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# Ebook What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth

Ebook What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth

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What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth

What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth



What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth

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What Happened to Johnnie Jordan?: The Story of a Child Turning Violent, by Jennifer Toth

On an icy night five years ago, Johnnie Jordan -- just fourteen years old -- brutally murdered his elderly foster care mother, leaving the state of Ohio shocked and outraged. He could not tell police why he did it or even how it made him feel; all he knew was that something inside him made him kill. At the time, few people predicted the swift emergence of a class of young so-called "super-predators" -- criminals like Johnnie who injure and kill without conscience, personified to the nation by the Littleton, Colorado, tragedy in 1999.

In What Happened to Johnnie Jordan? acclaimed journalist Jennifer Toth, author of The Mole People and Orphans of the Living, once again takes a look at the people in our society whom we so often discard and altogether ignore. As Toth investigates Johnnie's crime and life, she unravels the mysteries of a child murderer unable to identify his emotions even after they converge in acts of fury and rage. In the course of her research, Johnnie grows dangerously into a young man who "will probably kill again," he says, "though I don't want to." Yet he also demonstrates great kindness and caring when treated as more than just a case number, when treated as a human. Through Johnnie's harrowing story, Toth examines how some children manage to overcome tragic beginnings, while others turn their pain, anger, and loss on innocents.

More than a beautifully written narrative of youth gone wrong, this is the story of a child welfare system so corrupted by bureaucracy and overwhelmed with cases that many children entrusted to its care receive none at all. It is also the story of a Midwestern town struggling with blame and anger, unable to reconcile the damage done by so young an offender. From Johnnie's early years on the streets to his controversial trial and ultimate conviction, What Happened to Johnnie Jordan? is a seminal work on youth violence and how we as a society can work to curtail it. Ultimately, Toth ponders one of the most difficult and important questions on youth violence: If we can't control the way children are raised, how can we prevent them from destroying other lives as well?

  • Sales Rank: #854790 in Books
  • Published on: 2007-09-11
  • Released on: 2007-09-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.05 pounds
  • Binding: Paperback
  • 320 pages

Review
Marvin Kalb

Author of "One Scandalous Story"

Jennifer Toth is a very special writer, and she has now tackled a very special and important subject. Good for her. Better for us.

Francine Cournos, M.D.

Professor of Clinical Psychiatry, Columbia University, and author of "City Of One"

This is an eye-opening work, a gripping and meticulously researched portrayal of an abused, dazed young boy tossed recklessly through a disjointed child welfare system on his way toward unspeakable crime. Jennifer Toth illuminates with extraordinary insight the path toward brutal juvenile violence.

Jack Nelson

Chief Washington Correspondent, "Los Angeles Times"

Jennifer Toth's powerful and absorbing tale of a teenager whose tendency to violence turned to murder makes a convincing case that such tragedies can be prevented by proper intervention by welfare and juvenile justice systems. She lays bare the faults of both systems in telling how young would-be murderers can be stopped before they kill. It is must reading for anyone concerned about the increasing problem of youths prone to violence.

Marvin Kalb Author of "One Scandalous Story" Jennifer Toth is a very special writer, and she has now tackled a very special and important subject. Good for her. Better for us.

Jack Nelson Chief Washington Correspondent, "Los Angeles Times" Jennifer Toth's powerful and absorbing tale of a teenager whose tendency to violence turned to murder makes a convincing case that such tragedies can be prevented by proper intervention by welfare and juvenile justice systems. She lays bare the faults of both systems in telling how young would-be murderers can be stopped before they kill. It is must reading for anyone concerned about the increasing problem of youths prone to violence.

Francine Cournos, M.D. Professor of Clinical Psychiatry, Columbia University, and author of "City Of One" This is an eye-opening work, a gripping and meticulously researched portrayal of an abused, dazed young boy tossed recklessly through a disjointed child welfare system on his way toward unspeakable crime. Jennifer Toth illuminates with extraordinary insight the path toward brutal juvenile violence.

About the Author
Jennifer Toth graduated from Washington University in St. Louis and went on to receive a master's degree in journalism from Columbia University. She has written pieces for the Atlantic Monthly, The Washington Post, the International Herald Tribune, and Business Week, and she is the author of The Mole People and Orphans of the Living. She lives in Maryland.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

The glory of the winter's setting sun flashed red and pink across northwestern Ohio's frozen horizon as Charles Johnson drove his tired green Chevrolet home from Sears with a space heater he hoped would save him from his wife's icy feet in bed. The two-lane rural highway was almost empty, but Mr. Johnson kept to the thirty-five-mile-per-hour speed limit. At seventy years of age, with the remains of his hair grey and the memory of thousands of wide, proud smiles recorded in deep creases in his weathered red-brown skin, life was no race to Mr. Johnson. But this evening, he was hurried. He knew his wife was anxious for him to get home.

A tall, willowy man with brown eyes regularly buffed by the wind and shining with the wonder he found in life around him, he genially bent to his wife's wishes. He smiled whenever he thought of her, even after thirty years of marriage. Jeanette Johnson, a petite, gentle woman, "held the Lord's love in her eyes," as he put it. To say that Mr. Johnson loved his wife would understate the truth. She was his world on this earth. He loved even her cold feet, though the thought of them made him shudder slightly and shake his head with a low chuckle.

A sharp cold had rolled down from Canada across Lake Erie and invaded the Johnsons' one-story aluminum-sided house earlier in the week, and hadn't budged since. The two-bedroom home had no furnace, only a woodstove and a space heater which had broken sometime during the previous night. Mrs. Johnson always wore thick white socks to bed, but Mr. Johnson could feel the cold rush to her warmth, and though she protested, he knew how she melted when he rubbed her feet in his large work-callused hands before letting the space heater take over. Her quiet, shy smile thanked him more than any words. The light in her eyes warmed his soul. She was too good for this world, he would say.

With his eyes carefully on the road, Mr. Johnson felt the sky. He said he could read the skies better than most weathermen with all their equipment, not just by looking up, but by soaking in the air it breathed. Mr. Johnson had a gift for feeling. He could feel the sky through his eyes, he told me with a humble smile, and even through his pores.

This evening the sky was hard, icy, aloof, glorious, and unyielding. Though thick clouds approached, red smoldered through their darkness. Any way it was, the sky spoke to Mr. Johnson of some truth. He let the sky guide his thoughts regularly; it was how he lived. That moment, he recalled for me, he was thinking of the subject for his next sermon as a lay minister at St. Mary's Baptist Church back in town. Redemption, he decided. Forgiveness and redemption rising like a phoenix out of the red burnings of life.

The sun was now setting at a distance not too far. A dusting of fine snow outlined the sharp, bare trees, and rested in the crevices between frozen tufts of yellowed grass in fallow fields. Almost within reach, the sky met land. He took his last full, deep breath of wonder.

Mr. Johnson's Ohio is quiet, still, flat, and vast. He visited Toledo, or "town" as he called the state's fourth-largest city, for church and a few other necessities. But he preferred the rural life and chose to live mostly within the seven-and-a-half acres of Spencer Township. When he first came to Spencer in the late 1940s, migrating north from Georgia in search of work, there were no paved roads. People relied on outhouses then. Spencer educated its children in a one-room schoolhouse down the road from where he now lived. Nature's fickle character never allowed stable prosperity to fall on the township, but even when farms suffered, people lived by neighborly goodness. There was little crime in the county. You could count the entire history of Spencer's violent crimes on one hand. In the 1950s, a man stabbed his wife to death with eighty strokes. Some years later, a fight in the corner bar left a man dead in a ditch. Spencer was then, and remains today, the kind of place where neighbors look out for one another and usually leave their doors unlocked at night.

The roads now are blacktopped, and the school closed in favor of busing children into the city, but Spencer has stayed much the same. Even as commerce and industry spread westward from Toledo, doubling the population of the counties it overtook, Spencer barely changed. The population even dropped a little, to around 1,700. City life, it seemed, stopped short just east of the township and then turned south, probably because Spencer still lacks public sewer and water lines.

On this winter evening, Mr. Johnson drove past the more prosperous and larger farms of Harding Village, where red barns stand on flat plains a few acres from their white houses with broad pillared porches. Spencer rests like a horseshoe around Harding. In recent times, politicians have been accused of drawing town boundaries here along racial lines, but in fact they were made and stiffened by religion. Around the turn of the century, invisible borders were marked between Catholics and Protestants. One group prospered; the other did not. That was well before Mr. Johnson left the South in search of opportunities. He had made his way from a very poor sharecropping family up to the Cleveland area as a teenager. Scavenging for work, he stayed in the basement of a church. He worked in the steel mills around Cleveland before the steel mills went bust, then landed a job in a glass factory in Toledo. He stayed with relatives in Spencer and commuted into Toledo until he got on his feet. Much later, he worked as the janitor of the school down the street. He had found Jeanette Collins by then, demurely nestled in a church gathering, and they were happily married. She carefully packed a baloney sandwich for his lunch every day, which he doled out to children who had "forgotten" their own lunches. There were many families in Spencer too proud to ask for subsidized lunches.

When they had saved enough, they bought a house. It was difficult in that era for a black man to do all these things with almost no education, but Mr. Johnson never spoke of those hurdles or complained. Life, to him, was a blessing and a miracle, and he did what he could to help people less fortunate.

Leaving the broad farmland, he drove into Spencer, where small houses are squeezed alongside each other in random fashion. There is no reason or plan to this township. Houses grow as randomly as weeds on land that is bought slowly and built on with almost no rules. Some houses stand near the street, others far back, their numbers skip, jump, and are interrupted by spurts of forest and fields.

This evening, his neighbors' thick chimney smoke dissipated gently into the thin air. The land lay lifelessly brown, awaiting the spring thaw. The gravel road crunched as he drove toward his yellow house, standing quietly against the gurgle of a nearly invisible creek winding under his driveway.

Mr. Johnson pulled the Chevrolet carefully into his garage. The swing set he built for the scores of children he and his wife had foster-parented over twenty years sat idle, a sad wind tinkling its chains. The sky had darkened suddenly in the early winter evening, with no flicker of light.

The house's silence made him uneasy. Jeanette did not call out his name as usual. He hurried his step to the back door, suddenly wanting to hear her voice and feel the warmth of their kitchen. The back door he would always step through was locked. It was never locked. The air felt unusually quiet and tense against his skin. He fumbled with a key. The sky went cold. He smelled something wrong. When he opened the door, black smoke rushed at him. Something was on fire.

He found his wife's lifeless body on the linoleum floor before him, her hand reaching for the door, her blood seeping toward his feet. Her eyes -- he breaks, recalling the terror and confusion still staring out of her one undestroyed eye. Thankfully, he did not notice her charred legs, only the flame licking at her clothes. When he turned to get the extinguisher, the fire was gone. He went into the bedroom and pulled a white bedspread from their mattress and wrapped it snugly around his wife. She wouldn't want people to see her like this, and he wanted to keep her warm. Briefly, and only in his heart, she was still alive. Only there could he feel the flutter of her heart, of her breath. The stillness of life and the silence of death, of what his senses knew to be true, he could not take in. Instead, he was struck by a sadness so thick and heavy that it knocked the breath out of him, a sadness so bottomless and profound that he felt irretrievably numb.

Charles Johnson does not remember walking to the telephone or dialing. But he recalls waiting on the line, hoping Johnnie Jordan would come up behind him and finish the day by killing him too. That would be a mercy. He knew it had been Johnnie. He knew it as he knew his last strong grasp of faith was draining from him. With his wife's unprovoked, senseless death, by a child they had agreed to take into their home and foster-parent, Charles Johnson's beliefs in goodness and caring for others, in man's capacity for redemption, became hollow shells without the warm core that fed them. His faith remained. But for the year he lived on after his wife's death, it was a ghost of what it had always been.

* * *

I pray every day that I wake up soon, that the Lord gives me some reason, because I don't see no plan to this at all and I can't rest until I do. I can't sleep knowing that Jeanette is going to die again in some other person.

-- Charles Johnson

At the trial of Johnnie Jordan half a year later, Charles Johnson's once tall and dignified frame appeared frail and bent, his once shining eyes, dull and vacant. His voice echoed the emptiness in his heart. He spoke to reporters with a striking lack of anger or vindictiveness. It was a tragedy, he said, not only for his wife, but also for Johnnie Jordan, a child of fifteen, with only prison in his future.

Mr. Johnson knew more than most of us could see then. Johnnie was among the first child murderers to vie for national attention after committing violent, seemingly senseless crimes, murders without motive or meaning. Over the next several years, other grisly murders spilling out of schools and homes would shock America, forming an apparently new phenomenon of young, rage-filled killers taking lives with motiveless passion and little or no remorse. While juvenile crime rates were generally declining, the number of child murderers rose. Senseless murders committed by children as young as six years old assaulted communities both urban and rural, rich and poor, throughout the country.

A year and a half after Johnnie murdered Mrs. Johnson in January of 1996, a sixteen-year-old boy in Pearl, Mississippi, killed his mother and then went on a rampage in his high school, shooting nine students, killing two. In December of 1997, a fourteen-year-old killed three students and injured five others in West Paducah, Kentucky. Three months later, in Jonesboro, Arkansas, four girls and a teacher were shot to death and ten people were wounded when two boys, aged eleven and thirteen, opened fire from the woods after triggering a fire alarm. In Edinboro, Pennsylvania, the next month, a fourteen-year-old shot a science teacher to death in front of students at an eighth-grade graduation dance. The next month, May 1998, a teenager in Fayetteville, Tennessee, opened fire in a parking lot at his high school, killing a classmate, three days before their graduation. Two days later in Springfield, Oregon, a fifteen-year-old boy slayed his parents at home and went on to school, where he shot twenty-five people, two teenagers fatally. Then, on April 20, 1999, in Littleton, Colorado, two high school students shot twelve classmates and a teacher to death and injured twenty-three before killing themselves.

These are only the most sensational murders, those that took more than one young victim. There were, and still are, far more cases skating through the local news in which only one or a few adult lives are taken by children and which are barely noticed by the national media. In Queens, New York, for example, five teenagers, the youngest fourteen years old, beat a Chinese food deliveryman to death in September 2000, merely because they wanted free food after the Chinese food dinner they had just finished.

Mr. Johnson could not begin to fathom the crazed nature of young murderers like Johnnie, who kill in a consuming rage that not even they can understand, for reasons they cannot explain. He sought some explanation, however, hoping that in these children's stories lay some rationale, some larger truth beyond race, beyond poverty and drugs, beyond easily available weapons and gratuitous television violence. And Mr. Johnson sensed that his loss was part of a greater loss, his shock and grief the forerunner of the nation's shock and grief as his tragedy repeated itself in different forms, across socioeconomic borders, in homes and school yards and classrooms throughout the country. In response to what several news magazines referred to as an epidemic of cold and remorseless young criminals, public outrage pushed legislatures to pass harsher sentencing laws for children, "to put them away, to keep us safe," as one Ohio legislator put it. Several states lowered the age of criminals eligible for capital punishment to thirteen. Some states abolished a minimum age at which children can be prosecuted as adults and incarcerated in adult prisons. The late 1990s saw the largest overhaul of the American juvenile justice system which, derived from the Elizabethan model, was initially intended to rehabilitate and save young offenders.

Over the months following Mrs. Johnson's murder, the cotton and willows that framed the Johnson home in Ohio dried and withered along with Mr. Johnson. He did nothing to save them. Like the house itself, they seemed haunted by a murder too real and too empty of sense to move forward in time. A red lantern still hangs from a tree limb next to a hatchet much like the one that mutilated his wife and destroyed his world. Both rust slowly in the Ohio air.

The greater Toledo community, first angered and shattered by the murder, soon sought to move beyond the tragedy by convincing itself that the killing was a rare, fathomless, and unpredictable act of brutality. It occurred in a moment devoid of reason or understanding, in one small home, in a gentle farming community where there is little crime, where kindness was plenty and love was taught and learned. Still, the shock of a child's rage capsized the community's faith in saving children. It drew citizens away from their benevolence and made them less willing to open their homes to neglected and abused children. Lucas County Children Services (formerly Lucas County Children's Services Board), which had placed Johnnie in the Johnsons' home, as well as several neighboring Ohio foster care agencies, quickly recorded a severe drop in volunteer foster parents. Worse, Lucas County sought to avoid blame by continuing to portray the case as random and unpreventable.

But Mr. Johnson was determined that his wife's death should not be forgotten, that even though it was difficult to comprehend, it should not be dismissed as senseless. Mrs. Johnson's death deserved some greater meaning, he said. Only he believed it should be recognized as a tragedy that could have been avoided. Moreover, if action was not taken to remedy the failures that contributed to her murder, such tragedies could -- and would -- be repeated in some other place, with some other person, at some other time.

He brought a lawsuit in an effort to reform the system which he believed killed not only his wife, but also the humanity in Johnnie Jordan. Through legal action, he hoped to draw attention to the blatant negligence and failings of county agencies in dealing with troubled children, particularly those prone to violence. He was convinced that Johnnie Jordan's rage could have been curbed and channeled if county officials legally responsible for him had been more vigilant and aware of the propensity to violent behavior that Johnnie openly displayed. And, if they had prepared his caretakers, or at least made them aware of the danger, the life of a gentle, caring woman might have been saved.

But the local government's sovereign immunity from lawsuits for negligence ultimately saved the county agencies from liability, and thus from change. And instead, the agencies rejected public examination of their actions, even internal introspection, lest reform suggest an admission of guilt.

Mr. Johnson, worn out and despondent, did not live long enough to see the case settled out of court for under $1 million. He had told me he would have neither the time nor the notion to spend the money. It was change he sought. His attorney accepted the settlement because he was not certain he could prove that the failings of Children Services and juvenile justice had gone beyond simple neglect to malice, and, equally influential in his decision, he no longer had a grieving spouse to bring home to a jury the full tragedy of the murder. But without an admission of guilt from the county, the possibility of reform fell apart with Mr. Johnson's death. No agency took responsibility or accepted blame. Worse, no one searched for a truth that might prevent another Johnnie from erupting. And the questions that haunted Mr. Johnson, the mystery of what happened to Johnnie Jordan, went unsolved in the prevailing hush and angry glares of people in the community who wanted -- and still want -- this story to be over, who still want to forget.

But Mr. Johnson deserves a greater effort to answer his questions than he received from the authorities. Who was Johnnie Jordan? What made this child into a killer? Why will his story likely be repeated?

Initially, I was drawn to Johnnie's story by those same questions. In my work with children, I had heard teachers and social workers increasingly complain of "superpredators," children with apparently no conscience whom they anxiously watch passing through their classrooms and caseloads. Johnnie was cited as an example. That's when I called Mr. Johnson.

Mr. Johnson taught me a great deal, and not solely about this case. Through his pain, fear, and compassion, he was able to look beyond anger and judgment as well as community pressure to let the story go, to move on and to forget. My interviews with him convinced me to continue his quest for understanding and reform, even as I watched his hope and drive fade. Though I never achieved Mr. Johnson's forgiveness of the crime, throughout this project I drew motivation from the Johnsons, their memory, their goodness, their hope, and their belief in helping children.

I began my work seeking the evil inside Johnnie Jordan, a so-called superpredator who could kill without remorse. At first, Johnnie fit my preconception. He sought gain from his crime; he wanted to be paid for being interviewed for this book. I refused. Without benefit to himself, he said, he would not cooperate. He did not care to help the public understand about children like himself, he told me, for what would it get him? Only when his former attorney intervened did he agree to our first interview.

In prison, shackled with chains too large for his arms and legs, I saw a child too small for his prison-issued jumpsuit, lost among the adult prisoners surrounding him, too shy to look me in the eye. He was a boy who still would not eat vegetables, whose worries and anxieties he did not acknowledge but came in the form of stomachaches he treated with candy. I would come to understand that he was a child who had not developed emotionally, who was capable of a monstrous act which he saw only as "a mistake," never fully comprehending its horror.

For years, I vacillated between my outrage, anger, and frustration toward the killer, and my sadness for the lost child whom no one wanted to remember or cared about any longer. It would have been easier to dismiss Johnnie as inhuman. But that is not what Mr. Johnson saw in him, nor what I found in him in those first interviews -- at times a child who could be soft and creative, even sensitive -- at other times, cold and evil; and above all and always, confused.

When I began this book, Johnnie was a child -- perhaps a morally stunted one, perhaps not. He is a monster now after years in jail, some would argue, not because of evil in his heart or in his soul, but because his rage has grown unabated until it is beyond his or anyone's control. Not even he understands his emotions, what brings them on so ferociously, let alone their origin. He is often cut off from his conscience and his heart.

When he is angry, he often laughs. He doesn't know why. It is not to turn away from his anger, he says. He does not even know at times that he is angry. "My eyes'll get watery and stuff, and then I'll flip," he told me during our second three-hour interview in prison. "That's when I know I was angry. I do the first thing that comes to my head then. It depends where I'm at. If there are chairs around, I'll throw them. If it came down to it, I could kill someone. I try not to though." Afterward, "I try not to feel too much. If I do something, I try not to have no afterthoughts. Just know it's done and over with. That's one thing that kill most people in prison -- too much stress."

He had ironed his blue prison jumpsuit and combed his hair into a soft Afro, but his eyes were puffy and sleepless. He was too wary of his surroundings to rest much. He slumped forward in his chair, resting his forearms on his thighs in a tough inmate pose which instead only exaggerated his youth. He had been trying to gain weight, to look stronger, but the weight fell softly on his young frame. Later it would turn to muscle. Honesty carried in his voice, always. He had nothing more to lose, and had decided to like and trust me, he said. He didn't know why.

"I guess it's the loneliness and misery that draws me close enough to confide my secrets," he wrote me. Still, he doubted he could. "Will I have the strength, the courage, the time to explore the period of my life that was the most surprising and concentrated of all?" he asked in another letter a month later. It was the only time he expressed self-doubt.

Every week, he phoned and we spoke for the prison-allotted time. I visited him in each of his five prisons, interviewing him for four and five hours a day in weeklong stretches. As he faced rejection from the people he loved on the outside world, as they cut him off or forgot him, he became angrier, feeling as a child would that he was still entitled to their care. He came to appreciate my interest in him. By the end of this project, only his former lawyer and I had kept contact with him. I treated him like a person, he said, though often a young person.

"Why do you talk to me like a child sometimes?" he once asked with a hiss of exasperation. For as his time passed in prison, he preferred to see himself as an adult, hardened and at times mean.

"Because sometimes I prefer to see you that way," I told him.

Johnnie was silent for a moment.

"It's not who I want to be anymore, though," he told me.

Our interviews were often unsteady. Difficult questions sometimes enraged Johnnie. Several times, I wondered if he would stop cooperating with me. But he would call eventually, still angry and threatening and claiming he didn't know why he continued to speak with me.

"Expressing my feelings have always been a problem for me not only in here, but out there also," he once wrote. "This is hard telling you but, I got to tell someone or I break down or blow up insides. And I think that you're the best person for me to talk to. I feel you be the one that will get me through this sorrow." He signed the letter, as he usually did, "Respectfully Submitted, Johnnie Jordan" followed by his inmate number. He always included the time as well as the date in the upper right corner of the first page. He wrote in faint pencil, his letters so precariously slanted to the left that his words were difficult to decipher. His a's were triangles, and he bubbled the dots over his i's.

At first, he bristled at questions about his past. Even in jail, he preferred the present. He did not want to go back, to remember, or to try to explain his thoughts.

"The truth is sometimes it seems at moments I can't get the words out to put in place," he wrote from Ross Correctional Institution. "Believe it or not, you have taught me a lot and gave me a lot of reasons to believe in you."

We had come to know each other better by then. It had taken some time not only to get Johnnie to open up, but to try to express himself clearly, and for me to learn how to understand what he meant when he did. We both worked hard on our communication. I began to see a sadness in him that is as deep as his anger.

"People tell me that I'm going to hell," he wrote one afternoon around four o'clock. "Jennifer, hell can't get worse than this cause I'm in hell now. I can only do so much to survive. At times I just want to stop, but I know I can't, I tried. I feel I'm in a deep sleep. Some kind of dream with a lot of misery, that won't let me wake up, that's how I feels, but this is real."

For much of the time, I remained a cool distance from Johnnie. I didn't want to mislead him into thinking I was primarily sympathetic toward him. He had murdered in a particularly brutal way, and I never lost sight of his crime or achieved Mr. Johnson's selfless, almost nonjudgmental compassion. But one evening, during his weekly call, his voice carried the poignant loneliness of a lost boy trying hard not to cry: "I'm trying to hold on, but I don't know how long I can."

pardI realized then that I had become his link to the outside world. Everyone else that week had refused to accept his collect calls. Usually he told me he was "cool," he was hanging in there. This night, I heard the voice of suicide. Why? I asked. Why now, four years after the crime? Had four years of imprisonment finally broken him or had his past caught up with him? I cared more about the reason than about him until he answered quietly in the voice of a childhood he had left behind far too early, and yet was still caught in.

"It hurts, man," he said.

Still, Johnnie had not "snapped," as kids in juvenile hall put it when they recognize the horror of the crime they committed and regret their actions.

"I could get killed in here any day and no one would know about it," he said instead, and I recognized the truth in his words. No one would really care, not even for the sadness of losing another lost child. No one really knew Johnnie Jordan anymore, except me -- and now, perhaps, you. His life, his story, became more important to me then, not because of who Johnnie is, but who he has become and how he became that way. His story holds clues to understanding one of the mysteries of our times: child killers without motive or remorse, without reason.

Through Johnnie Jordan, I hope to bring some light of understanding to the darkness that filled his and Mrs. Johnson's world for that evil moment, one bitter night in January of 1996.

* * *

Johnnie Jordan, Jr.'s Ohio is a cold place of broken glass. The sky doesn't mean much to him. His world is cement and crumbling houses, caving roofs, broken windows, smashed bottles, and slow-moving, dark-windowed cars with loud, hard music, and nineteen foster homes with parents and grandparents in between. "The hood" is what Johnnie considers his home, Toledo's ghetto. "It's cool," he says and shrugs.

"That's where my boys are."

Johnnie's world had always been small, a matter of four or five blocks. Now, in prison, it's even smaller, a few cells or a floor. He doesn't like to go outside much. It's too cold or hot, too wet, or too bright. Outdoors, the air prickles his skin and makes him uneasy. It's not natural to his institutionalized life.

The Johnsons' home in Spencer Township, twenty miles from the Toledo corner that Johnnie hung on, was the farthest he had ever been from the city. He didn't like "the boondocks," as he called it. He did his best to sabotage his placement there by the social workers, until he realized that he liked the Johnsons. He even wanted them to adopt him. They had begun to expose him to something better. Johnnie enjoyed joking and playing checkers with Mr. Johnson. He warmed to Mrs. Johnson's gentle ways. His mouth watered for her fried chicken and collards. He was almost looking forward to tasting the shrimp and fried catfish Mr. Johnson talked so much about.

Two years later, with Johnnie now seventeen years old, a good meal to him is a Coke with Little Debbies. He has never seen an ocean or a mountain. But now, with chains and shackles, through blackened windows of prison transport vans, he has traveled as far as the outskirts of Columbus, Ohio, in the center of the state. He has learned more about the world while in prison.

"You know there's a place called Akron?" he asked me. "Akron, and it's in Ohio. There's a place called Canton, Ohio, too."

The Johnsons, although neither were educated beyond elementary school, could have taught Johnnie all that and much more. They might even have saved him, but slowly. First, they would have had to understand Johnnie's dangerous world. Because even though they passed through the same Toledo streets and the same country roads, Johnnie and the Johnsons experienced profoundly different worlds.

Johnnie never really knew Mr. Johnson's Ohio of picturesque skies and friendly smiles. Though he lived in Mr. Johnson's world for a while, Mr. Johnson's world never lived in him. Johnnie never understood love and kindness, or the wonder, brilliance, and mercy that filled Mr. Johnson's life. And Mr. Johnson did not know Johnnie's world of using and being used, of blood and meanness, a jarring world with no reason and no sense. When he found out, it was too late.

Copyright © 2002 by Jennifer Toth

Most helpful customer reviews

18 of 20 people found the following review helpful.
Great book!
By A Customer
This is a really, really good book. Society is so quick to lock up kids who commit awful, heinous crimes, but nobody it seems wants to look inside their heads to find out what makes them tick. Toth tells a terrific, sobering and engrossing story about Johnnie Jordan, who brutally murdered the only person who was ever nice to him -- without explanation. Amazingly, no one in Toledo, Ohio -- not the police, not the judges, not the social workers -- wanted to find out why. Toth did her own investigation and came up with some startling answers.

5 of 6 people found the following review helpful.
Excellent!
By A Customer
A top-rate book....a little wordy in places, but the author was being very specific about showing you this young man's upbringing, and familial background. A truly hard and tough look at the failures of an over-burdened foster-care system, not-to-mention two DEEPLY messed up parents.

5 of 7 people found the following review helpful.
A hunting story
By A Customer
This is a story of a child that we, as a society, have failed from day one. As a CASA volunteer my heart bleeds for this child that NOBODY cared about, that NOBODY helped and that NOBODY wishes to remember. We locked him and threw away the key because as a society we could not face him and acknowledge our errors in dealing with children in foster care, we are too scared. What is more scary to me is that his caseworker Tamara is still working and probably ruining other kids' lives. Where is compassion in our world? Certainly not in the welfare system of this country nor in our legal gurus who charged him as adult.

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~~ PDF Ebook God Is Not a Christian, Nor a Jew, Muslim, Hindu...: God Dwells with Us, in Us, Around Us, as Us, by Carlton Pearson

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God Is Not a Christian, Nor a Jew, Muslim, Hindu...: God Dwells with Us, in Us, Around Us, as Us, by Carlton Pearson

The author of The Gospel of Inclusion continues to rouse organized religion as he raises controversial issues and provides enlightening answers to the deepest questions about God and faith.

 

What is God? Where is God? Who is the one true God? Questions such as these have driven a thousand human struggles, through war, terrorism, and oppression. Humanity has responded by branching off into multiple religions, including Christianity, Judaism, Islam—each one pitted against the other. But it doesn’t have to be that way.

In God Is Not a Christian, nor a Jew, Muslim, Hindu . . . , the provocative and acclaimed Bishop Carlton Pearson follows up on his celebrated first book, The Gospel of Inclusion, to tackle these questions and many more, exploring new ideas about God and faith and putting forth the stunning assertion that God belongs to no particular religion but is an ever-loving presence available to all. For these beliefs, Bishop Pearson lost his thriving Pentecostal ministry but was catapulted instead into a greater pulpit. His readership has grown through appearances on national television and an extensive speaking schedule. With the world in the midst of a holy war, there is no better time for the wisdom of Bishop Pearson to reach a global audience.

Bishop Pearson’s many loyal fans, along with new readers, will surely welcome this provocative and eye-opening exploration of a deeper faith, one that goes far beyond any fundamentalist way of thinking, be it Christian, Jewish, Muslim, Hindu, etc. Simply put, Bishop Pearson dares to tell the truth so many others are too afraid to face.

  • Sales Rank: #698366 in Books
  • Brand: Pearson, Carlton
  • Published on: 2011-03-15
  • Released on: 2011-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.87" h x .70" w x 5.75" l, .64 pounds
  • Binding: Paperback
  • 304 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
Starred Review. Many readers will recognize Pearson as the one-time protégé of Oral Roberts and himself a dynamic and popular preacher ordained by the Church of God in Christ. Pearson fell out of favor when he openly advocated a universalist approach to salvation and was subsequently disowned by Roberts and by virtually every other evangelical or Pentecostal he had worked with. In this stirring and surprising work, Pearson goes the next step, completely distancing himself from his Pentecostal roots and aligning himself with the New Thought movement, an American spiritual philosophy that emphasizes the power of thought to affect circumstances. The author's passion jumps off each page as he attempts to guide his readers along the tortuous path that led and informed him. He argues for an open and loving faith experience, as opposed to the "cult of myths and secret rites of initiation" that he perceives Christianity to have become. Pearson will anger his old friends with this book, but he will likely make some new friends as they join him in his quest for spiritual clarity.

Review
"At the heart of this remarkable book is a compassionate voice offering wisdom-guided revelations from Bishop Pearson's own inner exploration of scripture, the nature of God, and the realities of human existence." -- Michael Bernard Beckwith, author of "Spiritual Liberation Fulfilling Your Soul's Potential"

About the Author
Bishop Carlton Pearson is an independent spiritual leader and successful Gospel recording artist. He was once an heir-apparent to Oral Roberts and a bishop in the Pentecostal Church, presiding over six hundred churches. He lives in Chicago.Visit Bishop Carlton Pearson at www.gospelofinclusion.com.

Most helpful customer reviews

60 of 62 people found the following review helpful.
A Good Book for Questioning Fundamentalists
By C. D. White
I was raised to believe this: That every word of the Bible is the inerrant word of God, that there is a heaven for believers and an eternal hell for non-believers, that I should fear Satan and worship God, that God demands to be worshiped, and that God loves me so much that he will opt not to torture me for eternity if, and only if, I hold the proper kind of faith in the proper interpretation of the perfect Bible. My church leaders always had the answer to every question that one could ever ask.

If you were raised similarly and you have been wondering about, looking for, or finding, your way out of a know-it-all Christian sect of smug certainty, then you will find great encouragement from this book. Time and again, I have read a passage from the book and exclaimed, "that is just what I said twenty (or thirty or forty) years ago! I am not the only one!"

Pearson obviously knows well the smug hell of blind fundamentalist belief in which many of us were raised. He knows well one of the paths out of that hell. If you are interested in his story of his path, this book is for you.

However, if you were never raised in that kind of religious culture, this book will likely seem rather shallow and obvious. After all, Bishop Pearson does not claim to know all about Catholicism, the liberal or liturgical churches, Zen, Buddhism, or many other paths.

And, if you still happily live in the belief that true believers go to heaven and nonbelievers go to eternal torture, you may find this book obscene or blasphemous. To really value this book, you must already wonder for yourself how a God who is Love could create a powerful Satan and an eternal Hell. As Pearson might say, every sane and loving parent loves better than that.

24 of 25 people found the following review helpful.
Great book for all seekers of Truth!
By Tivette
I discovered Bishop Pearce through an on-line search for something that led me to something, which led me to a YouTube video of him preaching to a congregation which was amazing! And later through downloading some of his sermons from the latest church: [...]

I really admire this man and his commitment to God, to go through all the challenges his life-long indoctrination put before him as he was deeply spiritually awakened and called to a much higher place in order to really serve mankind and be a true channel of God. This book and the one before tell of a very important and very human journey that many are making right now as we awaken to a higher calling on this planet and our work to transform it.

His books offer much and should be savored. This is a great book for all seekers of Truth--enjoy!

23 of 24 people found the following review helpful.
A Lesson from a God loving man
By David
When religious zealots from all walks of religion are trying to convince you that their way of knowing God is the only way, I recommend "God is not Christian, nor a jew, Muslim, Hindu" as a must read because it takes on religious dogma and rituals and puts what is the essential view on spirituality. Enlightenment comes to those who are free from "persecution of sin" and can express themselves freely without any type of retribution from an angry God. Carlton Pearson is a forerunner on the future of what religions will preach. I am very excited about the love this book brings to the world! Right on, Carlton! I don't know you but I love you for writing this book!

David Polk

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Jumat, 25 April 2014

~ Free Ebook Something to Tell You: A Novel, by Hanif Kureishi

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Something to Tell You: A Novel, by Hanif Kureishi

THE STUNNINGLY ORIGINAL, ICONOCLASTIC, AWARD-WINNING AUTHOR OF THE BUDDHA OF SUBURBIA RETURNS WITH HIS FINEST, MOST EXUBERANT NOVEL.

In the early 1980s Hanif Kureishi emerged as one of the most compelling new voices in film and fiction. His movies My Beautiful Laundrette and Sammy and Rosie Get Laid and his novel The Buddha of Suburbia captivated audiences and inspired other artists. In Something to Tell You, he travels back to those days of hedonism, activism and glorious creativity. And he explores the lives of that generation now, in a very different London.

Jamal is middle-aged, though reluctant to admit it. He has an ex-wife, a son he adores, a thriving career as a psychoanalyst and vast reserves of unsatisfied desire. "Secrets are my currency," he says. "I deal in them for a living." And he has some of his own. He is haunted by Ajita, his first love, whom he hasn't seen in decades, and by an act of violence he has never confessed.

With great empathy and agility, Kureishi has created an array of unforgettable characters -- a hilarious and eccentric theater director, a covey of charming and defiant outcasts and an ebullient sister who thrives on the fringe. All wrestle with their own limits as human beings; all are plagued by the past until they find it within themselves to forgive.

Comic, wise and unfailingly tender, Something to Tell You is Kureishi's best work to date, brilliant and exhilarating.

  • Sales Rank: #1828177 in Books
  • Published on: 2009-10-20
  • Released on: 2009-10-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.10" w x 5.25" l, .68 pounds
  • Binding: Paperback
  • 400 pages

From Publishers Weekly
Starred Review. Prolific screenwriter, playwright and novelist Kureishi has a gift for smart, sparkling prose and expertly crafted characters, and it is on full display in his latest, the funny and heartbreaking story of Jamal Khan, a successful middle-aged London psychoanalyst dogged by a crushing secret and a long-burning torch for his first love. Jamal's son, Rafi, and ex-wife, Josephine, are still very much involved in Jamal's life, but nobody knows that Jamal is still profoundly in love with his high school girlfriend, Ajita, or that his connection to her is soiled by his complicity in a long-ago violent crime. As an analyst, he knows just how haunting the past can be (Secrets are my currency, he informs the reader), and he makes a convincing and often comedic case that madness is an ordinary, unsurprising part of contemporary life. The father-son relationship is especially brilliant, and Kureishi is adept as ever in balancing humor and his piercing insight into the human condition. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Jamal is a London-based psychoanalyst who could use some sessions of his own. The middle-aged divorcé continues to be obsessed with thoughts of his first love. He met Ajita at university, and no woman since, including Jamal’s ex-wife, Josephine, has possessed her beauty, brains, and wit. But lost love is not the worst of Jamal’s problems. He has never confessed to the murder he and two shady mates committed during their student years. Kureishi, a Whitbread Prize winner and two-time Oscar-nominated screenwriter (Venus and My Beautiful Laundrette), conjures a confessional tale in which Jamal endlessly ruminates upon the good and ill in his life. It’s a bit wearying at times, despite a colorful cast of characters. Among them: Henry, a quirky theater director and incorrigible gossip; Miriam, Jamal’s mercurial sister, with a conspicuous collection of piercings and tattoos; and London itself, endlessly eclectic and electric. Kureishi has created an intriguing character in Jamal. But the novel’s ending is a letdown, after so much angst and ado. --Allison Block

Review
"A wickedly funny exploration of guilt, loss, love and the very thin line that separates sanity from insanity. Kureishi's characters are often mad, bad or dangerous to know and all the more delicious for it. This novel, like its other subject, London, bursts at the seams with energy, high -- in equal measure -- on anxiety and a lust for life." -- Monica Ali, author of Brick Lane

Most helpful customer reviews

20 of 22 people found the following review helpful.
"I Am Not, I Feel Certain, Finished With Love."
By Foster Corbin
Jamal Khan, the narrator of Hanif Kureishi's outrageously wonderful latest novel SOMETHING TO TELL YOU is one of the most unusual protagonists you are likely to meet. Middle-aged with an expanding midriff, he is a psychoanalyst fond of quoting Freud, Dante, Proust, Faulkner, Updike, et al. with never enough money to support his estranged wife Josephine, his beloved twelve-year-old son Rafi or his own spending habits as he wears green Paul Smith loafers, among other luxuries. The son of a Pakistani father and English mother, he is haunted by his first love, a beautiful Indian woman, and at the same time guilt-ridden because of an unconfessed crime. It is no accident that he refers often to Dostoyevsky's Raskolnikov.

Jamal is surrounded by a cast of characters that Kureishi draws with a myriad of details so that they come alive as complex human beings on every page. His sister Miriam, whose face is covered with what the writer calls "nuts and bolts" and whose body is full of tattoos, is a Muslim single mother of either five children by three different men or three children by five men-- Jamal cannot remember. Her new lover Henry is a theatre and film director and her brother's best friend. He is separated from his wife Valerie; their two children are Lisa, a social worker who eschews the material, having once lived in a tree and having thrown paint at McDonald's and, according to one character, probably has dirt between her toes; and Sam who is outraged when he catches his father and Miriam engaged in S/M sex. The beautiful Indian woman is Ajita, who harbors her own dark secret; her brother is Mustag who becomes a popular singer; their father is the owner of a factory in London. There are at least a half dozen more characters just as interesting in this almost four-hundred-page novel that teems with life. London, from the 1970's to the present, particularly the area around West London, becomes a character in itself. Mick Jagger even makes an appearance.

Although there is a lot of sex here in at times a most comical story-- about any variety you can think of from sex clubs, houses of prostitution, orgies, male-female sex, male-male, female-female, you name it-- this novel ultimately is about things most serious: the cancerous effect of guilt, missed opportunities, the dynamics between parents and children, racial prejudice, extremism from both the left and right, the consequences of terrorism,but also hope and the wonder of love and its longevity. Jamal on the subject: "I am not, I feel certain, finished with love, either in its benign or its disorderly form, nor it with me."

Kureishi writes beautifully with such phrases as a "stoned Lady Bracknell," a "Gioconda smile," a "springy Salome," and "the latest supermodel of hysteria [as in Freud], Princess Diana." One of the passages that rises to poetry is Jamal's description of his love for his son: "When he was little, I kissed Rafi continuously, licked his stomach, stuck my tongue in his ear, tickled him, squeezed him until he gasped, laughing at his beard of saliva, his bib looking like an Elizabethan ruff. I loved the intimacy: the boy's wet mouth, the smell of his hair, as I'd loved those of various women."

Finally SOMETHING TO TELL YOU is one fantastic story that you will race through; if there is any justice, it certainly will make the next Booker Prize list.

9 of 11 people found the following review helpful.
Kureishi matures and his subjects with him...
By Aleksandra Nita-Lazar
With "Something To Tell You" Hanif Kureishi returns to the soul-searching of the British citizen of mixed, Pakistani-English, descent. While "The Buddha of Suburbia" tackled the problems of adolescence in an immigrant environment in the 1970s, here the main character, Jamal Khan, is a middle-aged, middle-class man who reveals his deepest secrets.

Jamal is a successful psychoanalyst, struggling with his relationships, his desires and his past. The narrative is in form of his monologue, interchanging between present and memories, starting in Jamal's childhood.

Jamal provides background information about other main characters: his rebel sister, Miriam, his film director friend, Henry, his friends from college times - Val and Wolf, his soon-to-be ex-wife, Josephine, and his son, Rafi, and, most importantly, on his first love, Ajita, who haunts him and is a reason for his introspective. Ajita, a beautiful, but pained daughter of an Indian factory owner, reveals to Jamal her most intimate secrets - and after his intervention disappears from his life. Since then, Jamal dreams of meeting her again, at the same time dreading the thought of the encounter.

Kureishi's prose, although fresh and original, is dense, full of meaning, requiring attention - skimming through some paragraphs can result in losing track and getting discouraged. There are also sometimes sudden jumps of narrative changing focus from one paragraph to another, anchoring on one word, which leads to the reminiscences connected with it; his memories flow exactly like a monologue at the shrink (an interesting, purposefully devised stylistic maneuver). The story of Jamal's life is told directly, with his own words, but also with what he withholds (and what is still lurking in his unconscious, with sex at the central place), and with the language he uses - there is a lot of intellectual meandering, erudite references to Freud, Lacan and other titans of psychoanalysis. On the other hand, I liked his less bragging remarks of the life in London throughout the times he describes (the "present" is 2005, when the London bombings took place), which really give the picture of the variety of lifestyles and classes. There whole narrative is a little messy in a postmodern way - a lot of important, weighty subject are just touched and put on a big pile from which they are more or less randomly selected - maybe it is really like the unconscious? Jamal's character is interesting and very well constructed - I liked reading about him, but I am not sure if I liked him - he seems unpleasant, despite his efforts to please the people he likes. Maybe it is because he is so lost, but tries to appear self-confident and nonchalant. The whole novel is complex, I guess like anyone's life - outer and inner - and prompted me to think about myself in an analytical way, but because of this complexity it is difficult to describe all that is important there without rambling...

The novel is crafty, the introduction of crucial events is gradual, so there is always enough suspense to keep the reader excited and read till the end. Is Jamal really a murderer, like he claims in the opening paragraphs? Will he meet Ajita again, and if so, what will come out of it?

Of course, in such a novel, one sees traces of others - the obvious one is Woody Allen (because of psychoanalysis and type of humor). I found there also some echoes of Philip Roth and Saul Bellow, if you like those writers plus the Asian-immigrant flavor, this might be a good pick for you.

5 of 6 people found the following review helpful.
3 and a half stars-A broad slice of lives
By Richard A. Tucker
This was not an easy read but it has enough depth and detail to warrant the patience required to finish it. This is a novel that feels very autobiographical and as such has a deep sense of longing for that centrist existense that is denied to us through the act of living. If things are going well for the main character Jamal Khan, then count on it becoming upset. Whether it's his past, which is not as far away as he'd hoped, or dealing with the changing standards of his own sexuality as he accepts his middle age, he has a lot on his plate.
Jamal is a psychoanalyst and one of those who runs with the popular, artistic and elite crowd among London's movers and shakers. He's a minor success but also a peripheral inhabitant of these socially elite. His best friend is a playwright and director named Henry. Henry has a reputation for genius in the theater but now sees his career coming to an end and has a serious mid-life crisis.
Through Henry's friendship Jamal has earned a place among London's artistsic and social elite. This gives him the opportunity to have wealthy clients to offset his expenses and exercise his desire to help the poorer ones.
The one thing that gives me pause here is the way Jamal's attitude towards others or himself is both pragmatic and problematic. He sees the logical problems of human consience and emotional desire. He notes how history shapes us. However, there is no idealogy that allows us to move beyond those influences. Acceptance helps but it is not a cure. I actually like this perspective but I think many would see it as an excuse to remaining flawed and revel in it. The character (and author's) take on the myth of what passes for normal was particularly insightful.
So what we discover as this story unfolds is that the characters are always influenced by their own actions. An incident that is built upon and realized in this story is the central binding concept that we are what we've done, even the huge mistakes that are otherwise considered out of charcater. We cannot move past it but we can resolve to accept it and therefore endeavor to learn from it. Jamal's sister, Miriam is someone who has a hard time moving beyond anything, using her life's mistakes to shore up her fortress until that becomes so unwieldy that it finally collapses with the unexpected onset of a romantic interest in her messy life.
The past that Jamal has tried so hard to insulate himself from only continues to stay one step behind him, whether it's the lust/love he still harbors for his ex-wife, the son who is feeling more neglected and is acting it out, or his long lost love and the one terrible night when he decided to confront her problem.
My reservations with this story is not it's content, though it is more complex than it has to be, a kind writing style that often has more in common with that dreaded stream of consciousness than it does with well paced prose. No, my problem is that the overlapping nature of all the players seems to be an effort at layering the story. It's a heady balancing act. On most levels I understand the need to write it this way but the back and forth timelines are annoying and often thrown in without much effort at determining the context. It also would have helped to set this solidly in a time period. As written devices go this has a way of grounding the reader and making them more personallly involved. On the other hand, based upon the way this was written, the author did not allow himself much wiggle room to introduce such a timeline. A strong argument could be made for such a timeline's inclusion being seen as pure artifice.
I enjoyed the book and will likely read his work again. The perspective of life in London for a Pakistani transplant is also engaging. As, what was once white Western Europe gives way to a more mixed, ethinically diverse culture, we're seeing the grand reshuffling of the world. Voices like those of Hanif Kureishi will make that transition easier to understand and appreciate.

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Rabu, 23 April 2014

!! Ebook Free The Best of Friends (Pocket Readers Guide), by Susan Mallery

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The Best of Friends (Pocket Readers Guide), by Susan Mallery


New York Times bestselling author Susan Mallery is at her heart-stirring best in this witty, richly layered story about friendship, love, and breaking free.

In high school, studious Jayne Scott and wild child Rebecca Worden became unlikely best friends—a

tie that endured even after Rebecca fled her family to live overseas. After Jayne’s mother passed away, she became part unpaid assistant, part surrogate daughter to the wealthy Wordens. But now, ten years later, Rebecca is coming home to L.A. to cause havoc for Elizabeth, the mother who all but rejected her. And Jayne finds herself pulled deeper into the Wordens’ complicated family dynamics—especially when Rebecca’s brother, David, returns as well.

David is the man Jayne always wanted and knew she could never have. But when he gravitates toward her in spite of Elizabeth’s protests, her vow to escape the family’s shadow is put to the ultimate test. And as lies are shattered and true feelings exposed, Jayne must decide where loyalty ends, and love begins. . . .

  • Sales Rank: #749362 in Books
  • Brand: Pocket Star
  • Published on: 2010-09-28
  • Released on: 2010-09-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.00" w x 4.19" l, .37 pounds
  • Binding: Mass Market Paperback
  • 368 pages
Features
  • Great product!

Review
Complex and creative and definitely addictive, The Best of Friends is an intriguing read that will smash your concept of family and friendship. Don't miss this most captivating of stories this month. --Romance Reviews Today

From the Author
Friendship between women is often complicated and always emotional. We love having girlfriends in our lives, but no one can make us crazier. (With the exception, of course, of our mothers.) The Best of Friends asks whether every friendship is worth saving.

In The Best of Friends, Jayne and Rebecca have been best friends since childhood. An unlikely pair - Rebecca is part of the wealthy Worden family, creators of some of the finest jewelry in the world, while Jayne is the poor orphan the Wordens took in. But is their friendship a good thing for both of them? Or have they stayed friends out of habit? (We've all been there!)

I've included a book club discussion guide in The Best of Friends, and I think this book would make an excellent book club selection. It's a fast, easy read with a lot of heart. If your book club selects The Best of Friends, I'd love to chat with your group by phone. Contact me through my website for details.

Susan Mallery
read. laugh. love.

About the Author
New York Times bestselling author Susan Mallery has entertained millions of readers with her witty and emotional stories about women. Publishers Weekly calls Susan’s prose “luscious and provocative,” and Booklist says “Novels don’t get much better than Mallery’s expert blend of emotional nuance, humor and superb storytelling.” Susan lives in Seattle with her husband and her tiny but intrepid toy poodle. Visit her at www.SusanMallery.com.

Most helpful customer reviews

9 of 9 people found the following review helpful.
great read
By D Hall
I thoroughly enjoyed this book. I read it in one day. I loved it from page one. I like the way she explained Jaynes relationship with everyone in Rebecca's family. I recomend this one to everyone. I have read Susan Mallery books for a very long time and i love them all. This one will have you cheering and wanting to hurt someone all at the same time. I can't say how much i really liked this one but then i love everything she writes.

0 of 0 people found the following review helpful.
Jenny reads
By Jenny Zimmer
This book kept me up till 1AM! Susan Mallery always writes a good story and this is no exception. Oh well maybe..... this one is different and possibly even better than others!

Many of the main characters here are people you love to hate, self centered and devious. This list of characters deviates somewhat from most Mallery books in that there are fewer good guys but of course they, and love, win in the end.

If you're already a Mallery fan you'll probably end up reading till 1AM too and if you're not already A fan, you will quickly become one.

3 of 3 people found the following review helpful.
Came Off the Rails a Bit
By R. Nau
***Semi-spoiler alert!!*** Mallery had me hooked from the beginning. Loved the characters, the story, the fact that it's set in L.A. where I used to live. However, about 2/3 of the way through, the story just seemed to fall apart for me. I didn't buy the big shift in attitude displayed by Rebecca toward Jayne. It seemed too forced, used merely as a catalyst for David and his father to come to terms with what their futures should be. The mom's behavior should easily have served as enough provocation for them. Even the ending didn't redeem this plot twist, but it DID make me hope that she will do a sequel telling Rebecca's story going forward from the last page.

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Senin, 21 April 2014

* Download PDF Stir-Frying to the Sky's Edge: The Ultimate Guide to Mastery, with Authentic Recipes and Stories, by Grace Young

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Stir-Frying to the Sky's Edge: The Ultimate Guide to Mastery, with Authentic Recipes and Stories, by Grace Young

Winner of the 2011 James Beard Foundation Award for International Cooking, this is the authoritative guide to stir-frying: the cooking technique that makes less seem like more, extends small amounts of food to feed many, and makes ingredients their most tender and delicious.

The stir-fry is all things: refined, improvisational, adaptable, and inventive. The technique and tradition of stir-frying, which is at once simple yet subtly complex, is as vital today as it has been for hundreds of years—and is the key to quick and tasty meals.

In Stir-Frying to the Sky’s Edge, award-winning author Grace Young shares more than 100 classic stir-fry recipes that sizzle with heat and pop with flavor, from the great Cantonese stir-fry masters to the culinary customs of Sichuan, Hunan, Shanghai, Beijing, Fujian, Hong Kong, Macau, Taiwan, Singapore, and Malaysia, as well as other countries around the world. With more than eighty stunning full-color photographs, Young’s definitive work illustrates the innumerable, easy-to-learn possibilities the technique offers—dry stir-fries, moist stir-fries, clear stir-fries, velvet stir-fries—and weaves the insights of Chinese cooking philosophy into the preparation of beloved dishes as Kung Pao Chicken, Stir-Fried Beef and Broccoli, Chicken Lo Mein with Ginger Mushrooms, and Dry-Fried Sichuan Beans.

  • Sales Rank: #11661 in Books
  • Published on: 2011-11-01
  • Released on: 2010-05-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.25" h x 2.66" w x 8.00" l, 2.59 pounds
  • Binding: Hardcover
  • 336 pages

From Publishers Weekly
Stir-frying may have been pedestrianized by generations of vegetarian college students, but this beautiful, comprehensive cookbook restores it to its rightful place among the most elegant cookery techniques. The virtues of stir-frying, Young writes, are many: it makes bounty out of small amounts of meat and oil; it emphasizes healthful vegetables; and most importantly, it creates 'alchemic flavor out of raw ingredients. Young (The Breath of a Wok), has a scholarly yet impassioned approach, and she fuses personal anecdotes, meticulously researched history, and stir-fry–related arcana to illuminate her subject. She covers types of woks and utensils and a recommended stir-fry pantry, including a photograph of sauces with tricky-to-decipher packaging. At the book's heart are the classic techniques and dishes of China's regional cuisines, such as Hunan-style cumin beef, Cantonese chicken with black bean sauce, and stir-fried Sichuan beans. Still, for Young, who always travels with her own wok, the story of stir-frying is also the story of the Chinese diaspora. By tracing the stir-fry around the world, she demonstrates all of the diversity it can contain: Jamaican stir-fried chicken with chayote, Cuban fried rice, and Peruvian stir-fried filet mignon. For the serious home cook, this informative, lyrical tome is an inspiration. Photos. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Most people associate stir-frying solely with Chinese cookery, but this classic method of flash cooking has influenced cuisines throughout the world due in large part to the Chinese diaspora. Young, whose expertise in wok technique has already enlightened American cooks, has now gathered recipes for stir-frying reflecting culinary traditions as far-flung as Indonesia and Peru. Familiar Chinese dishes such as Sichuan Pork with Peppers and Peanuts and Shrimp in Lobster Sauce honor classic flavor combinations, but Jamaican Chicken with Chayote shows that stir-frying can adapt to other cultural impulses. For the novice, Young offers lots of basic yet learned advice on shopping for unfamiliar ingredients and on assembling a Chinese pantry. Photographs and step-by-step instructions make fundamental wok tools and techniques accessible to even the least experienced. Her sidebars featuring talented stir-frying masters from all over the world add human dimension to the recipes. --Mark Knoblauch

Review
"With this extraordinarily inspiring and comprehensive book, Grace Young establishes herself not only as one of the world’s great experts in Chinese cooking but as one of its few genuine masters. Buy it, read it, cook from it—and soon you will be on your way to becoming a stir-frying master yourself."

--James Oseland, editor-in-chief of Saveur and author of Cradle of Flavor: Home Cooking from the Sipce Islands of Indonesia, Malaysia, and Singapore

“For Grace Young, poet-laureate of the wok, a way of cooking is a way of life. Through stories, practical kitchen advice, and eminently doable recipes, Stir-Frying to the Sky’s Edge takes the art of stir-frying to a new level."

--Betty Fussell, author of Raising Steaks: The Life & Times of American Beef

“Stir-Frying to the Sky's Edge is the essential cookbook for anyone who wants to stir-fry with confidence, even mastery. Grace Young has interviewed exceptional Chinese cooks from all over the world to document their stories and recipes and to reveal the many ways in which stir-frying has sustained the Chinese in cultures as far-flung as India, Trinidad, Jamaica, Cuba, Peru, France, and America. Whether you are seeking a practical and inspiring Chinese cookbook or a beautiful culinary history, look no further."

--Paula Wolfert, author of Mediterranean Clay Pot Cooking

"Trying to flip quickly through this book is impossible. Nearly every page turn caught me up with something I had to read. Grace Young brings us the entire being of the wok. Yes, she’s a gifted recipe writer, hand holding through each step, so success comes pretty effortlessly. But the revelation with Grace goes further. The wok is probably the most underrated (and underpriced) piece of equipment we have. Grace knows its life, its place not solely in China, but in the world. The wok is immediacy, tradition and maybe even an instrument of life force. Did I get carried away? Maybe, but that’s where Grace can take you. Follow her, you’ll love the trip."

--Lynne Rossetto Kasper, host of Public Radio’s national food show, The Splendid Table®, from American Public Media

"Grace Young's masterful book reveals stir-frying as 'a cooking method of great subtlety and sophistication.' She provides a sense of spirit, of excitement, that makes stir-frying delicious fun. Recipes are clearly written and detailed; you'll get the requisite hand-holding to stir-fry your way to a delicious dinner....Young has done an admirable job showing how this ancient technique can be deliciously new and cool."

--Bill Daley, Chicago Tribune

"Young, whose expertise in wok technique has already enlightened American cooks, has now gathered recipes for stir-frying reflecting culinary traditions as far-flung as Indonesia and Peru.For the novice, Young offers lots of basic yet learned advice on shopping for unfamiliar ingredients and on assembling a Chinese pantry. Photographs and step-by-step instructions make fundamental wok tools and techniques accessible to even the least experienced. Her sidebars featuring talented stir-frying masters from all over the world add human dimension to the recipes."

— Mark Knoblauch, Booklist

"If you've ever spent much time with the award-winning The Breath of a Wok, you know that Grace Young's cookbooks feel as personal as they are practical. Her latest is no exception. And if you're expecting food a la Panda Express, this book will be a revelation. Stir-fries, it turns out, can come from almost every continent, and a good one is no slapdash affair. Young reveals the many small techniques that add up to excellence."

--Katherine Miller Fran Walden, The Oregonian

"Grace Young is one of the very best cookbook authors writing today. Her newest book, Stir-Frying to the Sky's Edge: The Ultimate Guide to Mastery, With Authentic Recipes and Stories is essential reading for anyone interested in Chinese cooking."

--Erica Marcus, Newsday

"The new cookbook by Grace Young is an extended love poem to the wok. It has more than 100 fab recipes, from classics such as Stir-Fried Beef and Broccoli to delicious hybrids like Chinese Jamaican Jerk Chicken Fried Rice and Chinese Trinidadian Stir-Fried Shrimp and Rum. Young's travels take her around the globe and along the way, fortunate readers will learn how to rock the wok."

--Matt Schaffer, The Boston Herald

Most helpful customer reviews

213 of 219 people found the following review helpful.
stir frying with confidence & inspiration
By Charles Gibbs
After purchasing this book, I have had a hard time cooking from any other. To date, I have made: minced pork in lettuce cups; stir-fried beef & broccoli; stir-fried chicken with pineapple and peppers; chinese trinidadian chicken with mango chutney; five spice chicken with sugar snaps; chinese jamaican stir-fried chicken with chayote; stir-fried chicken with carrots & mushrooms; chinese burmese chili chicken; stir-fried salmon in wine sauce; dry-fried pepper & salt shrimp; singapore-style stir-fried lobster; spicy long beans with sausage and mushrooms; fried sweet rice with mushrooms; and singapore noodles. No dish has disappointed. The recipes are clear and concise, the backgrounds giving more appreciation for each dish, and the photography approaches the pornographic for glorious color & close-ups of the food. That said (I may be biased), my dishes have looked remarkably close to the pictures.
I haven't had this much fun cooking from a book in a long time. So. . .buy the book, find those tiny Mom & Pop Asian grocery stores, & don't be afraid to ask questions. You're going to eat well!

147 of 150 people found the following review helpful.
Rediscovering stir-fry!
By KarenSantaFe
Back in the 70s and early 80s, the wok was all the rage. Then in one of my many youthful moves, I lost mine and never thought about it again. Not, that is, until this book came along.

Grace Young's book is great for the first-time wok cook, or for those like me who are rediscovering Asian cooking. The opening section has clear explanations and color photographs on the different kinds of woks, how to season a wok, wok tools, and wok variations in different countries. She provides a very handy list of Asian ingredients, with explantions for each and substitutions that can be used for some. The recipes are clearly written, accessible to the western cook, and lots and lots of color photos which I particularly appreciate. At the back is a resource list of stores and web sites.

I called one of these -- The Wok Shop in San Francisco's Chinatown -- and the store owner, Tane, who is also featured in one of the pictures in the book, was very helpful in helping me choose the right wok for me and my stovetop. A mere sixty bucks and a few days later, I had my wok, wok cover, all my wok tools, and was ready to roll. (I bought a lot of extras but you can get a wok from Tane for as low as $15) Since then we've been using the wok several times a week, and really enjoying the many things that can be made in it, especially the vegetables, which I'm trying to eat more of.

what I appreciated most about Young's philosophy is that wok cooking is extremely inexpensive AND healthy. It is the chosen cooking tool for humans in most parts of the world, and once you learn how to use your wok, most of those other pots and pans really are not needed. Wok, heat source, something to move the food around (spatula or whatever), and some food from the garden or local market and you are good to go, anywhere on the planet! Highly recommended for novice cooks and chefs alike!!

57 of 59 people found the following review helpful.
The finest I have found on the subject of stir frying
By David S. Goldy
Stir-Frying to the Sky's Edge is what a cookbook about stir frying should be. I have lost count of the number of such books on the subject which I have read through and I have cooked from at least ten and this is the finest for some of the reasons described below.

First, all recipes can actually be made; the ingredients used are available at most supermarkets and the few which are not are available at any metropolitan area asian grocer or from many mail order vendors for those of you living in rural areas.

Second, the quantity of ingredients and directions are detailed and straight forward. The author goes so far as to write up techniques and tools for preparing the proteins and vegetables such as the best ways to cut matchstick sized vegetables, slice proteins, etc. There is no guess work needed to make the recipes. The author avoids this very common failing of cookbooks.

As a consequence of the foregoing, even a novice cook can actually make the recipes as intended by the author and they are delicious.

Third, I have loved the flavors, textures and smells of all of the recipes which I have made. The dishes written up are excellent.

Fourth, there is a great variety of dishes covering all of the usual proteins and vegetables. Whatever one you favor, you will find a preparation including it, and most likely featuring it, be it chicken, fish, seafood, beef, pork, noodles, rice, and all sorts of vegetables.

I do wish that the recipes contained nutrition information. However, this is common among non-diet books.

I expect that I will make at least 90% of the recipes in this book and expect to love them all. This book is a keeper and worth adding to you cookbook collection. I am grateful to the author and anticipate that you will be too.

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