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The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans, by Mark Jacobson
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Few growing up in the aftermath of World War II will ever forget the horrifying reports that Nazi concentration camp doctors had removed the skin of prison ers to make common, everyday lampshades. In The Lampshade, bestselling journalist Mark Jacobson tells the story of how he came into possession of one of these awful objects, and of his search to establish the origin, and larger meaning, of what can only be described as an icon of terror.
From Hurricane Katrina–ravaged New Orleans to Yad Vashem in Jerusalem to the Buchenwald concentration camp to the U.S. Holocaust Memorial Museum, almost everything Jacobson uncovers about the lampshade is contradictory, mysterious, shot through with legend and specious information. Through interviews with forensic experts, famous Holocaust scholars (and deniers), Buchenwald survivors and liberators, and New Orleans thieves and cops, Jacobson gradually comes to see the lampshade as a ghostly illuminator of his own existential status as a Jew, and to understand exactly what that means in the context of human responsibility. One question looms as his search progresses: what to do with the lampshade—this unsettling thing that used to be someone?
- Sales Rank: #1667509 in Books
- Published on: 2011-04-19
- Released on: 2011-04-19
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.10" w x 5.81" l, .84 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
A lampshade possibly made from the skin of a concentration camp prisoner fitfully depicts the limits of human brutality in this beguiling but unfocused odyssey. When DNA tests proved a lampshade, found in Katrina-ravaged New Orleans, to be made of human skin, New York magazine contributing editor Jacobson (12,000 Miles in the Nick of Time) set out to establish its provenance and meaning. Both prove elusive: evidence linking it to famous allegations that Nazis made lampshades from concentration camp victims is scanty, and Holocaust museum curators dismiss such claims. But as Jacobson's investigation takes him to places with legacies of racial hatred and mass killing--Buchenwald, Dresden, Israel, and the West Bank--he ponders the lampshade's mythic resonance as both a "particularist" emblem of Jewish victimization and a "universalist" token of human suffering. The author excels at sketching haunted locales and oddball characters, especially in atmospheric New Orleans, but his project is gimmicky--he calls in psychics and dubs the lampshade "Ziggy"--and his habit of seeing shades of the Holocaust everywhere feels forced. Jacobson's reportage is intriguing, but it doesn't pierce the darkness.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
The origins of this story go back to Buchenwald, the Nazi concentration camp, where Isle Koch, the sadistic wife of the commandant, developed a liking for things (gloves, lampshades) made out of human skin. Flash forward to the present: the author receives a strange artifact in the mail from a friend: a lampshade that appears to be made from human skin. This fascinating and frequently unsettling book chronicles Jacobson’s quest to find a proper home for the lampshade and, if possible, to find out exactly where it came from. The book also explores the history of torture by flaying (the gods of Greek mythology did it; so did Ed Gein, the American serial killer of the 1950s), and the impact of the Nuremburg trials. Journalist Jacobson avoids sensationalizing this inherently sensational story, taking a reportorial approach to the material. A chilling reminder that the aftereffects of World War II and the Holocaust continue to be felt, even in the most unlikely of ways. --David Pitt
Review
“A disquieting yet utterly fascinating account, artfully told, studded with characters that would have been impossible to invent.” —Jon Krakauer
“Antic, improbable and resonant . . . an entangling meditation on not merely Nazi atrocities but on the nature of authenticity.” —Dwight Garner, The New York Times
“Equal parts fascinating and unnerving. Mark Jacobson takes us on an eerie detective trail.” —Walter Isaacson
“Jacobson's writing is . . . both gonzo and fiercely, fiercely smart. The Lampshade is an awfully good book and it's exceptionally heartfelt.” —Bryan Curtis, The Daily Beast
“God only makes a few genius reporters, and even in that small company, Mark Jacobson is one of a kind. He can follow his nose so deep into a story that every page is a surprise.” —Richard Ben Cramer
Most helpful customer reviews
25 of 29 people found the following review helpful.
An intriguing "whodunit" drifts on runaway tangents
By James Denny
Mark Jacobson's "The Lampshade: A Holocaust Detective Story" starts out with powerful hook: a lampshade that appears to be made with human skin. It's an attractive lure for a quest, a sleuthing "fetish" that draws you in.
Jacobson begins his quest in post-Katrina New Orleans where the lampshade first comes to light. Purchased by a friend of the author's from a chronic down-and-outer, its provenance is unknown. What can be stated, however, is that following mitochondrial DNA analysis (done by a reputable laboratory and paid for by the author), the material is in fact, human skin.
But to whom did this skin belong? Who was the "skinner" who took it? And who made it into a lampshade?
The balance of "The Lampshade" strives to answer these questions. The proposition favored by the author is that the skin "came from a Jew and from Buchenwald," the notorious camp of Nazi Germany in the 1940's. For Jacobson, it's like having secured the Holy Grail but knowing nothing about it. After much sleuthing, there is scant evidence to support this thesis.
Although "the Buchenwald theory" continues as Jacobson's dominant driver, the skin of "The Lampshade" might just as easily have belonged to a victim of 1950's-era serial killer Ed Gein, known to have skinned several of his victims.
Most likely, however, the skin for this lampshade could have come from anyone.
Jacobson's heart-felt thesis continues to fall further from grace as the quest continues. His efforts to convince a reputable museum such as the United States Holocaust Memorial Museum in Washington, DC or Yad Vashem in Israel to "accept" his donation fall flat.
There is belief among some that skins from Jewish camp prisoners, Buchenwald in particular, were made into lampshades. Such views were held among some Holocaust survivors but there is little evidence that this lampshade originated in this way.
Recent revelations from recordings deriving from the "M" room tapes and recently documented by author Helen Fry reveal that at least one German guard from Buchenwald claimed that a special lampshade was made for and given to the wife of the last Buchenwald Commandant. Supposedly, this special lampshade was made from skins bearing the numerical tatooes of more than 100 victims of the Buchenwald camp. No such lampshade has ever turned up. The same guard was recorded as stating, "human skin tans well."
As to the possibility that Jacobson's--or any other lampshade made of human skin--actually made it out from Buchenwald, the myth of "survivor legend" holds more sway than facts can support.
Jacobson's tale will hold most readers throughout the quest. There is much humor in the telling, such as his riff on "Jerusalem Syndrome," which comes late in the book. In over-reach mode, less successful efforts at humor de-rail and he'll go snarky.
My main criticism, however, is that Jacobson goes off on so many tangents that by the end of the book, the reader may end up feeling lost--and suffering from travel exhaustion.
17 of 19 people found the following review helpful.
Interesting topic...could be much shorter
By Dan
I found the topic of this book to be quite interesting and the book certainly piqued my interest at the beginning, however, I eventually became bored with the numerous journeys the author took into side stories that played a part in the overall history of those involved with the lampshade. I think the whole story could easily have been written for a magazine and would have rather enjoyed reading another book in lieu of trying to finish this one.
11 of 12 people found the following review helpful.
Detection or Travelogue? Internet encyclopedias lurk in the background
By Civil War Librarian
The Lampshade: A Holocaust Detective Story from Buchenwald to New Orleans, Mark Jacobson, Simon and Schuster Publishing, 368 pages, 2010. ardcover, [...], paperback [...].
A lampshade is found in the wreckage of a Katrina ravaged New Orleans house. The finder believes it is made of human skin; but, as revealed later, the finder is a grave robber and drug addict. New York magazine contributing editor Mark Jacobson receives the lampshade by US mail from a friend. Jacobson is not a detective, he is an interviewer. Very little detection occurs in this book but a lot of interviewing does. A DNA test reveals that the lampshade is made of human skin. Jacobson sets out to establish its provenance.
There is no way to confirm that the lampshade may be made of skin from of a concentration camp prisoner. There is no way to confirm that the human skin is of gypsy, Jewish, Christian, Dutch, Russian, homosexual, male or female origin. There is no evidence but plenty of conjecture.
Yet, feigning poverty, Jacobson for some reason begins to travel back and forth from NYC to NOLA and Mississippi, several times, then to Germany and Israel. Legacies of hatred are pondered. As the investigation wanes, Jacobson endows the lampshade with the name 'Ziggy'. Jewish victimization issues are mixed with human suffering issues. FEMA trailer camps become an issue; Ray Nagan, NOLA mayor during the catastrophe becomes an issue; George Bush becomes an issue. David Duke, grand wizard of the KKK who now lives in Germany becomes an issue. Some of these characters are interesting. Some of these characters are obviously padding so as to meet a publishing contract that requires 350 pages.
New Orleans' haunted cemeteries and characters include a psychic who tells Jacobson that the skin's owner is comfortable and feels safe with Jacobson. Nazi lore, Buchenwald lore, sadistic commandant lore is gathered. The history of ancient torture and modern serial killers is reviewed. Internet encyclopedias lurk in the background.
Fortunately Jacobson the journalist avoids sensationalizing the story. The Lampshade is somewhat disquieting and somewhat fascinating. Readers may find that the two American Dixie characters to be the most compelling in the story. Jacobson's Brooklyn childhood, characters found in the U.S. Holocaust Museum, Yad Vashem in Jerusalem, and other parts of less so and leave the reader feeling that the story may be more travelogue than a Holocaust detective story.
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