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Just After Sunset: Stories, by Stephen King
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Stephen King-who has written more than fifty books, dozens of number one New York Times bestsellers, and many unforgettable movies-delivers an astonishing collection of short stories, his first since Everything's Eventual six years ago. As guest editor of the bestselling Best American Short Stories 2007, King spent over a year reading hundreds of stories. His renewed passion for the form is evident on every page of Just After Sunset. The stories in this collection have appeared in The New Yorker, Playboy, McSweeney's, The Paris Review, Esquire and other publications.
Who but Stephen King would turn a Port-a-San into a slimy birth canal, or a roadside honky-tonk into a place for endless love? A book salesman with a grievance might pick up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. Or an exercise routine on a stationary bicycle, begun to reduce bad cholesterol, might take its rider on a captivating-and then terrifying-journey. Set on a remote key in Florida, "The Gingerbread Girl" is a riveting tale featuring a young woman as vulnerable-and resourceful-as Audrey Hepburn's character in Wait Until Dark. In "Ayana," a blind girl works a miracle with a kiss and the touch of her hand. For King, the line between the living and the dead is often blurry, and the seams that hold our reality intact might tear apart at any moment. In one of the longer stories here, "N.," which recently broke new ground when it was adapted as a graphic digital entertainment, a psychiatric patient's irrational thinking might create an apocalyptic threat in the Maine countryside . . . or keep the world from falling victim to it.
Just After Sunset-call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.
- Sales Rank: #383338 in Books
- Published on: 2008-11-11
- Released on: 2008-11-11
- Original language: English
- Number of items: 1
- Dimensions: 1.35" h x 6.44" w x 9.40" l, 1.10 pounds
- Binding: Hardcover
- 367 pages
- short stories
From Publishers Weekly
Starred Review. In the introduction to his first collection of short fiction since Everything's Eventual (2002), King credits editing Best American Short Stories (2007) with reigniting his interest in the short form and inducing some of this volume's contents. Most of these 13 tales show him at the top of his game, molding the themes and set pieces of horror and suspense fiction into richly nuanced blends of fantasy and psychological realism. The Things They Left Behind, a powerful study of survivor guilt, is one of several supernatural disaster stories that evoke the horrors of 9/11. Like the crime thrillers The Gingerbread Girl and A Very Tight Place, both of which feature protagonists struggling with apparently insuperable threats to life, it is laced with moving ruminations on mortality that King attributes to his own well-publicized near-death experience. Even the smattering of genre-oriented works shows King trying out provocative new vehicles for his trademark thrills, notably N., a creepy character study of an obsessive-compulsive that subtly blossoms into a tale of cosmic terror in the tradition of Arthur Machen and H.P. Lovecraft. Culled almost entirely from leading mainstream periodicals, these stories are a testament to the literary merits of the well-told macabre tale. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
In King's latest collection of short stories (following 2002's Everything's Eventual), he presents 14 tales that range from the philosophically themed, to one in which the author gleefully admits to playing with the gross-out factor ("A Very Tight Place"), to "The Cat from Hell," which makes its hardcover debut some 30 years after its original publication as part of a contest in Cavalier, one of the gentleman's magazines that put food on the table in King's early years as a writer. In his introduction, King cites his recent stint as guest editor for the 2007 edition of Best American Short Stories as an impetus to return to the form in his own writing. Several of the works included here were written following that experience. Finally, as King has done previously in his collections, at the end of the volume he provides the reader with brief insights into the inspirations for each tale. Recommended for all popular fiction collections. [See Prepub Alert, LJ 7/08.]—Nancy McNicol, Hamden P.L., CT
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Critics agreed that Just After Sunset showcases a matured and sophisticated Stephen King, one who eschews vampires and clowns in favor of more refined terrors—unraveling relationships, aging, and the decay of both body and mind. That's not to say that readers won't be frightened. With the exception of "The Cat From Hell," written in the 1970s, King composed these stories after his famous brush with death, and many critics touted them as some of his finest. As with most short story collections, a few pieces are uneven, and "A Very Tight Place" is not for the claustrophobic. However, there are some real gems here. "If most Stephen King novels are 800-page sides of beef, this short story collection is the filet mignon," concludes the reviewer from the Charlotte Observer.
Copyright 2008 Bookmarks Publishing LLC
Most helpful customer reviews
177 of 185 people found the following review helpful.
Vintage Stephen King at his best. Master of the short tale.
By Robert Busko
First, I'm an avid Stephen King fan. I'm pretty sure I've read all of his books but I don't think I can say I've read every word he's written....but I have to be close. After reading Just After Sunset, I'm convinced that King's true talent lies in the short story/novella sphere. He is a master at developing stories and characters quickly and like a spider can spin his web with perfection. His novels, all of them, are worth reading. You won't be sorry having invested the time with any of them, but his true masterpieces are in his collections of short stories and novellas.
Just after Sunset is comprised of 13 stories, many published previously. For example, The Cat From Hell was originally published in 1977. King displayed, even then, his willingness to experiment with publishing. Originally, only the first 500 words of Cat From Hell were published in Cavalier. Readers were invited to finish the story and the completed work was published later the same year. The story has been published, revised, and then published again. The story was also used in Tales From the Darkside. Others, such as Willa are recent creations and are a treat for the mind.
"N" continues King's willingness to experiment in getting his stories out to the public in innovative ways. The short story "N" was the basis for the animated series of the same name.
Harvey's Dream, originally published in New Yorker in 2003, is a story of fathers, daughters, and dreams and is a read that will keep you interested throughout.
Of all the stories included in Just After Sunset, my favorite is Stationary Bike. Richard Sifkitz has a belated physical and learns that his cholesterol is extremely high; dangerously so. Like so many of his generation he decides to get a stationary bike to exercise and hopefully ride off his health problems. Unlike many of his contempories, however, Richard rides his workout machine. He rides and he rides and he rides. He decides to paint a mural in the room he rides in to give him something to look at while he's working out. As in all of King's work, the simple mural turns out to be unique and Richard's bike takes him on trips he really doesn't want to make. This is a riveting story and is worth the cost of the book by itself.
Other stories of note (my opinion only) are "The Things They Left Behind", "Graduation Afternoon", and "The New York Times at Special Bargain Rates".
I especially appreciated the last section, Sunset Notes, comprising King's own thoughts about each of the stories in the collection. I always like the special note he includes to readers at the end of many of his books.
Thank you once again Stephen King. "And the beat goes on!"
Peace to all.
79 of 84 people found the following review helpful.
King, Revitalized
By Lauren James
Although I have never been an advocate of the view that Stephen King was losing his touch, this collection seems to offer a version of King with so much energy and creativity that some of his more recent works pale in comparison. It is an intense and generous sampler of short fiction that truly shows King at his best, whether you consider his best to be his horror or his more mainstream work.
"Willa," which provides a quiet, understated opener to the collection, is suspenseful, eerie, and creative. It also, in my opinion, offers a rather unique solution to what I will admit is one of King's problems: crafting realistic modern dialogue for his younger characters. (A problems that he seems to have largely eliminated in this collection, by the way, with the exception of his creative use of it here.) "Harvey's Dream" is also quiet. I found it far more unsettling than "Willa," however, as its depiction of ordinary marital unhappiness--already frightening, given its monotony and barely suppressed hatred--slowly evolves into a sharp, ice-pick intrusion of unfortunate foresight. "Graduation Afternoon" features a similar kind of transition from ordinary unhappiness to the outright horrific.
"The Gingerbread Girl" is one of the best stories in the collection. King shows a deft touch with Emily's characterization while still writing at a white-hot pace and bringing this particular reader to the edge of her seat. He takes enough time to build up Em's past and her attempts to outrun it before starting the clock with the arrival of the zealously psychotic Pickering, one of the best and most frightening villains in all of King's short fiction. Another standout is "N.," a Lovecraftian story of OCD and the outside dimensions, which, given its portrayal of the eroding veil of sanity between us and a massive, incomprehensible evil, will probably have you organizing your things into circles (just to be on the safe side). There's also the very short "New York Times at Special Bargain Rates," which artfully blends disaster, afterlife, and premonition (three of the collection's major themes) in just a few pages to produce a quiet ghost story that doubles as a tearjerker.
"Mute" is marred by the distracting eccentricity of the wife's crime (pulled from real life) and "Ayana," though a rare unsentimental exploration of miracles, is lackluster, as is "Rest Stop."
"Stationary Bike" will probably be a divisive story. In my opinion, it's best going into this not thinking of it as a horror story, and simply enjoying the ride (no pun intended) as Sifkitz's exercise efforts begin to extend into the unnatural. And the ending, whatever its faults in terms of resolution of suspense, is a valuable lesson in terms of dieting. "The Things They Left Behind," with which it share a similar tone, explores the aftermath of 9/11 without the slightest hint of exploitation. It's also an interesting story about survivor's guilt and how grief latches onto possessions.
Lastly (in the order of this review, that is, not in the order of the collection), there are the more gruesome entries of "The Cat from Hell" and "A Very Tight Place." These are probably the best recent examples of what is often called (tongue-in-cheek) "Klassic King," and one actually is: "The Cat from Hell" dates back to the eighties and was often anthologized but never collected by King himself. It balances the grotesque with the vaguely ridiculous so well that, at the ending, you're torn between screaming or laughing as a cat gains a particular type of revenge upon a hitman and, presumably, his animal-testing employer. "A Very Tight Place" is better and even more disgusting, and it's best not to eat immediately before reading it, as it features some very detailed descriptions of what it might be like to be trapped in an overturned Port-O-San. Like "The Gingerbread Girl," this features some almost unbelievable suspense and a likable, emotionally beleaguered protagonist in a horrific situation it's impossible not to imagine, but this is slightly marred by a particularly unsatisfying ending and some laughable dialogue from the villain.
I've described some problems with some of these stories, so why five stars instead of four? Easy. When these stories work, they're really firing on all cylinders: involving, frightening, and impossible to stop reading. If you like King, you can't pass this up; if you haven't liked him before, this might be a good place to start. Definitely worth the money and any sleepless nights that may result.
3 of 3 people found the following review helpful.
Mr. King is a Master Story Teller
By LarryBear
It goes without saying, though I'm going to say it because it's so obvious from all my King reviews, that I am definitely a fanboy of Mr. King. With the internet and the chance to post reviews ad nauseum, a lot of reviewers rip apart books and even write paragraph after paragraph, ruining the story and the plots. I think a lot of these people fancy themselves "authors" and feel the need to prove it by writing short stories about someone else's work.
My review of this book like all my reviews of Mr. King's books is short and sweet. "Just After Sunset" is a collection of short stories and they all kept me interested from start to finish. I have never read anything from Mr. King that he didn't capture my attention and keep me coming back for more. He's done it from the time I was a teenager and he continues to do it now that I'm 60. I couldn't imagine growing up without being frightened and entertained by The Master.
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