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Redemption Falls: A Novel, by Joseph O'Connor
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1865. The Civil War is ending. Eighteen years after the Irish famine-ship Star of the Sea docked at New York, a daughter of its journey, Eliza Duane Mooney, sets out on foot from Baton Rouge, Louisiana, crossing a ravaged continent on a quest. Eliza is searching for a young boy she has not seen in four years, one of the hundred thousand children drawn into the war. His fate has been mysterious and will prove extraordinary.
It is a walk that will have consequences for many seemingly unconnected survivors: the stunning intellectual Lucia-Cruz McLelland, who deserts New York City to cast her fate with mercurial hero James Con O'Keeffe -- convict, revolutionary, governor of the desolate Western township of Redemption Falls; rebel guerilla Cole McLaurenson, who fuels his own gruesome Westward mission with the blind rage of an outlaw; runaway slave Elizabeth Longstreet, who turns resentment into grace in a Western wilderness where nothing is as it seems.
O'Keeffe's career has seen astonishing highs and lows. Condemned to death in 1848 for plotting an insurrection against British rule in Ireland, his sentence was commuted to life transportation to Van Diemen's Land, Tasmania. From there he escaped, abandoning a woman he loved, and was shipwrecked in the Pacific before making his way to the teeming city of New York. A spellbinding orator, he has been hailed a hero by Irish New Yorkers, refugees from the famine that has ravaged their homeland. His public appearances are thronged to the rafters and his story has brought him fame. He has married the daughter of a wealthy Manhattan family, but their marriage is haunted by a past full of secrets. The terrors of Civil War have shaken his every belief. Now alone in the west, he yearns for new beginnings.
Redemption Falls is a Dickensian tale of war and forgiveness, of strangers in a strange land, of love put to the ultimate test. Packed with music, balladry, poetry, and storytelling, this is "a vivid mosaic of a vast country driven wild by war" (Irish Independent), containing "moments of sustained brilliance which in psychological truth and realism make Daniel Defoe look like a literary amateur" (Sunday Tribune). With this riveting historical novel of urgent contemporary resonance, the author of the bestselling Star of the Sea now brings us a modern masterpiece.
- Sales Rank: #1101718 in Books
- Published on: 2008-06-10
- Released on: 2008-06-10
- Original language: English
- Number of items: 1
- Dimensions: 8.44" h x 1.30" w x 5.50" l,
- Binding: Paperback
- 471 pages
From Publishers Weekly
Irish author O'Connor (Star of the Sea) delivers a highly stylized post–Civil War period pastiche centered on Redemption Falls, a tumultuous frontier town in the Mountain Territory (presumably in present day Utah or Montana). Told through the posters, correspondence, poems/songs, newspaper articles and interview transcripts collected in the early 20th century by a university professor (and nephew of one of the book's prominent characters), the narrative follows acting governor James Con O'Keeffe as he feuds with his ravishing wife, Lucia-Cruz McLelland, about the mute 12-year-old drummer boy Con takes in and wants to adopt. The boy, Jeddo Mooney, is in a bad way and unaware that his tenacious older sister, Eliza Duane Mooney, is hiking from war-ravaged Louisiana to find him. (Her journey is its own mini-epic.) Con's past as an English criminal who barely escaped the noose and his behavior as an American politician demonstrate his noble but flawed character, while a chorus of minor voices add texture to a narrative already rich with a medley of languages, dialects and clashing cultural mores. The novel is complex, ambitious and at times difficult (many characters are uneducated, and their journals and letters prove to be occasionally impenetrable). O'Connor succeeds as a ventriloquist who brings to life a wide cross-section of Americana. (Oct.)
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From Booklist
*Starred Review* In this vibrant literary collage, O'Connor illuminates a slice of the Civil War and Reconstruction. The stories of Eliza Mooney and her younger brother, Jeremiah, are intertwined in this enthralling saga with those of General James O'Keefe and his wealthy wife, Lucia, through letters, personal accounts, transcripts, newspaper articles, and miscellany. As the bloody war ends, Eliza—worldly wise beyond her teenage years—sets out on foot from Baton Rouge to find her only remaining kin, a boy who emerges from battle to become the surrogate son of the general, whose failure on the Union battlefield earns him the job of acting governor of an untamed mountain territory. The stories—of O'Keeffe's disreputable past, Lucia's temptation during her husband's absence, Eliza's torturous journey, and the horrors of war witnessed by Jeremiah—are vivid and tumultuous, coursing to a bloody climax. Although Irish immigrant participation in the Civil War is a central theme, O'Connor also shows the rich diversity of a country torn by civil conflict. Leber, Michele
Review
"A major work of modern fiction from an astoundingly accomplished writer." -- The Guardian
"This book took my breath away." --Frank McCourt
"Redemption Falls...is told with extraordinary ingenuity, the tone a mixture of the playful and the grave, at times fast-moving, smart, and very clever, and then full of beautiful writing and heartbreaking sequences. The cadences of the competing voices in the book combine to produce a dazzling narrative." -- Colm Tóibín, author of The Master, winner of the 2006 Dublin International IMPAC Award
"A huge achievement, as deep as it is wide, this is a book like no other of these times -- a panorama of violence, vigor, and tragic love set among people devastated by the American Civil War, brilliantly recounted in the multiple tones of their voices, writings, and songs, and realized with an empathy both impressive and extraordinarily moving." -- Nuala O'Faolain, author of Are You Somebody? and Almost There
"A superb achievement." -- The Irish Times
"Redemption Falls is a gem. It's a glorious book, enormous, virtuoso, and brave. Its scope is wide -- love, death, war, belonging -- and yet its gaze is intimate. At its heart is the story of a woman who wants to return to the only country she has -- her family. The language is at turns bawdy, ancient, poetic, grand, and funny. One can't dismiss the genius that's involved in being able to tell such necessary stories in a time of war and still be able to beat back all the clichés. The minute I finished the book I wanted to start reading it all over again." -- Colum McCann, author of Dancer (Irish Novel of the Year 2005) and Zoli
"Sensational...Hypnotically effective...Gone With the Wind rewritten by a Dublin-born apprentice to Charles Dickens." -- Brian Lynch, Irish Independent
Most helpful customer reviews
0 of 0 people found the following review helpful.
A rich and enjoyable read.
By T. M. Thurston
I loved O'Connor's approach in this book and I look forward to reading other books by him. By using various voices plus a narrator he develops a rich and enjoyable view of this world and this epoch.
1 of 1 people found the following review helpful.
Five Stars
By jane downey
interesting but not a fast read
5 of 5 people found the following review helpful.
Redemption Falls, or Redemption Fails?
By Byrne Hourihane
Told in the myriad voices of those who bore witness to the events described herein, "Redemption Falls" is at once both historical fiction profiling the Irish experience during and after the American Civil War, and a lugubrious chronicle of the human condition under duress. As a student of the American Civil War, the Emerald Isle's Joseph O' Connor employs the presumed idiom of the period; his characters come to life as they chronicle events. The illiterate and semi-literate seem woefully so. The educated speak to us in the wordy formality of the Victorian period. Visually, O'Connor bolsters his gritty tale by weaving in anachronistic poetry, army recruiting and `wanted' posters; effects that convene a finely tuned `1860s' cadence to Redemption Falls. The author's laborious description of a painting depicting a headdress'd American Indian gives the warrior life. Adroit at writing sentence fragments, O'Connor seamlessly shifts scenes, locations and voices--both fictional and real--from one time frame to another. O'Connor forces readers to savor every crafty word.
Mildly akin to Charles Frazier's melancholy "Cold Mountain," O'Connor's story unfolds in post-Civil War America. Former Irish rebel Cornelius O'Keeffe serves as titular governor of an unnamed western territory, although readers might assume the story is set in Montana. For O'Keeffe's character bears such striking resemblance to the first real-life governor of the Territory of Montana, Thomas Francis Meagher, that it's unlikely the similarity is coincidental. Following commutation of death sentences for perfidy against the noble Crown in Ireland, both Irishmen wind up as prisoners in Van Diemen's Land (Australia, Tasmania)--a life sentence they quickly escape via boat. Subsequent events find both our fictional protagonist and real-life Meagher in New York where they marry into society's crust. Both men serve with checkerboard distinction for the Federals during the Civil War. After the war and brief lecture careers, they head for the frontier to pursue roughshod careers that thrive there. Fueled by indomitable courage and the bottle, territorial governorships and decline await the once vainglorious O'Keeffe and Meagher.
Our fictional O'Keeffe and his fiery wife Lucia-Cruz reside in Redemption Falls where himself is routinely mocked and despised by its citizens, many of whom served in the Confederacy. Unkempt, sullen, often drunk, the governor plants one foot in the past where the ghosts of soldiers he sent to their deaths haunt him. In the present he's as unforgiving of himself as he is towards others. Con O'Keeffe boasts no friends save for a couple of abrasive deputies.
Following a tip, Con O'Keeffe happens on a grisly murder scene in the backcountry and discovers a filthy young Irish urchin lurking about. Defiant and mute, the pre-teen Jeremiah `Jeddo' Mooney faces O'Keeffe displaying a flash of the same pugnacious spirit that the governor himself boasts. Unable to find Jeddo's people, O'Keeffe hauls him off to live at his cabin at Redemption Falls.
Hewn from sawn timber, the unfinished cabin is not a happy place. The missus and her freed-slave cook, Elizabeth Longstreet, seem none to keen on housing a mute waif with behavior issues. Jeddo rapidly drives a nail into the marital coffin of a childless couple who, to remain so, sleep in separate bedrooms. (`Tis a Catholic thing.)
Which brings readers to Eliza Duane Mooney. Late of Louisiana and not-yet seventeen years old, she's walking fifteen hundred miles to the frontier in search of a brother she carries with her only as a worn daguerreotype. "Have you seen this boy?" she inquires. She hears rumor. "You've seen him where?" Eyeing the sad parade of broken Confederate soldiers trudging shoe-less back to the South where homes and farms once stood, road agents take advantage of her as Eliza plods on.
Back at the O'Keeffe cabin the story takes a twist as we learn Lucia-Cruz keeps a Civil War skeleton in the closet. Meanwhile, Con O'Keeffe casts a blind-eye toward young Jeddo's disruptive shenanigans. Townspeople accuse Jeddo Mooney of skullduggery as the O'Keefe's marriage continues a downward slide.
Searching for a character readers can hang onto, we're reminded that after war's physical fighting ends the battle goes on interminably for the casualties of war--one message drawn from "Redemption Falls." O'Connor's hard-edged text further recalls that veterans and sympathizers of both the Federal and Confederate armies flocked to the frontier where blood flowed as the Civil War's spirit lived on for many.
Do any of O'Connor's characters find redemption? The book's title implies so. Yet those who read authors like Joseph O'Connor or Cormac McCarthy know that the hero doesn't emerge unscathed--or at all. Unearthing the answer in this case is worth the ride it takes to get there.
Frank McCourt (Angela's Ashes) says "Redemption Falls" took his breath away. What can one add to that?
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