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Bob Dylan: Prophet, Mystic, Poet, by Seth Rogovoy
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Bob Dylan and his artistic accomplishments have been explored, examined, and dissected year in and year out for decades, and through almost every lens. Yet rarely has anyone delved extensively into Dylan's Jewish heritage and the influence of Judaism in his work. In "Bob Dylan: Prophet, Mystic, Poet," Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content -- drawn from the Bible, the Talmud, and the Kabbalah -- at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. "Bob Dylan: Prophet, Mystic, Poet" is a fresh and illuminating look at one of America's most renowned -- and one of its most enigmatic -- talents.
- Sales Rank: #1314569 in Books
- Brand: Brand: Scribner
- Published on: 2009-11-24
- Released on: 2009-11-24
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.10 pounds
- Binding: Hardcover
- 331 pages
- Great product!
From Booklist
Bob Dylan’s masterful and indelible songs beg for analysis. What is the source of the gravitas of his lyrics? They are loaded with allusions, clues, riddles, and, according to Rogovoy, scripture, the hidden-in-plain-sight heart of Dylan’s transcendent oeuvre. The author of The Essential Klezmer (2000), Rogovoy awoke to the primacy of biblical elements in Dylan’s songs not because he came to them with a deep knowledge of Jewish scripture and commentary, but because he was steeped in Dylan’s lyrics when he began studying Jewish texts as an adult and instantly recognized the bond. Rogovoy pursues that revelation in this fresh and exciting interpretation of Dylan’s entire remarkable songbook, casting light on Dylan’s “prophetic impulse” and brilliant improvisations on the stories of Noah, David, Abraham and Isaac, and the books of the prophets. Rogovoy supports his expert and stirring critique with an anecdotal biography that pinpoints Dylan’s theological and mystical inquiries, including his Christian interlude, and dispels any notion that Dylan ever denied his Jewish heritage, the wellspring of his art and conscience. --Donna Seaman
Review
"Of all the influences resulting in the genius of Bob Dylan's music, far too little attention has been paid to Dylan's Jewish heritage. Seth Rogovoy corrects that deficiency by deftly weaving together his love of Dylanology with his love of Judaism." -- Ed Siegel, " contributor to WBUR-FM and the Boston Globe op-ed page"
About the Author
Seth Rogovoy is an award-winning music critic, radio commentator, musician, and author of The Essential Klezmer: A Music Lover’s Guide to Jewish Roots and Soul Music (Algonquin Books, 2000). His writing has appeared in Newsday, Haaretz, the Boston Phoenix, Hadassah Magazine, the Forward, and on the web at the Rogovoy Report (www.rogovoy.com). He lives in Great Barrington, Massachusetts, where he is editor-in-chief of Berkshire Living magazine. His grandparents were from Russia, and he has blue eyes.
Most helpful customer reviews
13 of 14 people found the following review helpful.
The Missing Piece to the Dylan Puzzle
By L. R. Ziskind
Although a Dylan fan and admirer of his philosophic and poetic lyrics for the last 40 years, there was always a nagging feeling that I didn't quite get something about them. I understood them for their political and social importance, but, for me, that just didn't add up to everything that was really there. Now I know why. With this book, Rogovoy has supplied the key to the missing piece. In reading "Dylan: Prophet, Mystic, Poet" and re-evaluating the lyrics in the context of Dylan's Jewish influences, they become richer and fuller. What was resonant before, now is revealed to have a multi-layered depth that makes them all the more meaningful.
This book isn't just for Dylan fans (and it's a must-read for them), it's for anybody who's ever wondered how the precepts of religion can impact life in a practical and profound way.
Buy the book.
7 of 7 people found the following review helpful.
Excellent Thesis (With Some Flaws)
By Chris Speaks
Not only do I enjoy Bob Dylan's music and songwriting but the development of Jewish and Christian traditions is something that I enjoy reading about and studying as a spiritual person. Needless to say, I was quite pleased when I discovered that someone had embarked upon the task of documenting references, either direct or indirect, of Dylan's Jewish heritage and how that heritage has affected his songwriting and life. Unfortunately, Dylan's Jewishness has often been neglected in writings about him. It's generally passed over as a piece of trivia, not as a contributive identity. He is recognized as the singer, the songwriter, the poet, even the prophet - but what about Dylan the Jew? Of course, the book doesn't treat Dylan's religious beliefs directly, but it surely surmises.
Overall, the book was a quick read yet highly informed and thus highly informative. It easily ranks among the best books on Dylan currently available. The author, a longtime follower and researcher of Dylan, tries hard not to repeat too much information available elsewhere while also acknowledging that there are some very basic facts which newcomers - whether to the musician or the literature about him - need to know. Such is inevitable. Where this book excels is in connecting the imagery found in the biblical prophets (Isaiah, Jeremiah, Ezekiel, et. al.) and Dylan's lyrics. Even the staunchest biblicist might not readily be able to see such otherwise apparent parallels, but Rogovoy has done his research. There are moments when the connection cannot be explained any other way than to suggest that Dylan was as intimately familiar with the texts of Jewish tradition as he was with the works or Rimbaud, Brecht, and William Blake.
That being said, however, at times the connections between the biblical prophets and Dylan's lyrics seem forced, sometimes based on little more than a few matching words even when context seems to demand exclusive interpretations. Outside of John Wesley Harding and New Morning and other explicit moments of Dylan's affluence for biblical imagery, there are definitely moments when the thesis of the book is stretched to its outermost limits applying biblical or talmudic references when in fact there is very little or no connection at all. The author displays a tendency to connect words or three-word phrases to themes which have very little business being connected. For this reason, the album-by-album, song-by-song exegesis which serves as the layout of practically the entire book soon grows long in the tooth and sometimes proves to be redundant. By the mid-'80s, Dylan's songs seems to have settled upon a few ideological bases which inform his work from that point forward with only slight modifications whether that be in terms of degree or perception. Thus, when Rogovoy's explication of "Shot of Love" and "Infidels" highlights that Dylan's songs increasingly focus on a "world gone wrong," the final pages of the book could easily be skipped without missing much new revelation on the subject.
Even though the author and Harold Lepidus (of the Bob Dylan Examiner, who assisted Rogovoy with the book) both state that Dylan's religious beliefs are not directly dealt with in the book, it's difficult not to read the chapters titled "Burnt Offerings" and the following "Psalms" somewhat apologetically. Despite what the author states in interviews, there is definitely a certain emphasis placed upon attempting to extract Dylan from his "born-again Christian" identification. For example, in the chapter titled "Psalms," when discussing the song "When The Night Comes Falling From The Sky," specifically the lines "I don't want to be a fool starving for affection/I don't want to drown in someone else's wine," Rogovoy interprets these lines as suggesting that Dylan is recanting his earlier acceptance of wine as Jesus' blood (as is believed by many evangelical and Catholic Christians) and that the born-again Christian period was merely a phase promulgated by a love relationship. In short, Dylan was and is not a true Christian believer. Taking this concept further, Rogovoy interprets the final verse of the song "Man of Peace" as referring to Dylan's return to his distinctive Jewish identity by suggesting that Dylan was beginning to view Jesus as Satan. A proper analysis of these lines within the context of the song, though, do not warrant even a hint of this type of surreptitious, nuanced interpretation. Despite what the author says about his not getting directly involved in Dylan's religious affairs, it nonetheless seems apparent that Rogovoy isn't going to allow Dylan to stray far from the Jewish fold. In this vein, Rogovoy attempts to suggest that the concept of Jesus as Messiah and as Dylan's personal savior is not quite as implicit in the songs of this born-again time period as some people might otherwise claim, thus attempting to resurrect the albums Slow Train Coming and Saved for pundits of whatever creed; however, he fails to read between the lines, not recognizing allusions to Jesus even when the name "Jesus" isn't referenced. The very cover art of the album Slow Train Coming symbolically alludes to faith in Jesus as Messiah. Where Rogovoy excels in his understanding of traditional Judaism, he alternatively displays a certain ignorance when it comes to Christianity and the Christian tradition, including everything from classical exegesis to the high arts - the very things which help to inform the imagery of Slow Train Coming, Saved, and even Shot of Love (which the author excludes from this period despite thereference to the Gospel of Matthew in the liner notes). For this reason, he fails to properly acknowledge the Jewish roots of Christianity, thus accounting for why the images found in the lyrics of Dylan's born-again "phase" may seem like an extension of his Jewish heritage.
Aside from these criticisms, the book ought to be applauded as pioneering a whole new brand of Dylan research. I look forward to further books and articles which expand upon the thesis of this book while exercising some constraint for the sake of precision.
10 of 11 people found the following review helpful.
Ain't no neutral ground--and shouldn't be
By Nina Goss
Seth Rogovoy's book is a valuable new voice in the already crowded field of writing on Dylan and spirituality. He traces an arc through Dylan's career based on the tradition of Jewish prophecy, and he works hard to do justice to several scruples: one scruple acknowledges that Dylan's own beliefs are not accessible, and that this *prophetic* interpretation is not, in fact, a decoding of Dylan's own faith. Another scruple acknowledges that the facts of Dylan's life and career are too many branches from too many roots to be reduced to a single, unifying source. Another scruple is Rogovoy's personal commitment to his argument, which makes the book an affecting narrative of one man's decades-long relation to art that speaks powerfully and constantly to him.
The practical benefit to serious Dylan listeners is Rogovoy's inventory of passages from Jewish scripture throughout Dylan's lyrics. We're familiar with many Biblical phrases in the songs, and Rogovoy opens up that familiarity into discoveries that were new and interesting to me. Most are utterly defensible, some allusions in the book require a generous imagination to hear, but on the whole this inventory is compelling and reflects hard and rational work.
As an overview of Dylan's career, serious and informed fans may find some familiar summary here, but there is enough that's provocative to merit reading the entire thing. And I'm grateful that Rogovoy found the time to rush in a brief and lively coda chapter on Together Through Life.
If you're new to Dylan, and have a strong interest in the spirituality and religious traditions in his work, this book provides a smart and accessible overview to Dylan's career in that context.
I had the great pleasure of hosting Seth Rogovoy in a Dylan course I'm leading in NY, and he is a generous and passionate, quick-witted and knowledgeable speaker. (And in the interests of transparency, I did buy my own copy of his book before meeting him.)
The book and the person, I can recommend both.
Nina Goss
Editor, Montague Street
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