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A Little Bit Wicked: Life, Love, and Faith in Stages, by Kristin Chenoweth
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A lively, laugh-out-loud journey from Oklahoma beauty queen to show biz sensation.
“Life’s too short. I’m not.”
You might know her as a Tony Award–winning Broadway star who originated the role of Galinda the Good Witch in the smash musical Wicked. Or you may recognize her from her starring roles on TV—The West Wing, Pushing Daisies, and Sesame Street. At four foot eleven, Kristin Chenoweth is an immense talent in a petite but powerful package. Through a combination of talent, hard work, and (she’s quick to add) the grace of God, Kristin took Broadway and Hollywood by storm. But of course, into every storm, the occasional drizzle of disaster must fall, and Kristin reflects on how faith and family have kept her grounded, even in tough times.
Filled with wit, wisdom, and backstage insight, A Little Bit Wicked is long on love and short on sleep. It’s essential reading for Kristin’s legions of fans and an uplifting story for anyone seeking motivation to follow his or her dreams—over the rainbow and beyond.
Featuring Chenolicious recipes, Kristin's advice for young actors, and much more!
- Sales Rank: #118770 in Books
- Brand: Touchstone
- Published on: 2010-04-06
- Released on: 2010-04-06
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .70" w x 5.50" l, .53 pounds
- Binding: Paperback
- 256 pages
- Great product!
From Publishers Weekly
Currently seen as waitress Olive Snook in ABC's Pushing Daisies, the Tony Award–winning singer-actress Chenoweth looks back at her multifaceted career, which has encompassed recordings (As I Am), films (Four Christmases), television (The West Wing), Broadway (Wicked), solo concerts, animation (Tinker Bell), opera and Opryland. Beginning with the intriguing speculation that her unknown birth mother could be watching her career rise, she recalls her Oklahoma childhood and vocal training when she learned "[t]he music didn't come from notes and lyrics; it came from life and mileage." Personal revelations, such as her experiences with Ménière's disease, are balanced with bubbling backstage anecdotes. A chapter about her on-and-off relationship with writer-producer Aaron Sorkin includes a section written by Sorkin himself. With digressions, detours and words like "whack-a-noodle," the book is busy with show-biz flip quips and writing reminiscent of Julia Phillips's You'll Never Eat Lunch in This Town Again (minus the drugs and invective). Chenoweth has a frenzied, free-associative style; it's as if she's speaking breathlessly into a tape recorder between sitcom scenes. To use her phrase, this book is "a hoot and a holler"—a fast-paced frolic that her fans will appreciate. (Apr. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
About the Author
Kristin Chenoweth is an award-winning musical theatre performer, opera singer, television and film actress, and an exclusively signed Sony Masterworks recording artists. Visit www.kristin-chenoweth.com for more information on Kristin and her recordings: A Lovely Way to Spend Christmas, Let Yourself Go and As I Am.
Joni Rodgers is the author of several books including Bald in the Land of Big Hair, a memoir of her own unlikely journey from cancer patient to celebrity memoir guru.
Excerpt. © Reprinted by permission. All rights reserved.
overture
Los Angeles, California
February 8, 2008
I face myself in the full-length mirror, stability in one hand, sex in the other.
The white Armani gown is the dress every little girl dreams of. A lot of big girls, too. A line of blushing attendants, all picture-pretty, clutch their bouquets of roses and baby's breath, each on the arm of a dashing, tuxedoed counterpart. My best always-a-bridesmaid buddy Denny Downs is looking at me with wide, moist eyes, telling me how perfect it all is...but suddenly I'm not sure.
A moment ago, I was ready to commit myself to the faithful friend who's supported and stood by me all these years. Then Jimmy showed up, and everything became a question. Now, here I am at the eleventh hour, wondering what might happen, who will I be, if I allow my passion to be swayed by this dangerous bad boy. Crystallized moments like this one arise in every woman's life. Moments of truth in which she makes the choices that guide her destiny. Moments that ultimately write the story of her.
Sugar or spice? I agonize. Naughty or nice?
Sensible angels whisper in my ear, but the runaway bride in me is getting restless. I am a type A "leap and a net will appear" risk-taker, and if I trust that God made me this way for a reason, then I have to believe that the risk will be worth it in the long run. Experience has taught me that we all stumble and fall; faith assures me that He'll be there to catch me when I do. My heart speaks, and I listen.
I chose Jimmy.
Jimmy Choo, that is. A fabulous pair of four-inch platform slingbacks. Setting aside the safe-and-sane character shoes I was planning to wear onstage tonight, I cast my lot with the bad boy. Oh, I know what you're thinking, and, yeah, it's not exactly Sophie's Choice. But this is Oscar night. I'm about to step out onstage in front of thousands of people -- friends, colleagues, peers, people I hope and dream of working with -- plus my parents and everyone else watching the live broadcast on television.
People keep reminding me that billions -- with a b as in bombastic and boy howdy! -- yes, billions of people all over the world will be tuned in. Even in the coziest venues, performers can and do get hurt onstage all the time. There's a broken toe for every light on Broadway. But I'm not as concerned for myself as I am for the burgeoning cast of backup dancers. This is a huge shot of résumé adrenaline for most of these kids; I don't want it to turn into some tragicomic YouTube video labeled "Cheno Falls on Ass." On the other hand, when you're four feet eleven inches you get pretty comfortable in heels.
"A nice pair of Jimmy Choos never hurt anyone," I tell my friend Denny, but I take the precaution of having the soles rubbered for slip-resistance. (Faith is fine, but the Lord helps those who help themselves, right?)
I'll be performing "That's How You Know," one of three Oscar-nominated songs written by Alan Menken and Stephen Schwartz for Disney's frothy fairy tale Enchanted. As Tilda Swinton collects the Best Supporting Actress Oscar for Michael Clayton, the backstage cavern turns into an anthill of scurrying crew members preparing for my number, which is being staged in full-on Broadway showstopper style. Joining me on the sweeping two-story set is a village-size cast including half a dozen dancing brides niftily accessorized with dancing grooms, quick-stepping waiters, acrobatically inclined construction workers, happy townies, multiculti mariachis, and (putting us indisputably over the top) a marching band. Against a miniature backdrop of Manhattan, a battalion of gorgeous guys will form sort of a hunkpowered elevator and pass me bodily off an ornate, ten-foot-tall bridge.
A great song. A magical night. Gown by Armani and travel by hunk-o-vator. I am in grave danger of thinking it doesn't get any better than this when someone tells me, "George Clooney is on the front row." I don't ask who else is on the front row. Is there anyone else?
George Clooney needs to know that he and I are perfect for each other. We would be instantly matched on eHarmony.com. I can already see us in that ad campaign, oozing adorable, giddily telling the story of our first kiss. Happily ever after, cue Chaka Khan, roll credits. He is my Mr. Right. The problem is, I'm still in love with Mr. Writer, a man who is more likely to show up in a "Falls on Ass" video than an "Everlasting Love" commercial. Truth be told, eHarmony would not encourage me to share so much as a cab uptown with this guy. But of course this is precisely what makes him irresistible.
Never for a moment did I even fantasize that Aaron Sorkin was Mr. Right. From the day we met, he was Mr. Sets My Brain on Fire, then he evolved for a long, lovely spell into Mr. Makes Me Sing REO Speedwagon in the Shower, but there was always an undercurrent of Mr. You Are Seriously Pushing Your Luck Here, and I eventually found myself doing the ol' step-ball-change with Mr. Why Am I Banging My Head Against This Wall? Instead of coming up with a cutesy Hollywood powercouple name for us -- "Sorkoweth" or "Chenorkin" -- the tabloids wearily call us "on again/off again," which means we periodically put each other through a wrenching spate of separation, but I keep reinstating him as Mr. Might Actually Be Worth the Trouble. We are now "off again," and it's painful to not share this amazing moment with him. I love the man, and whatever happens or doesn't happen between us in the long run, I always will.
"It's in God's hands," I tell my father whenever he shakes his head about it.
The only thing I can say with utter certainty is that come what may, my feelings for George Clooney will remain unsullied. Whatever curtains rise and fall, the "Kristlooney" dream lives on.
Hosting the Oscars tonight is Jon Stewart, who's been onstage riffing about the bitter writers' strike that was recently resolved. His wry, wisenheimer humor is good medicine for our cruel but tenderhearted community.
"Welcome to the makeup sex," he said at the start of the show, and I felt a twinge of knowing exactly what he was talking about.
Aside from my periodic reunions with Mr. If Loving You Is Wrong, I Don't Wanna Be Right, I've been holding my breath through the strike, terrified for the fate of Pushing Daisies, this beautiful baby bird of a TV show I've been doing. With the strike ended, we are all breathing again and anxious to get back to work this summer. Before I resume shooting the show, I'll spend the spring in New York, shoot a movie in Minneapolis, squeeze in some family time with my far-flung loved ones in Texas, Denver, and Oklahoma, do a concert with the Chicago Symphony, and give a special benefit performance for a friend in Manhattan -- all of which keeps me pleasantly occupied and comfortably distanced from L.A. with all its potential complications and painful reminders.
I make my way backstage in my Jimmy Choos. I'm getting nervous. This doesn't happen to me much anymore. Like everyone around me, I'm a seasoned pro. Stage fright is a thing of the past. But tonight, as I prepare to step onstage, a hollow, little ice cube of doubt forms in the pit of my touchy stomach. I close my eyes. Heavenly Father...
I don't have to say anything else. He knows.
Adding one last dash of adorable to the Enchanted number is Vanessa Williams's little daughter Sasha, so Vanessa is here, helping her get ready. She gives me a good-luck scrunch and tells me, "Sasha's going to be right there when you look at her."
It's good to have another Broadway girl backstage. There's no unnerving a woman who's conquered the pageant circuit and delivered eight shows a week. She's a glam-cat paragon of strength and calm. Sasha's learning early what it took me years to understand.
Crew hands hustle out the set pieces. The hunks and I brace ourselves for places.
Deep breath.
Jon Stewart catches my eye.
"You're going to knock it out of the park," he assures me.
"I feel like I could pee my pants."
Jon smiles at me without a trace of wisenheimer. "Just get out there and do what you do."Copyright © 2009 by Kristin Chenoweth
Most helpful customer reviews
54 of 55 people found the following review helpful.
Great Memoir!
By tvtv3
I have to confess that I've just recently become a fan of Kristin Chenoweth. I knew she had won an Tony for Sally Brown in the revival of YOU'RE A GOOD MAN, CHARLIE BROWN and other than that, that was about it. Last summer some friends played a few songs of hers from her albums and I was blown away by her amazing voice and from that moment on became a fan. I bought her Christmas album and saw her amazing performance in St. Louis in January. We share a common faith and though I'm not from Oklahoma, I did live there and I'm involved in theatre myself (though in a completely different sphere than Chenoweth). When I heard she had a book coming out, I knew that it would be one I would be reading as soon as I could get it.
Even though it's being marketed as an autobiography, A LITTLE BIT WICKED isn't an autobiography. It is a memoir filled with autobiographical anecdotes. There are parts of her life that are completely skipped and though there is an overarching progression moving from her childhood to the present, the story skips around quite often and zig-zags all over the place. It's definitely told in Chenoweth's voice; the book was written in the same style, manner, and syntax as the way she talked when I saw her perform and in the interviews I've seen her in. However, a true autobiography has a person telling as much as their life story as they can possibly remember or are allowed to tell. A LITTLE BIT WICKED has a lot of great stories and fills in some background information people might not be familiar, but there's a lot that's been held back and isn't revealed. As Chenoweth points out in the afterwards to the book, she knows this and perhaps years in the future she'll write a true autobiography. Until then we have A LITTLE BIT WICKED and though it's not a full meal of a book, it's a tasty little divine snack that's quite satisfying.
The most covers many of the major events of Chenweth's public life: her Miss America attempts; the Tony win for YOU'RE A GOOD MAN, CHARLIE BROWN; WICKED; THE WEST WING; PUSHING DAISIES; the FHM pin-up shoot; her appearance on THE 700 CLUB. Interspersed between all of this is her story about growing up in Broken Arrow, Oklahoma and her training at Oklahoma City University. She talks a lot about her faith and a little time about starting out in New York City with the seemingly random audition for ANIMAL CRACKERS that brought her to New York. There's also her recipe for "No-Calorie-Left-Behind Pie", her simple advice for young actors, a timeline of her life, and a list of questions she wants to ask God when she meets him. She also briefly discusses the four grand loves of her life, including Aaron Sorkin. True to Chenoweth's spirit, Sorkin even writes a small part of this book explaining how he fell in love with and later met Chenoweth.
For me, the most interesting part of the book was the story Chenoweth tells until she first came to New York. I really enjoyed the learning about where she came from, who her parents and siblings are, what she thought of school, her early training, etc. In all honesty, this part of her life is the most informative and detailed in the book.
I really enjoyed reading A LITTLE BIT WICKED. It's a book that every fan of Kristin Chenoweth will enjoy. It's also written in such a way that casual readers who don't know much about Chenoweth will probably like it as well.
39 of 41 people found the following review helpful.
Folksy and Fun
By Jennifer Donovan
Celebrity biographies are not usually my first pick of books, but since the West Wing is probably my favorite TV drama ever, and since Wicked is absolutely the best Broadway show I've ever seen -- I was curious.
Kristin is a good Southern girl who's managed to stay out of the trouble that many starlets get into. She's been outspoken about her Christian faith, which has hit her from both sides -- from the Christians who say her views on homosexuality are too liberal and from homosexuals who say that she aligns herself with their enemies.
So, I wanted to see for myself.
At first I thought that the book was a little too chatty and folsky, but that grew on me, and in the end I did feel as if I knew Chenoweth better. I was also a bit bothered by the fact that there was no real time-line or even a theme to the chapters, but then I realized that's exactly the way we get to know a friend.
We don't hear their whole story from age fifteen to the present day. We pick up bits of a person's life and experiences here and there. It's sort of like mining for gold: In the "Sift, sift, sift, sift" of everyday conversation suddenly a gold nugget about a past love or a life-changing mistake is uncovered and you see that person in a totally new way.
So if you like celebrity bios, you'll probably like this one. If you don't particular like celebrity bios, but like Kristin Chenoweth or are curious about musical training or Broadway, then you might like this one too.
6 of 6 people found the following review helpful.
I couldn't put this down!
By Tanya Dennis
I'm not into celebrity books. I'm not even a fan of memoirs, but this book was fantastic. I couldn't put it down!
This book reads as if you're sitting in her living room drinking tea and eating some scrumptious dessert. Ms. Chenoweth effortlessly combines her faith with her experiences and her confidence in who she is. You won't find any apologies or fake modesty, just an honest and witty portrayal of the way she sees life. It's delightful!
A stylistic note: I greatly appreciated the tone of this book. It is simply clean and friendly and funny. There are no explicit "tell-all" scenes, no bashing of other people, no negative vibes. With a single exception there aren't even any curse words or vain uses of God's names. A wonderful testament, a respectful perspective. Well done!
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