PDF Speaks the Nightbird, by Robert McCammon

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Speaks the Nightbird, by Robert McCammon

From New York Times bestselling horror novelist Robert McCammon comes a dark and chilling tale about a witch-hunt in the seventeenth century Carolina colonies.

The Carolinas, 1699: The citizens of Fount Royal believe a witch has cursed their town with inexplicable tragedies—and they demand that beautiful widow Rachel Howarth be tried and executed for witchcraft. Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal....

After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel—and free Fount Royal from the menace claiming innocent lives.

  • Sales Rank: #83396 in Books
  • Brand: Brand: Open Road Media
  • Model: 1776130
  • Published on: 2007-07-17
  • Released on: 2007-07-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.40" w x 5.31" l,
  • Binding: Paperback
  • 816 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
A trial for witchcraft proves the tip of an iceberg of intrigues in this absorbing historical mystery, the first newly published novel in 10 years from McCammon (the book was written in the mid-'90s), a bestseller in the 1980s with such supernatural novels in the Stephen King tradition as Usher's Passing and Baal. Set in 1699 in Fount Royal, a coastal settlement in the colonial Carolinas, this latest unfolds the adventures of magistrate Isaac Woodward and his assistant, Matthew Corbett, who have been summoned to the struggling town to adjudicate in the trial of Rachel Howarth, a young widow accused of deviltry that is blamed for murders, wretched weather and other calamities driving settlers away. Though town leaders press for swift execution, Matthew is persuaded by Rachel's dignity and fortitude that she's innocent. Using skills honed living by his wits as an orphaned child, he pursues inconsistencies in testimony and throwaway clues and uncovers an elaborate plot involving pirate booty, animal magnetism and deadly deceit at the highest levels of town organization. This robust tale is as historically detailed as it is long, and its recreation of an era where superstition held its own with enlightenment is among its strongest achievements. Anachronisms, improbably fortuitous coincidences and private dramas that make Fount Royal seem a pre-Revolutionary Peyton Place lard the plot, but Matthew's race against time to save Rachel with the rudimentary tools to hand makes a compulsively readable yarn. McCammon's loyal fans will find his resurfacing reason to rejoice. (Sept.) Forecast: Those who enjoyed the author's last three novels (Mine; Boy's Life; Gone South), studies of the human condition that transcended genre labeling, will snap this one up, too. But McCammon also lost readers with these novels because in them he turned away from the horror themes that made his reputation. This latest could well gain him new fans, but it won't win back any horror readers.
Copyright 2002 Reed Business Information, Inc.

From Library Journal
After a ten-year absence from publishing, McCammon (Boy's Life) returns with this historical novel of colonial Carolina. In 1699, legal clerk Matthew Corbett accompanies magistrate Isaac Woodward to Fount Royal, where he has been summoned to decide whether a witch is living in the newly established settlement. The two are immediately thrown into danger, even before they reach the town. And once there, they must deal with the inhabitants, some of whom stand to gain if Rachel, the accused, is executed. Soon it becomes obvious to Matthew that everyone has secrets, even the magistrate. In the end, he alone must try to unravel the mysteries. While many of McCammon's prior novels dealt with the supernatural, his latest contains horrors that are more real. McCammon also provides extensive historical detail, re-creating the legal procedures, medical practices, and everyday existence of the time. The language and situations are often disturbing, especially because many of the accusations against Rachel are sexual in nature, but McCammon tells a compelling story that should find a wide readership. Highly recommended for popular fiction collections. Joel W. Tscherne, Cleveland P.L.
Copyright 2002 Cahners Business Information, Inc.

Review
"An excellent story, full of tension and suspense."
-- Stephen King

Most helpful customer reviews

3 of 3 people found the following review helpful.
2 for 2
By J. Masteller
I came accross Robert Mccammon in a very random way. I was looking through a book that was about fantasy and horror books. In the book I caught a glimpse of Mccammons Night Boat, and thought it sounded like a great idea. I filed the author's name away and looked for Night Boat at the books stores for years. Never found it... pretty sure its out of print. So in an extreme desire to read a good book after a string of bad ones from Stephen King (whom I'm coming to realize may have already peaked in his writing career back in the day.) I grabbed Boy's Life. Single handedly one of the greatest most captivating books I have ever read. Quickly I followed it ith Speaks the Night Bird, despite my reservations of it being a period piece nearly 800 pages long! Both books easily grab 5 stars. There is only one other author that has the ability to write this well, and captivate my attention with such vivid understanding of human psychology, and that man is Clive Barker.... Though Clive just freaks me out too often. So I'm glad to find an author like Robert Mccammon. He's fantastic, and way under-rated! - But maybe that's a good thing? Grab this book. You will not be dissapinted.

1 of 1 people found the following review helpful.
INCREDIBLE
By opy666
To the person who said he is a McCammon fan but did not like this book, you must be a very shallow individual. To the person who said too much time was spent on the Magistrate's illness, I am very confused. Yes, some time was spent on it, but the workings of a doctor in 1699 were very interesting to me. He says nothing of the absurdity of the treatments, but he knows any educated person of our time will chuckle as he reads the conviction of the doctor and his treatments 300 years ago. I found it quite entertaining. Yes if you are only interested in nonstop action of a literal sort you will not apprecite this book. However, to me only two books of McCammon's (and he is one of my 5 alltime favorite authors) can compare to this one, Boys Life and Swan Song. Yes this book does not have the outright "action" of his other books, but nevertheless I could not put this book down. I read 300 pages the first night and the remaining 420 the next. The dialogue, the mystery, the relationships, the history, and the characterizations are unparalleled in anything else I have ever read. This should be the #1 bestseller at the moment...an incredible, amazing read. 10 years was worth the wait, Robert. Thank you for giving us this amazing story. I hope more will be forthcoming in the future.

1 of 1 people found the following review helpful.
Terrific!
By Edie
Good mystery of Colonial days, engaging character development, and throw in a witch trial for good measure! Something for every reader.

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Sabtu, 17 Januari 2015

^ Ebook Download Angels & Demons - Movie Tie-In, by Dan Brown

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Angels & Demons - Movie Tie-In, by Dan Brown

The movie tie-in edition of the explosive international thriller from Dan Brown, the #1 New York Times bestselling author of The Da Vinci Code.

Angels & Demons careens from enlightening epiphanies to dark truths as the battle between science and religion turns to war. This is the book that started it all: we meet Robert Langdon for the first time, caught up in a race against time to find an apocalyptic time bomb, planted by an ancient secret society that has surfaced to carry out its ultimate threat: to destroy the Vatican.

  • Sales Rank: #377484 in Books
  • Brand: Pocket Books
  • Published on: 2009-03-31
  • Released on: 2009-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x 1.50" w x 4.13" l,
  • Binding: Mass Market Paperback
  • 736 pages
Features
  • Great book!

Amazon.com Review
It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization.

Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty. --Kelly Flynn

Look Inside the Motion Picture Angels & Demons (Sony Pictures, 2009)
Click on each image below to see a larger view


Ewan MacGregor as Carlo Ventresca with College of Cardinals


Tom Hanks as Robert Langdon


Tom Hanks as Robert Langdon and Ayelet Zurer as Vittoria Vetra


Armin Mueller-Stahl as Straus and Ewan MacGregor as Carlo Ventresca


Tom Hanks as Robert Langdon, Ayelet Zurer as Vittoria Vetra, and Ewan MacGregor as Carlo Ventresca


Ewan MacGregor as Carlo Ventresca

From Publishers Weekly
Pitting scientific terrorists against the cardinals of Vatican City, this well-plotted if over-the-top thriller is crammed with Vatican intrigue and high-tech drama. Robert Langdon, a Harvard specialist on religious symbolism, is called in by a Swiss research lab when Dr. Vetra, the scientist who discovered antimatter, is found murdered with the cryptic word "Illuminati" branded on his chest. These Iluminati were a group of Renaissance scientists, including Galileo, who met secretly in Rome to discuss new ideas in safety from papal threat; what the long-defunct association has to do with Dr. Vetra's death is far from clear. Vetra's daughter, Vittoria, makes a frightening discovery: a lethal amount of antimatter, sealed in a vacuum flask that will explode in six hours unless its batteries are recharged, is missing. Almost immediately, the Swiss Guard discover that the flask is hidden beneath Vatican City, where the conclave to elect a new pope has just begun. Vittoria and Langdon rush to recover the canister, but they aren't allowed into the Vatican until it is discovered that the four principal papal candidates are missing. The terrorists who are holding the cardinals call in regarding their pending murders, offering clues tied to ancient Illuminati meeting sites and runes. Meanwhile, it becomes clear that a sinister Vatican entity with messianic delusions is in league with the terrorists. Packing the novel with sinister figures worthy of a Medici, Brown (Digital Fortress) sets an explosive pace as Langdon and Vittoria race through a Michelin-perfect Rome to try to save the cardinals and find the antimatter before it explodes. Though its premises strain credulity, Brown's tale is laced with twists and shocks that keep the reader wired right up to the last revelation. (May)
Copyright 2000 Reed Business Information, Inc.

Review
Nelson DeMille

Dan Brown has to be one of the best, smartest, and most accomplished writers in the country.

"San Francisco Chronicle"

A breathless, real-time adventure...Exciting, fast-paced, with an unusually high IQ.

"A breathless, real-time adventure. . . . Exciting, fast-paced, with an unusually high IQ." -- "San Francisco Chronicle"

Most helpful customer reviews

0 of 0 people found the following review helpful.
Angels and Demons a Real Thriller
By Paul Smith
I liked the book. This was a page turner. I really enjoyed the twists and turns in the plot and in the characters. I was guessing the villian up to the end. It was really exciting reading. I enjoyed the characters and the depth to which John Brown went to develop them.

0 of 0 people found the following review helpful.
Endless twists and drama!
By Mike Magliane
I could picture this as an "edge of your seat" thriller movie with intrigue and action throughout. Just when you're convinced all is resolved, a series of revelations and plot twists ensue. It was like a roller coaster ride for me with three extra loops at the end.

50 of 55 people found the following review helpful.
Robert Langdon's first adventure as a symbologist-detective
By Lawrance Bernabo
I read "Angels & Demons" after reading Dan Brown's "The Da Vinci Code," and I have to say that I do not think it matters what order you read the two books although there are clear indications this book was written first (Brown does several examples of blatant foreshadowing, including early on the idea that one square yard of drag will slow a falling body's rate of descent by twenty percent). The two books are similar in that Harvard symbologist Robert Langdon deciphers clues to try and solve one murder while trying to prevent others in a mystery that involves the secrets of the Catholic Church. In this book a physicist is murdered at CERN, the Swiss research facility, and branded will a symbol representing the Illuminati, the centuries old underground organization of scientists who have a vendetta against the Catholic Church. The ancient secret brotherhood has acquired a devastating new weapon of mass destruction and intends to bring down the Vatican (literally).
Which book is better? My initial reaction would be that I liked "The Da Vinci Code" a bit more because so many of the clues were written out. When Langdon has to look over paintings, statues and other visual clues I find myself wishing Brown had supplied photographs in his book so that I could play along looking for clues (he does provide most of the requisite images at his website, but I did not know this until after the fact and I suspect most readers will not want to stop and go online to call up the photographs). Not that I had much success in my endeavors, but I did know that Leonardo Da Vinci wrote in his journals backwards so that I was ahead of Langdon for a half a page at one point. "Angles & Demons" is played out on a larger and more public stage than "The Da Vinci Code," and when you get to the conclusion of this novel you might find it a bit much, but that is one of the reasons they call it fiction.
The biggest question in the debate over these books seems to be whether Brown is attacking the Catholic Church in his novels, which strikes me a bit odd after reading "Angels & Demons" since the Vatican is the target this time around. This novel is more about the long struggle between science and religion than anything else, and the position Brown takes seems to be that the two are ultimately compatible. I did my dissertation on the Scopes "Monkey" Trial of 1925 and in the spectacle of Clarence Darrow cross-examining William Jennings Bryan that is codified by the fictional "Inherit the Wind," history has forgotten that the original position of the Scopes defense was that there Genesis and evolution were compatible. Consequently, I have a lot of sympathy for Brown's position and I think a careful reading of the text offers as strong a critique of science as it does of religion. Certainly that ideal is represented by the man who is murdered to start off the story and whatever faults in the history and theology of the Catholic Church might be discussed, there are just too many men of devout faith in the narrative to support the idea Brown is out to get the Church.
Nor do I have any real concerns with the extent to which Brown is playing with historical "facts." The whole idea here is to create a sense that the pieces of the puzzle fit together. I do not think for a second that these novels are true; all I need is to believe that they are plausible, so telling me that some statue's finger is pointed in the wrong direction if you go to Rome and see it for yourself is not going to matter to me because I understand how far the rules of the game apply to the real world. Even so, I think that Brown's factual foundation is more substantial than we will usually find under such circumstances, which would end up being a plus rather than a minus. Besides, I like all of the flashbacks to Langdon's discussions with his students (more classroom scenes in the future, please).
Solving the puzzles is the key enjoyment of these novels and that part of the creative process makes up for Brown's tendency to overplay his red herrings and to hide his true villains in plain sight. Ultimately the game matters more than the characters or the plot. As soon as you know that there will be four more murders you realize that at least three of them have to happen because the game has to be played out to the end, so it is not until the frantic end game that your attention really perks up and it is at that point that Brown starts unloading a whole lot of really big surprises on his characters and his readers. In the final analysis the point here is neither history nor theology, but to tell an exciting adventure yarn where the hero gets by mainly on his intelligence rather than good looks and/or weaponry. This is a hero I can actually identify with for once and that is fine with me too.

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Jumat, 16 Januari 2015

** Free Ebook Tear Down This Wall: A City, a President, and the Speech that Ended the Cold War, by Romesh Ratnesar

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Tear Down This Wall: A City, a President, and the Speech that Ended the Cold War, by Romesh Ratnesar

On June 12, 1987, Ronald Reagan addressed a crowd of 20,000 people in West Berlin in the shadow of the Berlin Wall. The words he delivered that afternoon would become among the most famous in presidential history. “Mr. Gorbachev, open this gate,” Reagan said. “Mr. Gorbachev, tear down this wall!”

Elegant and dramatic, Tear Down This Wall is the definitive account of one of the most memorable speeches in recent history and a reminder of the power of a president’s words to change the world.

  • Sales Rank: #2245213 in Books
  • Published on: 2010-11-23
  • Released on: 2010-11-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x .60" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 240 pages

From Publishers Weekly
Standing before Berlin's Brandenburg Gate in 1987, President Reagan delivered his famous challenge to Soviet Premier Gorbachev: to tear down the wall dividing East and West Berlin. Within two years, the wall crumbled, and the U.S.S.R. soon followed. Time magazine deputy managing editor Ratnesar has mined American and East German archives to produce a lively, impressively detailed history of the iconic speech. Despite impeccable conservative credentials, Reagan considered avoiding nuclear war more important than defeating communism. This only became obvious in 1985, when Gorbachev assumed the Soviet leadership. Over the course of several meetings, the two leaders developed a rapport and announced disarmament agreements that distressed Reagan's hard-line supporters. In early 1987, speechwriter Peter Robinson produced a draft containing the tear down this wall statement, followed by a tortuous four months of innumerable drafts and quarrels with high officials who considered it unnecessarily offensive. In the end, Reagan liked the phrase, so it stayed. Being the world's sole superpower has brought America little satisfaction, so readers should enjoy this slim, lucid account of a time when events turned out brilliantly. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Timely and insightful. . . Ratnesar’s book deftly explores the history of those famous words and highlights Ronald Reagan’s clarity of vision and commitment to the American ideal.” –Condoleezza Rice

“Romesh Ratnesar has produced a riveting account of one of the greatest speeches in modern times, which would have been enough. But along the way he has also written a brilliant and incisive history of the end of the Reagan Presidency and the Cold War. Tear Down this Wall affirms the power of words.”

--David Grann, Author of The Lost City of Z

“Fast-moving and splendidly written. . . a remarkable re-creation of the last days of the Soviet empire, with East Germany as the culmination of the Marxist dialectic, and the wall the perfect symbol for that strange alternate universe.”

–John R. Coyne, Jr., Washington Times

“Romesh Ratnesar has told the story with narrative verve, brilliant political and personal insight, and a combination of concision and pithiness worthy of the Great Communicator himself.”

--Strobe Talbott, author of The Great Experiment: Ancient Empires, Modern States, and the Quest for a Global Nation

About the Author

Romesh Ratnesar is deputy managing editor of Time magazine. The winner of numerous journalism prizes, he has written dozens of Time cover stories on U.S. foreign policy and international affairs and reported from many countries around the world, including Iraq, Afghanistan, and Israel and the Palestinian territories. He lives in New York.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good story overall
By Brad
Too quick to forget that Reagan's 1983-1985 policies placed the Soviet economy on the rocks and helped create and exacerbate the economic failures in Russia that led to Gorby's rise. Forcing the Soviet's to spend more money on the military and damaging its money supply from oil were all Reagan administration concepts.

10 of 12 people found the following review helpful.
fine book marred by weird ending
By cf otto
This is a well-written, clear-eyed and unbiased book about President Reagan's role in bringing down the Berlin Wall. The focus is on his speech-writers and the interesting machinations they went through en route to creating the speeches we find so memorable. In addition, the author interviewed key people, such as Gorbychav and gleaned many fascinating insights and anecdotes from them.

My only complaint is what has to be one of the strangest last chapters I've ever read. After not mentioning Obama for the entire book, the last chapter suddenly discusses Obama vs. Reagan, how they are alike, and different, how much Obama respected Reagan (really? seems our new president is trying to tear down everything Reagan held dear in respect to government's role in our lives as well as how to conduct foreign policy). The author concludes by giving Obama a pep-talk on what he must do to have as much impact on America and the world as Reagan did... of course, assuring us that President Obama has the goods and will deliver. Say what?

5 of 6 people found the following review helpful.
The President Who Ended The Cold War
By Mark E. Quartullo
As a lifelong Reagan Conservative, I was often dismayed in the `80s at the leftist partisan rancor and ideologically-based myopia of The Media when assessing President Reagan's Cold War (CW) policies - not because I supported them but because of the few credible alternative solutions offered to break the CW stalemate. For all the obstinate - even haughty - disregard for RR's policies, it was obvious that The Left was willing to perpetuate the CW with the same, tired Mutual Assured Destruction (MAD)/Detente policies. Yet, as RR correctly envisioned, the "Status Quo" (RR's definition: "That's Latin for the fix we're in") wasn't working, and the insanity of doing things the same way and expecting different results was destructive. Today, many revisionist historians try to collectively give the 8 CW presidents for ending it (particularly those who never agreed with RR's policies to begin with and cannot admit they were wrong). Yet, despite the efforts of his 7 predecessors, the CW was at a stalemate when RR entered office, with Soviet military strength increasing while the US wallowed in economic problems and declines in military viability and international credibility. Yet, from 1981-89, Ronald Reagan changed all of that. RR ultimately became the president that actually ended the CW - not merely one who carried over the fight as his predecessors did.

"Tear Down This Wall" (TDTW) is an aspect-specific treatment of the CW, with RR's famous speech at Brandenburg Gate on June 12, 1987 represented as the visionary culmination point of RR's diplomatic, military, socio-economic, and clandestine/ intelligence CW efforts in oratory form. It was the basis on which he could assert from the position of strength his policies afforded that the wall must be torn down. Peter Robinson, Anthony Dolan, Peter Rodman, Dana Rohrbacker (among others) provided the primary drafts, revisions, and defense of the speech, while "Roz" Ridgeway, Colin Powell, and George Schultz vetted it for diplomatic and doctrinal viability. The contention over the speech and its famous line threatened to alter its meaning and impact considerably. Yet, it was Reagan alone who ensured that this didn't happen, understanding intuitively that its time had come. He was, in effect, ending the most contentious phase of the CW, conveying that it was now possible for the wall to come down. Like his seminal speeches predicting the demise of the Soviet Regime in front of the British Parliament (June 8, 1982), National Association of Evangelicals, Orlando, Florida (March 8, 1983), and others, his comments were dismissed by elitist European and US Leftist pundits who found it incomprehensible that RR could have it right and themselves wrong. However, as countless historical examples illustrate, RR's words were almost perfect in tone - alternating between forceful, purposeful prescience and realism, structured with rhetoric that further defined the conflict in moral terms. Why the so called "experts" did not or would not see it is perhaps another book yet to be written on the period.

TDTW also provides a good thumbnail sketch of the CW period - from Truman's attendance at the Potsdam Conference on 17 July - 2 August 1945 to the eventual dissolution of the Soviet Regime on Christmas Day 1991. For the casual History reader, this is easy to take, as it provides a substantive framework without unnecessary or extraneous analysis. For those with a more intense interest in the period, it is a worthwhile primer and does provide an external, Journalist-eye view of the speech-making process (which makes it more objective than the memoir by Peter Robinson). Overall, it is a worthwhile, if not a seminal, read.

The primary fault of TDTW is its deference to the Northeastern Liberal Establishment conclusion on who really ended the CW. While most do (if albeit reluctantly) acknowledge RR's role, it is minimized in favor of Gorbachev's whom the far left European community had always favored. The fact that Gorbachev collected a Nobel Peace Prize in 1988 - and not Reagan - is a vivid illustration of how pre-disposed to this perception they were (in spite of the facts). On Page 189, Ratnesar writes: "None would have been possible without Gorbachev; in this drama, Reagan was the supporting actor."

However, the book - and this position - miss several keys points, including: 1) RR had pursued his CW policies for 5 years before Gorbachev took power, setting the tone, conditions and pressure on the USSR. Gorbachev was left with the challenge to respond to conditions not of his making; 2) Gorbachev understood the need for reform but it was RR who formulated US policy to exploit those weaknesses that led to it. Once again, the Soviets were left to deal with a CW paradigm that RR had changed; 3) It was RR that proposed all of the major agreements that were eventually adopted - from the "Double Zero" option, START to the elimination of INF weapons. In sum, it was RR who dictated the tempo while Gorbachev's role was largely defensive. Gorbachev's real contribution is rooted more in his response (or lack of, as when the Wall started to crumble), and less in the initiatives that forced a re-thinking of the CW. That achievement belongs to Reagan.

In sum, TDTW is a capably written, journalistic treatment of the period and vivid illustration of a great president, and the creation and impacts of his most famous speech. It provides Western and Eastern bloc eye-witness accounts that personalizes the speech and cessation of the CW. It is a good though not ground-breaking illustration of the closing chapters of one of the most compelling periods in World History.

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# PDF Download Spirit of the Wolves: A Novel (Wolf Chronicles), by Dorothy Hearst

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Spirit of the Wolves: A Novel (Wolf Chronicles), by Dorothy Hearst

“A vivid, enchanting tale of friendship, trust, and adventure, good Tolkien-esque ingredients” (Kirkus Reviews): The final installment of The Wolf Chronicles, told from the point of view of Kaala—a young wolf facing the most perilous decision in her life.

Fourteen thousand years ago in southern Europe, young wolf Kaala discovers that she alone can unite wolves and humans, and must do so for the survival of both species. In Promise of the Wolves and Secrets of the Wolves, Kaala came to understand her role. Born of a forbidden, mixed blood litter, and abandoned by her mother, Kaala struggled to earn her place in the Swift River pack. When she saved the life of a human girl, she put her hard-won acceptance at risk, and responsibility for keeping peace between wolf and humankind fell to her. She failed.

Now, in Spirit of the Wolves, Kaala has one last chance. She leaves her home in the Wide Valley with her young packmates, the human girl she loves, and an obnoxious raven. Together, they travel to the land beyond the valley to find her long-lost mother and a solution to the problem of the humans, only to discover that new challenges await them. Only by calling on all of her strength and on the bonds of love with her human, raven, and wolf companions can Kaala hope to succeed. In this compelling conclusion to The Wolf Chronicles, Kaala must decide how far she is willing to go for peace…when every step she takes leads wolfkind and humankind toward war.

Atmospheric, exciting, and provocative, Spirit of the Wolves is “a crackling foray into a dangerous past…Dorothy Hearst’s keen interpretations of wolf behavior, senses, and sensibilities will enchant paranormal fans and animal lovers alike” (Publishers Weekly).

  • Sales Rank: #788186 in Books
  • Brand: Hearst, Dorothy
  • Published on: 2014-12-02
  • Released on: 2014-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

Review
“Dorothy Hearst creates a world that’s pure magic, but grounded in fact. For anyone interested in animal life, Spirit of the Wolves is irresistible.” (Spencer Quinn, New York Times bestselling author of the Chet and Bernie mystery series)

"The story of Kaala and her pack takes readers on a journey into a rich and fascinating world. A remarkable look into the mind of another kind of being." (Temple Grandin, author of Animals in Translation and Animals Make Us Human)

"A vivid, enchanting tale of friendship, trust and adventure, good Tolkien-esque ingredients." (Kirkus Reviews)

"If you liked Watership Down, you should not miss Promise of the Wolves." (Jean Auel, author of The Clan of the Cave Bear)

"A crackling foray into a dangerous past. . .The relationships between the human characters and wolf characters are keenly felt and the conflicts sharply imagined. Hearst's keen interpretations of wolf behavior, senses and sensibilities will enchant paranormal fans and animal lovers alike." (Publishers Weekly)

"Beguiles with its dazzling imaginings of the relationship between wolves and mankind." (The Daily Telegraph)

"Hearst excels at creating an atmospheric and richly imagined story, meticulously detailing wolf-human relations as told from the wolves’ perspective. Followers of the series will be waiting for this one. Those new to the series are advised to start from the beginning to better understand the ambitious arc of the trilogy." (Booklist)

"Hearst has adroitly blended realistic descriptions of wolves on the hunt, at play and as they establish their hierarchy into the story, giving readers a fantastic sense of these creatures' nature. Imaginative and inventive, with an underlying message regarding humans and their approach to the environment, Spirit of the Wolves is a robust adventure." (Shelf Awareness)

"A pleasing prehistory novel of wolves trying to help humans find their way in the world. Telling the tale from a wolf’s point of view is a terrific way to have readers consider where each creature fits into the larger scheme of the world. Worth checking out." (Scifipulse.net)

About the Author
Previously a senior editor at Jossey-Bass, where she published books for nonprofit, public, and social change leaders, Dorothy Hearst currently lives and writes in Berkeley, California. Visit the author’s website at DorothyHearst.com.

Excerpt. © Reprinted by permission. All rights reserved.
Spirit of the Wolves 1
I crouched at the edge of Fallen Tree Gathering Place, a freshly caught rabbit warm and limp in my jaws, my haunches trembling. The Swift River wolves were preparing for a morning hunt, touching noses and speaking quietly to one another. Dawn light filtered through the branches of two tall oaks that stood guard at the clearing’s edge, dappling the Fallen Spruce that divided my pack’s largest gathering place.

No, not my pack. I was no longer a Swift River wolf and Fallen Tree was no longer my home. It was the place where I had learned what it was to be wolf, to run the hunt and howl the song of the pack, but I no longer knew if I was welcome there. I had chosen my task over my family, and my former packmates were as likely to chase me away as they were to greet me. I was tempted to turn tail and run, but in the last hours I’d seen a packmate murdered, survived a fight with a human who had sliced open my haunch, and climbed painfully out of a pit I’d thought inescapable. I wouldn’t turn coward now and forsake the wolves who’d raised me. I had just one chance to get them to listen to me, and if I could not, they would die.

A soft grunt drew my attention to a patch of moss just outside the gathering place and to the human girl asleep upon it. TaLi, whom I loved as much as I would my own pup. Her legs were drawn up to her chin, and she shivered under the preyskin clothing the humans wore to keep warm. When I was four moons old, I had pulled her from the hungry waters of the Swift River, saving her life and breaking one of the most sacred rules of wolfkind. Our legends—and the unforgiving Greatwolves who ruled over us—forbade the wolves of the Wide Valley from having any contact with the humans, and I should have left TaLi to die. I could not do so, for the moment I first looked into her dark eyes and smelled her smoky scent, I knew I could never leave her.

A dark gray wolf sat guard next to the girl, his ears pricked and his silvery eyes alert. Ázzuen was my best friend and the smartest wolf I knew. He was also the wolf I trusted most in the world. TaLi would be as safe with him as with me.

The girl stirred, and her long dark headfur fell away from her face, revealing the jagged cut on her forehead. At the sight of the wound, a sudden fierce anger rose up in me. TaLi was mine to protect, but I hadn’t been able to stop the human male DavRian from hurting her when he injured me. He had wanted TaLi for his mate, and when she’d refused him, he’d gone crazy. He’d killed my packmate Trevegg and TaLi’s grandmother, and wounded me. I stifled my growl. I would get TaLi to safety, but I couldn’t let my birthpack die to do so.

Lowering my ears and tail as I would to greet wolves I didn’t know, I turned back to the gathering place and walked slowly across the mossy ground. I set the rabbit down and whuffled to announce my presence. Minn, a thin, weasel-faced wolf, saw me first. He was a year older than I and had never liked me, which didn’t bother me much; I’d never liked him either. Werrna, Swift River’s warrior secondwolf, saw me next. Ruuqo and Rissa, the pack’s leaderwolves, followed her gaze. Ruuqo frowned, but Rissa opened her mouth in a wide grin. Her scent of spruce and oak brought with it memories of my first hunt, of running through the territories with my pack, and of warm milk and a safe den.

“Kaala!” she said, eyeing the rabbit. “You don’t have to bring gifts to Swift River. You’re always welcome here.” She lowered her white-furred head in greeting. “Have you decided to stay with us after all?” The hope I heard in her voice made my throat tighten. She wanted me to stay with the pack. I could not do so.

“I came to tell you something,” I said.

“We already know about Trevegg,” Ruuqo growled. “And the old woman.”

“Something else,” I said. I wanted to meet Rissa’s gaze to let her know how important my message was, but a wolf not yet a year old couldn’t just stare into the eyes of her leaderwolf. I looked over her left shoulder instead. “You have to come with me outside the valley.”

Because outside the valley was where we needed to be, and quickly. When I defied my pack and the Greatwolves to be with TaLi, I discovered that our legends were lies, and learned the true Promise of the Wide Valley wolves: we were to be guardians of the humans and to watch over them for all time. For, left on their own, the humans thought of themselves as different from all other creatures and would destroy the very forests they depended upon to survive. It was up to us to prevent this. In the time before time, a wolf named Indru had promised the Ancients that we would convince the humans to accept us into their packs and thus embrace the world around them. The Greatwolves had lied because they wanted to keep power over the humans for themselves.

When I discovered their deception, responsibility for the Promise fell to me. I had failed and if I could not succeed soon, the Greatwolves would kill me and all those I loved. If the humans didn’t do so first.

“Why would we leave our home?” Ruuqo’s dark-rimmed eyes narrowed as he glowered down at me. He could still make me feel like I was a smallpup when he looked at me that way. I took a breath and then another.

I had one last chance to keep peace between wolves and humans. Ruuqo had chased my mother from the valley when I was just out of the den. Less than a moon ago, my mother had sent a wolf to me with a message: I was to meet her outside the valley, at a rock as large as a hill, and I must do so for the sake of all wolfkind. I was not to tell Ruuqo or Rissa. The only reason I could think of that she would send such a message was because she had the answer to the Promise. Until I had that answer, the Swift River wolves were not safe.

“DavRian’s blaming us for killing the old woman,” I said to Ruuqo. “He’s telling the other humans that all wolves are vicious, and that they have to get rid of us before we slaughter them. They didn’t believe TaLi when she told them it was a lie. They’re coming for us.”

Ruuqo growled and Rissa looked stunned. I don’t know what I expected. Perhaps that they would have a plan for how to get out of the valley, or that they would tell me what to do, but all of them just looked at me as if I should have the answer. As if I were the adult and they the youngwolves.

“The Greatwolves will protect us from the humans,” Rissa said at last. “They said they would.”

Milsindra, the Greatwolf who most wanted me dead, had told her that. It was one of her many lies.

“They won’t,” I said. “If the humans start murdering wolves, the Greatwolves will say we’ve failed in the Promise and they’ll kill us. They want to kill every wolf who shares my blood.” Rissa was my mother’s sister, and every wolf in Swift River was related to me.

“They said we would be safe,” Rissa insisted. “And they told us you could leave the valley unharmed.”

“They’re lying. Like they always do. You’re in danger.”

“We can protect ourselves,” Ruuqo said. “We’ll fight the humans if they come for us, Promise or no. If they can even find us with their weak noses and useless ears.” He snickered. “We’re staying.”

“You shouldn’t go either.” Werrna glared down at me. “Rissa will have pups in a little over a moon, and we’ll need help feeding them.”

It was even more reason to leave. Pups would make them that much more vulnerable.

I tried once more. “The Greatwolves won’t help you. They’ll kill you.”

Ruuqo picked up the rabbit in his mouth and carried it away.

One by one, the others turned away from me. Minn began to dig a hole next to the small hill the pack used as a lookout. Rissa and Ruuqo spoke quietly to one another. Only Werrna continued to watch me reproachfully. A few moments later, Ruuqo barked sharply and all four of them darted from the clearing and to the hunt. I backed away and out of the gathering place, the taste of failure once again bitter on my tongue.



Ázzuen was waiting for me by the moss patch, still guarding the sleeping TaLi. When he saw me, he stood, stretched out his long back, and trotted to me. He had shed his winter fur, and his lighter spring pelt showed a lean wolf, almost fully grown.

He touched his nose to my face. His scent of juniper and Swift River wolf eased the tense muscles between my eyes.

“They won’t come?”

“No. They think the Greatwolves will protect them.”

He cocked his head to one side. “Most wolves won’t listen to the truth if they don’t like what they hear,” he said.

“They’ll die if they stay.”

“Not if we get to your mother in time,” he said. “She’ll tell us what we need to do to keep the Promise and they’ll be fine. We can leave the valley now, find Neesa, and get back before the humans or Greatwolves do anything.”

He looked toward the eastern mountains at the valley’s edge, his tail wagging. “We can do it,” he said. Ázzuen’s human, BreLan, had left the valley almost half a moon before and Ázzuen longed for him.

Every wolf in the valley knew how clever Ázzuen was. If he thought we had a chance, we just might.

My chest ached at the thought that I could be with my mother in a few days’ time. I hadn’t seen her since I was a newborn pup, and I missed her so much that every time I thought of her I had to hold back a whimper.

Ázzuen started to say something else, then his eyes widened and he woofed a warning. I caught the scent of spruce and mud and fur and whirled to meet the gaze of the one wolf in the valley I least wanted to see.

Milsindra stalked forward on long legs, her muscles rippling under light brown fur. Dark flecks colored her pale eyes and malice darkened her disposition. She smelled of Greatwolf—a deeper, meatier scent than that of an ordinary wolf—and of spruce. Her scent was marred by an undercurrent of bitterness that I thought must come from her malevolent nature. Like all Greatwolves, she was half again as large as an ordinary wolf. I started to shake, and my mouth went dry. Milsindra believed that I was a danger to wolfkind. She was also in a battle for the leadership of the Wide Valley Greatwolves, and my taking on the Promise was one of the things in her way.

She stood over TaLi, her teeth—twice as long as mine—almost touching the girl’s face, her breath ruffling TaLi’s headfur. I held my own breath, hoping that TaLi wouldn’t awaken to see the jaws of a Greatwolf over her. A moment later, Milsindra’s mate, Kivdru, a shaggy, dark-furred Greatwolf, strode into the grove, knocked Ázzuen onto his back, and stood atop him. Ázzuen scrabbled under Kivdru until the Greatwolf dug his huge paws deep into Ázzuen’s belly. Ázzuen went still.

Milsindra smiled, her teeth sharp, her eyes cold, and her message clear. She and Kivdru could kill those I loved best and there was nothing I could do about it.

I raised my chin to her.

“You promised we could leave the valley safely,” I said, my heart pounding so hard I could hardly hear my own voice. “You told Ruuqo and Rissa you wouldn’t hurt us if we left.”

“And yet you have not gone,” Milsindra purred. “You came back here. Your problem, Kaala, is that you cannot decide which pack you belong to, wolf or human. It is one of the things that makes you so dangerous. It is what makes you the drelshik.”

Drelshik. It meant cursed wolf. Our legends told of a wolf born to destroy wolfkind. Such a wolf, the legends said, would be of mixed blood, would bear the mark of the crescent moon, and would treat humans as if they were wolf. My mother had mated with a wolf outside the valley and I had a moon-mark of pale fur on my chest. When I found TaLi and led some of my packmates into an alliance with the humans, many wolves came to believe I was this drelshik.

“Or the drelshan,” Ázzuen gasped from beneath Kivdru’s paws. The legends also said a mixed-blood wolf, the drelshan, would come to save wolfkind. Half of the Greatwolf council believed I was the drelshik, half the drelshan.

“You will keep your muzzle shut unless I tell you otherwise,” Kivdru growled. He lowered his head and took Ázzuen’s neck in his jaws.

I hurled myself at Kivdru, hoping the force of my leap would tumble him off Ázzuen. I would have had more luck toppling an oak tree. Kivdru swung his huge head into my side and knocked me to the ground. I landed hard on my wounded haunch, and yelped in pain. At least Kivdru’s teeth were no longer at Ázzuen’s throat.

TaLi came awake then, roused by the fight. She looked up at Milsindra and gasped, then scooted backward so that her back rested against a tree stump. She held her stone blade out toward the huge wolf, gripping it in both hands. She was one of the few humans who knew of the Greatwolves and of their role in the lives of wolves. If she was afraid of Milsindra and Kivdru, she didn’t show it.

“Are you all right, Silvermoon?” It was her name for me, because of the moon mark on my chest.

The humans could not comprehend our speech, or the language of any of the other creatures of the woods, but sometimes I could make TaLi understand me in other ways. I whuffed softly at her to let her know I wasn’t hurt. She loosened her hold on the stone, got to her feet, and bowed unsteadily to Milsindra and Kivdru. She had grown so rapidly in the past few moons that her long legs and arms made her awkward.

“Greetings, Lordwolves,” she said formally.

Milsindra whuffed a laugh and took a step toward the girl. Then she looked over her shoulder at me and opened her jaws.

“If you hurt any of us, the Greatwolf council will find out,” I said desperately. “They said we could go. Zorindru is still leader of the Greatwolves.” Zorindru was an ancient Greatwolf who believed that I was the savior, not the destroyer of wolfkind, and had sworn to help us with the Promise.

Milsindra turned away from TaLi. Three long, stalking strides brought her face-to-face with me. She kept walking forward, forcing me back into the trunk of an aspen. I heard Ázzuen growl. When my rump hit the tree’s rough bark, Milsindra bent her head to mine.

“You are disrespectful as well as dangerous, youngwolf. I told you that your involvement with the humans would bring death. You should have stayed away and left things to wiser wolves.” She pulled her lips back still more. “Though, perhaps it was for the best. Now I can convince the council that that old fool is too age-addled to lead.”

“What fool is that, Milsindra?”

The voice was cool, almost friendly. Milsindra startled and swung her head toward the ancient Greatwolf who sat calmly at the edge of the clearing. Zorindru returned her gaze through half-lidded eyes.

Two other Greatwolves settled on either side of the oldwolf, their ears pricked and their haunches tensed as they guarded him. They dipped their heads to me. Jandru and Frandra were the Greatwolves who watched over the Swift River pack, and they had helped me more often than they had harmed me. They also supported Zorindru’s rule of the Greatwolves.

Milsindra shoved me hard with her shoulder as she turned to step forward and address Zorindru. Her voice was calm, but her flanks quivered. Zorindru was her leaderwolf, even if she did defy him.

“You were wrong, Zorindru,” she said. “A wolf is dead at the spear of a human, and it’s this drelshik’s fault.” She jutted her chin at me. “We need to get rid of her and all who share her tainted, human-loving blood.”

Zorindru stood. He had ruled the Greatwolves since long before any wolf I knew was born. He was so gaunt that his spine showed through his ragged fur and he seemed much frailer than I remembered.

He stared at Kivdru, who still stood atop Ázzuen. Kivdru glared back. Zorindru held the younger wolf’s gaze so long, I was ready to howl to break the silence. Then the oldwolf lifted his lip. His teeth were worn down, and I wondered if he could still even hunt for himself, but his snarl held enough power to make Kivdru lower his ears and step off Ázzuen, who scrambled to his feet, coughing.

Milsindra stalked over to Zorindru, her haunches still shaking. She was half a head taller than he was, and her muscles showed as clearly through her sleek fur as his bones showed through his. Still, she seemed to fear the ancient wolf. When she spoke, there was entreaty in her voice.

“The humans killed the oldwolf, for no reason at all,” she said. “It’s only a matter of time before they start hunting wolves throughout the land. Humans and wolves always fight. It’s happened over and over.”

It was the greatest challenge to fulfilling the Promise. Wolves had to stay with humans to keep them from feeling separate from the world around them, but every time wolves and humans came together, they fought. I was supposed to change that.

“We told the drelshik that she, her pack, and her humans could live if she was able to keep peace between humans and wolves,” Milsindra said. “She hasn’t done so. The only solution is to get rid of the humans and the wolves who run with them.”

“You told us we had three moons,” Ázzuen interrupted. “It’s only been one moon since we started.”

Kivdru leapt for him again, then staggered back as a large, black-feathered shape dropped from above and slammed into him. The raven spread his wings wide as he landed in front of Ázzuen and stared beadily at Kivdru.

Tlitoo was a young raven, but his head still came up to Ázzuen’s chin and his wings were nearly as wide as a wolf is long. That, plus a thick beak and sharp talons, made him a formidable fighter. He had been my friend since I was a smallpup and a staunch ally against the Greatwolves. He was also the Nejakilakin, the raven who could move between the worlds of life and death. He could bring me with him, and could also take me into the minds of others. But I was the only one who knew that.

I took advantage of the distraction he’d caused to check on TaLi. The girl was standing on her tree stump, watching us carefully, her stone blade still clutched in her hand. She was safe, for now.

Tlitoo eyed Kivdru and spread his wings.

“Gruntwolves think they rule,

But sometimes must be humbled.

Ravens help with that.”

Ravens often spoke in this strange way. I usually found it annoying, but when I saw Kivdru’s frustrated expression, I wanted to lick Tlitoo from beak to tail. For some reason I’d never understood, the Greatwolves were wary of ravens. Kivdru stepped back.

“The youngwolf is correct,” Zorindru said, inclining his head toward Ázzuen. “There is not yet war between the wolves and humans here.” His tawny eyes met mine. “How do you plan to make sure it stays that way, Kaala?”

“I’m going to find my mother—” I began.

Milsindra interrupted. “Your mother who broke the rules of the Wide Valley by whelping you!” She glowered down at me, deliberately turning her back on Zorindru as anger seemed to overcome her fear of him. “This oldwolf and the fools who follow him believe that she has the answer to why wolves and humans cannot live side by side, and that her answer will allow us to fulfill the Promise. They believe that she will give this information only to you, her daughter, the drelshik. I think that humans will fight with us no matter what we do, and that you will only help them destroy us. The council, however, overruled me. They said you may leave the valley to find her.”

Zorindru coughed softly.

“It would appear that you are once again dissatisfied with my leadership, Milsindra, and the decisions the council makes under it,” the ancient Greatwolf said. “Do you wish to challenge me?”

Milsindra swung her head to regard him for a long moment, then looked away, lowering her tail. Zorindru lifted his.

“We will give her until Even Night to do so, Zorindru, that’s all,” Milsindra said.

There were two Even Nights every year, when day was as long as night. The next one was less than a moon away.

Milsindra raised her tail. “If she does not bring us an answer by then, we—and those who follow us—will take the Greatwolf council from you. We will kill the humans and the wolves who consort with them.” She dipped her head to Kivdru, and the two Greatwolves loped out of the clearing. Frandra and Jandru chased after them.

My legs gave out from under me. Now that Milsindra was gone, I could admit to myself how terrified I’d been. Zorindru lowered his nose to mine.

“Milsindra is under control for now, but not for long,” he said. “She is convinced that the only way to save wolfkind is to stop you. There are many on the council who are tempted to follow her, and I will not live forever. Find your mother, Kaala, and do so quickly. I can help fend off the humans—and Milsindra and Kivdru—until Even Night. After that, I can make no guarantees.” He dipped his head to me, and slipped into the woods.



I released a long, relieved breath. TaLi exhaled at the same moment. She jumped down from her stump and ran to me. She threw her scrawny arms around my neck, and hugged me hard enough to make me grunt.

Tlitoo gurgled impatiently. “Wolflet,” he quorked, “if you get into trouble every time I leave you, we will get nothing done. I cannot watch you as if you are newly fledged.” He regarded me with beady eyes, the ruff of feathers around his neck puffed up in annoyance. He spread his wings, revealing a white crescent of feathers on the underside of one of them. “You should not have returned to your old pack. You are not of them anymore.”

“She had to try,” Ázzuen said.

Tlitoo regarded him for a moment, then darted forward, grabbed Ázzuen’s ear, and yanked. When Ázzuen yelped and stumbled away, Tlitoo dove for his nose. He was about to attack Ázzuen’s tail when a pale gray wolf trotted into the clearing.

Marra was Ázzuen’s littermate, a tall, fleet wolf who could outrun any prey in the valley. Her light gray fur was damp and muddy. A human boy ran up to stand beside her. He carried two of the preyskin bundles the humans called packs, one in his arms and one on his back, as well as two of the walking sticks some humans liked to use. His preyskin leg coverings were as damp as Marra’s fur. The two of them must have come from the river. The boy was breathing hard. He fell to his knees and began to wheeze. Marra liked nothing more than to run, and the slow pace of humans—even of the human she loved as much as I loved TaLi—frustrated her.

“Are they coming?” she asked.

“They are too cowardly,” Tlitoo answered. “They will hide here like mice in a burrow.”

TaLi grabbed one of the packs MikLan had brought. Like us, TaLi had to leave the valley. Her grandmother had been training the girl to take over her role as krianan, or spiritual leader, of their village. The krianans were tasked with keeping the other humans in balance with the natural world, but many humans in the Wide Valley no longer listened to them. TaLi’s grandmother had made TaLi promise to reach the krianans outside the valley to tell them what was happening here. BreLan, the boy both TaLi and Ázzuen loved, was already there, waiting for her. Before I could get to my mother, I was determined to see TaLi safely there. I licked her hand, and tasted sweat and dirt.

“Now can we go, wolflet?” Tlitoo quorked. “We do not have time to dawdle.”

I couldn’t argue with that. We had less than a moon to find my mother and return to the Wide Valley with a way to fulfill the Promise. I tried not to think of what might happen to Rissa and the rest of Swift River in our absence. I couldn’t help them by staying in the Wide Valley.

I took a deep breath. I was only ten moons old. For most of my life, older wolves had made decisions and led the way. That time was past. TaLi shifted her pack on her shoulders. Ázzuen and Marra watched me expectantly.

I yipped once, and led my packmates from the aspen grove. We had no time to waste.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Very disappointed reader...
By Mrs. V
This was one of my favorite series, and one I looked forward to sharing - until the very last pages of the book. I am almost speechless with disappointment, even anger, and can think of half a dozen different ways the author could have preserved the essence and intent of her ending without... Well, I'm sad to say that this will NOT be a series I can read with joy over and over again. I feel betrayed, though I'm sure more artistically sensitive folks will rave about the courage it takes for a writer to do such a thing. I wish I could break my review stars into two - five stars for most of the book, negative-5 for the ending. I'll have to go with three, though I'm still do upset that I'm tempted to rate it a one or two. I loved most of the book, and was already planning to re-read when the ending broadsided me completely. A horrible way to end a great series.

4 of 5 people found the following review helpful.
disappointing, sadistic and depressing... ruined the sequel
By joe moreira
A must read. To end the trilogy But:
I find that this last book ruined the whole trilogy.
Every person i know that read this sequel and the ones i gave this book as a present, felt the same way. I am not going to spoil the readers with detailed information...
First of all If you have children, be careful because this book can break children's hearts... in my opinion it can actually be very disturbing to children.
Dorothy Hearst lost the plot with the story in my opinion.
She built a kaala full of dreams and hopes to be with the humans and her pack mates, to win the love and respect of the greatwolves and the krianans, to have pups of her own with Azzuen, and it was a story to have so much potential as being a positive one ( people need those these days)
I was thinking that this was almost a beautiful fairy tale and all would end up in a perfect society and living in harmony with animals would be excellent and refreshing etc... turns up to be one of the coldest books ever. After 50 pages through this book the 'mel gibson' type of sadism started. The futile 'poor me' hopeless and helpless kaala (so much for being a majestic wolf and hero), she was always suffering the poor thing, death and more death, destruction at the costs of humans ( we know we are so destructive with our fears etc) but we didn't need a reminder. We needed hope with this book, something that could make us feel empowered and to love animals even more. but this book just made me feel sad, hopeless and helpless, that the world is a bad place and the wolves have to suffer because of us. it ends up with a positive opinion about the future but still doesn't compensate the sadistic approach the story ended up with... I feel like it was written by someone whom lost a pet and the resentful emotions are expressed in this book in a very sad way. It could have had a better ending as well even so it became predictable half way through the book. The type of book that will make you feel empty and frustrated in the end.
I wish i had a better review to write, but at least people must be aware that children may feel really sad with this book.

2 of 2 people found the following review helpful.
Good book, bad ending.
By JulianBaileyi
The book is well written. Dorothy Hearst is very good narrating the story, and make us feel inside the world of the Wide Valley and beyond. The behaviour of the wolves is well captured, as the relationship between wolves and humans as well. The message is clear: we MUST preserve the Wolf, the ecosystems, and remember that we are part of this natural world, and if we mess up with it, inevitably we will end bad...but the ending of the book, was bad. I felt it very rush. It's an ending, but the bad ending. It is needlessly sad and what happens in those two last pages, completely unnecessary. That almost ruined the book for me.

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